How the children leave us, and no traces Linger of that smiling angel-band, Gone, for ever gone, and in their places Weary men and anxious women stand.

ADELAIDE A. PROCTOR

PREFACE

If a book by an author who must call herself a veteran should be taken up by readers of a younger generation, they are begged to consider the first few chapters as a sort of prologue, introduced for the sake of those of elder years, who were kind enough to be interested in the domestic politics of the Mohuns and the Underwoods.

Continuations are proverbially failures, and yet it is perhaps a consequence of the writer’s realization of characters that some seem as if they could not be parted with, and must be carried on in the mind, and not only have their after-fates described, but their minds and opinions under the modifications of advancing years and altered circumstances.

Turner and other artists have been known literally to see colours in absolutely different hues as they grew older, and so no doubt it is with thinkers. The outlines may be the same, the tints are insensibly modified and altered, and the effect thus far changed.

Thus it is with the writers of fiction. The young write in full sympathy with, as well as for, the young, they have a pensive satisfaction in feeling and depicting the full pathos of a tragedy, and on the other hand they delight in their own mirth, and fully share it with the beings of their imagination, or they work out great questions with the unhesitating decision of their youth.

But those who write in elder years look on at their young people, not with inner sympathy but from the outside. Their affections and comprehension are with the fathers, mothers, and aunts; they dread, rather than seek, piteous scenes, and they have learnt that there are two sides to a question, that there are many stages in human life, and that the success or failure of early enthusiasm leaves a good deal more yet to come.

Thus the vivid fancy passes away, which the young are carried along with, and the older feel refreshed by; there is still a sense of experience, and a pleasure in tracing the perspective from another point of sight, where what was once distant has become near at hand, the earnest of many a day-dream has been gained, and more than one ideal has been tried, and merits and demerits have become apparent.

And thus it is hoped that the Long Vacation may not be devoid of interest for readers who have sympathized in early days with Beechcroft, Stoneborough, and Vale Leston, when they were peopled with the outcome of a youthful mind, and that they may be ready to look with interest on the perplexities and successes attending on the matured characters in after years.

If they will feel as if they were on a visit to friends grown older, with their children about them, and if the young will forgive the seeing with elder eyes, and observing instead of participating, that is all the veteran author would ask.

C. M. YONGE.

Elderfield,

January 31, 1895.

CHAPTER I. – A CHAPTER OF RETROSPECT

Sorrow He gives and pain, good store; Toil to bear, for the neck which bore; For duties rendered, a duty more; And lessons spelled in the painful lore Of a war which is waged eternally.—ANON.

“Ah! my Gerald boy! There you are! Quite well?”

Gerald Underwood, of slight delicate mould, with refined, transparent-looking features, and with hair and budding moustache too fair for his large dark eyes, came bounding up the broad stair, to the embrace of the aunt who stood at the top, a little lame lady supported by an ivory-headed staff. Her deep blue eyes, dark eyebrows, and sweet though piquant face were framed by the straight crape line of widowhood, whence a soft white veil hung on her shoulders.

“Cherie sweet! You are well? And the Vicar?”

“Getting on. How are they all at Vale Leston?”

“All right. Your mother got to church on Easter-day.” This was to Anna Vanderkist, a young person of the plump partridge order, and fair, rosy countenance ever ready for smiles and laughter.

“Here are no end of flowers,” as the butler brought a hamper.

“Daffodils! Oh!—and anemones! How delicious! I must take Clement a bunch of those dear white violets. I know where they came from,” and she held them to her lips. “Some primroses too, I hope.”

“A few; but the main body, tied up in tight bunches like cauliflowers, I dropped at Kensington Palace Gardens.”

“A yellow primrose is much more than a yellow primrose at present,” said Mrs. Grinstead, picking out the few spared from political purposes. “Clement will want his button-hole, to greet Lance.”

“So he is advanced to button-holes! And Lance?”

“He is coming up for the Press dinner, and will sleep here, to be ready for Primrose-day.”

“That’s prime, whatever brings him.”

“There, children, go and do the flowers, and drink tea. I am going to read to your uncle to keep him fresh for Lance.”

“How bright she looks,” said Gerald, as Anna began collecting vases from the tables in a drawing-room not professionally artistic, but entirely domestic, and full of grace and charm of taste, looking over a suburban garden fresh with budding spring to a church spire.

“The thought of Uncle Lance has cheered them both very much.”

“So the Vicar is really recovering?”

“Since Cousin Marilda flew at the curates, and told them that if they came near him with their worries, they should never see a farthing of hers! And they are all well at home? Is anything going on?”

“Chiefly defence of the copses from primrose marauders. You know the great agitation. They want to set up a china clay factory on Penbeacon, and turn the Ewe, not to say the Leston, into milk and water.”

“The wretches! But they can’t. It is yours.”

“Not the western quarry; but they cannot get the stream without a piece of the land which belongs to Hodnet’s farm, for which they make astounding bids; but, any way, nothing can be done till I am of age, when the lease to Hodnet is out, except by Act of Parliament, which is hardly worth while, considering—”

“That you are near twenty. But surely you won’t consent?”

“Well, I don’t want to break all your hearts, Cherie’s especially, but why should all that space be nothing but a playground for us Underwoods, instead of making work for the million?”

“And a horrid, nasty million it would be,” retorted Anna. “You born Yankee! Don’t worry Aunt Cherry about profaning the Ewe, just to spoil good calico with nasty yellow dust.”

“I don’t want to worry her, but there never were such groovy people as you are! I shall think it over, and make up my mind by the time I have the power.”

“I wish you had to wait till five-and-twenty, so as to get more time and sense.”

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