Размышления

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О своей жизни, о встречах и дружбе с писателями Хемингуэем и Ремарком, актерами Габеном и Эдит Пиаф и другими деятелями искусства рассказывает в своей книге Марлен Дитрих."},{"id":"id16118:2","kind":"paragraph","text":"Размышления"},{"id":"id16118:3","kind":"paragraph","text":"Когда не умирает любовь…"},{"id":"id16118:4","kind":"paragraph","text":"Неувядаемая Марлен"},{"id":"id16118:5","kind":"paragraph","text":"Предисловие"},{"id":"id16118:6","kind":"paragraph","text":"ЧАСТЬ ПЕРВАЯ"},{"id":"id16118:7","kind":"paragraph","text":"Детство"},{"id":"id16118:8","kind":"paragraph","text":"Юность"},{"id":"id16118:9","kind":"paragraph","text":"Ты — Свенгали, Я — Трильби[13]"},{"id":"id16118:10","kind":"paragraph","text":"Голливуд"},{"id":"id16118:11","kind":"paragraph","text":"Актерские стили"},{"id":"id16118:12","kind":"paragraph","text":"Ревность"},{"id":"id16118:13","kind":"paragraph","text":"Чаплин"},{"id":"id16118:14","kind":"paragraph","text":"Хичкок"},{"id":"id16118:15","kind":"paragraph","text":"Рэмю"},{"id":"id16118:16","kind":"paragraph","text":"Ричард Бертон"},{"id":"id16118:17","kind":"paragraph","text":"Сэр Александер Флеминг"},{"id":"id16118:18","kind":"paragraph","text":"Орсон Уэллс"},{"id":"id16118:19","kind":"paragraph","text":"Билли Уайлдер"},{"id":"id16118:20","kind":"paragraph","text":"Жан Габен"},{"id":"id16118:21","kind":"paragraph","text":"Дружба"},{"id":"id16118:22","kind":"paragraph","text":"Хемингуэй"},{"id":"id16118:23","kind":"paragraph","text":"Ремарк"},{"id":"id16118:24","kind":"paragraph","text":"Паустовский"},{"id":"id16118:25","kind":"paragraph","text":"Эмиль Ажар, Дик Френсис"},{"id":"id16118:26","kind":"paragraph","text":"Ноэль Коуард"},{"id":"id16118:27","kind":"paragraph","text":"Художники И Скульпторы"},{"id":"id16118:28","kind":"paragraph","text":"Стравинский"},{"id":"id16118:29","kind":"paragraph","text":"Гарольд Арлен"},{"id":"id16118:30","kind":"paragraph","text":"Нат Кинг Коул"},{"id":"id16118:31","kind":"paragraph","text":"Мой друг Пиаф"},{"id":"id16118:32","kind":"paragraph","text":"Элизабет Бергнер"},{"id":"id16118:33","kind":"paragraph","text":"После «Дьявола»"},{"id":"id16118:34","kind":"paragraph","text":"«Сад Аллаха»"},{"id":"id16118:35","kind":"paragraph","text":"Костюмы для экрана, костюмы для сцены"},{"id":"id16118:36","kind":"paragraph","text":"Фотографы"},{"id":"id16118:37","kind":"paragraph","text":"ЧАСТЬ ВТОРАЯ"},{"id":"id16118:38","kind":"paragraph","text":"Вторая Мировая война"},{"id":"id16118:39","kind":"paragraph","text":"Новый бросок в неизвестное"},{"id":"id16118:40","kind":"paragraph","text":"Берт Бакарак"},{"id":"id16118:41","kind":"paragraph","text":"После Берта Бакарака"},{"id":"id16118:42","kind":"paragraph","text":"Рассказ Питера Богдановича"},{"id":"id16118:43","kind":"paragraph","text":"Новые приключения"},{"id":"id16118:44","kind":"paragraph","text":"После новых приключений"},{"id":"id16118:45","kind":"paragraph","text":"notes"},{"id":"id16118:46","kind":"paragraph","text":"1"},{"id":"id16118:47","kind":"paragraph","text":"2"},{"id":"id16118:48","kind":"paragraph","text":"3"},{"id":"id16118:49","kind":"paragraph","text":"4"},{"id":"id16118:50","kind":"paragraph","text":"5"},{"id":"id16118:51","kind":"paragraph","text":"6"},{"id":"id16118:52","kind":"paragraph","text":"7"},{"id":"id16118:53","kind":"paragraph","text":"8"},{"id":"id16118:54","kind":"paragraph","text":"9"},{"id":"id16118:55","kind":"paragraph","text":"10"},{"id":"id16118:56","kind":"paragraph","text":"11"},{"id":"id16118:57","kind":"paragraph","text":"12"},{"id":"id16118:58","kind":"paragraph","text":"13"},{"id":"id16118:59","kind":"paragraph","text":"14"},{"id":"id16118:60","kind":"paragraph","text":"15"},{"id":"id16118:61","kind":"paragraph","text":"16"},{"id":"id16118:62","kind":"paragraph","text":"17"},{"id":"id16118:63","kind":"paragraph","text":"18"},{"id":"id16118:64","kind":"paragraph","text":"19"},{"id":"id16118:65","kind":"paragraph","text":"20"},{"id":"id16118:66","kind":"paragraph","text":"21"},{"id":"id16118:67","kind":"