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The Mirror of Literature, Amusement, and Instruction. Volume 17, No. 486, April 23, 1831
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Дата написания1970-01-01
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Страница 6 из 12The heronries recorded to be existing at present in this country are in Windsor Great Park, on the borders of Bagshot Heath; at Penshurst-place, Kent; at Hutton, the seat of Mr. Bethel, near Beverley, in Yorkshire; at Pixton, the seat of Lord Carnarvon; in Gobay Park, on the road to Penrith, near a rocky pass called Yew Crag, on the north side of the romantic lake of Ulswater; at Cressi Hall, six miles from Spalding, in Lincolnshire; at Downington-in-Holland, in the same county; at Brockley Woods, near Bristol;11 at Brownsea Island, near Poole, in Dorsetshire; and, in Scotland, Colonel Montagu mentions one in a small island, in a lake, where, there being only a single scrubby oak, much too scanty to contain all the nests, many were placed on the ground.12 Besides these, we are acquainted with a small one in the parish of Craigie, near Kilmarnock, in Ayrshire13. We have little doubt but there are several more unrecorded, for the birds may occasionally be seen in every part of the island. In Lower Brittany, heronries are frequently to be found on the tall trees of forests; and as they feed their young with fish, many of these fall to the ground, and are greedily devoured by swine, which has given rise to the story that the swine of that country are fattened by fish which drop from the trees like beech-mast.14
At the close of the volume are a few well-digested observations, which will leave the reader in a delightful train of reflection, impress him with the value of the preceding pages, and enable him to close the volume with gratitude to its author:—
“Although, in the preceding pages, we have considered birds as miners, as ground-builders, as masons, as carpenters, as platform-builders, as basket-makers, as weavers, as tailors, as felt-makers, as cementers, and as dome-builders, we have not dwelt at much length upon any fancied analogies between their arts and those of the human race. The great distinction between man and the inferior animals is, that the one learns almost every art progressively, by his own experience operating with the accumulated knowledge of past generations, whilst the others work by a fixed rule, improving very little, if any, during the course of their own lives, and rarely deviating to-day from the plans pursued by the same species a thousand years ago. It is true that the swallow, which doubtless once built its nest in hollow trees, has now accommodated itself to the progress of human society by choosing chimneys for nestling; and it is also to be noticed, that in the selection of materials a great many birds, as we have already shown, accommodate themselves to their individual opportunities of procuring substances differing in some degree from those used in other situations by the same species. These adaptations only show that the instinct which guides them to the construction of the nests best fitted to their habits is not a blind one; that it is very nearly allied to the reasoning faculty, if it is not identified with it. But that the rule by which birds conduct their architectural labours is exceedingly limited must be evident, from the consideration that no species whatever is in a state of progression from a rude to a polished style of construction. There is nearly as much difference between the comparative beauty of the nests of a wood-pigeon and a bottle-tit, as between the hut of a North American savage and a Grecian temple. But although the savage, in the course of ages, may attain as much civilization as would lead him to the construction of a new Parthenon, the wood-pigeon will continue only to make a platform of sticks to the end of time. It is evident, from a contemplation of all nature, that the faculties of quadrupeds, birds, insects, and all the inferior animals, are stationary: those of man only are progressive. It is this distinction which enables him, agreeably to the will of his Creator, to ‘have dominion over the fish of the sea, and over the fowl of the air, and over the cattle, and over all the earth, and over every creeping thing that creepeth upon the earth.’—But within their limited range the inferior animals perform their proper labours with an unwearied industry, and an unerring precision, which call forth our wonder and admiration. Of these remarkable qualities we have given abundant examples in the preceding pages; and they are not without moral instruction. Elevated as our minds are in the comparative scale of nature, we may still take example from the diligence, the perseverance, and the cheerfulness, which preside over the Architecture of Birds.”
There are nearly eighty cuts in the present volume—many from specimens, all from excellent authorities, and of any but common-place character.
