Сочинения в двух томах

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Включены лирические, эпические и политические поэмы, отражающие эпоху 1840‑1860 г. Автор сочетает античную образность с русской реалистической тематикой. Книга представляет интерес как для любителей классической русской поэзии, так и для исследователей литературной истории XIX века. 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Ну, пусть труд свершат свой","О Рим, о чудный край! Всё кажется здесь сном!","\"ИСТОМЛЕННАЯ ГОРЕМ, ВСЕ ВЫПЛАКАВ СЛЕЗЫ...\"","\"ПОРЫВЫ НЕЖНОСТИ ОБУЗДЫВАТЬ УМЕЯ...\"","От солнца лилия пугливо головкой прячется своей, всё ночи ждет, всё ждет тоскливо — взошел бы месяц поскорей.","Король Гаральд на дне морском сидит уж век, сидит другой, с своей возлюбленной вдвоем, с своей царевною морской."]}],"authorSummary":{"key":"authorSummary","title":"Сводка по автору из Wikidata","body":"1821–1897. Apollon Maykov. российский поэт и переводчик"},"hasArtifacts":true,"canReadInApp":true,"readUrl":"https://web.bookra.app/?startapp=r_796723","artifactsUrl":"https://web.bookra.app/?startapp=b_796723","readCtaLabel":"Читать бесплатно","artifactsCtaLabel":"AI-разбор","appReadLinks":{"tg":"https://t.me/bookra_lib_bot/BookRa?startapp=r_796723","vk":"https://vk.com/app54470698#startapp=r_796723","max":"https://max.ru/id7751370047_bot?startapp=r_796723","web":"https://web.bookra.app/?startapp=r_796723"},"appAnalysisLinks":{"tg":"https://t.me/bookra_lib_bot/BookRa?startapp=b_796723","vk":"https://vk.com/app54470698#startapp=b_796723","max":"https://max.ru/id7751370047_bot?startapp=b_796723","web":"https://web.bookra.app/?startapp=b_796723"},"guestReaderUrl":"/books/1CZTMKCP?page=204#reader-content","authorCtaLabel":"Все книги автора","authorProtectedUrl":"/author/2ab082c9-de72-11e1-8ff8-e0655889a7ab","readersCount":0,"adultLabel":"0+","yearLabel":null,"datePublished":null,"publisherLabel":null,"isbn":null,"oclc":null,"lccn":null,"partnerUrl":null,"accessNote":"Полный текст книги и AI-разбор откроются на защищенных страницах BookRa после входа."},"reader":{"page":204,"totalPages":206,"hasPrev":true,"hasNext":true,"prevPageUrl":"/books/1CZTMKCP?page=203#reader-content","nextPageUrl":"/books/1CZTMKCP?page=205#reader-content","progressLabel":"Страница 204 из 206","sections":[{"id":"id4109:228","kind":"paragraph","text":"Многочисленные архивные материалы свидетельствуют о том, что Майков в течение долгого времени (1855-1859) работал над поэмой, неоднократно возвращаясь к наиболее важным ее эпизодам. В октябре — ноябре 1855 г. автор читал поэму (в первоначальной редакции) близким друзьям и знакомым. «Вы помните это прекрасное стихотворение, — писал И. А. Гончаров Е. В. Толстой 20 октября 1855 г., — но тогда была одна половина, он прибавил другую, где сильно говорит о злоупотреблениях, ворах и невежестве в нашей родной стране и о том, как внешний вид порядка и строгости прикрывает все это. Сказанное в дантовском тоне, — это выходит величаво, мрачно и правдиво» («Голос минувшего», 1913, No 11, с. 228). А. В. Никитенко записал в дневнике 24 ноября 1855 г.: «На днях \u003CА. Н. Майков\u003E читал у меня свое новое стихотворение «Сны». Оно написано уже в другом духе, чем последние его пьесы. Я советую Майкову не вдаваться ни в какие суетные учения или партии, а быть просто художником, к чему у него истинное призвание» (Дневник, т. 1, с. 425). Говоря о последних пьесах Майкова, А. В. Никитенко в первую очередь имел, по всей вероятности, в виду его стих., посвященные Николаю I, вызвавшие негодование демократической общественности (см. примеч. к стих. \u003C«Коляска»\u003E, с. 497). В поэме «Сны», особенно в запрещенных цензурой строках, отразились совсем иные настроения автора, близкие передовой части русского общества. Позиция Майкова, впрочем, была весьма неустойчива. В декабре 1855 г. он писал, что «грех» сборника «1854-й год» искупается «не менее страстно, и, следовательно, опять далеко от истинной поэзии, — «Сном» — подражание Данту...» (Ежегодник, 1975, с. 86). А 15 апреля 1857 г. в письме к П. А. Плетневу вновь говорил о важном для него значении «Снов»: «...нынешняя осень и зима были для меня самые счастливые в моей жизни авторской \u003C...\u003E я написал очень много, и чувствую сам, попал наконец на хорошую дорогу. И стих и приемы — все стало иное. Этому много виною, что в общих положениях (в моей философии) попал я на хороший Standpunkt \u003CСточку зрения, нем. — Ред.