paragraph","text":"22"},{"id":"id16118:68","kind":"paragraph","text":"23"},{"id":"id16118:69","kind":"paragraph","text":"24"},{"id":"id16118:70","kind":"paragraph","text":"25"},{"id":"id16118:71","kind":"paragraph","text":"26"},{"id":"id16118:72","kind":"paragraph","text":"27"},{"id":"id16118:73","kind":"paragraph","text":"28"},{"id":"id16118:74","kind":"paragraph","text":"29"},{"id":"id16118:75","kind":"paragraph","text":"30"},{"id":"id16118:76","kind":"paragraph","text":"31"},{"id":"id16118:77","kind":"paragraph","text":"32"},{"id":"id16118:78","kind":"paragraph","text":"33"},{"id":"id16118:79","kind":"paragraph","text":"34"},{"id":"id16118:80","kind":"paragraph","text":"35"},{"id":"id16118:81","kind":"paragraph","text":"36"},{"id":"id16118:82","kind":"paragraph","text":"37"},{"id":"id16118:83","kind":"paragraph","text":"38"},{"id":"id16118:84","kind":"paragraph","text":"39"},{"id":"id16118:85","kind":"paragraph","text":"40"},{"id":"id16118:86","kind":"paragraph","text":"41"},{"id":"id16118:87","kind":"paragraph","text":"42"},{"id":"id16118:88","kind":"paragraph","text":"43"},{"id":"id16118:89","kind":"paragraph","text":"44"},{"id":"id16118:90","kind":"paragraph","text":"45"},{"id":"id16118:91","kind":"paragraph","text":"46"},{"id":"id16118:92","kind":"paragraph","text":"47"},{"id":"id16118:93","kind":"paragraph","text":"48"},{"id":"id16118:94","kind":"paragraph","text":"49"},{"id":"id16118:95","kind":"paragraph","text":"50"},{"id":"id16118:96","kind":"paragraph","text":"51"},{"id":"id16118:97","kind":"paragraph","text":"52"},{"id":"id16118:98","kind":"paragraph","text":"53"},{"id":"id16118:99","kind":"paragraph","text":"54"},{"id":"id16118:100","kind":"paragraph","text":"55"},{"id":"id16118:101","kind":"paragraph","text":"56"},{"id":"id16118:102","kind":"paragraph","text":"57"},{"id":"id16118:103","kind":"paragraph","text":"58"},{"id":"id16118:104","kind":"paragraph","text":"59"},{"id":"id16118:105","kind":"paragraph","text":"60"},{"id":"id16118:106","kind":"paragraph","text":"61"},{"id":"id16118:107","kind":"paragraph","text":"62"},{"id":"id16118:108","kind":"paragraph","text":"63"},{"id":"id16118:109","kind":"paragraph","text":"64"},{"id":"id16118:110","kind":"paragraph","text":"65"},{"id":"id16118:111","kind":"paragraph","text":"66"},{"id":"id16118:112","kind":"paragraph","text":"67"},{"id":"id16118:113","kind":"paragraph","text":"68"},{"id":"id16118:114","kind":"paragraph","text":"69"},{"id":"id16118:115","kind":"paragraph","text":"70"},{"id":"id16118:116","kind":"paragraph","text":"71"},{"id":"id16118:117","kind":"paragraph","text":"72"},{"id":"id16118:118","kind":"paragraph","text":"73"},{"id":"id16118:119","kind":"heading","text":"Размышления"},{"id":"id16117:0","kind":"heading","text":"Marlene Dietrich МАРЛЕН ДИТРИХ Размышления"},{"id":"id16116:0","kind":"heading","text":"Когда не умирает любовь…"},{"id":"id16116:1","kind":"paragraph","text":"Мало значащие воспоминания… Берлин, 1928 год. Несколько молодых кинематографистов, приехавших из Ленинграда, Козинцев, Эрмлер, Москвин и я сидим вместе с директором немецкой кинофирмы за столиком в артистическом клубе. На маленькой эстраде выступают желающие из публики: актеры, певцы, музыканты исполняют номера, добродушно принимаемые их товарищами. На эстраде — молодая женщина с усталым, очень приятным лицом, она поет — вовсе не оперным голосом — две песенки, смысл которых веселит публику. Мы аплодируем вместе с другими, спрашиваем у директора фирмы: «Неужели ее никто не снимает?» Он пожимает плечами: «Что вы! У нее никакого имени, просто маленькая актриска из Рейнхардтовского театра…»"},{"id":"id16116:2","kind":"paragraph","text":"Через два года мы увидели фильм «Голубой ангел». А еще через год Марлен Дитрих стала звездой Голливуда."},{"id":"id16116:3","kind":"paragraph","text":"«Звезд» в Голливуде — как на небе. И все-таки эта «звезда» отличима от других."},{"id":"id16116:4","kind":"paragraph","text":"Еще одна встреча, о которой пишет сама Дитрих. Режиссер Питер Богданович с огорчением рассказывает ей, что Джозеф фон Штернберг не слишком лестно отозвался о ней в своих мемуарах, давая понять, что без него она вряд ли стала бы настоящей актрисой. И Дитрих, не колеблясь, подтверждает: «Да, это правда»."