Dzieje grzechu

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Читать бесплатно онлайн","description":"Полный текст книги «Dzieje grzechu». А также краткое содержание, главные мысли, конфликт, темы, персонажи, цитаты и ответы на вопросы.","breadcrumb":{"@id":"https://bookra.app/books/2C09DZaG#breadcrumb"},"mainEntity":{"@id":"https://bookra.app/books/2C09DZaG#work"},"primaryImageOfPage":{"@type":"ImageObject","url":"https://storage.yandexcloud.net/bookra-catalog-pd-public/content/7ee38efd-1079-11e7-9b47-0cc47a5203ba/thumbs/1200.webp"}},{"@context":"https://schema.org","@type":"Book","@id":"https://bookra.app/books/2C09DZaG#work","name":"Dzieje grzechu","url":"https://bookra.app/books/2C09DZaG","description":"Dzięki powieści Dzieje grzechu Stefan Żeromski zasłużył sobie (w pewnych kręgach) na miano pisarza pornograficznego. Wstrząs wywołała szczerość w szczegółowym ukazaniu losów dziewczyny, którą pierwsza miłość – gorąca i silna mocą właściwej sobie największej wzniosłości – prowadzi z porządnego, drobnomieszczańskiego, niezamożnego domu, przez upokorzenie, nędzę i zbrodnię, na dno upadku. Przy tym, o zgrozo, w opowieści tej wskazuje się dobitnie na społeczną i czysto ekonomiczną genezę tzw. „grzechu”.Kto zawinił? Kto był pierwszym kamykiem w lawinie nieszczęść i krzywd? Kto mógł zatrzymać jej bieg? Może szef, gdyby nie był tępym formalistą i zgodził się na urlop? Może matka, gdyby nie przyjęła konwencjonalnej roli strażniczki patriarchatu, ale potrafiła zachować się po prostu jak człowiek? Może księża, będący trybikami w machinie kościelnej, która produkuje rozwody, gdy włożyć do niej wielkie pieniędzy, a nie gdy decyzja o rozwodzie mogłaby zapobiec wielkiemu nieszczęściu?Powieść powstawała w latach 1906–1907, wydawana była początkowo w odcinkach w „Nowej Gazecie”, w wersji książkowej ukazała się w 1908 roku. Stanowi ważne pokłosie doby rewolucji 1905 roku (Żeromski był żarliwym socjalistą, choć niezwiązanym bezpośrednio z żadną partią). Niejako przy okazji, towarzysząc Ewie w Warszawie i na prowincji, w europejskich wojażach, od Nicei i Monte Carlo, przez Korsykę, Genewę, Paryż i Wiedeń, narracja ukazuje niezwykle wyraziście szeroką perspektywę społeczną, różne sposoby zdobywania i wydawania pieniędzy, wszelkie wreszcie odcienie podłości, przemocy, zła, ale i iskry wzniosłości, poświęcenia dla innych, projekty reform. 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Wstrząs wywołała szczerość w szczegółowym ukazaniu losów dziewczyny, którą pierwsza miłość – gorąca i silna mocą właściwej sobie największej wzniosłości – prowadzi z porządnego, drobnomieszczańskiego, niezamożnego domu, przez upokorzenie, nędzę i zbrodnię, na dno upadku. Przy tym, o zgrozo, w opowieści tej wskazuje się dobitnie na społeczną i czysto ekonomiczną genezę tzw. „grzechu”.Kto zawinił? Kto był pierwszym kamykiem w lawinie nieszczęść i krzywd? Kto mógł zatrzymać jej bieg? Może szef, gdyby nie był tępym formalistą i zgodził się na urlop? Może matka, gdyby nie przyjęła konwencjonalnej roli strażniczki patriarchatu, ale potrafiła zachować się po prostu jak człowiek? Może księża, będący trybikami w machinie kościelnej, która produkuje rozwody, gdy włożyć do niej wielkie pieniędzy, a nie gdy decyzja o rozwodzie mogłaby zapobiec wielkiemu nieszczęściu?Powieść powstawała w latach 1906–1907, wydawana była początkowo w odcinkach w „Nowej Gazecie”, w wersji książkowej ukazała się w 1908 roku. Stanowi ważne pokłosie doby rewolucji 1905 roku (Żeromski był żarliwym socjalistą, choć niezwiązanym bezpośrednio z żadną partią). Niejako przy okazji, towarzysząc Ewie w Warszawie i na prowincji, w europejskich wojażach, od Nicei i Monte Carlo, przez Korsykę, Genewę, Paryż i Wiedeń, narracja ukazuje niezwykle wyraziście szeroką perspektywę społeczną, różne sposoby zdobywania i wydawania pieniędzy, wszelkie wreszcie odcienie podłości, przemocy, zła, ale i iskry wzniosłości, poświęcenia dla innych, projekty reform. 