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The Mirror of Literature, Amusement, and Instruction. Volume 19, No. 532, February 4, 1832
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Дата написания1970-01-01
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Страница 1 из 11Various The Mirror of Literature, Amusement, and Instruction / Volume 19, No. 532, February 4, 1832
CAVERN OF ROBERT THE DEVIL.
CASTLE OF ROBERT THE DEVIL.
ROBERT THE DEVIL
All the town, and the country too, by paragraph circumstantial, and puff direct, must have learned that every theatre in this Metropolis, and consequently, every stage in the country, is to have its version of the splendid French opera Robert le Diable. Its success in Paris has been what the good folks there call magnifique, and playing the devil has been the theatrical order of day and night since the Revolution. As we know nothing of its merits, and do not write of what we neither see nor hear, nor believe any report of, we do not put up our hopes for its success. But, as the story of the opera is a pretty piece of Norman romance, some fair penciller has sent us the sketches of the annexed cuts, and our Engraver has thus pitted himself with Grieve, Stanfield, Roberts, and scores of minor scene-painters, who are building canvass castles, and scooping out caverns for the King's Theatre, Covent Garden, and Drury Lane Theatres. Theirs will be but candle-light glories: our scenes will be the same by all lights. But as scenes are of little use without actors, and cuts of less worth without description, we append our fair Correspondent's historical notices of the sites and the dram. pers. of "this our tragedy."
CASTLE OF ROBERT LE DIABLE, OR ROBERT THE DEVIL
The founder of this ancient castle bears the name of Robert the Devil. It is a wonderful relic of old Norman fortification, being so defended by nature, as to bid defiance to its enemies, and could only have fallen by stratagem. It is situated on the left side of the River Seine and in the province of Normandy. The subterranean caverns by their amazing extent sufficiently attest the ancient importance of this structure; tradition says they extend to the banks of the Seine. Its antiquity is fully proved by some of the architectural fragments bearing the stamp of 912. On arriving at the summit of the mountain, the tourist receives an impression like enchantment: the castle seems to have been conveyed there by fairies; and at the base the eye is charmed by the fine and picturesque forest of Bourgtheroulde: villages elegantly grouped, enrich with their beautiful fabrics each bank of the Seine which majestically traverses a luxurious landscape. Romance, fable, and the tradition of shepherds and peasants describe Robert the Devil as Governor of Neustria, and a descendent of Rollo the celebrated Norman chief, whose name was changed to Robert, Duke of Normandy in 923, on his marriage with the daughter of Charles the simple, King of France. His great and valiant achievements are remembered in that country so renowned by his race, and where his name still awakens every sentiment of superstitious awe. All in the environs of the castle recount his wonderful and warlike exploits; his numerous amours; and his rigid penitence by which he hoped to appease the wrath of offended Heaven. The moans of his victims are said to resound in the Northern subterranean caverns; the peasantry also believe that the spirit of Robert is condemned to haunt the ruins of his castle, and the tombs of his "Ladies Fair." In justice to his memory be it remembered, that his acts of cruelty were alone aimed at the rapacious and guilty, and that in him helpless innocence ever found a protector.
Robert the Devil was cotemporary with our Danish King Harold, 1065; he assisted Henry, the eldest son of Robert of Normandy, in gaining possession of the crown, and accompanied him with a large army into the capital of France, where they ravaged the territory of the rebels, by burning the towns and villages, and putting the inhabitants to the sword: on this account he was called Robert the Devil.
When tranquillity was restored, and Henry freed from his enemies, Robert made a pilgrimage to the Holy Land with other powerful potentates. On his return he was taken ill, and appointed an illegitimate son his successor, whose mother was the daughter of a dealer in skins at Falaise, and this son became that celebrated William of Normandy, our renowned conqueror! The Normans instigated the people to reject him, on the plea of his illegitimacy; but Henry I., then King of France, gratefully remembered the good offices of Robert the Devil, William's Father: therefore espoused his cause, and raised an army of three thousand men to invade Normandy; long and obstinate wars continued, which did not terminate till William had accomplished the successful invasion of England; he was the grandson of Rollo, known after his marriage as Robert the 1st., Duke of Normandy, who died 935. Thus from one of his numerous amours sprung our new dynasty of kings, which totally changed the aspect of the times. By some historians he is called Robert the IInd., Duke of Normandy, but the name by which he is generally known, is that dignified one of William the Conqueror.
