Карточные фокусы

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Театр наоборот» (Петербург, изд-во «Третья стража», 1922 г.). – Мы насквозь пропитались здравым смыслом, стали промозгло-логичными и разучились сходить с ума. Сделались рассудительны, учены и умны. Безумие мы заменили умничанием, творчество – ученостью, нелепость – логикой."},{"id":"id3511:88","kind":"paragraph","text":"Нет! Спектакль должен быть насыщен событиями, трюками и приключениями. Его эмоции должны быть захватывающи и сильны. Каждый актер должен уметь две вещи – танцевать на канате и сходить с ума. Но сначала надо научиться думать, и только затем можно становиться безумным»."},{"id":"id3511:89","kind":"paragraph","text":"Эксцентрический театр – вот что провозгласил Крыжицкий. Театр, в школе которого ученики от изучения взглядов Канта и Шопенгауэра переходили бы к жонглированию и акробатике, а лекции по литературе и искусству перемежались бы отбиванием стэпа и совершенствованием в иллюзионном жанре."},{"id":"id3511:90","kind":"paragraph","text":"Прекрасная мысль! Можно, конечно, говорить о «перехлестах», когда автор призывает послать к черту «психологию», эрудицию и здравый смысл. Можно не соглашаться с желанием пропагандиста заставить знаменитых драматургов выполнять несвойственные им коленца – Гауптману вовсе не обязательно прохаживаться на голове, Ибсену будет явно противопоказано быть подвешенным за белые баки под самым куполом цирка, а Метерлинк вряд ли станцует канкан для разгулявшегося идеолога. Зачем такое? Для этого есть другие драматурги. Помельче. А вот сама идея, правда, без перехлестов, повторю – великолепна!"},{"id":"id3511:91","kind":"paragraph","text":"Иначе откуда родится волшебник?"},{"id":"id3511:92","kind":"paragraph","text":"Созидание чуда – алхимично. Новый карточный прием может родиться от случайного недово-рота карты. Но ведь его нужно заметить! Необходимо учуять еще неизвестный фокус, таящийся в престидижитаторских глубинах. Способен ли на подобный взгляд ум обыкновенный, привыкший к повседневной рутине? Вряд ли. Только подготовленное мышление, гибкое и оригинальное, легко сопоставляющее удаленные друг от друга идеи, не пасующее от неожиданности ракурса вдруг возникшего замысла – единственно такое мышление, настроенное на слом стереотипов, сумеет разглядеть то, что еще не увидено другими. Приобрести такое умение, освоить его – очень сложная и серьезная задача. И один из путей ее решения – регулярные встречи с непривычным, происходящие в комфортных условиях."},{"id":"id3511:93","kind":"paragraph","text":"И потому – пусть будет волшебство!"},{"id":"id3511:94","kind":"paragraph","text":"Тем более, что все начинается с малого. В нашем случае – с обыкновенной колоды карт."},{"id":"id3510:0","kind":"heading","text":"Литература"},{"id":"id3510:1","kind":"heading","text":"Отечественные издания (на русском языке):"},{"id":"id3510:2","kind":"paragraph","text":"1. Акопян А. Все о фокусах. М.: Искусство, 1971."},{"id":"id3510:3","kind":"paragraph","text":"2. Акопян А. Даю уроки волшебства. М.: Детская литература, 1993."},{"id":"id3510:4","kind":"paragraph","text":"3. Бедарев Г. Игры и развлечения. М.: Советская Россия, 1958."},{"id":"id3510:5","kind":"paragraph","text":"4. Буллок А.,ДжеймсД. Хочу быть фокусником. Вильнюс: Полина, 1996."},{"id":"id3510:6","kind":"paragraph","text":"5. Вадимов А.,ТривасМ. От магов древности до иллюзионистов наших дней. М.: Искусство, 1966; 1979."},{"id":"id3510:7","kind":"paragraph","text":"6. Вадимов А. Искусство фокуса. М.: Искусство, 1959."},{"id":"id3510:8","kind":"paragraph","text":"7. Вадимов А. Фокусы для всех. М.: Профиздат, 1962."},{"id":"id3510:9","kind":"paragraph","text":"8. Гарднер М. Математические чудеса и тайны. М.: Наука, 1964; 1986."