Бальмонт-лирик

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черта: несколько необычная искренность в раскрытии женской психологии) (фр.)."},{"id":"contentnotes0:114","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:115","kind":"heading","text":"39"},{"id":"contentnotes0:116","kind":"paragraph","text":"Мой идеал теперь – хозяйка… – строка из чернового наброска к «Путешествию Онегина»."},{"id":"contentnotes0:117","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:118","kind":"heading","text":"40"},{"id":"contentnotes0:119","kind":"paragraph","text":"…беклиновские волны… – Беклин Арнольд (1827–1901) – швейцарский живописец-символист."},{"id":"contentnotes0:120","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:121","kind":"heading","text":"41"},{"id":"contentnotes0:122","kind":"paragraph","text":"Будь без страха (исп.)."},{"id":"contentnotes0:123","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:124","kind":"heading","text":"42"},{"id":"contentnotes0:125","kind":"paragraph","text":"Как медленно, как тягостно, как скучно… – «Колдунья» (Бкс)."},{"id":"contentnotes0:126","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:127","kind":"heading","text":"43"},{"id":"contentnotes0:128","kind":"paragraph","text":"А вот конец «Колдуньи влюбленной» – Бкс."},{"id":"contentnotes0:129","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:130","kind":"heading","text":"44"},{"id":"contentnotes0:131","kind":"paragraph","text":"Ты мне говоришь, что как женщина я… – Гз."},{"id":"contentnotes0:132","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:133","kind":"heading","text":"45"},{"id":"contentnotes0:134","kind":"paragraph","text":"Хочу быть дерзким… – «Хочу» (Бкс)."},{"id":"contentnotes0:135","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:136","kind":"heading","text":"46"},{"id":"contentnotes0:137","kind":"paragraph","text":"Уйдите боги, уйдите люди… – то же стихотворение."},{"id":"contentnotes0:138","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:139","kind":"heading","text":"47"},{"id":"contentnotes0:140","kind":"paragraph","text":"Счастье души утомленной… – «Белладонна» (Гз)."},{"id":"contentnotes0:141","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:142","kind":"heading","text":"48"},{"id":"contentnotes0:143","kind":"paragraph","text":"…помнят… пьесу Пушкина… о двух женщинах и тютчевский «Темный огнь желанья»… – См. стихотворение Пушкина «Нет, я не дорожу мятежным наслажденьем» и стихотворение Тютчева «Люблю глаза твои, мой друг…». Последняя строка у Тютчева читается: «Угрюмый, тусклый огнь желанья»."},{"id":"contentnotes0:144","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:145","kind":"heading","text":"49"},{"id":"contentnotes0:146","kind":"paragraph","text":"У ног твоих я понял в первый раз… – Бкс."},{"id":"contentnotes0:147","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:148","kind":"heading","text":"50"},{"id":"contentnotes0:149","kind":"paragraph","text":"У нее глаза морского цвета… – «Морская душа» (Бкс)."},{"id":"contentnotes0:150","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:151","kind":"heading","text":"51"},{"id":"contentnotes0:152","kind":"paragraph","text":"Ты вся – безмолвие несчастия… – «Я буду ждать» (Гз). 8-я строка читается: «Крылатых, но не ходких птиц»."},{"id":"contentnotes0:153","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:154","kind":"heading","text":"52"},{"id":"contentnotes0:155","kind":"paragraph","text":"Рибера Хосе (по прозвищу Спаньолетто; 1591–1652) – испанский живописец и гравер."},{"id":"contentnotes0:156","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:157","kind":"heading","text":"53"},{"id":"contentnotes0:158","kind":"paragraph","text":"Упанишады – общее название различных по характеру и объему философских сочинений Древней Индии (см. стихотворение Бальмонта «Из Упанишад»)."