Полное собрание стихотворений

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Волошина не столько признания души, сколько создания искусства; это – литература, но хорошая литература. У М. Волошина вовсе нет непосредственности Верлена или Бальмонта; он не затем слагает свои строфы, чтобы выразить то или иное, пережитое им чувство, но его переживания дают ему материал, чтобы сделать в стихах тот или иной опыт художника. Он не слагает стихов, как иные поэты, лишь затем, чтобы рассказать, что в такую-то минуту было ему грустно или весело, что тогда-то он видел перед собою закат или восход солнца, море или снежную равнину. М. Волошин никогда не забывает о читателе и пишет лишь тогда, когда ему есть что сказать или показать читателю нового, такого, что еще не было сказано или испробовано в русской поэзии. …» (В. 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Он описывает свои ощущения и воспоминания о дороге, пустыне и Париже, а также переживания войны и духовные поиски, ищет вдохновение.","Солнце — Символ света, силы и вдохновения, к которому автор обращается.","Лета — Образ бледной Леты, символизирующий прохладу и тень.","Орион — Символ охоты и стремления к высотам.","Андромеда — Символ красоты и судьбы.","Геракл — Символ силы и испытаний.","Зевс — Символ высшей власти и судьбы.","Якову Александровичу Глотову — Писатель обращается к нему, выражая мысли о путешествии и пустыне.","Ю. Ф. Львова — Лицо, к которому обращён призыв стать подмастерьем, символизирующее стремление к мастерству.","Протопоп Аввакум — Личность, пережившая от рождения до старости, сталкивающаяся с войной, революцией и духовными испытаниями.","Пашков — Индивидуум, который участвует в изгнании Аввакума в Сибирь.","Никон — Религиозный лидер, обвиняющий Аввакума в ереси."]},{"key":"quotes","title":"Цитаты","body":["Пустыни вечной и немой / Ненарушимое молчанье.","Ти-та-та, та-та-та…","Ты будешь подмастерьем словесного, святого ремесла, ты будешь кузнецом упорных слов, вкус, запах, цвет и меру выплавляя их скрытой сущности","Когда же ты поймешь, что ты не сын земле, но путник по вселенным, что солнца и созвездья возникали и гибли внутри тебя","\"Небесный Иерусалим, окружённый тремя кольцами света, служит символом духовного начала\"","\"Был же я, как уголь раскаленный, и вдруг погас\"","Коммуна на земле немыслима вне роста капитала, индустрии и классовой борьбы.","Есть дух Истории – безликий и глухой, что действует помимо нашей воли.","\"Мой дом раскрыт навстречу всех дорог. В прохладных кельях, беленных известкой, вздыхает ветр\"","\"В доме мой – слепой и запустелый – хранил права убежища, как храм\""]}],"authorSummary":{"key":"authorSummary","title":"Сводка по автору из Wikidata","body":"1877–1932. Maksimilian Voloŝin. русский поэт"},"hasArtifacts":true,"canReadInApp":true,"readUrl":"https://web.bookra.app/?startapp=r_764278","artifactsUrl":"https://web.bookra.app/?startapp=b_764278","readCtaLabel":"Читать бесплатно","artifactsCtaLabel":"AI-разбор","appReadLinks":{"tg":"https://t.me/bookra_lib_bot/BookRa?startapp=r_764278","vk":"https://vk.com/app54470698#startapp=r_764278","max":"https://max.ru/id7751370047_bot?startapp=r_764278","web":"https://web.bookra.app/?startapp=r_764278"},"appAnalysisLinks":{"tg":"https://t.me/bookra_lib_bot/BookRa?startapp=b_764278","vk":"https://vk.com/app54470698#startapp=b_764278","max":"https://max.ru/id7751370047_bot?startapp=b_764278","web":"https://web.bookra.app/?startapp=b_764278"},"guestReaderUrl":"/books/1nmYVtxU#reader-content","authorCtaLabel":"Все