Before Frieda could reach them, Cyrille, the bicycle teacher, passed her—the monkey-man, as the girls called him—pedalling along on one machine and guiding the other towards the two small recumbent figures. They jumped up when they heard him, and by the time Frieda reached the spot, Mireille was being hoisted on to a very rusty old machine, while Chérie, a slim, scarlet figure, with auburn locks afloat and white limbs gleaming, was skimming along in the distance on the smooth resilient sands.

"I do not approve," panted Frieda, running alongside of the swaying Mireille, while the monkey-man trotted behind and held the saddle,—"I do not approve of this bicycle-riding in bathing costume."

"Oh, Frieda," gasped Mireille, "do stop scolding, you make me wobble—" and with a sudden swerve the bicycle described a semicircle and ran swiftly down into the sea.

Mireille was very angry with Frieda and with the bicycle and with the monkey-man, who grinned with his very white teeth in his very dark face, and hoisted her up again. Frieda soon tired of following them, and sat down near an empty boat to read Der Trompeter von Säkkingen.

Säkkingen! As Frieda's eyes skimmed the neatly printed pages and lingered on the woodcut of a church tower and a bridge, her soul went back to the little town on the Rhine. For Frieda, like the famous trumpeter, came from Säkkingen; her feet, in square German shoes, had tottered and run and clattered and tripped at divers ages over its famous covered bridge; she had leaned out of the small flower-filled windows, and sent her girlish dreams floating down the sleepy waters of the Rhine; she had passed Victor von Sheffel's small squat monument every morning on her way to school, and every evening on her way home she had looked up at the shuttered windows of the house that had been his. Säkkingen!—with its clean white streets and its blue-and-white Kaffee-Halle in the Square and its bakeries redolent of fresh Kuchen and Schnecken.... Frieda raised eyes of rancour to the dancing North Sea, to the smooth Belgian sands, to the distant silhouettes of Chérie, Mireille, and the monkey-man, even to the bounding Amour and his companions of iniquity. She hated it all. She hated them all. They were all selfish and vulgar and flippant, with no poetry in their souls, and no religion, and bad cooking.... Frieda shook her head bitterly: "Das Land das meine Sprache spricht …" she murmured in nostalgic tones, and sighed. Then she took up her book again and read what Hidigeigei, tom-cat and philosopher, had to say about love and the Springtime.

Warum küssen sich die Menschen? Warum meistens nur die Jungen? Warum diese meist im Frühjahr? …

That evening Mireille opened the door to the postman and took two letters from him. Then she went to the sitting-room where Frieda and Chérie sat at their needlework; hiding one of the letters behind her back she read out the superscription of the other with irritating slowness:

"Mademoiselle—Chérie—Brandès—Villa—Esther—"

"Oh, give it to me!" cried Chérie, extending an impatient hand.

"It is from Loulou," said Mireille, giving up the letter and still holding the other one behind her back.

"You may not call your mother Loulou," snapped Frieda. "I have never heard of such a thing."

"She likes it," said Mireille. "Besides, Chérie calls her Loulou."

"Chérie is her sister-in-law, not her daughter," said Frieda; then catching sight of the other letter in Mireille's hand: "Who is that for?"

"Hochwohlgeborenes Fräulein—Frieda Rothenstein—" read Mireille, and Frieda rose quickly and pulled the letter out of her hand. "Oh, Frieda, you rude thing! Who is your letter from? It's on our letter-paper, and is not from Loulou, and it is not from my father. Who calls you all that twiddly-twaddly hochwohlgeboren nonsense?"

Nobody answered. Both Fräulein and Chérie were reading their letters with intent eyes. Mireille continued her monologue. "I believe it is from Fritz. Fancy! Fritz, who is only papa's servant, writing to you! Do you answer him? Fancy a hochwohlgeboren getting letters from a man-servant!"

Frieda did not deign to reply, nor did she raise her eyes from the letter in her hand; yet as Mireille could see, it was only one line long. Just four or five words. But Frieda sat staring at them as if they had turned her to stone.

Now Chérie had finished reading the hastily scrawled page in her hand and raised a face full of consternation.

"Frieda! Mireille! Do you know what has happened? We are to go home tomorrow."

"Tomorrow!" exclaimed Mireille. "Why, papa said we were to stay here two months, and we only arrived four days ago."

"Well, your mother writes that we are to go home at once. Do you hear, Frieda?" But Frieda did not answer nor raise her eyes.

"But why—why?" cried Mireille. "Doesn't Loulou know we have arranged to have your birthday party here, with Lucile and Jeannette and Cri-cri all coming on purpose?"

"Yes, she knows," said Chérie, turning her sweet, perplexed eyes from Mireille's disconcerted face to the impassive countenance of Frieda, "but she says there is going to be war."

"War? What has that got to do with us?" exclaimed Mireille in injured tones. "It really is too bad. Just as I had made up my mind that tomorrow I would swim with both feet off the ground! …"

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The Outrage

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