Петербург. Стихотворения (сборник)

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Так ставит проблему России Белый впервые в русской литературе». Помимо «Петербурга» в состав книги вошли стихотворения А.Белого из сборников «Золото в лазури», «Пепел» и поэма «Первое свидание».","catalogType":"PUBLIC_DOMAIN","catalogTypeLabel":"Общественное достояние","authorLine":"Андрей Белый","authors":[{"id":"ef8354a0-59a2-102a-990a-1c76fd93e5c4","displayName":"Андрей Белый","protectedUrl":"/author/ef8354a0-59a2-102a-990a-1c76fd93e5c4","wikipediaUrl":"https://ru.wikipedia.org/wiki/%D0%90%D0%BD%D0%B4%D1%80%D0%B5%D0%B9_%D0%91%D0%B5%D0%BB%D1%8B%D0%B9","wikidataUrl":"https://www.wikidata.org/wiki/Q212632"}],"genres":[{"id":5297,"title":"русская классика","token":null,"publicUrl":"https://bookra.app/genre/5297"},{"id":5267,"title":"стихи и поэзия","token":null,"publicUrl":"https://bookra.app/genre/5267"}],"keywords":["сборник рассказов"],"facts":[{"key":"dateWritten","label":"Дата написания","value":"1970-01-01"},{"key":"bookLanguage","label":"Язык книги","value":"ru"},{"key":"series","label":"Серия","value":"Библиотека Всемирной Литературы"},{"key":"adult","label":"Возрастное ограничение","value":"12+"}],"seoSections":[{"key":"summaryShort","title":"Описание","body":"Сборник стихов и прозы Андрея Белого, в котором сочетаются автобиографические размышления, символические образы Петербурга, политические интриги и личные конфликты автора, раскрывающие его роль в Серебряном веке и влияние исторических событий на его творчество."},{"key":"conflict","title":"Главный конфликт / проблема","body":"Конфликт между личными переживаниями автора и общественными обстоятельствами, а также политические интриги, которые влияют на его творчество и судьбу персонажей."},{"key":"keyIdeas","title":"Ключевые идеи","body":["Андрей Белый как ключевая фигура Серебряного века и символизма","Роман «Петербург» как «разъятая стихия» и символическое объединение Востока и Запада","Автобиографические темы, проистекающие из семейного конфликта и противоречий","Восприятие Белым полицейской власти как демонической силы","Жизнь и творчество Белого в советской России и его критика современников","Благородное происхождение и наследие сенатора","Ежедневные ритуалы и взаимодействие с персоналом","Внутренний мир и умственные игры Аполлона","Петербург как символ и источник вдохновения","Экстравагантность и необычность Софьи Петровны Лихутиной","Сложный круг гостей и их влияние на жизнь Софьи","Романтическая интрига с молодым студентом Николай Аполлоновичем Аблеуховым"]},{"key":"conclusion","title":"Вывод","body":"Книга демонстрирует сложность внутреннего мира автора и его взаимодействие с историей и символами, подчёркивая, как личные конфликты и политические события формируют художественное видение Петербурга и эпохи."},{"key":"audience","title":"Кому полезна","body":["любители русской поэзии","исследователи символизма","историки","студенты русской литературы"]},{"key":"topics","title":"Главные темы","body":["символизм","Петербург","политические интриги","семейные конфликты"]},{"key":"characters","title":"Персонажи","body":["Андрей Белый — Ключевая фигура Серебряного века, автор романа «Петербург» и «орнаментальной» прозы, чьи произведения пронизаны автобиографическими темами и критикой власти.","Борис Николаевич Бугаев — Профессор математики, чья строгая логика и абстракции создавали в детстве Белого чувство страха и ненависти.","Александра Дмитриевна