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2

Parage, peerage—which came to signify all that ambitious youth affected most on the outside of life, in that old world of the Troubadours, with whom this term is of frequent recurrence.

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3

The sonnets have been translated into English, with much poetic taste and skill, by Mr. J. A. Symonds.

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4

How princely, how characteristic of Leonardo, the answer, Quanto piu, un'arte porta seco fatica di corpo, tanto piu e vile!

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5

Yet for Vasari there was some further magic of crimson in the lips and cheeks, lost for us.

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6

Crowe and Cavalcaselle: History of Painting in North Italy.

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7

The purely artistic aspects of this subject have been interpreted, in a work of great taste and learning, by Mrs. Mark Pattison:—The Renaissance of Art in France.

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8

A graceful translation of this and some other poems of the Pleiad may be found in Ballads and Lyrics of old France, by Mr. Andrew Lang.

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9

Words of Charlotte Corday before the Convention.

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10

Italiaenische Reise. Bologna, 19 Oct. 1776.

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11

Faust, Th. ii. Act. 3.

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12

This brief "Conclusion" was omitted in the second edition of this book, as I conceived it might possibly mislead some of those young men into whose hands it might fall. On the whole, I have thought it best to reprint it here, with some slight changes which bring it closer to my original meaning. I have dealt more fully in Marius the Epicurean with the thoughts suggested by it.

Legei pou Herakleitos hoti panta khorei kai ouden menei.

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