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We have little doubt but there are several more unrecorded, for the birds may occasionally be seen in every part of the island. In Lower Brittany, heronries are frequently to be found on the tall trees of forests; and as they feed their young with fish, many of these fall to the ground, and are greedily devoured by swine, which has given rise to the story that the swine of that country are fattened by fish which drop from the trees like beech-mast.14"},{"id":"content2:8","kind":"paragraph","text":"At the close of the volume are a few well-digested observations, which will leave the reader in a delightful train of reflection, impress him with the value of the preceding pages, and enable him to close the volume with gratitude to its author:—"},{"id":"content2:9","kind":"paragraph","text":"“Although, in the preceding pages, we have considered birds as miners, as ground-builders, as masons, as carpenters, as platform-builders, as basket-makers, as weavers, as tailors, as felt-makers, as cementers, and as dome-builders, we have not dwelt at much length upon any fancied analogies between their arts and those of the human race. The great distinction between man and the inferior animals is, that the one learns almost every art progressively, by his own experience operating with the accumulated knowledge of past generations, whilst the others work by a fixed rule, improving very little, if any, during the course of their own lives, and rarely deviating to-day from the plans pursued by the same species a thousand years ago. It is true that the swallow, which doubtless once built its nest in hollow trees, has now accommodated itself to the progress of human society by choosing chimneys for nestling; and it is also to be noticed, that in the selection of materials a great many birds, as we have already shown, accommodate themselves to their individual opportunities of procuring substances differing in some degree from those used in other situations by the same species. These adaptations only show that the instinct which guides them to the construction of the nests best fitted to their habits is not a blind one; that it is very nearly allied to the reasoning faculty, if it is not identified with it. But that the rule by which birds conduct their architectural labours is exceedingly limited must be evident, from the consideration that no species whatever is in a state of progression from a rude to a polished style of construction. There is nearly as much difference between the comparative beauty of the nests of a wood-pigeon and a bottle-tit, as between the hut of a North American savage and a Grecian temple. But although the savage, in the course of ages, may attain as much civilization as would lead him to the construction of a new Parthenon, the wood-pigeon will continue only to make a platform of sticks to the end of time. It is evident, from a contemplation of all nature, that the faculties of quadrupeds, birds, insects, and all the inferior animals, are stationary: those of man only are progressive. It is this distinction which enables him, agreeably to the will of his Creator, to ‘have dominion over the fish of the sea, and over the fowl of the air, and over the cattle, and over all the earth, and over every creeping thing that creepeth upon the earth.’—But within their limited range the inferior animals perform their proper labours with an unwearied industry, and an unerring precision, which call forth our wonder and admiration. Of these remarkable qualities we have given abundant examples in the preceding pages; and they are not without moral instruction. 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HAYDON’S PICTURE OF NAPOLEON MUSING AT ST. HELENA","page":4,"pageUrl":"/books/2bR9UmJx?page=4#reader-content"},{"id":"content2:0:5","label":"THE SELECTOR; AND LITERARY NOTICES OF NEW WORKS","page":5,"pageUrl":"/books/2bR9UmJx?page=5#reader-content"},{"id":"content2:1:5","label":"THE ARCHITECTURE OF BIRDS","page":5,"pageUrl":"/books/2bR9UmJx?page=5#reader-content"},{"id":"content3:0:7","label":"TOMB OF PAUL AND VIRGINIA","page":7,"pageUrl":"/books/2bR9UmJx?page=7#reader-content"},{"id":"content3:2:7","label":"THE COSMOPOLITE","page":7,"pageUrl":"/books/2bR9UmJx?page=7#reader-content"},{"id":"content3:3:7","label":"COINCIDENT