книги автора","authorProtectedUrl":"/author/d319c0a0-fb16-102b-99a2-0288a49f2f10","readersCount":4,"adultLabel":"12+","yearLabel":null,"datePublished":null,"publisherLabel":null,"isbn":null,"oclc":null,"lccn":null,"partnerUrl":null,"accessNote":"Полный текст книги и AI-разбор откроются на защищенных страницах BookRa после входа."},"reader":{"page":1,"totalPages":75,"hasPrev":false,"hasNext":true,"prevPageUrl":null,"nextPageUrl":"/books/1nmYVtxU?page=2#reader-content","progressLabel":"Страница 1 из 75","sections":[{"id":"content0:0","kind":"heading","text":"Максимилиан Волошин Полное собрание стихотворений"},{"id":"content0:1","kind":"heading","text":"Годы странствий Стихотворения 1900–1910"},{"id":"content0:2","kind":"heading","text":"I. Годы странствий"},{"id":"content0:3","kind":"paragraph","text":"Якову Александровичу Глотову"},{"id":"content0:4","kind":"paragraph","text":"…И мир, как море пред зарею, И я иду по лону вод, И подо мной и надо мною Трепещет звездный небосвод…"},{"id":"content0:5","kind":"heading","text":"Пустыня"},{"id":"content0:6","kind":"paragraph","text":"Монмартр… Внизу ревет Париж – Коричневато-серый, синий… Уступы каменистых крыш Слились в равнины темных линий. То купол зданья, то собор Встает из синего тумана. И в ветре чуется простор Волны соленой океана… Но мне мерещится порой, Как дальних дней воспоминанье, Пустыни вечной и немой Ненарушимое молчанье. Раскалена, обнажена, Под небом, выцветшим от зноя, Весь день без мысли и без сна В полубреду лежит она, И нет движенья, нет покоя… Застывший зной. Устал верблюд. Пески. Извивы желтых линий. Миражи бледные встают – Галлюцинации Пустыни. И в них мерещатся зубцы Старинных башен. Из тумана Горят цветные изразцы Дворцов и храмов Тамерлана. И тени мертвых городов Уныло бродят по равнине Неостывающих песков, Как вечный бред больной Пустыни. Царевна в сказке, – словом властным Степь околдованная спит, Храня проклятой жабы вид Под взглядом солнца, злым и страстным. Но только мертвый зной спадет И брызнет кровь лучей с заката – Пустыня вспыхнет, оживет, Струями пламени объята. Вся степь горит – и здесь, и там, Полна огня, полна движений, И фиолетовые тени Текут по огненным полям. Да одиноко городища Чернеют жутко средь степей: Забытых дел, умолкших дней Ненарушимые кладбища. И тлеет медленно закат, Усталый конь бодрее скачет, Копыта мерно говорят, Степной джюсан звенит и плачет. Пустыня спит, и мысль растет… И тихо всё во всей Пустыне: Широкий звездный небосвод Да аромат степной полыни…"},{"id":"content0:7","kind":"paragraph","text":"1901"},{"id":"content0:8","kind":"paragraph","text":"Ташкент – Париж"},{"id":"content0:9","kind":"heading","text":"В вагоне"},{"id":"content0:10","kind":"paragraph","text":"Снова дорога. И с силой магической Всё это вновь охватило меня: Грохот, носильщики, свет электрический, Крики, прощанья, свистки, суетня… Снова вагоны едва освещенные, Тусклые пятна теней, Лица склоненные Спящих людей. Мерный, вечный, Бесконечный, Однотонный Шум колес. Шепот сонный В мир бездонный Мысль