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The Mirror of Literature, Amusement, and Instruction. Volume 10, No. 283, November 17, 1827
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Дата написания1970-01-01
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Страница 3 из 12—"In that gloomy state remain Longer than nature craves,"
after all. He had a strong apology for not rising early, in the late hours of his lying down. The deep silence of the night was the time he commonly chose for study; and he would often be heard walking in his library, at Richmond, till near morning, humming over what he was to write out and correct the next day, and so, good reader, this is no argument against my position; but observe, retiring late is no excuse for late rising, unless business have detained you: balls and suppers are no apology for habitual late rising. And now, my dearest readers, do you spend the night precisely as Thomson did, and I'll grant you my "letters patent, license, and protection," to sleep till noon every day of your life. You have only to apply to me for it through "our well-beloved" editor of the MIRROR.
BUNHILL FIELDS BURYING-GROUND
This extensive burial-place is part of the manor of Finsbury, or Fensbury, which is of great antiquity, as appears by its being a prebend of St. Paul's Cathedral in 1104. In the year 1315, it was granted by Robert de Baldock to the mayor and commonalty of London. Part of it was, in 1498, converted into a large field for the use of archers and other military citizens to exercise in. This is now called The Artillery Ground.
In the year 1665, that part of the ground now called Bunhill (originally Bonhill) Field, was set apart as a common cemetery, for the interment of such bodies as could not have room in their parochial burial-grounds in that dreadful year of pestilence. However, not being made use of on that occasion, a Mr. Tindal took a lease thereof, and converted it into a burial-place for the use of Dissenters. It was long called Tindal's Burial-place. Over the west gate of it was the following inscription:—"This church-yard was inclosed with a brick wall at the sole charges of the city of London, in the mayoralty of Sir John Lawrence, Knt., Anno Domini 1665; and afterwards the gates thereof were built and finished in the mayoralty of Sir Thomas Bloudworth, Knt., Anno Domini, 1666."
The fen or moor (in this neighbourhood), from whence the name Moorfields, reached from London-wall to Hoxton; the southern part of it, denominated Windmill Hill, began to be raised by above one-thousand cart-loads of human bones, brought from St. Paul's charnel-house in 1549, which being soon after covered with street dirt from the city, the ground became so elevated, that three windmills were erected on it; and the ground on the south side being also much raised, it obtained the name of The Upper Moorfield.
The first monumental inscription in Bunhill-fields is, Grace, daughter of T. Cloudesly, of Leeds. Feb. 1666.—Maitland's Hist. of London, p. 775.
Dr. Goodwin was buried there in 1679; Dr. Owen in 1683; and John Bunyan in 1688.
Park-place, Highbury Vale.
SUPPOSED ORIGIN OF MEZZO-TINTO. 1
Mezzo-tinto is said to have been first invented by Prince Rupert, about the year 1649: going out early one morning, during his retirement at Brussels, he observed the sentinel, at some distance from his post, very busy doing something to his piece. The prince asked the soldier what he was about? He replied, the dew had fallen in the night, had made his fusil rusty, and that he was scraping and cleaning it. The prince, looking at it, was struck with something like a figure eaten into the barrel, with innumerable little holes, closed together, like friezed work on gold or silver, part of which the fellow had scraped away. The genie second en experiences (says Lord Orford), from so trifling an accident, conceived mezzo-tinto. The prince concluded, that some contrivance might be found to cover a brass plate with such a ground of fine pressed holes, which would undoubtedly give an impression all black, and that, by scraping away proper parts, the smooth superfices would leave the rest of the paper white. Communicating his idea to Wallerant Vaillant, a painter, they made several experiments, and at last invented a steel roller with projecting points, or teeth, like a file, which effectually produced the black ground; and which, being scraped away or diminished at pleasure, left the gradations of light. Such was the invention of mezzo-tinto, according to Lord Orford, Mr. Evelyn, and Mr. Vertue.