},{"id":"contentnotes0:159","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:160","kind":"heading","text":"54"},{"id":"contentnotes0:161","kind":"paragraph","text":"Агур-мазда (Ормузд) – обожествленное светлое начало в религии древнего Ирана и Азербайджана (см. стихотворение Бальмонта «Скорбь Агура-мазды»)."},{"id":"contentnotes0:162","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:163","kind":"heading","text":"55"},{"id":"contentnotes0:164","kind":"paragraph","text":"Аккерман Луиза Викторина (урожд. Шике; 1813–1890) – французская поэтесса."},{"id":"contentnotes0:165","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:166","kind":"heading","text":"56"},{"id":"contentnotes0:167","kind":"paragraph","text":"Гюйо Жан-Мари (1854–1888) – французский философ-идеалист."},{"id":"contentnotes0:168","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:169","kind":"heading","text":"57"},{"id":"contentnotes0:170","kind":"paragraph","text":"Соловьев Владимир Сергеевич (1853–1900) – философ-идеалист, богослов, поэт и публицист."},{"id":"contentnotes0:171","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:172","kind":"heading","text":"58"},{"id":"contentnotes0:173","kind":"paragraph","text":"Мне чужды ваши рассуждения… – «Далеким близким» (Тл)."},{"id":"contentnotes0:174","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:175","kind":"heading","text":"59"},{"id":"contentnotes0:176","kind":"paragraph","text":"Факелы, тлея, чадят… – «Потухшие факелы» (Гз)."},{"id":"contentnotes0:177","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:178","kind":"heading","text":"60"},{"id":"contentnotes0:179","kind":"paragraph","text":"Когда я к другому в упор подхожу… – «Глаза» (Бкс)."},{"id":"contentnotes0:180","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:181","kind":"heading","text":"61"},{"id":"contentnotes0:182","kind":"paragraph","text":"О да, я Избранный, я Мудрый, Посвященный… – «Избранный» (Гз)."},{"id":"contentnotes0:183","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:184","kind":"heading","text":"62"},{"id":"contentnotes0:185","kind":"paragraph","text":"Мир должен быть оправдан весь… – «В душах есть все» (Гз)."},{"id":"contentnotes0:186","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:187","kind":"heading","text":"63"},{"id":"contentnotes0:188","kind":"paragraph","text":"…канона Поликлета… – Поликлет (жил в 5 в. до н. э.). – древнегреческий скульптор. Изображал преимущественно фигуры юных атлетов; из них наиболее знаменит «Дорифор» (копьеносец). Эту статую древние называли каноном."},{"id":"contentnotes0:189","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:190","kind":"heading","text":"64"},{"id":"contentnotes0:191","kind":"paragraph","text":"Человека со сломанным носом (фр.)."},{"id":"contentnotes0:192","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:193","kind":"heading","text":"65"},{"id":"contentnotes0:194","kind":"paragraph","text":"…на роденовского l'homme au nez casse… – Роден Огюст (1840–1917) – французский скульптор. «Человек со сломанным носом» (1864) – скульптура Родена."},{"id":"contentnotes0:195","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:196","kind":"heading","text":"66"},{"id":"contentnotes0:197","kind":"paragraph","text":"Жить среди беззакония… – Бкс."},{"id":"contentnotes0:198","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:199","kind":"heading","text":"67"},{"id":"contentnotes0:200","kind":"paragraph","text":"Я ненавижу всех святых… – «Голое дьявола» (5кс)."},{"id":"contentnotes0:201","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:202","kind":"heading","text":"68"},{"id":"contentnotes0:203","kind":"paragraph","text":"Я ненавижу человечество… – Тл."},{"id":"contentnotes0:204","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:205","kind":"heading","text":"69"},{"id":"contentnotes0:206","kind":"paragraph","text":"Среди людей самум… – «В душах есть все» (Гз)."},{"id":"contentnotes0:207","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:208","kind":"heading","text":"70"},{"id":"contentnotes0:209","kind":"paragraph","text":"Я не был никогда такой, все все… – Бкс."