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Its success in Paris has been what the good folks there call magnifique, and playing the devil has been the theatrical order of day and night since the Revolution. As we know nothing of its merits, and do not write of what we neither see nor hear, nor believe any report of, we do not put up our hopes for its success. But, as the story of the opera is a pretty piece of Norman romance, some fair penciller has sent us the sketches of the annexed cuts, and our Engraver has thus pitted himself with Grieve, Stanfield, Roberts, and scores of minor scene-painters, who are building canvass castles, and scooping out caverns for the King's Theatre, Covent Garden, and Drury Lane Theatres. Theirs will be but candle-light glories: our scenes will be the same by all lights. 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On arriving at the summit of the mountain, the tourist receives an impression like enchantment: the castle seems to have been conveyed there by fairies; and at the base the eye is charmed by the fine and picturesque forest of Bourgtheroulde: villages elegantly grouped, enrich with their beautiful fabrics each bank of the Seine which majestically traverses a luxurious landscape. Romance, fable, and the tradition of shepherds and peasants describe Robert the Devil as Governor of Neustria, and a descendent of Rollo the celebrated Norman chief, whose name was changed to Robert, Duke of Normandy in 923, on his marriage with the daughter of Charles the simple, King of France. His great and valiant achievements are remembered in that country so renowned by his race, and where his name still awakens every sentiment of superstitious awe. All in the environs of the castle recount his wonderful and warlike exploits; his numerous amours; and his rigid penitence by which he hoped to appease the wrath of offended Heaven. The moans of his victims are said to resound in the Northern subterranean caverns; the peasantry also believe that the spirit of Robert is condemned to haunt the ruins of his castle, and the tombs of his \"Ladies Fair.\" In justice to his memory be it remembered, that his acts of cruelty were alone aimed at the rapacious and guilty, and that in him helpless innocence ever found a protector."},{"id":"content0:7","kind":"paragraph","text":"Robert the Devil was cotemporary with our Danish King Harold, 1065; he assisted Henry, the eldest son of Robert of Normandy, in gaining possession of the crown, and accompanied him with a large army into the capital of France, where they ravaged the territory of the rebels, by burning the towns and villages, and putting the inhabitants to the sword: on this account he was called Robert the Devil."},{"id":"content0:8","kind":"paragraph","text":"When tranquillity was restored, and Henry freed from his enemies, Robert made a pilgrimage to the Holy Land with other powerful potentates. On his return he was taken ill, and appointed an illegitimate son his successor, whose mother was the daughter of a dealer in skins at Falaise, and this son became that celebrated William of Normandy, our renowned conqueror! The Normans instigated the people to reject him, on the plea of his illegitimacy; but Henry I., then King of France, gratefully remembered the good offices of Robert the Devil, William's Father: therefore espoused his cause, and raised an army of three thousand men to invade Normandy; long and obstinate wars continued, which did not terminate till William had accomplished the successful invasion of England; he was the grandson of Rollo, known after his marriage as Robert the 1st., Duke of Normandy, who died 935. Thus from one of his numerous amours sprung our new dynasty of kings, which totally changed the aspect of the times. By some historians he is called Robert the IInd., Duke of Normandy, but the name by which he is generally known, is that dignified one of William the Conqueror."