Бугаева — Красивый и кокетливый человек, чья простота и привлекательность вызывали у Белого восхищение и внутреннее противоречие.","Анна Петровна — Отправляет письма сенатору, оказывает влияние на решения. Её возвращение вызывает тревогу у Семенича. После двух с половиной лет в Испании выглядит измученной и потерянной.","Аполлон Аполлонович Аблеухов — Благородный человек, обладающий умственными играми и сильным чувством долга. Чиновник, пытающийся справиться с бюрократическими препятствиями, сталкивается с абсурдными ситуациями и интригами. Скрывает свои приступы, боится раскрыть слабость, подозревает сына в заговоре,","Николай Аполлонович Аблеухов — Молодой человек, внутренний кризис, конфликт с отцом. Аблеухов обвиняет Дудкина в угрозе убийства. Участник барной сцены, обсуждает семейные узы и домино, беспокоится и ищет потерянную сардинницу.","Софья Петровна Лихутина — Экстравагантная, увлекается японской культурой, мечтает стать «ангелом Пери». Обсуждает бытовые вопросы с Аполлоном.","Сергей Сергеевич Лихутин — Муж Софьи, поддерживает семейные традиции. Встречается с Аполлоном, участвует в абсурдных событиях.","Семенич — Старый человек, тревожный и раздражённый, пытается понять происходящее вокруг. Пытается помочь в поиске сардинницы, но ситуация остаётся непонятной.","Опала — Он носит камзол, шпаго, принадлежит к ордену, приносит документы и демонстрирует благородство.","Отставной военный — Старый генерал, сопровождаемый лакеем Яшкой, вспоминает события войны и участвует в семейном приёме.","Яшка — Молодой человек, сопровождающий отставного военного."]},{"key":"quotes","title":"Цитаты","body":["Петербург в романе – «не между Востоком и Западом, а Восток и Запад одновременно, т. е. весь мир».","Золотому блеску верил, А умер от солнечных стрел.","Была ужасная пора.","Аполлон Аполлонович отличался поступками доблести; не одна упала звезда на его золотом расшитую грудь.","«Вы опять сказали мне фифку – платите же»","«Революция – эволюция»","Господи, Иисусе Христе! Спаси и помилуй ты нас!","Николай Аполлонович, надушенный и начисто выбритый, пробирался по мерзлой дорожке, запахнувшись в шинель","Варвара Евграфовна нерешительно потянула его за меховой край шинели; он решительно встал; она встала за ним;","Мадам Фарнуа ей сначала сказала: «Моего вкуса, вашего вкуса, – ну, как же не быть стилю мадам Помпадур!»"]}],"authorSummary":{"key":"authorSummary","title":"Сводка по автору из Wikidata","body":"1880–1934. Andriej Bieły. русский писатель, поэт, критик, стиховед и мемуарист (1880—1934)"},"hasArtifacts":true,"canReadInApp":true,"readUrl":"https://web.bookra.app/?startapp=r_794162","artifactsUrl":"https://web.bookra.app/?startapp=b_794162","readCtaLabel":"Читать бесплатно","artifactsCtaLabel":"AI-разбор","appReadLinks":{"tg":"https://t.me/bookra_lib_bot/BookRa?startapp=r_794162","vk":"https://vk.com/app54470698#startapp=r_794162","max":"https://max.ru/id7751370047_bot?startapp=r_794162","web":"https://web.bookra.app/?startapp=r_794162"},"appAnalysisLinks":{"tg":"https://t.me/bookra_lib_bot/BookRa?startapp=b_794162","vk":"https://vk.com/app54470698#startapp=b_794162","max":"https://max.ru/id7751370047_bot?startapp=b_794162","web":"https://web.bookra.app/?startapp=b_794162"},"guestReaderUrl":"/books/3UOL6jlM?page=188#reader-content","authorCtaLabel":"Все книги автора","authorProtectedUrl":"/author/ef8354a0-59a2-102a-990a-1c76fd93e5c4","readersCount":89,"adultLabel":"12+","yearLabel":"2008","datePublished":null,"publisherLabel":null,"isbn":null,"oclc":null,"lccn":null,"partnerUrl":null,"accessNote":"Полный текст книги и AI-разбор откроются на защищенных страницах BookRa после входа."