RETROSPECTIVE GLEANINGS
[For the following succinct account of the Gunpowder Conspiracy, our acknowledgments are due to the proprietors of an elegant and interesting Annual, entitled "THE AMULET" for 1828.]
A BRIEF HISTORY OF "THE GUNPOWDER PLOT."
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P–N."},{"id":"content1:0","kind":"heading","text":"BUNHILL FIELDS BURYING-GROUND"},{"id":"content1:1","kind":"paragraph","text":"This extensive burial-place is part of the manor of Finsbury, or Fensbury, which is of great antiquity, as appears by its being a prebend of St. Paul's Cathedral in 1104. In the year 1315, it was granted by Robert de Baldock to the mayor and commonalty of London. Part of it was, in 1498, converted into a large field for the use of archers and other military citizens to exercise in. This is now called The Artillery Ground."},{"id":"content1:2","kind":"paragraph","text":"In the year 1665, that part of the ground now called Bunhill (originally Bonhill) Field, was set apart as a common cemetery, for the interment of such bodies as could not have room in their parochial burial-grounds in that dreadful year of pestilence. However, not being made use of on that occasion, a Mr. Tindal took a lease thereof, and converted it into a burial-place for the use of Dissenters. It was long called Tindal's Burial-place. 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Cloudesly, of Leeds. Feb. 1666.—Maitland's Hist. of London, p. 775."},{"id":"content1:5","kind":"paragraph","text":"Dr. Goodwin was buried there in 1679; Dr. Owen in 1683; and John Bunyan in 1688."},{"id":"content1:6","kind":"paragraph","text":"Park-place, Highbury Vale."},{"id":"content1:7","kind":"paragraph","text":"J. H. B."},{"id":"content1:8","kind":"heading","text":"SUPPOSED ORIGIN OF MEZZO-TINTO. 1"},{"id":"content1:9","kind":"paragraph","text":"Mezzo-tinto is said to have been first invented by Prince Rupert, about the year 1649: going out early one morning, during his retirement at Brussels, he observed the sentinel, at some distance from his post, very busy doing something to his piece. The prince asked the soldier what he was about? He replied, the dew had fallen in the night, had made his fusil rusty, and that he was scraping and cleaning it. 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W."},{"id":"content1:11","kind":"heading","text":"RETROSPECTIVE GLEANINGS"},{"id":"content1:12","kind":"paragraph","text":"[For the following succinct account of the Gunpowder Conspiracy, our acknowledgments are due to the proprietors of an elegant and interesting Annual, entitled \"THE AMULET\" for 1828.]"},{"id":"content1:13","kind":"heading","text":"A BRIEF HISTORY OF \"THE GUNPOWDER PLOT.\""}],"toc":[{"id":"content0:0:1","label":"Various The Mirror of Literature, Amusement, and Instruction / Volume 10, No. 283, November 17, 1827","page":1,"pageUrl":"/books/3fIfNTFq#reader-content"},{"id":"content0:1:1","label":"HADDON HALL","page":1,"pageUrl":"/books/3fIfNTFq#reader-content"},{"id":"content0:8:2","label":"POETICAL LOVE-LETTER","page":2,"pageUrl":"/books/3fIfNTFq?page=2#reader-content"},{"id":"content0:9:2","label":"(For the Mirror.)","page":2,"pageUrl":"/books/3fIfNTFq?page=2#reader-content"},{"id":"content0:13:2","label":"EARLY RISING","page":2,"pageUrl":"/books/3fIfNTFq?page=2#reader-content"},{"id":"content1:0:3","label":"BUNHILL FIELDS BURYING-GROUND","page":3,"pageUrl":"/books/3fIfNTFq?page=3#reader-content"},{"id":"content1:8:3","label":"SUPPOSED ORIGIN OF MEZZO-TINTO. 