POPULAR SUPERSTITIONS","page":7,"pageUrl":"/books/2bR9UmJx?page=7#reader-content"},{"id":"content3:4:7","label":"(For the Mirror.)","page":7,"pageUrl":"/books/2bR9UmJx?page=7#reader-content"},{"id":"content4:0:9","label":"OLD POETS","page":9,"pageUrl":"/books/2bR9UmJx?page=9#reader-content"},{"id":"content4:1:9","label":"WILL","page":9,"pageUrl":"/books/2bR9UmJx?page=9#reader-content"},{"id":"content4:4:9","label":"LOVE","page":9,"pageUrl":"/books/2bR9UmJx?page=9#reader-content"},{"id":"content4:7:9","label":"PRINCES","page":9,"pageUrl":"/books/2bR9UmJx?page=9#reader-content"},{"id":"content4:10:9","label":"GRIEF","page":9,"pageUrl":"/books/2bR9UmJx?page=9#reader-content"},{"id":"content4:13:9","label":"FAME","page":9,"pageUrl":"/books/2bR9UmJx?page=9#reader-content"},{"id":"content4:16:9","label":"SPRING","page":9,"pageUrl":"/books/2bR9UmJx?page=9#reader-content"},{"id":"content4:19:9","label":"THE SOUL","page":9,"pageUrl":"/books/2bR9UmJx?page=9#reader-content"},{"id":"content4:22:9","label":"UNDERSTANDING","page":9,"pageUrl":"/books/2bR9UmJx?page=9#reader-content"},{"id":"content4:25:9","label":"CARE","page":9,"pageUrl":"/books/2bR9UmJx?page=9#reader-content"},{"id":"content4:28:9","label":"SPIRIT OF THE PUBLIC JOURNALS","page":9,"pageUrl":"/books/2bR9UmJx?page=9#reader-content"},{"id":"content4:29:9","label":"OLD PARR AND OLD PEOPLE","page":9,"pageUrl":"/books/2bR9UmJx?page=9#reader-content"},{"id":"content4:30:9","label":"(From “After Dinner Chat,” in the New Monthly Magazine.)","page":9,"pageUrl":"/books/2bR9UmJx?page=9#reader-content"},{"id":"content5:0:10","label":"POLITICAL CHANGES","page":10,"pageUrl":"/books/2bR9UmJx?page=10#reader-content"},{"id":"content5:5:11","label":"OLD PARLIAMENTS","page":11,"pageUrl":"/books/2bR9UmJx?page=11#reader-content"},{"id":"content5:7:11","label":"LENDING BOOKS","page":11,"pageUrl":"/books/2bR9UmJx?page=11#reader-content"},{"id":"content5:9:11","label":"THE GATHERER","page":11,"pageUrl":"/books/2bR9UmJx?page=11#reader-content"},{"id":"content5:12:11","label":"HOW TO ROAST AN ACTOR","page":11,"pageUrl":"/books/2bR9UmJx?page=11#reader-content"},{"id":"content5:14:11","label":"VALE OF TEMPE","page":11,"pageUrl":"/books/2bR9UmJx?page=11#reader-content"},{"id":"content5:16:11","label":"THEATRES","page":11,"pageUrl":"/books/2bR9UmJx?page=11#reader-content"},{"id":"content5:19:12","label":"SCRAPS","page":12,"pageUrl":"/books/2bR9UmJx?page=12#reader-content"},{"id":"content5:25:12","label":"ANNUAL OF SCIENCE","page":12,"pageUrl":"/books/2bR9UmJx?page=12#reader-content"},{"id":"contentnotes0:0:12","label":"1","page":12,"pageUrl":"/books/2bR9UmJx?page=12#reader-content"},{"id":"contentnotes0:3:12","label":"2","page":12,"pageUrl":"/books/2bR9UmJx?page=12#reader-content"},{"id":"contentnotes0:6:12","label":"3","page":12,"pageUrl":"/books/2bR9UmJx?page=12#reader-content"},{"id":"contentnotes0:9:12","label":"4","page":12,"pageUrl":"/books/2bR9UmJx?page=12#reader-content"},{"id":"contentnotes0:12:12","label":"5","page":12,"pageUrl":"/books/2bR9UmJx?page=12#reader-content"},{"id":"contentnotes0:15:12","label":"6","page":12,"pageUrl":"/books/2bR9UmJx?page=12#reader-content"},{"id":"contentnotes0:18:12","label":"7","page":12,"pageUrl":"/books/2bR9UmJx?page=12#reader-content"},{"id":"contentnotes0:21:12","label":"8","page":12,"pageUrl":"/books/2bR9UmJx?page=12#reader-content"},{"id":"contentnotes0:24:12","label":"9","page":12,"pageUrl":"/books/2bR9UmJx?page=12#reader-content"},{"id":"contentnotes0:27:12","label":"10","page":12,"pageUrl":"/books/2bR9UmJx?page=12#reader-content"},{"id":"contentnotes0:30:12","label":"11","page":12,"pageUrl":"/books/2bR9UmJx?page=12#reader-content"},{"id":"contentnotes0:33:12","label":"12","page":12,"pageUrl":"/books/2bR9UmJx?page=12#reader-content"},{"id":"contentnotes0:36:12","label":"13","page":12,"pageUrl":"/books/2bR9UmJx?page=12#reader-content"},{"id":"contentnotes0:39:12","label":"14","page":12,"pageUrl":"/books/2bR9UmJx?page=12#reader-content"},{"id":"contentnotes0:42:12","label":"15","page":12,"pageUrl":"/books/2bR9UmJx?page=12#reader-content"},{"id":"contentnotes0:45:12","label":"16","page":12,"pageUrl":"/books/2bR9UmJx?page=12#reader-content"}]},"similarBooks":[{"idCatalog":764433,"shortId":"10LN9aKJ","title":"The Mirror of Literature, Amusement, and Instruction. 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