Чаттертон

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Акройд проецирует на три разные эпохи историю непризнанного и одинокого поэтического таланта, заставляя переплетаться судьбы своих персонажей, то и дело уснащая текст детективными поисками. Прежде всего, это погоня за утраченной стариной, но лейтмотивом этих поисков служит и постоянный вопрос: что есть реальность и вымысел, что есть истинное и ложное? В связи с этим часто всплывает тема плагиата в искусстве и тема фальсификации, т. е. «плагиата наоборот», когда художник приписывает собственное творение чужому гению. Возможно, не каждый согласится с теми выводами, которые делают герои романа. 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Акройд проецирует на три разные эпохи историю непризнанного и одинокого поэтического таланта, заставляя переплетаться судьбы своих персонажей, то и дело уснащая текст детективными поисками. Прежде всего, это погоня за утраченной стариной, но лейтмотивом этих поисков служит и постоянный вопрос: что есть реальность и вымысел, что есть истинное и ложное? В связи с этим часто всплывает тема плагиата в искусстве и тема фальсификации, т. е. «плагиата наоборот», когда художник приписывает собственное творение чужому гению. Возможно, не каждый согласится с теми выводами, которые делают герои романа. 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Прежде всего, это погоня за утраченной стариной, но лейтмотивом этих поисков служит и постоянный вопрос: что есть реальность и вымысел, что есть истинное и ложное? В связи с этим часто всплывает тема плагиата в искусстве и тема фальсификации, т. е. «плагиата наоборот», когда художник приписывает собственное творение чужому гению. Возможно, не каждый согласится с теми выводами, которые делают герои романа."},{"id":"id2130:3","kind":"paragraph","text":"Как этого и требует жанр псевдодетектива, читательские ожидания под конец обманываются, и всю книгу приходится переосмысливать заново, – но именно этого, должно быть, и добивался автор, явно избегающий окончательной расстановки точек над «i» и предлагающий каждому самостоятельно решать, где лежит истина…"},{"id":"id2130:4","kind":"paragraph","text":"Питер Акройд"},{"id":"id2130:5","kind":"paragraph","text":"ЧАСТЬ ПЕРВАЯ"},{"id":"id2130:6","kind":"paragraph","text":"1"},{"id":"id2130:7","kind":"paragraph","text":"2"},{"id":"id2130:8","kind":"paragraph","text":"3"},{"id":"id2130:9","kind":"paragraph","text":"4"},{"id":"id2130:10","kind":"paragraph","text":"5"},{"id":"id2130:11","kind":"paragraph","text":"ЧАСТЬ ВТОРАЯ"},{"id":"id2130:12","kind":"paragraph","text":"6"},{"id":"id2130:13","kind":"paragraph","text":"7"},{"id":"id2130:14","kind":"paragraph","text":"8"},{"id":"id2130:15","kind":"paragraph","text":"9"},{"id":"id2130:16","kind":"paragraph","text":"10"},{"id":"id2130:17","kind":"paragraph","text":"11"},{"id":"id2130:18","kind":"paragraph","text":"12"},{"id":"id2130:19","kind":"paragraph","text":"ЧАСТЬ ТРЕТЬЯ"},{"id":"id2130:20","kind":"paragraph","text":"13"},{"id":"id2130:21","kind":"paragraph","text":"14"},{"id":"id2130:22","kind":"paragraph","text":"15"},{"id":"id2130:23","kind":"paragraph","text":"notes"},{"id":"id2130:24","kind":"paragraph","text":"1"},{"id":"id2130:25","kind":"paragraph","text":"2"},{"id":"id2130:26","kind":"paragraph","text":"3"},{"id":"id2130:27","kind":"paragraph","text":"4"},{"id":"id2130:28","kind":"paragraph","text":"5"},{"id":"id2130:29","kind":"paragraph","text":"6"},{"id":"id2130:30","kind":"paragraph","text":"7"},{"id":"id2130:31","kind":"paragraph","text":"8"},{"id":"id2130:32","kind":"paragraph","text":"9"},{"id":"id2130:33","kind":"paragraph","text":"10"},{"id":"id2130:34","kind":"paragraph","text":"11"},{"id":"id2130:35","kind":"paragraph","text":"12"},{"id":"id2130:36","kind":"paragraph","text":"13"},{"id":"id2130:37","kind":"paragraph","text":"14"},{"id":"id2130:38","kind":"paragraph","text":"15"},{"id":"id2130:39","kind":"paragraph","text":"16"},{"id":"id2130:40","kind":"paragraph","text":"17"},{"id":"id2130:41","kind":"paragraph","text":"18"},{"id":"id2130:42","kind":"paragraph","text":"19"},{"id":"id2130:43","kind":"paragraph","text":"20"},{"id":"id2130:44","kind":"paragraph","text":"21"},{"id":"id2130:45","kind":"paragraph","text":"22"},{"id":"id2130:46","kind":"paragraph","text":"23"},{"id":"id2130:47","kind":"paragraph","text":"24"},{"id":"id2130:48","kind":"paragraph","text":"25"},{"id":"id2130:49","kind":"paragraph","text":"26"},{"id":"id2130:50","kind":"paragraph","text":"27"},{"id":"id2130:51","kind":"paragraph","text":"28"},{"id":"id2130:52","kind":"paragraph","text":"29"},{"id":"id2130:53","kind":"paragraph","text":"30"},{"id":"id2130:54","kind":"paragraph","text":"31"},{"id":"id2130:55","kind":"paragraph","text":"32"},{"id":"id2130:56","kind":"paragraph","text":"33"},{"id":"id2130:57","kind":"paragraph","text":"34"},{"id":"id2130:58","kind":"paragraph","text":"35"},{"id":"id2130:59","kind":"paragraph","text":"36"},{"id":"id2130:60","kind":"paragraph","text":"37"},{"id":"id2130:61","kind":"paragraph","text":"38"},{"id":"id2130:62","kind":"paragraph","text":"39"},{"id":"id2130:63","kind":"paragraph","text":"40"},{"id":"id2130:64","kind":"paragraph","text":"41"},{"id":"id2130:65","kind":"paragraph","text":"42"},{"id":"id2130:66","kind":"paragraph","text":"43"},{"id":"id2130:67","kind":"paragraph","text":"44"},{"id":"id2130:68","kind":"paragraph","text":"45"},{"id":"id2130:69","kind":"paragraph","text":"46"},{"id":"id2130:70","kind":"paragraph","text":"47"},{"id":"id2130:71","kind":"paragraph","text":"48"},{"id":"id2130:72","kind":"paragraph","text":"49"},{"id":"id2130:73","kind":"paragraph","text":"50"},{"id":"id2130:74","kind":"paragraph","text":"51"},{"id":"id2130:75","kind":"paragraph","text":"52"},{"id":"id2130:76","kind":"paragraph","text":"53"},{"id":"id2130:77","kind":"paragraph","text":"54"},{"id":"id2130:78","kind":"paragraph","text":"55"},{"id":"id2130:79","kind":"paragraph","text":"56"},{"id":"id2130:80","kind":"paragraph","text":"57"},{"id":"id2130:81","kind":"paragraph","text":"58"},{"id":"id2130:82","kind":"paragraph","text":"59"},{"id":"id2130:83","kind":"paragraph","text":"60"},{"id":"id2130:84","kind":"paragraph","text":"61"},{"id":"id2130:85","kind":"paragraph","text":"62"},{"id":"id2130:86","kind":"paragraph","text":"63"},{"id":"id2130:87","kind":"paragraph","text":"64"},{"id":"id2130:88","kind":"paragraph","text":"65"},{"id":"id2130:89","kind":"paragraph","text":"66"},{"id":"id2130:90","kind":"paragraph","text":"67"},{"id":"id2130:91","kind":"paragraph","text":"68"},{"id":"id2130:92","kind":"paragraph","text":"69"},{"id":"id2130:93","kind":"paragraph","text":"70"},{"id":"id2130:94","kind":"paragraph","text":"71"},{"id":"id2130:95","kind":"paragraph","text