},"reader":{"page":188,"totalPages":188,"hasPrev":true,"hasNext":false,"prevPageUrl":"/books/3UOL6jlM?page=187#reader-content","nextPageUrl":null,"progressLabel":"Страница 188 из 188","sections":[{"id":"id245:11","kind":"heading","text":"Эпилог"},{"id":"id245:12","kind":"paragraph","text":"Двадцатилетием таимый, Двадцатилетием чернен, Я слышу зов многолюбимый Сегодня, Троицыным днем, — И под березкой кружевною, Простертой доброю рукой, Я смыт вздыхающей волною В неутихающий покой."},{"id":"id245:13","kind":"paragraph","text":"Троицын день и Духов день"},{"id":"id245:14","kind":"paragraph","text":"Петроград, 1921 года"},{"id":"id245:15","kind":"heading","text":"notes"},{"id":"id244:0","kind":"heading","text":"Примечания"},{"id":"id243:0","kind":"heading","text":"1"},{"id":"id243:1","kind":"paragraph","text":"Мадемуазель Надин, держитесь прямо (фр.)."},{"id":"id242:0","kind":"heading","text":"2"},{"id":"id242:1","kind":"paragraph","text":"Большая дорога."},{"id":"id241:0","kind":"heading","text":"3"},{"id":"id241:1","kind":"paragraph","text":"Боров."},{"id":"id240:0","kind":"heading","text":"4"},{"id":"id240:1","kind":"paragraph","text":"Такая молодая… Какой ангел… (фр.)."},{"id":"id239:0","kind":"heading","text":"5"},{"id":"id239:1","kind":"paragraph","text":"Складная шляпа, цилиндр на пружинах (фр.)."},{"id":"id238:0","kind":"heading","text":"6"},{"id":"id238:1","kind":"paragraph","text":"Переулок в Москве."},{"id":"id237:0","kind":"heading","text":"7"},{"id":"id237:1","kind":"paragraph","text":"Я люблю тебя, Полин… (фр.)."},{"id":"id236:0","kind":"heading","text":"8"},{"id":"id236:1","kind":"paragraph","text":"Дедушка (фр.)."},{"id":"id235:0","kind":"heading","text":"9"},{"id":"id235:1","kind":"paragraph","text":"Колодезь."},{"id":"id234:0","kind":"heading","text":"10"},{"id":"id234:1","kind":"paragraph","text":"Овраги."},{"id":"id233:0","kind":"heading","text":"11"},{"id":"id233:1","kind":"paragraph","text":"Английский прерафаэлит."},{"id":"id232:0","kind":"heading","text":"12"},{"id":"id232:1","kind":"paragraph","text":"«Уайт-роза» – духи фабрики Аткинсона."},{"id":"id231:0","kind":"heading","text":"13"},{"id":"id231:1","kind":"paragraph","text":"Анупадака – безначальный: высокая ступень посвящения."},{"id":"id230:0","kind":"heading","text":"14"},{"id":"id230:1","kind":"paragraph","text":"Ананда – ученик Будды."},{"id":"id229:0","kind":"heading","text":"15"},{"id":"id229:1","kind":"paragraph","text":"Суами Сарасвати Даинанд – проповедник Индии XIX столетия."},{"id":"id228:0","kind":"heading","text":"16"},{"id":"id228:1","kind":"paragraph","text":"Дармотарра – буддийский логик, последователь и комментатор философа Дармакирти (школа Дигнаги)."},{"id":"id227:0","kind":"heading","text":"17"},{"id":"id227:1","kind":"paragraph","text":"Профессор физики Московского университета в 900-х годах."},{"id":"id226:0","kind":"heading","text":"18"},{"id":"id226:1","kind":"paragraph","text":"Известный физик."},{"id":"id225:0","kind":"heading","text":"19"},{"id":"id225:1","kind":"paragraph","text":"Томсон – английский физик автор теории вихревого строения вселенной."},{"id":"id224:0","kind":"heading","text":"20"},{"id":"id224:1","kind":"paragraph","text":"Духи."