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[przypis edytorski]"},{"id":"contentnotes0:605","kind":"paragraph","text":"Do tyłu"},{"id":"contentnotes0:606","kind":"heading","text":"203"},{"id":"contentnotes0:607","kind":"paragraph","text":"w naszych to jest ręku – przykład konstrukcji z daw. liczbą podwójną; dziś: w naszym to jest ręku a. w naszych to jest rękach. [przypis edytorski]"},{"id":"contentnotes0:608","kind":"paragraph","text":"Do tyłu"},{"id":"contentnotes0:609","kind":"heading","text":"204"},{"id":"contentnotes0:610","kind":"paragraph","text":"Ty nie jesteś mi już krajem (…) ale prawem – fragment poematu Przedświt Zygmunta Krasińskiego (w. 1114–1117), nieco przekształcony: w oryginale zamiast „Państwa zgonem” jest „(…) skonem”. [przypis edytorski]"},{"id":"contentnotes0:611","kind":"paragraph","text":"Do tyłu"},{"id":"contentnotes0:612","kind":"heading","text":"205"},{"id":"contentnotes0:613","kind":"paragraph","text":"Polały się łzy moje czyste (…) wiek klęski – jeden z liryków lozańskich Adama Mickiewicza. [przypis edytorski]"},{"id":"contentnotes0:614","kind":"paragraph","text":"Do tyłu"},{"id":"contentnotes0:615","kind":"heading","text":"206"},{"id":"contentnotes0:616","kind":"paragraph","text":"vulgus est caecum (łac.) – tłum jest ciemny; pospólstwo jest nieświadome (też: niezgłębione). [przypis edytorski]"},{"id":"contentnotes0:617","kind":"paragraph","text":"Do tyłu"},{"id":"contentnotes0:618","kind":"heading","text":"207"},{"id":"contentnotes0:619","kind":"paragraph","text":"Nous travaillons incessamment à embellir et à conserver cet être imaginaire et nous négligeons le véritable (fr.) – pracujemy nieustannie nad upiększeniem i utrwaleniem owego wyobrażonego bytu, a lekceważymy prawdziwy. [przypis edytorski]"},{"id":"contentnotes0:620","kind":"paragraph","text":"Do tyłu"},{"id":"contentnotes0:621","kind":"heading","text":"208"},{"id":"contentnotes0:622","kind":"paragraph","text":"padlec (z ros.) – niegodziwiec. [przypis edytorski]"},{"id":"contentnotes0:623","kind":"paragraph","text":"Do tyłu"},{"id":"contentnotes0:624","kind":"heading","text":"209"},{"id":"contentnotes0:625","kind":"paragraph","text":"cas (fr.) – przypadek. [przypis edytorski]"},{"id":"contentnotes0:626","kind":"paragraph","text":"Do tyłu"},{"id":"contentnotes0:627","kind":"heading","text":"210"},{"id":"contentnotes0:628","kind":"paragraph","text":"po zakonu (z ros.) – według prawa. [przypis edytorski]"},{"id":"contentnotes0:629","kind":"paragraph","text":"Do tyłu"},{"id":"contentnotes0:630","kind":"heading","text":"211"},{"id":"contentnotes0:631","kind":"paragraph","text":"szpitalów – dziś popr. forma: szpitali. [przypis edytorski]"},{"id":"contentnotes0:632","kind":"paragraph","text":"Do tyłu"},{"id":"contentnotes0:633","kind":"heading","text":"212"},{"id":"contentnotes0:634","kind":"paragraph","text":"Pompeius Trimalchio, Trymalchion – bohater Satyriconu, awanturniczej powieści z czasów rzymskich, której autorstwo przypisuje się Gajuszowi Petroniuszowi (27–66); Trymalchion jest typem nowobogackiego. [przypis edytorski]"},{"id":"contentnotes0:635","kind":"paragraph","text":"Do tyłu"},{"id":"contentnotes0:636","kind":"heading","text":"213"},{"id":"contentnotes0:637","kind":"paragraph","text":"ceklarz – pachołek miejski pilnujący porządku; ceklarze zajmowali się m.in. wyłapywaniem żebraków, prostytutek i włóczęgów. [przypis edytorski]"},{"id":"contentnotes0:638","kind":"paragraph","text":"Do tyłu"},{"id":"contentnotes0:639","kind":"heading","text":"214"},{"id":"contentnotes0:640","kind":"paragraph","text":"copperking – król miedzi (o monopolistycznym przedsiębiorcy). [przypis