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The Mirror of Literature, Amusement, and Instruction. Volume 10, No. 270, August 25, 1827
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Дата написания1970-01-01
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Страница 2 из 13THE MONTHS
THE HOP HARVEST
The southern counties of England, particularly Surrey and Kent, now yield their valuable produce of hops in this month. The common hop, humulus lupulus, is propagated either by nursery plants or by cuttings. These are set in hills, formed by digging holes in the spring, which are filled with fine mould, and the number of which varies from 800 to 1,000, or 1,200 per acre. One, two, or three plants are put in each hill; but, if hops are designed to be raised from cuttings, four or five of these, from three to four inches in length, are planted and covered one inch deep with fine mould.
At the end of the first year it becomes necessary to put poles into the hills, round which the bines reared from plants are wound; at the expiration of the second year, full-sized poles, from 15 to 20 feet, are set, (though the hop-bines will run to the height of 50 feet,) in the proportion of two poles to each hill, and a similar number of hop-plants are fastened loosely round each pole, by means of withered rushes. Hops begin to flower about the latter end of June or the beginning of July. The poles are now entirely covered with verdure, and the pendent flowers appear in clusters and light festoons. The hops, which are the scaly seed-vessels of the female plants, are, when the seed is formed, (generally about the end of August,) picked off by women and children; for this purpose the poles are taken up with the plants clinging to them. The seeds are then dried over a charcoal fire, exposed to the air for a few days, and packed in sacks and sent to market.
The culture of hops, though profitable when it succeeds, is very precarious: as soon as the plant appears above ground, it is attacked by an insect somewhat similar to the turnip-fly, which devours the young heads. Hop-gardens, situated on chalky soils, are peculiarly subject to its depredations. In the months of June and July, the hops are liable to be blown by a species of aphis, or fly. This insect, however, does not endanger the growth of the plant, unless it be in a weak state, in consequence of the depredations committed on its root by the larvae of the ottermoth, phalaena humuli.
The hop is a most valuable plant: in its wild state it is relished by cows, horses, goats, sheep, and swine. When cultivated, its young tops are eaten, early in the spring, as substitutes for asparagus, being wholesome and aperient. Its principal use, however, is in brewing malt liquors, communicating that fine bitter flavour to our beer, and making it keep for a longer time than it otherwise would do. Hops also serve some important purposes in medicine.
LINES TO THE MEMORY OF THE LATE RIGHT HON. GEORGE CANNING
Why does Britannia bend with pensive mien, And throbbing bosom o'er that sable bier, To which yon melancholy group is seen In mute affliction slowly drawing near, Whilst weeping genius, pointing to the sky, In silent anguish heaves a plaintive sigh? She seems to take a lingering last farewell, As down her cheek the pearly teardrops flow, Of some lamented spirit she lov'd well, By Fate's inexorable shaft laid low; And thus half broken-hearted to complain "When shall we look upon thy like again!" Poor drooping maid—she mourns the doom of one, Whom at a time like this she ill can spare,— Her talented and patriotic son, Whom art could not deceive, nor vice ensnare, To truth and sacred liberty allied, His country's hope, her honour and her pride! Yes—he is gone, whose energetic mind Upheld the pillars of a mighty state; Whose wisdom, worth, and eloquence, combin'd, Earn'd the just tribute of the good and great, Ensur'd a deathless wreath for coming days— The poor man's blessing, and the rich one's praise! Relentless Death!—could no one else suffice? No less invaluable prize be found? But must he fall a noble sacrifice And early victim to thy fatal wound! Thou stern and merciless destroyer, say, Why didst thou blight his brief but glorious day? It is not Albion only who deplores.— All sympathising Europe wails his doom; And bright-eyed Freedom hastes from Western shores To drop a grateful tear upon his tomb; And fondly hovering round his slumbering shade Guards the lorn spot where her best friend is laid. Now, stay my muse—for worthier hands than thine Will twine the laurel round his hallow'd bust; And raise in happier and more polish'd line A splendid trophy to his sacred dust; When thy untaught and unpretending lay Shall be forgotten and have pass'd away. Yet, ere thy chords are mute, oh, once again My trembling lyre let me touch thy string! And in a humble, but a heartfelt strain Of him, the much-lov'd child of Genius sing; And place this simple, unaffected verse, With moisten'd eye upon his plumed hearse:— "If all that virtue, all that fame holds dear, Deserve a tribute—stop and pay it here!"
