In No. 376, of the MIRROR, is a communication from W.W. respecting the pension granted by Charles II. to the Pendrils, for aiding him in his escape, after the fatal battle of Worcester. There was another family who enjoyed a pension from the same monarch, named Tattersall, one of whom conveyed Charles from Brighton in his open fishing-boat. A descendant is now living at that place, but the family, through ignorance and neglect, have ceased to enjoy the grant.

The house in which the king rested at Brighton, is now an inn, in West Street, called the King's Head, and is kept by a Mr. Eales.

H. BERGER.

LINES WRITTEN IN A LADY'S ALBUM

(For the Mirror.)

The star is set that lighted me Thro' Fancy's wide domain, And the fairy paths of poesy, I now may seek in vain. 'Tis but when Sorrow's clouds appear, In frowning darkness o'er me, The light of Song bursts forth to cheer The gloomy path before me. As o'er the dusky waves at night, Oft Mariners behold That ocean-form, St. Ermo's light, When tempests are foretold. Two reasons in my mind arise. Why Song is now denied me;— No light can venture near thine eyes, Nor Grief—when thou'rt beside me!

MINSTREL BALLAD

WRITTEN ON A FLYLEAF OF A VOLUME OF ONE OF THE "WAVERLEY NOVELS."

(For the Mirror.)

Waken, lords and ladies gay, On the mountain dawns the day, All the jolly chase is here, With hawk and horse, and hunting spear; Hounds are in their couples yelling, Hawks are whistling, horns are knelling, Merrily, merrily, mingle they, "Waken, lords and ladies gay." Waken, lords and ladies gay, The mist has left the mountain grey, Springlets in the dawn are streaming, Diamonds on the brake are gleaming, And foresters have busy been, To track the buck in thicket green; Now we come to chant our lay, "Waken, lords and ladies gay." Waken, lords and ladies gay, To the green wood haste away, We can show you where he lies, Fleet of foot, and tall of size; We can show the marks he made When 'gainst the oak his antlers frayed; You shall see him brought to bay. "Waken, lords and ladies gay." Louder, louder, chant the lay, Waken, lords and ladies say, Tell them youth, and mirth and glee, Run a course as well as we, Time, stern huntsman! who can balk, Stanch as hound, and fleet as hawk? Think of this, without delay, Gentle lords and ladies gay.

C.C.

THE SKETCH-BOOK

PHYSIOGNOMY OF HOUSES

(For the Mirror.)

Houses undoubtedly present to the eye of fancy, an appearance analogous to physiognomical expression in men. The remark has been made by more acute observers than myself.

Look at that beetle-browed, solemn looking mansion with a ponderous hat-roof—I mean of slates, garnished with bay windows—observe its heavy jaws of areas, its hard, close mouth of a door; its dark, deep sunken eyes of windows peering out from the heavy brow of dark stone coping that supports the slate hat in question: what a contrast to the spruce mock gentility of its neighbour, with a stand-up collar of white steps, a varnished face, and a light, jaunty, yet stiff air, like a city apprentice in his best clothes.

See the cap on the temple of that Chinese Mandarin, poking above yon clump of firs, with its bell furniture; he seems pondering on the aphorisms of Confucius, regardless of that booby faced conservatory, whose bald, rounded pate glitters in the sun. Ah! what have we here; a spruce masquerader in yellow straw hat, trying to look rural with as much success as a reed thatched summer house. Stand in this quiet nook a few hours, and give us the shadow of your mushroom covering.

