О современном лиризме

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Бальмонта."},{"id":"contentnotes0:45","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:46","kind":"heading","text":"15"},{"id":"contentnotes0:47","kind":"paragraph","text":"… смерть и тишина… твердь и в ней луна… – «Холод» В. Брюсова (Вн, с. 54)."},{"id":"contentnotes0:48","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:49","kind":"heading","text":"16"},{"id":"contentnotes0:50","kind":"paragraph","text":"«Остров» – Ежемесячный журнал стихов. Редактор-издатель А. Котылев. Вышел только один номер этого журнала (СПб., 1909, № 1)."},{"id":"contentnotes0:51","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:52","kind":"heading","text":"17"},{"id":"contentnotes0:53","kind":"paragraph","text":"Еврипил – один из фессалийских царей, участник Троянской войны; провел реформу культа Диониса. Эсимнет – культовое имя-эпитет Диониса. Связанная с Еврипилом легенда – сюжет малоизвестный, а потому выбор его Ивановым как темы стихотворения имел оттенок своеобразного эрудитского щегольства – об этом и пишет Анненский в своем разборе."},{"id":"contentnotes0:54","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:55","kind":"heading","text":"18"},{"id":"contentnotes0:56","kind":"paragraph","text":"… попали в газетную пародию… – Пародию, о которой идет речь, обнаружить не удалось."},{"id":"contentnotes0:57","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:58","kind":"heading","text":"19"},{"id":"contentnotes0:59","kind":"paragraph","text":"Брокгауз-Ефрон – энциклопедический словарь. Издатели Ф. А. Брокгауз (Лейпциг), И. Е. Ефрон (С-Петербург) (т. 1-85. СПб., 1890–1906)."},{"id":"contentnotes0:60","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:61","kind":"heading","text":"20"},{"id":"contentnotes0:62","kind":"paragraph","text":"Гонкур де, братья Эдмон (1822–1896) и Жюль (1830–1870) – французские писатели; одним из главных художественных завоеваний братьев Гонкур явилось создание ими импрессионистической манеры письма («гонкуровские блики» – см., например, роман «Актриса»)."},{"id":"contentnotes0:63","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:64","kind":"heading","text":"21"},{"id":"contentnotes0:65","kind":"paragraph","text":"Аоти, Пьер. – Писательская манера Лоти формировалась под влиянием натурализма братьев Гонкур и символистской прозы («эскизность»)."},{"id":"contentnotes0:66","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:67","kind":"heading","text":"22"},{"id":"contentnotes0:68","kind":"paragraph","text":"Кирпичников Александр Иванович (1845–1903) – историк литературы."},{"id":"contentnotes0:69","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:70","kind":"heading","text":"23"},{"id":"contentnotes0:71","kind":"paragraph","text":"Пойте пагубу сражений!.. – «Суд огня» Вяч. Иванова."},{"id":"contentnotes0:72","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:73","kind":"heading","text":"24"},{"id":"contentnotes0:74","kind":"paragraph","text":"Хвалите, хвалите… – «Хвалите» К. Бальмонта (сб. «Птицы в воздухе», 1908, с. 60)."},{"id":"contentnotes0:75","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:76","kind":"heading","text":"25"},{"id":"contentnotes0:77","kind":"paragraph","text":"Ну поцелуй. А в этот миг… – См. сб.: С. Городецкий. Ярь. Стихи лирические и лиро-эпические. СПб., 1907."},{"id":"contentnotes0:78","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:79","kind":"heading","text":"26"},{"id":"contentnotes0:80","kind":"paragraph","text":"… Владимир Соловьев в «Вестнике Европы»… – В «Вестнике Европы» (1895, № 10) была напечатана статья В. Соловьева «Еще о символистах», в которую вошли его стихотворные пародии на сборники Рс."},{"id":"contentnotes0:81","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:82","kind":"heading","text":"27"},{"id":"contentnotes0:83","kind":"paragraph","text":"… Аристофан карикатурил Еврипида… и Сократа… – Еврипид как действующее лицо выведен Аристофаном в трех его комедиях: «Ахарняне», «Женщины на празднике Фесмофорий» и «Лягушки»; в других произведениях Аристофана рассеяны намеки на Еврипида, пародии на его стихи. Сократ изображен Аристофаном в комедии «Облака» как обобщенный образ философа-софиста."},{"id":"contentnotes0:84","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:85","kind":"heading","text":"28"},{"id":"contentnotes0:86","kind":"paragraph","text":"На небесах горят паникадила… – одна из трех стихотворных пародий Вл. Соловьева на символистов. – См. прим. 26."},{"id":"contentnotes0:87","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:88","kind":"heading","text":"29"},{"id":"contentnotes0:89","kind":"paragraph","text":"Encor! quo sans les tristes cheminees… – «L'azur» С. Малларме. Следующий далее подстрочный перевод – Анненского."