Полное собрание сочинений и писем в 3 томах. Том 1

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Полное собрание сочинений и писем в трех томах. Том 1"},{"id":"id4533:1","kind":"paragraph","text":"Памяти ушедших"},{"id":"id4533:2","kind":"paragraph","text":"Станислава Стефановича ЛЕСНЕВСКОГО"},{"id":"id4533:3","kind":"paragraph","text":"Ларисы Георгиевны СТЕПАНОВОЙ"},{"id":"id4533:4","kind":"paragraph","text":"Нины Герасимовны ЗАХАРЕНКО"},{"id":"id4533:5","kind":"paragraph","text":"Лидии Яковлевны ГИНЗБУРГ"},{"id":"id4533:6","kind":"paragraph","text":"Михаила Абрамовича БАЛЦВИНИКА"},{"id":"id4533:7","kind":"paragraph","text":"Владимира Михайловича СЕРГЕЕВА"},{"id":"id4532:0","kind":"heading","text":"О поэте (очерк биографии)"},{"id":"id4532:1","kind":"paragraph","text":"Осип (Иосиф) Эмильевич Мандельштам родился 3 (15) января 1891 года в Варшаве, в еврейской семье. Была ли Варшава в то время местом постоянного жительства родителей, или они оказались здесь по случаю — неизвестно. Так же мало известно о родителях и прародителях поэта и первых годах его жизни. По фамильному преданию, предки Мандельштамов были выходцами из Испании, основателем рода — ювелир при дворе курляндского герцога Э. И. Бирона. Носители фамилии, среди которых были видные врачи и ученые, происходили из местечка Жагоры Шавельского уезда Ковенской губернии. Отец поэта, Эмилий Вениаминович (Эмиль Хацкель Беньямин, ок. 1851–1938), обучился кожевенному делу и стал, вслед за дедом[1], мастером по обработке кож. В 1889 году он женился на Флоре Осиповне Вербловской (ок. 1866–1916). Мать поэта до замужества жила в Вильно и получила основательное музыкальное образование; есть сведения о том, что она еще в 1900-е годы давала уроки музыки. Выросла она в интеллигентской среде, прикосновенной к русской культуре и общественному движению той поры (по существу — к движению революционному). Родным языком матери был русский[2]."},{"id":"id4532:2","kind":"paragraph","text":"После женитьбы дела отца шли хорошо. Он занялся изготовлением перчаток и перевез семью в Павловск (около 1894 года), а еще через несколько лет (около 1897 года) — в Петербург. Здесь мы видим его на вершине деловых успехов — владельцем мастерской и купцом первой гильдии; со второй половины 1900-х годов, после революции 1905 года, его дела шли все хуже, и к 1917 году он разорился окончательно."},{"id":"id4532:3","kind":"paragraph","text":"Семья не была дружной — отец был всецело занят делом, в интересы домашних не вникал; глухие упоминания о размолвках между родителями сохранились в «Шуме времени». Воспитание детей, а к концу 1890-х годов у них родилось трое сыновей, лежало полностью на матери. Дети, как было принято в семьях с достатком, с ранних лет получали домашнее образование, направленное главным образом на обучение языкам, — для этого к мальчикам и нанимали описанных в «Шуме времени» «француженок» и «швейцарок», — и с начатками музыкальной грамоты. Осипа учили играть на фортепиано. Занятия музыкой продолжались вряд ли дольше, чем несколько лет, и все же ребенок получил знания прочные и проявил свои к ней способности: десятки лет спустя Мандельштам помнил наизусть сложные партитуры и, не имея никакой практики, был способен играть вещи классического репертуара. Но главное, что вынес ребенок из этих занятий, — тонкое понимание музыки, ее языка. Один из людей, близко знавших поэта в 1910-е годы, композитор Артур Сергеевич Лурье, писал: «Мандельштам страстно любил музыку, но никогда об этом не говорил. У него было к музыке какое-то целомудренное отношение, глубоко им скрываемое. Иногда он приходил ко мне поздно вечером, и по тому, что он быстрее обычного бегал по комнате, ероша волосы и улыбаясь, но ничего не говоря, и по особенному блеску его глаз я догадывался, что с ним произошло что-нибудь «музыкальное». На мои расспросы он сперва не отвечал, но под конец признавался, что был в концерте... Потом неожиданно появлялись его стихи, насыщенные музыкальным вдохновением... Мне часто казалось, что для поэтов, даже самых подлинных, контакт со звучащей, а не воображаемой музыкой не является необходимостью и их упоминания о музыке носят скорее отвлеченный, метафизический характер. Но Мандельштам представлял исключение; живая музыка была для него необходимостью. Стихия музыки питала его поэтическое сознание, как и пафос государственности, насыщавший его поэзию»[3]."