унес… Жизнь… работа… Где-то, кто-то Вечно что-то Всё стучит. Ти-та… то-та… Вечно что-то Мысли сонной Говорит. Так вот в ушах и долбит и стучит это: Ти-та-та, та-та-та… та-та-та… ти-та-та… Мысли с рыданьями ветра сплетаются, Поезд гремит, перегнать их старается… Чудится, еду в России я… Тысячи верст впереди. Ночь неприютная, темная. Станция в поле… Огни ее – Глазки усталые, томные – Шепчут: «Иди…» Страх это? Горе? Раздумье? Иль что ж это? Новое близится, старое прожито. Прожито – отжито. Вынуто – выпито… Ти-та-та… та-та-та… та-та-та… ти-та-та… Чудится степь бесконечная… Поезд по степи идет. В вихре рыданий и стонов Слышится песенка вечная. Скользкие стены вагонов Дождик сечет. Песенкой этой всё в жизни кончается, Ею же новое вновь начинается, И бесконечно звучит и стучит это: Ти-та-та… та-та-та… та-та-та… ти-та-та… Странником вечным В пути бесконечном Странствуя целые годы, Вечно стремлюсь я, Верую в счастье, И лишь в ненастье В шуме ночной непогоды Веет далекою Русью. Мысли с рыданьями ветра сплетаются, С шумом колес однотонным сливаются, И безнадежно звучит и стучит это: Ти-та-та… та-та-та… та-та-та… ти-та-та…"},{"id":"content0:11","kind":"paragraph","text":"Май 1901"},{"id":"content0:12","kind":"paragraph","text":"В поезде между Парижем и Тулузой"},{"id":"content0:13","kind":"heading","text":"Кастаньеты"},{"id":"content0:14","kind":"paragraph","text":"Е. С. Кругликовой"},{"id":"content0:15","kind":"paragraph","text":"Из страны, где солнца свет Льется с неба жгуч и ярок, Я привез себе в подарок Пару звонких кастаньет. Беспокойны, говорливы, Отбивая звонкий стих, – Из груди сухой оливы Сталью вырезали их. Щедро лентами одеты С этой южной пестротой; В них живет испанский зной, В них сокрыт кусочек света. И когда Париж огромный Весь оденется в туман, В мутный вечер, на диван Лягу я в мансарде темной, И напомнят мне оне И волны морской извивы, И дрожащий луч на дне, И узлистый ствол оливы, Вечер в комнате простой, Силуэт седой колдуньи, И красавицы плясуньи Стан и гибкий и живой, Танец быстрый, голос звонкий, Грациозный и простой, С этой южной, с этой тонкой Стрекозиной красотой. И танцоры идут в ряд, Облитые красным светом, И гитары говорят В такт трескучим кастаньетам, Словно щелканье цикад В жгучий полдень жарким летом."},{"id":"content0:16","kind":"paragraph","text":"Июль 1901"},{"id":"content0:17","kind":"paragraph","text":"Mallorca. Valdemosa."},{"id":"content0:18","kind":"heading","text":"Via mala"},{"id":"content0:19","kind":"paragraph","text":"Там с вершин отвесных Ледники сползают, Там дороги в тесных Щелях пролегают. Там немые кручи Не дают простору, Грозовые тучи Обнимают гору. Лапы темных елей Мягки и широки, В душной мгле ущелий Мечутся потоки. В буйном гневе свирепея, Там грохочет Рейн. Здесь ли ты жила, о фея – Раутенделейн?"},{"id":"content0:20","kind":"paragraph","text":"1899"},{"id":"content0:21","kind":"paragraph","text":"Тузис"},{"id":"content1:0","kind":"heading","text":"Тангейзер"},{"id":"content1:1","kind":"paragraph","text":"Смертный, избранный богиней, Чтобы свергнуть гнет оков, Проклинает мир прекрасный Светлых эллинских богов. Гордый лик богини гневной. Бури яростный полет. Полный мрак. Раскаты грома… И исчез Венерин грот. И певец один на воле, И простор лугов окрест, И у ног его долина, Перед ним высокий крест. Меркнут розовые горы, Веет миром от лугов, Веет миром от старинных Острокрыших городков. На холмах в лучах заката Купы мирные дерев, И растет спокойный, стройный Примиряющий напев. И чуть слышен вздох органа В глубине резных церквей, Точно отблеск золотистый Умирающих лучей."