edytorski]"},{"id":"contentnotes0:641","kind":"paragraph","text":"Do tyłu"},{"id":"contentnotes0:642","kind":"heading","text":"215"},{"id":"contentnotes0:643","kind":"paragraph","text":"terras tractusque maris coelumque profundum (łac.) – ziemie, głębie mórz i bezkres nieba. [przypis edytorski]"},{"id":"contentnotes0:644","kind":"paragraph","text":"Do tyłu"},{"id":"contentnotes0:645","kind":"heading","text":"216"},{"id":"contentnotes0:646","kind":"paragraph","text":"auctor – sprawca, autor, twórca. [przypis edytorski]"},{"id":"contentnotes0:647","kind":"paragraph","text":"Do tyłu"},{"id":"contentnotes0:648","kind":"heading","text":"217"},{"id":"contentnotes0:649","kind":"paragraph","text":"obudwu (daw.) – dziś popr.: obydwu. [przypis edytorski]"},{"id":"contentnotes0:650","kind":"paragraph","text":"Do tyłu"},{"id":"contentnotes0:651","kind":"heading","text":"218"},{"id":"contentnotes0:652","kind":"paragraph","text":"august (z niem. August) – błazen. [przypis edytorski]"},{"id":"contentnotes0:653","kind":"paragraph","text":"Do tyłu"},{"id":"contentnotes0:654","kind":"heading","text":"219"},{"id":"contentnotes0:655","kind":"paragraph","text":"wsie (z ros.) – wszystkie. [przypis edytorski]"},{"id":"contentnotes0:656","kind":"paragraph","text":"Do tyłu"},{"id":"contentnotes0:657","kind":"heading","text":"220"},{"id":"contentnotes0:658","kind":"paragraph","text":"praworny (z ros. проворный) – zdolny, zdatny, zręczny, nadający się. [przypis edytorski]"},{"id":"contentnotes0:659","kind":"paragraph","text":"Do tyłu"},{"id":"contentnotes0:660","kind":"heading","text":"221"},{"id":"contentnotes0:661","kind":"paragraph","text":"Brulionowe rzuty (…) testament Jaśniacha – rzuty są trzy, znaczone tu (A), (B) i (C). Pierwsze dwa wiążą się z sobą dość ściśle, wydawca ich przyjmuje, że fragment (A) jest niewątpliwie pierwopisem, upstrzonym licznymi poprawkami i dopiskami. Drugi zaś fragment (B) jest „niejako czystopisem, znacznie krótszym i niedokończonym. Cechuje go większa prostota stylu, osiągnięta przez uproszczenie baroku opisowego”. Wydaje się wszelako, że równie uprawnione mogłoby być mniemanie wręcz odwrotne. Cytaty włączone we fragment (A), oznaczone: 1–7, pochodzą z Przedświtu Krasińskiego, z Mickiewicza Ksiąg pielgrzymstwa, z Prelekcji paryskich i ze Składu zasad 1848 r. Zachodzące drobne różnice tekstu dowodzą, że Żeromski cytował z pamięci. [przypis redakcyjny]"},{"id":"contentnotes0:662","kind":"paragraph","text":"Do tyłu"},{"id":"contentnotes0:663","kind":"heading","text":"222"},{"id":"contentnotes0:664","kind":"paragraph","text":"Habeas Animam (łac.) – dosł. „żebyś miał duszę” a. „powinieneś mieć duszę”; nawiązanie do prawa habeas corpus zapewniającego nietykalność osobistą, niemożność uwięzienia. [przypis edytorski]"},{"id":"contentnotes0:665","kind":"paragraph","text":"Do tyłu"},{"id":"contentnotes0:666","kind":"heading","text":"223"},{"id":"contentnotes0:667","kind":"paragraph","text":"Sakya Muni – nazwisko historyczne Buddy. [przypis edytorski]"},{"id":"contentnotes0:668","kind":"paragraph","text":"Do tyłu"},{"id":"contentnotes0:669","kind":"heading","text":"224"},{"id":"contentnotes0:670","kind":"paragraph","text":"Dodatek (b) – dodać można, że w zapiskach Żeromskiego z czasu podróży po Włoszech 1906–1907 r. (zob. w tomie Wspomnienia, wydania zbiorowego Dzieł, Warszawa 1965) mieści się sporo notat i fragmentów zużytkowanych w tekście Dziejów grzechu, a także w zarzuconym fragmencie „Testamentu”. [przypis redakcyjny]"},{"id":"contentnotes0:671","kind":"paragraph","text":"Do tyłu"}],"toc":[{"id":"content4:0:1","label":"Dodatek","page":1,"pageUrl":"/books/2C09DZaG#reader-content"},{"id":"content4:1:1","label":"Brulionowe rzuty rozdziału mającego objąć testament 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