":"72"},{"id":"id2130:96","kind":"paragraph","text":"73"},{"id":"id2130:97","kind":"paragraph","text":"74"},{"id":"id2130:98","kind":"paragraph","text":"75"},{"id":"id2130:99","kind":"paragraph","text":"76"},{"id":"id2130:100","kind":"paragraph","text":"77"},{"id":"id2130:101","kind":"paragraph","text":"78"},{"id":"id2130:102","kind":"paragraph","text":"79"},{"id":"id2130:103","kind":"paragraph","text":"80"},{"id":"id2130:104","kind":"paragraph","text":"81"},{"id":"id2130:105","kind":"paragraph","text":"82"},{"id":"id2130:106","kind":"paragraph","text":"83"},{"id":"id2130:107","kind":"paragraph","text":"84"},{"id":"id2130:108","kind":"paragraph","text":"85"},{"id":"id2130:109","kind":"paragraph","text":"86"},{"id":"id2130:110","kind":"paragraph","text":"87"},{"id":"id2130:111","kind":"paragraph","text":"88"},{"id":"id2130:112","kind":"paragraph","text":"89"},{"id":"id2130:113","kind":"paragraph","text":"90"},{"id":"id2130:114","kind":"paragraph","text":"91"},{"id":"id2130:115","kind":"paragraph","text":"92"},{"id":"id2130:116","kind":"paragraph","text":"93"},{"id":"id2130:117","kind":"paragraph","text":"94"},{"id":"id2130:118","kind":"paragraph","text":"95"},{"id":"id2130:119","kind":"p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Акройд Чаттертон"},{"id":"id2129:1","kind":"paragraph","text":"Посвящается Кристоферу Синклер-Стивенсону"},{"id":"id2129:2","kind":"paragraph","text":"Томас Чаттертон (1752–1770) родился в Бристоле. Там он учился в Колстонской школе,[1] а затем несколько месяцев проходил в учениках у адвоката. Но образование всегда значило для него меньше, нежели порывы собственного духа. Его отец умер за три месяца до рождения сына. Чаттертон с детских лет восхищался старинной церковью Св. Марии Редклиффской,[2] где некогда его отец был певчим в хоре. Мальчику было семь лет, когда мать принесла ему обрывки рукописи, найденной в архиве этой церкви, – и воображение его забурлило. Он сказал матери, что она «нашла истинное сокровище, и он вне себя от радости, столь это бесподобно». «Он влюбился», по словам матери, и в прошлое Бристоля, и в саму старину. Он принялся писать стихи, а затем, в возрасте пятнадцати или шестнадцати лет, сочинил «Роулианский цикл». Эти поэмы якобы сложил средневековый монах (чему много лет продолжала верить публика), – в действительности же они принадлежали перу юного Чаттертона, которому удалось выработать настоящий средневековый стиль, отчасти зародившийся благодаря чтению древних текстов, а отчасти изобретенный им самим."},{"id":"id2129:3","kind":"paragraph","text":"Наконец, наскучив Бристолем и соблазнившись надеждой на литературный успех, семнадцатилетний Томас Чаттертон отправился в Лондон. Но надеждам на славу не суждено было оправдаться – во всяком случае, при его жизни. Книгопродавцы оставались равнодушны или безучастны, а лондонские журналы по большей части отвергали элегии и стихотворения, которые предлагал им Чаттертон. Вначале он жил в Шордитче, у родственников, но в мае 1770 г. перебрался в чердачную каморку на Брук-стрит в Холборне. Там-то, утром 24 августа 1770 г., он принял мышьяк – очевидно, не вынеся борьбы с нищетой и неудачами. Когда дверь в его комнату взломали, на полу обнаружили раскиданные клочки бумаги, испещренные его почерком. После расследования огласили заключение: felo de se, то есть самоубийство. На следующий день тело поэта похоронили на кладбищенском участке при работном доме на Шу-лейн. Известен лишь один его прижизненный портрет, но для потомства образ \"дивного мальчика\" увековечила картина «Чаттертон» кисти Генри Уоллиса. Она была закончена в 1856 г., а позировал художнику, изображая умершего поэта, молодой Джордж Мередит,[3] лежа в той самой мансарде на Брук-стрит."