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GEORGE CANNING"},{"id":"content0:17","kind":"paragraph","text":"Why does Britannia bend with pensive mien, And throbbing bosom o'er that sable bier, To which yon melancholy group is seen In mute affliction slowly drawing near, Whilst weeping genius, pointing to the sky, In silent anguish heaves a plaintive sigh? She seems to take a lingering last farewell, As down her cheek the pearly teardrops flow, Of some lamented spirit she lov'd well, By Fate's inexorable shaft laid low; And thus half broken-hearted to complain \"When shall we look upon thy like again!\" Poor drooping maid—she mourns the doom of one, Whom at a time like this she ill can spare,— Her talented and patriotic son, Whom art could not deceive, nor vice ensnare, To truth and sacred liberty allied, His country's hope, her honour and her pride! 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GEORGE CANNING","page":2,"pageUrl":"/books/2pIQjVYy?page=2#reader-content"},{"id":"content1:0:3","label":"THE SKETCH BOOK. No. XLV","page":3,"pageUrl":"/books/2pIQjVYy?page=3#reader-content"},{"id":"content1:1:3","label":"BEHIND THE SCENES; OR, A BREAKFAST IN NEWGATE","page":3,"pageUrl":"/books/2pIQjVYy?page=3#reader-content"},{"id":"content2:0:5","label":"FINE ARTS","page":5,"pageUrl":"/books/2pIQjVYy?page=5#reader-content"},{"id":"content2:1:5","label":"THE PRESENT STATE OF DUTCH PAINTERS","page":5,"pageUrl":"/books/2pIQjVYy?page=5#reader-content"},{"id":"content2:6:5","label":"THE NOVELIST. No. CVIII","page":5,"pageUrl":"/books/2pIQjVYy?page=5#reader-content"},{"id":"content2:7:5","label":"CLOUGH NA CUDDY","page":5,"pageUrl":"/books/2pIQjVYy?page=5#reader-content"},{"id":"content2:8:5","label":"A Killarney Legend","page":5,"pageUrl":"/books/2pIQjVYy?page=5#reader-content"},{"id":"content2:9:5","label":"BY T. CROFTON CROKER, ESQ","page":5,"pageUrl":"/books/2pIQjVYy?page=5#reader-content"},{"id":"content3:0:7","label":"MY COMMON-PLACE BOOK. No. XX","page":7,"pageUrl":"/books/2pIQjVYy?page=7#reader-content"},{"id":"content3:1:7","label":"CEREMONY OF A GIRL TAKING THE VEIL","page":7,"pageUrl":"/books/2pIQjVYy?page=7#reader-content"},{"id":"content3:6:8","label":"THE LATIN AND GREEK LANGUAGES","page":8,"pageUrl":"/books/2pIQjVYy?page=8#reader-content"},{"id":"content3:9:8","label":"TO THE MOON, IN VIEW OF THE SEA","page":8,"pageUrl":"/books/2pIQjVYy?page=8#reader-content"},{"id":"content3:11:8","label":"THE KING'S FEET-BEARER","page":8,"pageUrl":"/books/2pIQjVYy?page=8#reader-content"},{"id":"content3:13:8","label":"MONTPELLIER","page":8,"pageUrl":"/books/2pIQjVYy?page=8#reader-content"},{"id":"content3:16:8","label":"ANECDOTES AND RECOLLECTIONS","page":8,"pageUrl":"/books/2pIQjVYy?page=8#reader-content"},{"id":"content3:18:8","label":"FASHION","page":8,"pageUrl":"/books/2pIQjVYy?page=8#reader-content"},{"id":"content3:20:8","label":"HOW TO CHOOSE A RELIGION","page":8,"pageUrl":"/books/2pIQjVYy?page=8#reader-content"},{"id":"content3:22:9","label":"RELIGIOUS BOOKS","page":9,"pageUrl":"/books/2pIQjVYy?page=9#reader-content"},{"id":"content3:24:9","label":"AN AMBIGUOUS COMPLIMENT","page":9,"pageUrl":"/books/2pIQjVYy?page=9#reader-content"},{"id":"content3:26:9","label":"GLORY","page":9,"pageUrl":"/books/2pIQjVYy?page=9#reader-content"},{"id":"content3:28:9","label":"TORTURE QUINTUPLE","page":9,"pageUrl":"/books/2pIQjVYy?page=9#reader-content"},{"id":"content3:30:9","label":"APPEARANCES","page":9,"pageUrl":"/books/2pIQjVYy?page=9#reader-content"},{"id":"content4:0:9","label":"SPIRIT OF THE PUBLIC JOURNALS","page":9,"pageUrl":"/books/2pIQjVYy?page=9#reader-content"},{"id":"content4:1:9","label":"FIRESIDE ENJOYMENTS","page":9,"pageUrl":"/books/2pIQjVYy?page=9#reader-content"},{"id":"content4:15:11","label":"TO THE LADY BIRD","page":11,"pageUrl":"/books/2pIQjVYy?page=11#reader-content"},{"id":"content4:18:11","label":"\"THE OLD MANOR HOUSE.\"","page":11,"pageUrl":"/books/2pIQjVYy?page=11#reader-content"},{"id":"content4:20:11","label":"THE DELICACY OF THE MARIKINA","page":11,"pageUrl":"/books/2pIQjVYy?page=11#reader-content"},{"id":"content5:0:12","label":"THE SELECTOR; AND LITERARY NOTICES OF NEW WORKS","page":12,"pageUrl":"/books/2pIQjVYy?page=12#reader-content"},{"id":"content5:1:12","label":"A SONG FOR MUSIC","page":12,"pageUrl":"/books/2pIQjVYy?page=12#reader-content"},{"id":"content5:2:12","label":"BY T. HOOD, ESQ","page":12,"pageUrl":"/books/2pIQjVYy?page=12#reader-content"},{"id":"content5:5:12","label":"THE ARRIVAL OF A TRANSPORT","page":12,"pageUrl":"/books/2pIQjVYy?page=12#reader-content"},{"id":"content5:8:12","label":"MELANCHOLY","page":12,"pageUrl":"/books/2pIQjVYy?page=12#reader-content"},{"id":"content5:9:12","label":"FROM MATTHISON","page":12,"pageUrl":"/books/2pIQjVYy?page=12#reader-content"},{"id":"content5:12:13","label":"THE GATHERER","page":13,"pageUrl":"/books/2pIQjVYy?page=13#reader-content"}]},"similarBooks":[{"idCatalog":764433,"shortId":"10LN9aKJ","title":"The Mirror of Literature, Amusement, and Instruction. 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