},{"id":"content1:2","kind":"paragraph","text":"1901"},{"id":"content1:3","kind":"paragraph","text":"Андорра"}],"toc":[{"id":"content0:0:1","label":"Максимилиан Волошин Полное собрание стихотворений","page":1,"pageUrl":"/books/1nmYVtxU#reader-content"},{"id":"content0:1:1","label":"Годы странствий Стихотворения 1900–1910","page":1,"pageUrl":"/books/1nmYVtxU#reader-content"},{"id":"content0:2:1","label":"I. Годы странствий","page":1,"pageUrl":"/books/1nmYVtxU#reader-content"},{"id":"content0:5:1","label":"Пустыня","page":1,"pageUrl":"/books/1nmYVtxU#reader-content"},{"id":"content0:9:1","label":"В вагоне","page":1,"pageUrl":"/books/1nmYVtxU#reader-content"},{"id":"content0:13:1","label":"Кастаньеты","page":1,"pageUrl":"/books/1nmYVtxU#reader-content"},{"id":"content0:18:1","label":"Via mala","page":1,"pageUrl":"/books/1nmYVtxU#reader-content"},{"id":"content1:0:1","label":"Тангейзер","page":1,"pageUrl":"/books/1nmYVtxU#reader-content"},{"id":"content1:4:2","label":"Венеция","page":2,"pageUrl":"/books/1nmYVtxU?page=2#reader-content"},{"id":"content1:7:2","label":"На Форуме","page":2,"pageUrl":"/books/1nmYVtxU?page=2#reader-content"},{"id":"content1:11:2","label":"Акрополь","page":2,"pageUrl":"/books/1nmYVtxU?page=2#reader-content"},{"id":"content1:15:2","label":"Париж","page":2,"pageUrl":"/books/1nmYVtxU?page=2#reader-content"},{"id":"content1:16:2","label":"1. С Монмартра","page":2,"pageUrl":"/books/1nmYVtxU?page=2#reader-content"},{"id":"content1:19:2","label":"2. Дождь","page":2,"pageUrl":"/books/1nmYVtxU?page=2#reader-content"},{"id":"content1:22:2","label":"3","page":2,"pageUrl":"/books/1nmYVtxU?page=2#reader-content"},{"id":"content1:25:2","label":"4","page":2,"pageUrl":"/books/1nmYVtxU?page=2#reader-content"},{"id":"content1:28:2","label":"5","page":2,"pageUrl":"/books/1nmYVtxU?page=2#reader-content"},{"id":"content1:31:2","label":"6","page":2,"pageUrl":"/books/1nmYVtxU?page=2#reader-content"},{"id":"content1:35:2","label":"7","page":2,"pageUrl":"/books/1nmYVtxU?page=2#reader-content"},{"id":"content1:40:3","label":"8","page":3,"pageUrl":"/books/1nmYVtxU?page=3#reader-content"},{"id":"content1:43:3","label":"9","page":3,"pageUrl":"/books/1nmYVtxU?page=3#reader-content"},{"id":"content1:46:3","label":"10","page":3,"pageUrl":"/books/1nmYVtxU?page=3#reader-content"},{"id":"content1:49:3","label":"11","page":3,"pageUrl":"/books/1nmYVtxU?page=3#reader-content"},{"id":"content2:0:3","label":"Диана де Пуатье","page":3,"pageUrl":"/books/1nmYVtxU?page=3#reader-content"},{"id":"content2:3:3","label":"В цирке","page":3,"pageUrl":"/books/1nmYVtxU?page=3#reader-content"},{"id":"content2:8:3","label":"Рождение стиха","page":3,"pageUrl":"/books/1nmYVtxU?page=3#reader-content"},{"id":"content2:13:3","label":"«К твоим стихам меня влечет не новость…»","page":3,"pageUrl":"/books/1nmYVtxU?page=3#reader-content"},{"id":"content2:18:3","label":"«Концом иглы на мягком воске…»","page":3,"pageUrl":"/books/1nmYVtxU?page=3#reader-content"},{"id":"content2:23:3","label":"«К