},{"id":"id3510:10","kind":"paragraph","text":"9. Гоффманн. Дождь из тузов. М.: Объединение «Аркона», 1990."},{"id":"id3510:11","kind":"paragraph","text":"10. Гоффманн. Тайны магии. Варшава, 1910."},{"id":"id3510:12","kind":"paragraph","text":"11. Грустить не надо. М.: ЗАО Рифмэ, 1996."},{"id":"id3510:13","kind":"paragraph","text":"12. Лонге Б.,Смит К. Фокусы и головоломки для детей. М.: Аквариум, 1996."},{"id":"id3510:14","kind":"paragraph","text":"13. Обрезков Ю. Фокусы с игральными картами для любителей. СПб: Интерполиграфцентр, СПФК, 1991."},{"id":"id3510:15","kind":"paragraph","text":"14. Постолатий В. Фокусы с игральными картами. М.: РИФ Рой, 1995."},{"id":"id3510:16","kind":"paragraph","text":"15. Романов В. Секреты карточных шулеров. СПб: Динамант. Золотой век, 1996."},{"id":"id3510:17","kind":"paragraph","text":"16. Свечников В. Фокусы с тузами. Саратов: 1996."},{"id":"id3510:18","kind":"paragraph","text":"17. Твист А. Общество и аферисты, или игра на чужом поле. ч. 1, М. 1997."},{"id":"id3510:19","kind":"paragraph","text":"18. Хабибянов И. «Ярмо» для жулика. СПб: Диамант, 1995."},{"id":"id3510:20","kind":"heading","text":"Зарубежные издания:"},{"id":"id3510:21","kind":"paragraph","text":"1. Booth J. Conjurians Discoveries. Los Alamitos: Ridgeway Press, 1992."},{"id":"id3510:22","kind":"paragraph","text":"2. Booth J. The fine Art of Hocus Pocus. Watertown: The Magic Art Book Company, 1996."},{"id":"id3510:23","kind":"paragraph","text":"3. Colombini A. Impact. Calgary: Hades Publications, Inc, 1991."},{"id":"id3510:24","kind":"paragraph","text":"4. Colombini A. React. Calgary: Hades Publications, Inc., 1994."},{"id":"id3510:25","kind":"paragraph","text":"5. Elliott B. Professional Magic Made Easy. London: Faber And Faber, 1959."},{"id":"id3510:26","kind":"paragraph","text":"6. Garcia F., Shindler G. The Magic with the Cards. New York:1975."},{"id":"id3510:27","kind":"paragraph","text":"7. Goldstein P. Focus. Seattle: Hermetic Press, 1990."},{"id":"id3510:28","kind":"paragraph","text":"8. Goring J. Stich um Stich. Berlin: Neues Leben, 1977."},{"id":"id3510:29","kind":"paragraph","text":"9. Goring J. Trick um Trick. Berlin: Neues Leben, 1982."},{"id":"id3510:30","kind":"paragraph","text":"10. Green L. …der Laser Deal!!! Goteborg: Der Andromeda Nebel, 1997."},{"id":"id3510:31","kind":"paragraph","text":"11. Green L. Rot und Schwarz. Goteborg: Der Andromeda Nebel, 1997."},{"id":"id3510:32","kind":"paragraph","text":"12. Hilliard J. The Greater Magic Library. New York. 1956."},{"id":"id3510:33","kind":"paragraph","text":"13. Hugard J., Braue F. The Royal Road to Card Magic. London: Faber And Faber."},{"id":"id3510:34","kind":"paragraph","text":"14. Makela S. Suuri Taika Kirja. Helsinki: Wemer Soderstrom Osakeyhtio, 1974."},{"id":"id3510:35","kind":"paragraph","text":"15. Minch S. The Three Faces of Steve. Seattle. 1987."},{"id":"id3510:36","kind":"paragraph","text":"16. Roxy My Lecture at the Magic Castle of Hollywood. Turin. 1984.."},{"id":"id3510:37","kind":"paragraph","text":"17. Ziemelis J. Kartomagija. Kaunas: Ausros, 1991."},{"id":"id3510:38","kind":"paragraph","text":"18. Zmeck J. Handbuch der Magie. Berlin: Kunst und Gesellschaft, 1984."},{"id":"id3510:39","kind":"paragraph","text":"19. Zmeck J. Zauberhafte Tips und Tricks. Band 1 und 2. Dresden: Zauberkunst, 1994—1995."}],"toc":[{"id":"id3524:0:1","label":"Annotation","page":1,"pageUrl":"/books/2Pw0hn7y#reader-content"},{"id":"id3523:0:1","label":"Анатолий Карташкин Карточные фокусы","page":1,"pageUrl":"/books/2Pw0hn7y#reader-content"},{"id":"id3522:0:1","label":"Часть 1 СТАРТУЯ С КОНЧИКОВ ПАЛЬЦЕВ","page":1,"pageUrl":"/books/2Pw0hn7y#reader-content"},{"id":"id3521:0:1","label":"Глава 1 В ПУЧИНАХ ДРЕВНИХ 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