Waller’s political and poetical life began nearly together. In his eighteenth year he wrote the poem that appears first in his works, on “The Prince’s Escape at St. Andero:” a piece which justifies the observation made by one of his editors, that he attained, by a felicity like instinct, a style which perhaps will never be obsolete; and that “were we to judge only by the wording, we could not know what was wrote at twenty, and what at’ fourscore.” His versification was, in his first essay, such as it appears in his last performance. By the perusal of Fairfax’s translation of Tasso, to which, as Dryden relates, he confessed himself indebted for the smoothness of his numbers, and by his own nicety of observation, he had already formed such a system of metrical harmony as he never afterwards much needed, or much endeavoured, to improve. Denham corrected his numbers by experience, and gained ground gradually upon the ruggedness of his age; but what was acquired by Denham was inherited by Waller.

The next poem, of which the subject seems to fix the time, is supposed by Mr. Fenton to be the “Address to the Queen,” which he considers as congratulating her arrival, in Waller’s twentieth year. He is apparently mistaken; for the mention of the nation’s obligations to her frequent pregnancy proves that it was written when she had brought many children. We have therefore no date of any other poetical production before that which the murder of the Duke of Buckingham occasioned; the steadiness with which the king received the news in the chapel deserved indeed to be rescued from oblivion.

Neither of these pieces that seem to carry their own dates could have been the sudden effusion of fancy. In the verses on the prince’s escape, the prediction of his marriage with the Princess of France must have been written after the event; in the other, the promises of the king’s kindness to the descendants of Buckingham, which could not be properly praised till it had appeared by its effects, show that time was taken for revision and improvement. It is not known that they were published till they appeared long afterwards with other poems.

Waller was not one of those idolaters of praise who cultivate their minds at the expense of their fortunes. Rich as he was by inheritance, he took care early to grow richer, by marrying Mrs. Banks, a great heiress in the city, whom the interest of the court was employed to obtain for Mr. Crofts. Having brought him a son, who died young, and a daughter, who was afterwards married to Mr. Dormer, of Oxfordshire, she died in childbed, and left him a widower of about five-and-twenty, gay and wealthy, to please himself with another marriage.

Being too young to resist beauty, and probably too vain to think himself resistible, he fixed his heart, perhaps half-fondly and half-ambitiously, upon the Lady Dorothea Sidney, eldest daughter of the Earl of Leicester, whom he courted by all the poetry in which Sacharissa is celebrated; the name is derived from the Latin appellation of “sugar,” and implies, if it means anything, a spiritless mildness, and dull good-nature, such as excites rather tenderness and esteem, and such as, though always treated with kindness, is never honoured or admired.

Yet he describes Sacharissa as a sublime predominating beauty, of lofty charms, and imperious influence, on whom he looks with amazement rather than fondness, whose chains he wishes, though in vain, to break, and whose presence is “wine” that “inflames to madness.”

His acquaintance with this high-born dame gave wit no opportunity of boasting its influence; she was not to be subdued by the powers of verse, but rejected his addresses, it is said, with disdain, and drove him away to solace his disappointment with Amoret or Phillis. She married in 1639 the Earl of Sunderland, who died at Newbury in the king’s cause; and, in her old age, meeting somewhere with Waller, asked him, when he would again write such verses upon her; “When you are as young, Madam,” said he, “and as handsome as you were then.”

In this part of his life it was that he was known to Clarendon, among the rest of the men who were eminent in that age for genius and literature; but known so little to his advantage, that they who read his character will not much condemn Sacharissa, that she did not descend from her rank to his embraces, nor think every excellence comprised in wit.

The lady was, indeed, inexorable; but his uncommon comprised in wit, qualifications, though they had no power upon her, recommended him to the scholars and statesmen; and undoubtedly many beauties of that time, however they might receive his love, were proud of his praises. Who they were, whom he dignifies with poetical names, cannot now be known. Amoret, according to Mr. Fenton, was the Lady Sophia Murray. Perhaps by traditions preserved in families more may be discovered.

From the verses written at Penshurst, it has been collected that he diverted his disappointment by a voyage; and his biographers, from his poem on the Whales, think it not improbable that he visited the Bermudas; but it seems much more likely that he should amuse himself with forming an imaginary scene, than that so important an incident, as a visit to America, should have been left floating in conjectural probability.

From his twenty-eighth to his thirty-fifth year, he wrote his pieces on the Reduction of Sallee; on the Reparation of St. Paul’s; to the King on his Navy; the Panegyric on the Queen Mother; the two poems to the Earl of Northumberland; and perhaps others, of which the time cannot be discovered.

When he had lost all hopes of Sacharissa, he looked round him for an easier conquest, and gained a lady of the family of Bresse, or Breaux. The time of his marriage is not exactly known. It has not been discovered that his wife was won by his poetry; nor is anything told of her, but that she brought him many children. He doubtless praised some whom he would have been afraid to marry, and perhaps married one whom he would have been ashamed to praise. Many qualities contribute to domestic happiness, upon which poetry has no colours to bestow; and many airs and sallies may delight imagination, which he who flatters them never can approve. There are charms made only for distant admiration. No spectacle is nobler than a blaze.

Of this wife, his biographers have recorded that she gave him five sons and eight daughters.

During the long interval of Parliament, he is represented as living among those with whom it was most honourable to converse, and enjoying an exuberant fortune with that independence and liberty of speech and conduct which wealth ought always to produce. He was, however, considered as the kinsman of Hampden, and was therefore supposed by the courtiers not to favour them.

Страница 2 из 49

Назад 1 2 3…49 Далее

Lives of the English Poets : Waller, Milton, Cowley

AI-разбор доступен после входа

О книге

Читать онлайн

Вам также может понравиться

Lives of the English Poets : Prior, Congreve, Blackmore, Pope