},{"id":"id4532:4","kind":"paragraph","text":"В 1899 году ребенка отдали в первый класс только что открытой общеобразовательной школы князя Тенишева, через год преобразованной в Тенишевское коммерческое училище. Об этом начинании стоит рассказать немного подробнее. В это время росло недовольство школьным образованием. Попытки проведения реформы, в которых участвовали и некоторые чиновники Министерства народного просвещения, терпели неудачу, наталкиваясь каждый раз на нежелание Императора. Тогда группа педагогов посвятила в свои планы Вячеслава Николаевича Тенишева (1844–1903), известного своей благотворительной деятельностью на ниве отечественной культуры, науки и просвещения. Тенишев, в ту пору уже отошедший от предпринимательской деятельности и занимавшийся исследованиями в области этнографии и социологии, на проект откликнулся. Поскольку все гимназии были подведомственны Министерству народного просвещения, решено было, чтобы уйти от этой опеки, организовать школу под вывеской коммерческого училища (они находились тогда в ведении Министерства финансов). Был куплен земельный участок, и к 1900 году архитектор Р. А. Берзен построил на нем здание училища (Моховая, 33–35), и поныне остающееся лучшим школьным зданием России. Уже в то время здесь были физический и химический классы, приспособленные для проведения элементарных опытов, небольшая астрономическая обсерватория и, наконец, прекрасная аудитория, спроектированная как античный амфитеатр. Когда князь умер и училище лишилось дотаций, собственником стало товарищество педагогов, владевшее училищем на паях. Аудиторию начали сдавать для проведения лекций, вечеров и диспутов."},{"id":"id4532:5","kind":"paragraph","text":"В училище установилась атмосфера педагогического эксперимента. Здесь не было ни дневников с оценками, ни классных кондуитов; не сдавали и переходные — из класса в класс — экзамены. Только выпускные экзамены пришлось сохранить: ведь нужно было выдавать аттестаты, а в них должны были фигурировать оценки по дисциплинам."},{"id":"id4532:6","kind":"paragraph","text":"В 1904 году преподавателем в училище был принят Владимир Васильевич Гиппиус. Поэт-декадент, в пору юности — товарищ Ивана Коневского и Александра Добролюбова (в это время среди поэтов имена уже легендарные), Гиппиус по праву ощущал себя родоначальником того направления в русской литературе, которое позднее предстало как символизм. Ему целиком посвящена глава «В не по чину барственной шубе» в «Шуме времени»."},{"id":"id4532:7","kind":"paragraph","text":"К 1905 или 1906 году относятся первые стихотворные опыты Мандельштама. Самые ранние из дошедших до нас стихи связаны с впечатлениями от разгрома восстания крестьян в Зегевольде, упоминающегося в «Шуме времени»: то было время, когда вслед за поражениями России в Русско-японской войне поднялось революционное движение, нашедшее широкий отклик в среде студенческой и школьной молодежи. В это время Мандельштам сблизился со своим одноклассником Борисом Синани, отец и старшая сестра которого были связаны с активистами партии эсеров. Оба юноши тогда же вошли в эсеровскую молодежную организацию, задачей которой была агитация — «подвиг начинался с пропагандистского искуса»[4]. Вскоре он от этих настроений отходит, переосмысливая свой порыв, не без влияния Вл. Гиппиуса, в духе религиозно-философских веяний времени. «Первые мои религиозные переживания относятся к периоду моего детского увлечения марксистской догмой и неотделимы от этого увлечения... Я прошел 15-ти лет очистительный огонь Ибсена — и хотя не удержался на «религии воли», но стал окончательно на почву религиозного индивидуализма и антиобщественности» — писал, с присущим ему максимализмом взглядов, юный поэт своему учителю литературы в апреле 1908 года из Парижа[5]."}],"toc":[{"id":"id4534:0:1","label":"Annotation","page":1,"pageUrl":"/books/3igVuAml#reader-content"},{"id":"id4533:0:2","label":"Осип Мандельштам. Полное собрание сочинений и писем в трех томах. 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