1","page":3,"pageUrl":"/books/3fIfNTFq?page=3#reader-content"},{"id":"content1:11:3","label":"RETROSPECTIVE GLEANINGS","page":3,"pageUrl":"/books/3fIfNTFq?page=3#reader-content"},{"id":"content1:13:3","label":"A BRIEF HISTORY OF \"THE GUNPOWDER PLOT.\"","page":3,"pageUrl":"/books/3fIfNTFq?page=3#reader-content"},{"id":"content1:14:4","label":"(Compiled from original and unpublished documents.)","page":4,"pageUrl":"/books/3fIfNTFq?page=4#reader-content"},{"id":"content2:0:6","label":"THE SKETCH BOOK No. XLIX","page":6,"pageUrl":"/books/3fIfNTFq?page=6#reader-content"},{"id":"content2:1:6","label":"THE AUBERGE","page":6,"pageUrl":"/books/3fIfNTFq?page=6#reader-content"},{"id":"content2:2:6","label":"(For the Mirror.)","page":6,"pageUrl":"/books/3fIfNTFq?page=6#reader-content"},{"id":"content2:5:7","label":"SPIRIT OF THE PUBLIC JOURNALS","page":7,"pageUrl":"/books/3fIfNTFq?page=7#reader-content"},{"id":"content2:6:7","label":"ROMEO COATES","page":7,"pageUrl":"/books/3fIfNTFq?page=7#reader-content"},{"id":"content3:0:8","label":"THE VOICE OF NATURE","page":8,"pageUrl":"/books/3fIfNTFq?page=8#reader-content"},{"id":"content3:4:8","label":"CALAIS","page":8,"pageUrl":"/books/3fIfNTFq?page=8#reader-content"},{"id":"content4:0:9","label":"CURIOSITY","page":9,"pageUrl":"/books/3fIfNTFq?page=9#reader-content"},{"id":"content4:3:9","label":"THE SELECTOR. AND LITERARY NOTICES OF NEW WORKS","page":9,"pageUrl":"/books/3fIfNTFq?page=9#reader-content"},{"id":"content4:4:9","label":"CHRONICLES OF THE CANONGATE","page":9,"pageUrl":"/books/3fIfNTFq?page=9#reader-content"},{"id":"content5:0:11","label":"THE GATHERER","page":11,"pageUrl":"/books/3fIfNTFq?page=11#reader-content"},{"id":"content5:2:11","label":"NEGRO PUN","page":11,"pageUrl":"/books/3fIfNTFq?page=11#reader-content"},{"id":"content5:4:11","label":"\"SPIRITS\" OF THE MAGAZINES","page":11,"pageUrl":"/books/3fIfNTFq?page=11#reader-content"},{"id":"content5:8:11","label":"FRAMEWORK OF SOCIETY","page":11,"pageUrl":"/books/3fIfNTFq?page=11#reader-content"},{"id":"content5:11:11","label":"SEEING IS BELIEVING","page":11,"pageUrl":"/books/3fIfNTFq?page=11#reader-content"},{"id":"content5:15:11","label":"SHADOW CATCHER","page":11,"pageUrl":"/books/3fIfNTFq?page=11#reader-content"},{"id":"content5:18:11","label":"THE FUNDS","page":11,"pageUrl":"/books/3fIfNTFq?page=11#reader-content"},{"id":"content5:20:11","label":"TEMPUS EDAX RERUM","page":11,"pageUrl":"/books/3fIfNTFq?page=11#reader-content"},{"id":"content5:22:11","label":"ON JACK STRAW'S CASTLE, HAMPSTEAD HEATH, BEING REPAIRED","page":11,"pageUrl":"/books/3fIfNTFq?page=11#reader-content"},{"id":"contentnotes0:0:12","label":"1","page":12,"pageUrl":"/books/3fIfNTFq?page=12#reader-content"}]},"similarBooks":[{"idCatalog":764433,"shortId":"10LN9aKJ","title":"The Mirror of Literature, Amusement, and Instruction. 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