},{"id":"contentnotes0:90","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:91","kind":"heading","text":"30"},{"id":"contentnotes0:92","kind":"paragraph","text":"Мартов, Эрл (А. Бугон) – журналист, литератор. В Рс 2–3 напечатано несколько его стихотворений."},{"id":"contentnotes0:93","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:94","kind":"heading","text":"31"},{"id":"contentnotes0:95","kind":"paragraph","text":"Миропольский (Ланг Александр Александрович, 1872–1917) – поэт-символист, участник всех трех выпусков Рс."},{"id":"contentnotes0:96","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:97","kind":"heading","text":"32"},{"id":"contentnotes0:98","kind":"paragraph","text":"Даров В. – См. прим. 4."},{"id":"contentnotes0:99","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:100","kind":"heading","text":"33"},{"id":"contentnotes0:101","kind":"paragraph","text":"Измайлов Александр Алексеевич (1873–1921) – писатель, критик, автор широкоизвестных пародий и шаржей, многие из которых были направлены против декадентства."},{"id":"contentnotes0:102","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:103","kind":"heading","text":"34"},{"id":"contentnotes0:104","kind":"paragraph","text":"Рукавишников Иван Сергеевич (1877–1930) – поэт и писатель, испытал влияние символизма."},{"id":"contentnotes0:105","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:106","kind":"heading","text":"35"},{"id":"contentnotes0:107","kind":"paragraph","text":"Векклейн Николай (1843–1926) – немецкий филолог-классик, переводчик Гомера и других древнегреческих поэтов."},{"id":"contentnotes0:108","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:109","kind":"heading","text":"36"},{"id":"contentnotes0:110","kind":"paragraph","text":"Книга Отражений, I. СПб., 1906. Изд. бр. Башмаковых, с. 171–214."},{"id":"contentnotes0:111","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:112","kind":"heading","text":"37"},{"id":"contentnotes0:113","kind":"paragraph","text":"Суза Робер де (1851-?) – французский поэт и литературный критик; автор работ о современной ему поэзии, а также о французской просодии и метрике. Бурд Поль (1851–1914) – французский публицист. Занимал официальные должности в колониях; описал свои путешествия в ряде очерков и пьес для театра."},{"id":"contentnotes0:114","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:115","kind":"heading","text":"38"},{"id":"contentnotes0:116","kind":"paragraph","text":"Мореас Жан (1856–1910) – поэт-символист и теоретик символизма; ему принадлежит «Манифест символизма» («Фигаро», 1886, 18 сент.)."},{"id":"contentnotes0:117","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:118","kind":"heading","text":"39"},{"id":"contentnotes0:119","kind":"paragraph","text":"XIX в. (фр.)."},{"id":"contentnotes0:120","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:121","kind":"heading","text":"40"},{"id":"contentnotes0:122","kind":"paragraph","text":"Рембо Артюр (1854–1891) – французский поэт-символист; «сонет о гласных» – имеется в виду его сонет «Гласные», где говорится об окраске каждого звука и продолжение мысли Бодлера о «соответствиях» между звуками и цветами."},{"id":"contentnotes0:123","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:124","kind":"heading","text":"41"},{"id":"contentnotes0:125","kind":"paragraph","text":"Византинизм – одно из обозначений декадентства, в котором подчеркивается сравнение декаданса начала XX в. с культурой Византии эпохи упадка (XIV–XV вв.) с ее особенным вниманием к вопросам художественной формы, с увлечением пряными, фривольными сюжетами."},{"id":"contentnotes0:126","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:127","kind":"heading","text":"42"},{"id":"contentnotes0:128","kind":"paragraph","text":"… меняются между собой… подписями… поэты… – Может быть, имеются в виду: Брюсов В. Акростих М. А. Кузмину (Вн., с. 141); посвящение В. Брюсова на его книге стихов «Urbi et orbi» (1903): «К. Д. Бальмонту. Поэту брату», – или его же посвящение перед «Юношескими стихотворениями» (Пп1): «А. А. Миропольскому. Другу давних лет»."},{"id":"contentnotes0:129","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:130","kind":"heading","text":"43"},{"id":"contentnotes0:131","kind":"paragraph","text":"А кто не слышал о рифмах брюсовского сонета, которые угадал Вячеслав Иванов? – Вяч. Иванов «угадал» рифмы брюсовского сонета «Ликорн» (Вн, с. 35). Анненский знал об этом поэтическом состязании в силу своей близости к символистским кругам в этот период. В настоящее время эти обстоятельства становятся ясными из письма Вяч. Иванова Брюсову (1.11 1909 г.) и примечаний к нему, опубликованных в кн.: Литературное наследство, т. 85. В. Брюсов. М., «Наука», 1976, с. 520–521."},{"id":"contentnotes0:132","kind":"paragraph","text":"Вернуться"}],"toc":[{"id":"content1:0:1","label":"Список 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