},{"id":"contentnotes0:210","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:211","kind":"heading","text":"71"},{"id":"contentnotes0:212","kind":"paragraph","text":"Мне нравится, что в мире есть страданья… – строфы из того же стихотворения. 6-я строка у Бальмонта: «Я в пышный смерч свиваю пыльный сор»."},{"id":"contentnotes0:213","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:214","kind":"heading","text":"72"},{"id":"contentnotes0:215","kind":"paragraph","text":"«Цветы Зла» (1857) – книга стихов Шарля Бодлера."},{"id":"contentnotes0:216","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:217","kind":"heading","text":"73"},{"id":"contentnotes0:218","kind":"paragraph","text":"Переломаны кости мои… – «В застенке» (Бкс)."},{"id":"contentnotes0:219","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:220","kind":"heading","text":"74"},{"id":"contentnotes0:221","kind":"paragraph","text":"Отчего мне так душно?.. – (Тл). 7-я строка: «Для чего же я медлю пред раскрытой могилой?» 10-я строка: «Я не гений певучей мечты»."},{"id":"contentnotes0:222","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:223","kind":"heading","text":"75"},{"id":"contentnotes0:224","kind":"paragraph","text":"светы… минутности… – светы («Снежинки»); блески («Ангелы опальные»); мраки («Тайна горбуна»); сумраки («Сумрачные области»); гулы («Под ярмом»); дымы («Дымы»); сверканья («Нам нравятся поэты…»); хохоты («В душах есть все»); давки («Избранный»); щекотания («К смерти»); прижатья (там же); рассекновенья («Различные»); отпадения («Отпадения»); понимания («Полночь»); бездонности («Влияние луны»); мимолетности («Я не знаю мудрости…»); кошмарности («Злая ночь»); минутности («Воздушность»)."},{"id":"contentnotes0:225","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:226","kind":"heading","text":"76"},{"id":"contentnotes0:227","kind":"paragraph","text":"«Намек» – (Бкс). 2-я строка: «В подводной прохладе, утонченный ждущий намек»."},{"id":"contentnotes0:228","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:229","kind":"heading","text":"77"},{"id":"contentnotes0:230","kind":"paragraph","text":"Из воздушного храма уносит далеко… – «Воздушный храм» (Бкс)."},{"id":"contentnotes0:231","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:232","kind":"heading","text":"78"},{"id":"contentnotes0:233","kind":"paragraph","text":"Ты блестишь, как двенадцатицветный алмаз… – «Гимн огню» (Бкс)."},{"id":"contentnotes0:234","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:235","kind":"heading","text":"79"},{"id":"contentnotes0:236","kind":"paragraph","text":"И бродим, бродим мы пустынями… – «Влияние луны» (Бкс)."},{"id":"contentnotes0:237","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:238","kind":"heading","text":"80"},{"id":"contentnotes0:239","kind":"paragraph","text":"В небе видения облачной млечности… – «Лунная соната» (Тл)."},{"id":"contentnotes0:240","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:241","kind":"heading","text":"81"},{"id":"contentnotes0:242","kind":"paragraph","text":"Море времени и мысли… – «Полночь» (Тл)."},{"id":"contentnotes0:243","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:244","kind":"heading","text":"82"},{"id":"contentnotes0:245","kind":"paragraph","text":"Все зримое – игра воображенья… – «Кукольный театр» (Бкс)."},{"id":"contentnotes0:246","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:247","kind":"heading","text":"83"},{"id":"contentnotes0:248","kind":"paragraph","text":"…безызмерность… безглагольностъ… – безызмерность («Влияние луны»); зaпредельность («Жар-птица»); напевность («Если грустно тебе…»); многозыблемость («Зимой ли кончается год…»); кошмарность («Злая ночь»); безглаголъность («Безглагольность»)."},{"id":"contentnotes0:249","kind":"paragraph","text":"Вернуться"}],"toc":[{"id":"content0:0:1","label":"Иннокентий Федорович Анненский 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