There is a poor, forlorn wretch with his rags fluttering about him like a beggar—give him a penny—he must be in distress—look at his shattered face and dilapidated form; shored up upon crutches, tottering on the brink of the sewers—shores I mean—of eternity; behold his crushed and crownless hat—his hollow eyes—his rheumy visage—look at that petition penned on his breast. Poh! 'tis a surveyor's notice to pull down. But, then, look at that plurality parson with rotund prominence of portico, and red brick cheeks of vast extent, and that high, steeple-crowned hat—look at the smug, mean, insignificant dwarf of a meeting-house, sinking up to its knees in a narrow lane, and looking as blank as a wall, with a trap-door of a mouth, and a grating cast of eye. How yonder bridegroom, just cemented in an alliance that will not last out his lease of life, "spick and span new," all eyes, and a double row of buttons ornamenting his latticed waistcoat, looks at his adored opposite, who holds her Venetian parasol—sun shade—before her face, glowing like a red brick wall in the sun. Ah! his regards are attracted by a modest little nymph of the grove, seated snugly in a sylvan recess, her pretty white cheeks peeping out beneath the tresses of honeysuckle and woodbine that veil her beauty. Well, railing is in this case allowable, for see that brazen front of maiden sixty, guiltless of curls, with a huge structure of bonnet cocked straight at the top of her head, like the roof of a market-house, and her broad, square skirts of faded green, deformed by formal knots of yew and holly. Look with what a blushless face of triumph she eyes her poor tottering neighbour opposite, who never appears destined "to suffer a recovery." Oh, 'tis remorseless! But look down that vista of charity children in slate coloured Quaker bonnets, stuck one against the other in drab, like pins in a paper, but not so bright; are they going to stand there for ever, with their governess at their head, looking as smug and fubsy as the squat house at the end? Why 'tis—street!—Look at the pump at the other end, that might pass for an abridgment of a parish clerk—and see, there comes stalking across the Green the parish beadle, with a great white placard in his hat—you might well mistake him for Alderman –'s monument in red brick with the marble tablet on the top of it. Ah! my pretty rustic—why your straw hat and brown stuff frock, with white bib, and that gay flowered apron, with the sprig of jessamine stuck at your side—you look so homely and comely beneath the shade of that tall oak, that I could fancy you were only the shepherd's cottage at the corner of the grange. Bless me—here's a modern antique, masquerading in the country!—why a village belle of queen Bess' days, looking as new and as fresh as the young 'squire's lodge, fresh out of the hands of his fancy architect. More mummery! why this gentleman looks as fine and as foolish in his affectation of rugged points and quaint angles, as a staring, white-washed, Gothic villa with the paint not yet dry. Oh! there is certainly no denying that thou art the primest of Quakers, Mr. Chapel, one that will not countenance a belle, but lookest right onward in smooth and demure solidity, with that strip of white path in front of thy brown gravel waistcoat, and the ample skirts of thy road-coloured surtout; not so your neighbour Sturdy, him with his chimney like an ink bottle, upright in his button hole, and his pen-like poplar in his hand; he is equally uncompromising, but looks with an eye of stern regard upon that gay sprig of myrtle with his roof of a hat, jauntily clapped on one side, and a towering charming feather, streaming like smoke in the breeze. But whither have my vagaries led me—here I am once more in the dullest of dull country towns, over which strides the gouty old dean, like a Gothic arch across a cathedral city; and see how the wealthy innkeeper dangles his broad medal (sign of his having been in the yeomanry) that swings to the wind like the banner of his troop—how contemptuously he eyes that solid looking overseer, the workhouse, with his right and lefthand men the executioners of the law—Stocks and Cage—oh! turn away—there is that villanous cross barred gripe the Jail—enough, enough, indeed.

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The Mirror of Literature, Amusement, and Instruction. Volume 14, No. 385, August 15, 1829

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ESCAPE OF CHARLES II

(For the Mirror.)

LINES WRITTEN IN A LADY'S ALBUM

(For the Mirror.)

MINSTREL BALLAD

WRITTEN ON A FLYLEAF OF A VOLUME OF ONE OF THE "WAVERLEY NOVELS."

(For the Mirror.)

THE SKETCH-BOOK

PHYSIOGNOMY OF HOUSES

(For the Mirror.)

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