\u003E, забрался на такую высоту, откуда понял значение событий и явлений, каким был свидетель в жизни, и решил инстинктивно, для себя, разумеется, многие из вопросов литературных, которые составляют предметы споров нашего пишущего мира. Следствием этого был величайший, благословеннейший мир в душе моей, полная свобода от чужих принятых и отвергаемых воззрений и новое, спокойное течение мыслей и стихов. Успокоенная насчет вопросов века, муза моя разродилась \u003C...\u003E целой поэмой в 4-е песни. Поэма эта развилась из тех двух видений, которые я читал Вам прошлого года. Эти видения вошли в нее. Теперь вся она, кажется, кончена... (Ежегодник, 1975, с. 92-93)."},{"id":"id4109:229","kind":"paragraph","text":"Все старания Майкова опубликовать поэму полностью не увенчались успехом. После публикации «Снов» в «Русском слове» в искаженном цензурой виде Гончаров писал автору, интересовавшемуся отзывами о поэме: «Я, собственно, я — не шутя слышу в ней Данта, то есть форма, образ, речь, склад \u003C... \u003E Но говорят о нем — скажу откровенно — мало Причина этому, конечно, Вам понятна: поэма не вся напечатана, из нее вырезано сердце, разрушена ее симметричность, словом, она искажена и со стороны архитектуры, н со стороны мысли \u003C.... \u003E По-моему, ничто так сильно не доказывает Вашего искреннего и горячего служения искусству, как эта. поема: Вы создавали, не заботясь о ценсуре, о печати, Вы были истинный поэт в ней и по исполнению, столько же и по намерению» (И, А. Гончаров, Собр. соч. в 8 тт., М., 1977-1980, т. 8, с, 267-268). Находясь в Ницце, Майков читал свою поэму в доценаурном варианте П. А. Вяземскому, который сообщал 6 (18) декабря 1858 г. М. П. Погодину: «Здесь русская эскадра, при ней русская литература: Майков и Григорович \u003C... \u003E Майков написал прекрасную поэму «Сны», где много поэзии и действительности» (ГБЛ). По-видимому, там же автор читал «Сны» и семье декабриста С. Г. Волконского, в архиве которого сохранилось несколько списков этой поэмы."},{"id":"id4109:230","kind":"paragraph","text":"Посвящение. О сын мой, милый сын, как резвый и живой и т. д. — «Посвящение» и вся поэма автобиографичны.. Здесь, вероятно, имеется в виду сын поэта, Николай, родившийся 24 января 1853 г."},{"id":"id4109:231","kind":"paragraph","text":"Песнь первая. Искусства труженик, без жажды славы лживой — отец поэта, художник Николай Аполлонович Майков (1796-1873). Речь идет о детских годах Майкова, проведенных под Москвой в поместье отца, сельце Никольском, недалеко от Троице-Сергиевской лавры. Из братьев я хоть был всех старее годами. — Братья Майковы: Аполлон (1821-1897), Валериан (1823-1847), Владимир (1826-1885); журналист и переводчик, Леонид (1839-1900), историк литературы, академик. Красным // Он машет колпаком... — Красный колпак — фригийский."},{"id":"id4109:232","kind":"paragraph","text":"Песнь третья. Явился царь и т. д. — Речь идет о Николае I. Убежденный монархист, Майков тем не менее не мог не ощущать, в каком тяжелейшем положении находилась Россия во времена николаевской реакции. Однако он склонен был объяснять все злоупотребления лишь влиянием на царя окружающих его лживых, ничтожных и презирающих народ и родину сановников (см. эпиграмму «С народом говори, не сдержанный боязнью...» и стих. «Окончена война. Подписан подлый мир...»). От храма хлынула народная волна. — См. примеч. к стих. «Вне ограды Campo Santo...», т. 1, с. 526. «Наука — это бунт!» — твердили в слух царя... и т. д. — В 1849 г. появились настойчивые слухи, вызванные постоянным ужесточением правительственной реакции, о закрытии университетов и превращении их в узкоспециальные учебные заведения. В начале Крымской войны 1853-1856 гг. начальством было инспирировано «желание» студентов обучаться военному строю, чтобы в случае необходимости вступить в ополчение."},{"id":"id4109:233","kind":"paragraph","text":"Песнь четвертая. В черновых набросках этой «песни» имеются строки, связанные с коронацией Александра II (26 августа 1856, Москва), — они позволяют прояснить позицию Майкова, уповавшего на решительные преобразования, которых он ожидал от нового императора,"}],"toc":[{"id":"id4163:0:1","label":"Аполлон Николаевич Майков Сочинения в двух томах","page":1,"pageUrl":"/books/1CZTMKCP#reader-content"},{"id":"id4162:0:1","label":"ПОЭЗИЯ А. Н. 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