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Иннокентий Анненский – самый значительный, но и самый трогательный поэт на изломе XIX и XX веков. «Он шел одновременно по стольким дорогам! Он нес в себе столько нового, что все новаторы оказались ему сродни…» – сказала о нем Анна Ахматова. Тому, кто хочет по-настоящему почувствовать русский «серебрянный век», кто хочет пройти с «царем сумрачной долины» по дорогам и тропкам поэзии – от «трактира жизни» до восхождения над мирами, – предназначается эта книга.
Дата написания1970-01-01
Язык книгиru
Язык оригинала0
Возрастное ограничение12+
Жанры
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Страница 45 из 451910
Выходит главная книга Анненского «Кипарисовый ларец», подготовленная к печати его сыном В. Кривичем.
Две трети лирики – пока остаются в рукописях, громадная литературная слава Анненского – впереди.
Примечания
1
Натиск (нем.).
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2
«Архив славянской филологии» (нем.).
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3
«Почему анонимно?» (нем.)
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4
Псевдоним-анаграмма поэта (буквы из имени «Иннокентий»).
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5
Продолжение цикла «Тихие песни».
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6
Парк в Неаполе (ит.).
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7
Былинная формула.
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8
Мечтанье, грeзы (нем.).
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9
Ночь жизни (лат.).
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10
Мир (ит.).
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11
Желтый, цвета персика (фр.).
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12
Лилово-розовый (фр.).
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13
Алмея – танцовщица и певица на Востоке.
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14
«Солнце мертвых» – роман Камиля Моклера (1872—1945), французского писателя-символиста.
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15
Спи, спи, мое дитя! (фр.)
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16
Мои дважды семь (лат.).
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17
Один (ит.).
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18
Песня (ит.).
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19
Мать скорбящая (лат.). – Ред.
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20
Ночное (ит.).
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21
Безмолвие – душа вещей. Роллин (фр.).
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22
Я (лат.).
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23
Сиделке (фр.).
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24
Ослабевая (ит.) – музыкальный термин, обозначающий постепенное убывание звучности.
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25
Я царь сумрачной долины. Стюарт Меррилль (фр.).
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26
Прощай, моя Элеонора, прощай! (ит.)
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27
Вальс роз (фр.).
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28
Я не сержусь (нем.).
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29
Привычный сон (фр.).
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30
Чувствительная беседа (фр.).
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31
Мудрость (фр.).
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32
Галлюцинация, ложное впечатление (фр.).
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33
Параллельно (фр.).
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34
Честный малый (фр.).
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35
Люксембургский сад (в Париже), произносится: Люксамбур (фр.).
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36
Le gras grouillon grouillant (фр.).
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Кривичем."},{"id":"content46:2","kind":"paragraph","text":"Две трети лирики – пока остаются в рукописях, громадная литературная слава Анненского – впереди."},{"id":"contentnotes0:0","kind":"heading","text":"Примечания"},{"id":"contentnotes0:1","kind":"heading","text":"1"},{"id":"contentnotes0:2","kind":"paragraph","text":"Натиск (нем.)."},{"id":"contentnotes0:3","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:4","kind":"heading","text":"2"},{"id":"contentnotes0:5","kind":"paragraph","text":"«Архив славянской филологии» (нем.)."},{"id":"contentnotes0:6","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:7","kind":"heading","text":"3"},{"id":"contentnotes0:8","kind":"paragraph","text":"«Почему анонимно?» (нем.)"},{"id":"contentnotes0:9","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:10","kind":"heading","text":"4"},{"id":"contentnotes0:11","kind":"paragraph","text":"Псевдоним-анаграмма поэта (буквы из имени «Иннокентий»)."},{"id":"contentnotes0:12","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:13","kind":"heading","text":"5"},{"id":"contentnotes0:14","kind":"paragraph","text":"Продолжение цикла «Тихие песни»."},{"id":"contentnotes0:15","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:16","kind":"heading","text":"6"},{"id":"contentnotes0:17","kind":"paragraph","text":"Парк в Неаполе (ит.)."},{"id":"contentnotes0:18","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:19","kind":"heading","text":"7"},{"id":"contentnotes0:20","kind":"paragraph","text":"Былинная формула."},{"id":"contentnotes0:21","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:22","kind":"heading","text":"8"},{"id":"contentnotes0:23","kind":"paragraph","text":"Мечтанье, грeзы (нем.)."},{"id":"contentnotes0:24","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:25","kind":"heading","text":"9"},{"id":"contentnotes0:26","kind":"paragraph","text":"Ночь жизни (лат.)."},{"id":"contentnotes0:27","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:28","kind":"heading","text":"10"},{"id":"contentnotes0:29","kind":"paragraph","text":"Мир (ит.)