The most universally esteemed singer of his age was Mat. Nash, who had a vehement style; his "Hunts-up," a song which obtained him "much favor," was one of his most celebrated efforts. However, it happened that the great Secretary Cecil was so captivated with his singing, that he soon enabled him to retire from his profession.

The accident that led to this fortunate reconnoitre is not impertinent to our subject: in a time of dearth, which was severely felt in the city, the famous ballad-maker Delone composed a song reflecting on her Majesty. The ballad-maker and singer were both committed to the compter, but the poet defied government even while in the lion's den. In a letter to the Lord Mayor, he avowed the ballad, and justified it. Nash, in the meantime, in an interview with the Secretary, established his innocence, and laid the foundation of his future prosperity.

The Gipsies furnished a number of singers about this time. The laws and prejudices of society concurred in denouncing this race; but, nevertheless, the best received ballad-singers of their time were of this bronzed tribe.

In the reigns of James the First and his successor, the taste of the people for nature and simplicity kept up the profession of ballad-singing. We are to look upon ballad-singers from this time as a corporation. Custom had established yearly festivals for them in the classic regions of St. Giles's, which were frequented by the wits of the day—Swift, Gay, Bolingbroke, Steele, &c. From these high followers of the muses, yearly contingents of ballads were expected. Swift contracted for the humourous songs: Gay who had, as Goldsmith says, "a happy strain of ballad-thinking," was set down for the pathetic ones; and those of a miscellaneous character were divided amongst a number of amateur bards. No importunities, even of his friends, could induce Pope to attend any of these assemblies. He was prevailed on to write an epitaph for a young creature whom he had seen, and who was known by the name of Clarinda: favoured by the great, if she had not been attached to the life of a ballad-singer, she might, with her accomplishments, have risen to distinction and fortune.

Gay and Swift had naturally a relish for low society, and were hailed by the fraternity as the most precious sources of profit. Amongst other songs which Swift sent into the world through the medium of ballad-singers, was a severe satire upon the Duke of Marlborough, beginning "Our Johnny is come from the wars:" it drew much attention, and excited the strongest resentment against the author in the breast of the Duchess, who remained implacable until the publication of Gulliver, when she offered her friendship to Swift, through his friend Gay.

There was a young creature among the ballad-singers known to the world by no other title than Clara, who drew much attention at this time by the sweetness and pathos of her tones. She was the original singer of "Black-eyed Susan," and one or two songs which were afterwards introduced into the "Beggar's Opera;" but her recommendation to particular notice was the circumstance of her being for many years the object of Bolingbroke's enthusiastic affection. The poor girl strayed for some time, during which his Lordship had not seen her: it was after this interval, that, meeting her, he addressed to her the tender lines, beginning,

"Dear, thoughtless Clara, to my verse attend, Believe for once the lover and the friend,"

And concluding thus:

"To virtue thus, and to thyself restored, By all admired, by one alone adored: Be to thy Harry ever kind and true, And live for him who more than died for you."

A series of calamities totally ruined her vocal powers, and she afterwards subsisted by the sale of oranges at the Court of Requests.

The profession did not continue to maintain its rank. The disappointed author in "Roderick Random," who set about writing for ballad-singers, was introduced into one of their assemblies, and his testimony establishes their degeneracy.

In fact, the history of ballad-singing, during the remainder of last century, affords but an unsatisfactory subject of reflection to lovers of song; whether they have regenerated in the present age, we leave the reader to judge.

E.J.H.

LOVE AT COURT AND LOVE IN THE COUNTRY

Loving 'mongst the aristocracy Is reckon'd positive hypocrisy; The noble votaries of fashion Are ignorant of the tender passion. A shepherd, if his nymph doth alter, Killeth woe by means of halter: But in high life, if ladies prove Indifferent to an ardent love, What does the enamour'd title do, But set about and alter too.

Translated from the French of Madame Deshoulieres.

Страница 2 из 12

Назад 1 2 3…12 Далее

The Mirror of Literature, Amusement, and Instruction. Volume 19, No. 551, June 9, 1832

AI-разбор доступен после входа

О книге

Читать онлайн

LOVE AT COURT AND LOVE IN THE COUNTRY

Вам также может понравиться

The Mirror of Literature, Amusement, and Instruction. Volume 10, No. 279, October 20, 1827

The Mirror of Literature, Amusement, and Instruction. Volume 10, No. 262, July 7, 1827

The Mirror of Literature, Amusement, and Instruction. Volume 10, No. 264, July 14, 1827

The Mirror of Literature, Amusement, and Instruction. Volume 10, No. 276, October 6, 1827

The Mirror of Literature, Amusement, and Instruction. Volume 14, No. 385, August 15, 1829

The Mirror of Literature, Amusement, and Instruction. Volume 14, No. 399, Supplementary Number

The Mirror of Literature, Amusement, and Instruction. Volume 10, No. 273, September 15, 1827

The Mirror of Literature, Amusement, and Instruction. Volume 20, No. 582, December 22, 1832

The Mirror of Literature, Amusement, and Instruction. Volume 10, No. 268, August 11, 1827

The Mirror of Literature, Amusement, and Instruction. Volume 12, No. 331, September 13, 1828

The Mirror of Literature, Amusement, and Instruction. Volume 12, No. 333, September 27, 1828

The Mirror of Literature, Amusement, and Instruction. Volume 13. Index to Volume 13