},{"id":"id2129:4","kind":"heading","text":"* * *"},{"id":"id2129:5","kind":"paragraph","text":"– Пойдем, – сказал он. – Прогуляемся по лугам. У меня припасено для тебя кое-что гениальное. Уже за то, что я прочту это тебе, мне полагалось бы полкроны."},{"id":"id2129:6","kind":"paragraph","text":"Он взмахнул перед ней книжкой, но его нетерпеливость лишь отпугнула девушку, и она быстро зашагала прочь. Затем, осмелев при виде подруги, сидевшей на ступеньках церкви, она прокричала ему через плечо:"},{"id":"id2129:7","kind":"paragraph","text":"– Какой же ты бедняжка, ей-Богу! И Господи, Том, – что за драные на тебе башмаки!"},{"id":"id2129:8","kind":"paragraph","text":"– Я не настолько беден, чтобы нуждаться в жалости таких, как ты!"},{"id":"id2129:9","kind":"paragraph","text":"Чаттертон выбежал в чистое поле, подставляя лицо прохладному ветру. Там он остановился, уселся на скошенную траву и, обратив взор к башне Св. Марии Редклиффской, забормотал слова, имевшие над ним огромные чары:"},{"id":"id2129:10","kind":"paragraph","text":"Пора: час моего ухода пробил, И Ураган готов листву мою развеять. Быть может, завтра явится Скиталец И взором примется меня искать повсюду, И взором – боле не найдет меня."},{"id":"id2129:11","kind":"paragraph","text":"Он еще раз взглянул на церковь и с возгласом вскинул руки над головой."}],"toc":[{"id":"id2130:0:1","label":"Annotation","page":1,"pageUrl":"/books/2Ti3eMy3#reader-content"},{"id":"id2129:0:1","label":"Питер Акройд Чаттертон","page":1,"pageUrl":"/books/2Ti3eMy3#reader-content"},{"id":"id2129:4:1","label":"* * *","page":1,"pageUrl":"/books/2Ti3eMy3#reader-content"},{"id":"id2129:12:2","label":"* * *","page":2,"pageUrl":"/books/2Ti3eMy3?page=2#reader-content"},{"id":"id2128:0:2","label":"ЧАСТЬ ПЕРВАЯ","page":2,"pageUrl":"/books/2Ti3eMy3?page=2#reader-content"},{"id":"id2127:0:2","label":"1","page":2,"pageUrl":"/books/2Ti3eMy3?page=2#reader-content"},{"id":"id2127:6:2","label":"Лавка Древностей у Лино.","page":2,"pageUrl":"/books/2Ti3eMy3?page=2#reader-content"},{"id":"id2127:7:2","label":"Не Мешкайте.","page":2,"pageUrl":"/books/2Ti3eMy3?page=2#reader-content"},{"id":"id2127:8:2","label":"Доставьте Нам Радость.","page":2,"pageUrl":"/books/2Ti3eMy3?page=2#reader-content"},{"id":"id2127:9:2","label":"Входите Же.","page":2,"pageUrl":"/books/2Ti3eMy3?page=2#reader-content"},{"id":"id2127:117:5","label":"«ЧАСТЬ ТРЕТЬЯ мосты довольства»","page":5,"pageUrl":"/books/2Ti3eMy3?page=5#reader-content"},{"id":"id2126:0:8","label":"2","page":8,"pageUrl":"/books/2Ti3eMy3?page=8#reader-content"},{"id":"id2125:0:13","label":"3","page":13,"pageUrl":"/books/2Ti3eMy3?page=13#reader-content"},{"id":"id2124:0:17","label":"4","page":17,"pageUrl":"/books/2Ti3eMy3?page=17#reader-content"},{"id":"id2124:16:17","label":"* * *","page":17,"pageUrl":"/books/2Ti3eMy3?page=17#reader-content"},{"id":"id2123:0:21","label":"5","page":21,"pageUrl":"/books/2Ti3eMy3?page=21#reader-content"},{"id":"id2123:209:28","label":"* * 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