},{"id":"id223:0","kind":"heading","text":"21"},{"id":"id223:1","kind":"paragraph","text":"Зал Благородного собрания – московский концертный в 900-х годах."},{"id":"id222:0","kind":"heading","text":"22"},{"id":"id222:1","kind":"paragraph","text":"Гностический термин Софии, Премудрости, встречаемый в стихотворении Вл. Соловьева «Не Изида Трехвенечная весну им принесет, а не тронутая, вечная, „Дева Радужных Ворот“…»"},{"id":"id221:0","kind":"heading","text":"23"},{"id":"id221:1","kind":"paragraph","text":"Улица в Москве."},{"id":"id220:0","kind":"heading","text":"24"},{"id":"id220:1","kind":"paragraph","text":"Писчебумажный магазин на Арбате."},{"id":"id219:0","kind":"heading","text":"25"},{"id":"id219:1","kind":"paragraph","text":"Марамóрохи – народное выражение в значении «мороки»."},{"id":"id218:0","kind":"heading","text":"26"},{"id":"id218:1","kind":"paragraph","text":"Известный московский пьянист."},{"id":"id217:0","kind":"heading","text":"27"},{"id":"id217:1","kind":"paragraph","text":"Родина Николая Чудотворца, аллегорически – «Страна Чудес»."},{"id":"id216:0","kind":"heading","text":"28"},{"id":"id216:1","kind":"paragraph","text":"Петербургский дирижер 900-х годов."},{"id":"id215:0","kind":"heading","text":"29"},{"id":"id215:1","kind":"paragraph","text":"Директор Московской консерватории этого времени."},{"id":"id214:0","kind":"heading","text":"30"},{"id":"id214:1","kind":"paragraph","text":"Модная московская портниха 90-х годов."},{"id":"id213:0","kind":"heading","text":"31"},{"id":"id213:1","kind":"paragraph","text":"Стих А. Блока."},{"id":"id212:0","kind":"heading","text":"32"},{"id":"id212:1","kind":"paragraph","text":"С.И. Танеев, композитор, теоретик музыки и бывший директор Московской консерватории."},{"id":"id211:0","kind":"heading","text":"33"},{"id":"id211:1","kind":"paragraph","text":"Впоследствии по всей России известный Ф. Трепов."},{"id":"id210:0","kind":"heading","text":"34"},{"id":"id210:1","kind":"paragraph","text":"Впоследствии Сафонов дирижировал без палочки."},{"id":"id29:0","kind":"heading","text":"35"},{"id":"id29:1","kind":"paragraph","text":"Гржимали, исполнявший первую скрипку в оркестре, профессор Московской консерватории."},{"id":"id28:0","kind":"heading","text":"36"},{"id":"id28:1","kind":"paragraph","text":"М.А. Морозов, московский меценат того времени (смотри портрет Серова)."},{"id":"id27:0","kind":"heading","text":"37"},{"id":"id27:1","kind":"paragraph","text":"Посетитель симф. концертов того времени."},{"id":"id26:0","kind":"heading","text":"38"},{"id":"id26:1","kind":"paragraph","text":"Строка Лермонтова «С глазами полными лазурного огня» перешла в тему Вл. Соловьева «Три свидания», откуда попала в сокращенном виде в мою поэму."},{"id":"id25:0","kind":"heading","text":"39"},{"id":"id25:1","kind":"paragraph","text":"Каллаш – московский писатель и критик."},{"id":"id24:0","kind":"heading","text":"40"},{"id":"id24:1","kind":"paragraph","text":"Математик."},{"id":"id23:0","kind":"heading","text":"41"},{"id":"id23:1","kind":"paragraph","text":"Проф. Моск. университета."},{"id":"id22:0","kind":"heading","text":"42"},{"id":"id22:1","kind":"paragraph","text":"Присяжн. повер. Нос – посетитель концертов того времени."},{"id":"id21:0","kind":"heading","text":"43"},{"id":"id21:1","kind":"paragraph","text":"Бугай – бык по-малороссийски."}],"toc":[{"id":"id269:0:1","label":"Annotation","page":1,"pageUrl":"/books/3UOL6jlM#reader-content"},{"id":"id268:0:1","label":"Андрей Белый Петербург. 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