},{"id":"id16116:5","kind":"paragraph","text":"Прочитав воспоминания Дитрих, убеждаешься, что слова ее — не показной скромности ради. Но, если вдуматься, они по-настоящему несправедливы. Так легко создать легенду (отчасти она и была создана): прекрасный режиссер Джозеф фон Штернберг выдрессировал беспомощную маленькую актрису, и принялась она исполнять одну за другой роли, повторяя удавшийся, даже, собственно, не ей, а режиссеру, образ в почти десятке принесших огромную прибыль картин."},{"id":"id16116:6","kind":"paragraph","text":"Если фон Штернберг не был (вопреки заверениям Дитрих) гением, то и Дитрих — категорически не нуль. Она была в полной мере наделена тем актерским даром, который заставлял лица зрителей светлеть при встрече с нею, с ее героинями. Назовем это качество — обаянием. Французы говорят: «шарм». Видимо, более верно перевести это слово как «чары». Марлен Дитрих очаровывала зрителя. Даже тогда, когда сидела верхом на стуле, исполняя фривольную песенку. И тогда, когда в своем первом американском фильме «Марокко» пела чуть хрипловатым голосом непонятно почему трогающий старый вальс «Когда любовь умирает»."},{"id":"id16116:7","kind":"paragraph","text":"Но еще больше не соглашаешься с Марлен Дитрих в ее уничижительной самооценке, когда читаешь ее книгу. Превосходный перед нами предстает человек — человек, отдающий всего себя людям, жизни, делу. Такая женщина просто не могла быть куклой, неожившей Галатеей, бездарной актрисой. Ей выпало на долю чаровать зрителей недорого стоящим «имиджем» далекой от добродетели дамы. Она безропотно выполнила приказ — в превосходных главах о детстве, о юности она убедительно показывает, что в семье ее учили долгу как можно лучше выполнять порученное ей дело."},{"id":"id16116:8","kind":"paragraph","text":"Это не мы, это сама актриса с проникновенным возмущением пишет о бессердечии Америки, о неприемлемом для разума равнодушии к человеческим судьбам. С начала второй мировой войны актриса Марлен Дитрих доказала, что она — человек значительный. Что она — личность, с которой считались, дружили, которую любили такие украсившие наш век люди, как Хемингуэй, Ремарк, Уэллс, Габен, Эдит Пиаф."},{"id":"id16116:9","kind":"paragraph","text":"О том, как вела себя в дни войны актриса-немка, пламенная патриотка, как восстала она против фашизма, не стану рассказывать, об этом надо читать, и не раз, в ее книге."},{"id":"id16116:10","kind":"paragraph","text":"Двадцать лет назад Марлен Дитрих посетила Москву. Она могла убедиться, что любовь к ней не умирает, любовь и кинематографистов, знавших ее фильмы, и слушателей. Ничего не поделаешь, не удалось никаким продюсерам пресечь творчество этой замечательной женщины. Скажем спасибо режиссеру Стэнли Креймеру: он показал нам, что Марлен Дитрих — не только яркая индивидуальность, не только превосходная эстрадная певица, она и настоящая актриса. В фильме «Нюрнбергский процесс» она будто даже не играет, будто только присутствует, слушает и глядит. И это подлинный взлет актерского мастерства. Марлен Дитрих не отошла на задний план даже рядом с такими замечательными артистами, как Спенсер Треси, Максимилиан Шелл, Берт Ланкастер и незабываемая Джуди Гарленд."},{"id":"id16116:11","kind":"paragraph","text":"Она осталась, останется навсегда в памяти, любовь к ней не умрет."},{"id":"id16116:12","kind":"paragraph","text":"Особенно после прочтения этой книги."},{"id":"id16116:13","kind":"paragraph","text":"Леонид Трауберг"}],"toc":[{"id":"id16118:0:1","label":"Annotation","page":1,"pageUrl":"/books/1VZmtT6A#reader-content"},{"id":"id16118:119:1","label":"Размышления","page":1,"pageUrl":"/books/1VZmtT6A#reader-content"},{"id":"id16117:0:1","label":"Marlene Dietrich МАРЛЕН ДИТРИХ Размышления","page":1,"pageUrl":"/books/1VZmtT6A#reader-content"},{"id":"id16116:0:1","label":"Когда не умирает любовь…","page":1,"pageUrl":"/books/1VZmtT6A#reader-content"},{"id":"id16115:0:2","label":"Неувядаемая 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