этим гулким морским берегам…»","page":3,"pageUrl":"/books/1nmYVtxU?page=3#reader-content"},{"id":"content2:28:4","label":"«Эти страницы – павлинье перо…»","page":4,"pageUrl":"/books/1nmYVtxU?page=4#reader-content"},{"id":"content2:31:4","label":"«Небо запуталось звездными крыльями…»","page":4,"pageUrl":"/books/1nmYVtxU?page=4#reader-content"},{"id":"content2:37:4","label":"Когда время останавливается","page":4,"pageUrl":"/books/1nmYVtxU?page=4#reader-content"},{"id":"content2:38:4","label":"1","page":4,"pageUrl":"/books/1nmYVtxU?page=4#reader-content"},{"id":"content2:41:4","label":"2","page":4,"pageUrl":"/books/1nmYVtxU?page=4#reader-content"},{"id":"content2:44:4","label":"3","page":4,"pageUrl":"/books/1nmYVtxU?page=4#reader-content"},{"id":"content2:47:4","label":"4","page":4,"pageUrl":"/books/1nmYVtxU?page=4#reader-content"},{"id":"content3:0:4","label":"II. Amori Arasacrum[3]","page":4,"pageUrl":"/books/1nmYVtxU?page=4#reader-content"},{"id":"content3:2:4","label":"«Я ждал страданья столько лет…»","page":4,"pageUrl":"/books/1nmYVtxU?page=4#reader-content"},{"id":"content3:6:4","label":"«О, как чутко, о, как звонко…»","page":4,"pageUrl":"/books/1nmYVtxU?page=4#reader-content"},{"id":"content3:9:4","label":"«Спустилась ночь. 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Звезда Полынь","page":8,"pageUrl":"/books/1nmYVtxU?page=8#reader-content"},{"id":"content6:6:8","label":"«Быть черною землей. Раскрыв покорно грудь…»","page":8,"pageUrl":"/books/1nmYVtxU?page=8#reader-content"},{"id":"content6:10:8","label":"«Я шел сквозь ночь. И бледной смерти пламя…»","page":8,"pageUrl":"/books/1nmYVtxU?page=8#reader-content"},{"id":"content6:15:8","label":"Кровь Посвящение на книге «Эрос…»","page":8,"pageUrl":"/books/1nmYVtxU?page=8#reader-content"},{"id":"content6:19:8","label":"Сатурн","page":8,"pageUrl":"/books/1nmYVtxU?page=8#reader-content"},{"id":"content6:24:8","label":"Солнце","page":8,"pageUrl":"/books/1nmYVtxU?page=8#reader-content"},{"id":"content6:29:8","label":"Грот нимф","page":8,"pageUrl":"/books/1nmYVtxU?page=8#reader-content"},{"id":"content6:34:9","label":"Руанский собор Руан 24 июля 1905 г.","page":9,"pageUrl":"/books/1nmYVtxU?page=9#reader-content"},{"id":"content6:36:9","label":"1. Ночь","page":9,"pageUrl":"/books/1nmYVtxU?page=9#reader-content"},{"id":"content6:39:9","label":"2. Лиловые лучи","page":9,"pageUrl":"/books/1nmYVtxU?page=9#reader-content"},{"id":"content6:42:9","label":"3. Вечерние стекла","page":9,"pageUrl":"/books/1nmYVtxU?page=9#reader-content"},{"id":"content6:45:9","label":"4. Стигматы","page":9,"pageUrl":"/books/1nmYVtxU?page=9#reader-content"},{"id":"content6:48:9","label":"5. Смерть","page":9,"pageUrl":"/books/1nmYVtxU?page=9#reader-content"},{"id":"content6:51:9","label":"6. Погребенье","page":9,"pageUrl":"/books/1nmYVtxU?page=9#reader-content"},{"id":"content6:54:9","label":"7. Воскресенье","page":9,"pageUrl":"/books/1nmYVtxU?page=9#reader-content"},{"id":"content7:0:9","label":"Гностический гимн Деве Марии","page":9,"pageUrl":"/books/1nmYVtxU?page=9#reader-content"},{"id":"content7:5:10","label":"Киммерийские сумерки","page":10,"pageUrl":"/books/1nmYVtxU?page=10#reader-content"},{"id":"content7:7:10","label":"1. 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