}],"toc":[{"id":"content0:0:1","label":"Various The Mirror of Literature, Amusement, and Instruction / Volume 19, No. 532, February 4, 1832","page":1,"pageUrl":"/books/2RmD9Yl7#reader-content"},{"id":"content0:3:1","label":"ROBERT THE DEVIL","page":1,"pageUrl":"/books/2RmD9Yl7#reader-content"},{"id":"content0:5:1","label":"CASTLE OF ROBERT LE DIABLE, OR ROBERT THE DEVIL","page":1,"pageUrl":"/books/2RmD9Yl7#reader-content"},{"id":"content0:9:2","label":"CAVERN OF ROBERT LE DIABLE","page":2,"pageUrl":"/books/2RmD9Yl7?page=2#reader-content"},{"id":"content0:11:2","label":"LACONICS, \u0026c","page":2,"pageUrl":"/books/2RmD9Yl7?page=2#reader-content"},{"id":"content0:12:2","label":"Continued from page 53.)","page":2,"pageUrl":"/books/2RmD9Yl7?page=2#reader-content"},{"id":"content1:0:3","label":"TRANSLATION OF DELLA CASA'S SONNET TO THE CITY OF VENICE","page":3,"pageUrl":"/books/2RmD9Yl7?page=3#reader-content"},{"id":"content1:1:3","label":"(For the Mirror.)","page":3,"pageUrl":"/books/2RmD9Yl7?page=3#reader-content"},{"id":"content1:4:3","label":"THE HOUSE OF UNDER","page":3,"pageUrl":"/books/2RmD9Yl7?page=3#reader-content"},{"id":"content1:9:4","label":"THE SELECTOR; AND LITERARY NOTICES OF NEW WORKS","page":4,"pageUrl":"/books/2RmD9Yl7?page=4#reader-content"},{"id":"content1:10:4","label":"FRENCH REVOLUTION OF 1830","page":4,"pageUrl":"/books/2RmD9Yl7?page=4#reader-content"},{"id":"content2:0:5","label":"TIME'S TELESCOPE FOR 1832","page":5,"pageUrl":"/books/2RmD9Yl7?page=5#reader-content"},{"id":"content2:12:6","label":"NOTES OF A READER","page":6,"pageUrl":"/books/2RmD9Yl7?page=6#reader-content"},{"id":"content2:13:6","label":"SCOTTISH LITERARY DINNER","page":6,"pageUrl":"/books/2RmD9Yl7?page=6#reader-content"},{"id":"content3:0:8","label":"RETROSPECTIVE GLEANINGS","page":8,"pageUrl":"/books/2RmD9Yl7?page=8#reader-content"},{"id":"content3:1:8","label":"LACONIC JUSTICE","page":8,"pageUrl":"/books/2RmD9Yl7?page=8#reader-content"},{"id":"content3:7:8","label":"FLOATING SCHEME","page":8,"pageUrl":"/books/2RmD9Yl7?page=8#reader-content"},{"id":"content3:10:8","label":"THE GREEK SAILORS","page":8,"pageUrl":"/books/2RmD9Yl7?page=8#reader-content"},{"id":"content3:13:8","label":"BILLS OF MORTALITY","page":8,"pageUrl":"/books/2RmD9Yl7?page=8#reader-content"},{"id":"content3:16:8","label":"TAILORS","page":8,"pageUrl":"/books/2RmD9Yl7?page=8#reader-content"},{"id":"content3:24:9","label":"HINTS TO COCKNEY EQUESTRIANS","page":9,"pageUrl":"/books/2RmD9Yl7?page=9#reader-content"},{"id":"content3:33:9","label":"SPIRIT OF THE PUBLIC JOURNALS","page":9,"pageUrl":"/books/2RmD9Yl7?page=9#reader-content"},{"id":"content3:34:9","label":"BEAUTIES OF THE PILGRIM'S PROGRESS","page":9,"pageUrl":"/books/2RmD9Yl7?page=9#reader-content"},{"id":"content4:0:11","label":"THE GATHERER","page":11,"pageUrl":"/books/2RmD9Yl7?page=11#reader-content"},{"id":"content4:2:11","label":"IMPROMPTU.—TO A LADY","page":11,"pageUrl":"/books/2RmD9Yl7?page=11#reader-content"},{"id":"content4:3:11","label":"(From the Italian.)","page":11,"pageUrl":"/books/2RmD9Yl7?page=11#reader-content"},{"id":"content4:12:11","label":"FAMILIAR SCIENCE","page":11,"pageUrl":"/books/2RmD9Yl7?page=11#reader-content"}]},"similarBooks":[{"idCatalog":764433,"shortId":"10LN9aKJ","title":"The Mirror of Literature, Amusement, and Instruction. 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