."},{"id":"contentnotes0:30","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:31","kind":"heading","text":"11"},{"id":"contentnotes0:32","kind":"paragraph","text":"Желтый, цвета персика (фр.)."},{"id":"contentnotes0:33","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:34","kind":"heading","text":"12"},{"id":"contentnotes0:35","kind":"paragraph","text":"Лилово-розовый (фр.)."},{"id":"contentnotes0:36","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:37","kind":"heading","text":"13"},{"id":"contentnotes0:38","kind":"paragraph","text":"Алмея – танцовщица и певица на Востоке."},{"id":"contentnotes0:39","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:40","kind":"heading","text":"14"},{"id":"contentnotes0:41","kind":"paragraph","text":"«Солнце мертвых» – роман Камиля Моклера (1872—1945), французского писателя-символиста."},{"id":"contentnotes0:42","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:43","kind":"heading","text":"15"},{"id":"contentnotes0:44","kind":"paragraph","text":"Спи, спи, мое дитя! (фр.)"},{"id":"contentnotes0:45","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:46","kind":"heading","text":"16"},{"id":"contentnotes0:47","kind":"paragraph","text":"Мои дважды семь (лат.)."},{"id":"contentnotes0:48","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:49","kind":"heading","text":"17"},{"id":"contentnotes0:50","kind":"paragraph","text":"Один (ит.)."},{"id":"contentnotes0:51","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:52","kind":"heading","text":"18"},{"id":"contentnotes0:53","kind":"paragraph","text":"Песня (ит.)."},{"id":"contentnotes0:54","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:55","kind":"heading","text":"19"},{"id":"contentnotes0:56","kind":"paragraph","text":"Мать скорбящая (лат.). – Ред."},{"id":"contentnotes0:57","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:58","kind":"heading","text":"20"},{"id":"contentnotes0:59","kind":"paragraph","text":"Ночное (ит.)."},{"id":"contentnotes0:60","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:61","kind":"heading","text":"21"},{"id":"contentnotes0:62","kind":"paragraph","text":"Безмолвие – душа вещей. Роллин (фр.)."},{"id":"contentnotes0:63","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:64","kind":"heading","text":"22"},{"id":"contentnotes0:65","kind":"paragraph","text":"Я (лат.)."},{"id":"contentnotes0:66","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:67","kind":"heading","text":"23"},{"id":"contentnotes0:68","kind":"paragraph","text":"Сиделке (фр.)."},{"id":"contentnotes0:69","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:70","kind":"heading","text":"24"},{"id":"contentnotes0:71","kind":"paragraph","text":"Ослабевая (ит.) – музыкальный термин, обозначающий постепенное убывание звучности."},{"id":"contentnotes0:72","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:73","kind":"heading","text":"25"},{"id":"contentnotes0:74","kind":"paragraph","text":"Я царь сумрачной долины. Стюарт Меррилль (фр.)."},{"id":"contentnotes0:75","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:76","kind":"heading","text":"26"},{"id":"contentnotes0:77","kind":"paragraph","text":"Прощай, моя Элеонора, прощай! (ит.)"},{"id":"contentnotes0:78","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:79","kind":"heading","text":"27"},{"id":"contentnotes0:80","kind":"paragraph","text":"Вальс роз (фр.)."},{"id":"contentnotes0:81","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:82","kind":"heading","text":"28"},{"id":"contentnotes0:83","kind":"paragraph","text":"Я не сержусь (нем.)."},{"id":"contentnotes0:84","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:85","kind":"heading","text":"29"},{"id":"contentnotes0:86","kind":"paragraph","text":"Привычный сон (фр.)."},{"id":"contentnotes0:87","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:88","kind":"heading","text":"30"},{"id":"contentnotes0:89","kind":"paragraph","text":"Чувствительная беседа (фр.)."},{"id":"contentnotes0:90","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:91","kind":"heading","text":"31"},{"id":"contentnotes0:92","kind":"paragraph","text":"Мудрость (фр.)."},{"id":"contentnotes0:93","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:94","kind":"heading","text":"32"},{"id":"contentnotes0:95","kind":"paragraph","text":"Галлюцинация, ложное впечатление (фр.)."},{"id":"contentnotes0:96","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:97","kind":"heading","text":"33"},{"id":"contentnotes0:98","kind":"paragraph","text":"Параллельно (фр.)."},{"id":"contentnotes0:99","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:100","kind":"heading","text":"34"},{"id":"contentnotes0:101","kind":"paragraph","text":"Честный малый (фр.)."},{"id":"contentnotes0:102","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:103","kind":"heading","text":"35"},{"id":"contentnotes0:104","kind":"paragraph","text":"Люксембургский сад (в Париже), произносится: Люксамбур (фр.)."},{"id":"contentnotes0:105","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:106","kind":"heading","text":"36"},{"id":"contentnotes0:107","kind":"paragraph","text":"Le gras grouillon grouillant (фр.)."},{"id":"contentnotes0:108","kind":"paragraph","text":"Вернуться"}],"toc":[{"id":"content0:0:1","label":"Иннокентий Федорович Анненский Трактир жизни","page":1,"pageUrl":"/books/3GQlVn6E#reader-content"},{"id":"content0:1:1","label":"Трактир жизни","page":1,"pageUrl":"/books/3GQlVn6E#reader-content"},{"id":"content0:3:1","label":"Автобиография","page":1,"pageUrl":"/books/3GQlVn6E#reader-content"},{"id":"content0:9:1","label":"Тихие песни","page":1,"pageUrl":"/books/3GQlVn6E#reader-content"},{"id":"content0:15:1","label":"Поэзия","page":1,"pageUrl":"/books/3GQlVn6E#reader-content"},{"id":"content0:17:1","label":"«Девиз Таинственной похож…»","page":1,"pageUrl":"/books/3GQlVn6E#reader-content"},{"id":"content0:19:1","label":"У 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