Германт

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Читать бесплатно онлайн","description":"Полный текст книги «Германт». А также краткое содержание, главные мысли, конфликт, темы, персонажи, цитаты и ответы на вопросы.","breadcrumb":{"@id":"https://bookra.app/books/3vNfQSDV#breadcrumb"},"mainEntity":{"@id":"https://bookra.app/books/3vNfQSDV#work"},"primaryImageOfPage":{"@type":"ImageObject","url":"https://storage.yandexcloud.net/bookra-catalog-pd-public/content/0bf0e2ff-d101-11eb-aed8-0cc47a5f137d/thumbs/1200.webp"}},{"@context":"https://schema.org","@type":"Book","@id":"https://bookra.app/books/3vNfQSDV#work","name":"Германт","url":"https://bookra.app/books/3vNfQSDV","description":"Третий том эпопеи Пруста «В поисках утраченного времени» был впервые опубликован в 1921 году. Молодой Марсель с неожиданной легкостью делает первые шаги в преисполненном изощренного снобизма избранном обществе аристократического Сен-Жерменского предместья, с изумлением наблюдает, как беззастенчиво обирает и унижает его друга Робера де Сен-Лу шикарная кокотка, еще недавно бывшая дешевой «ночной бабочкой», встречает тяжелобольного, окончательно разочаровавшегося в жизни Свана и неожиданно вступает в яростный конфликт с эксцентричным бароном де Шарлю. 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Сейчас только без десяти восемь. Нам не понадобится десяти минут, чтобы доехать до парка Монсо. Кроме того, что поделаешь, даже если мы задержимся до половины девятого, хозяйке нашей придется запастись терпением: не можете же вы ехать в красном платье и черных туфлях. Впрочем, мы будем не последние: Сасенажи, вы знаете, никогда не приезжают раньше, чем без двадцати девять."},{"id":"content9:216","kind":"paragraph","text":"Герцогиня поднялась в свою комнату."},{"id":"content9:217","kind":"paragraph","text":"– Ну что? – сказал нам герцог. – Бедные мужья, над ними всегда смеются, а между тем и они кое на что годятся. Без меня Ориана поехала бы обедать в черных туфлях."},{"id":"content9:218","kind":"paragraph","text":"– Это неплохо, – сказал Сван. – Я тоже заметил черные туфли, но они меня ни капельки не шокировали."},{"id":"content9:219","kind":"paragraph","text":"– Я вам не возражаю, – отвечал герцог, – но все-таки элегантнее, когда туфли одного цвета с платьем. Кроме того, будьте спокойны: сейчас же по приезде она бы это заметила, и мне пришлось бы возвращаться за ее туфлями. Я сел бы за стол только в девять часов. Прощайте, деточки, – сказал он, мягко нас выталкивая, – уходите, пока Ориана еще не вернулась. Это не значит, что ей неприятно вас видеть, напротив, ей это слишком приятно. Если она застанет вас здесь, то снова начнутся разговоры, а она и без того очень утомлена и приедет на обед мертвая. Кроме того, откровенно вам признаюсь: я умираю от голода. Я плохо позавтракал сегодня утром, сойдя с поезда. Правда, соус беарнез был чертовски хорош, но все-таки я ни капельки не буду огорчен, то есть ни капельки, когда сяду за стол. Без пяти восемь! Ах, эти женщины! Из-за нее у нас обоих заболит живот. Жена моя совсем не так основательна, как это думают."},{"id":"content9:220","kind":"paragraph","text":"Герцог нисколько не стеснялся говорить о жениных и собственных недомоганиях умирающему, ибо первые, больше его интересуя, представлялись ему более важными. Поэтому только благодаря хорошему воспитанию и веселому нраву, вежливо нас выпроводив, он оглушительно крикнул из дверей Свану, который был уже на дворе:"},{"id":"content9:221","kind":"paragraph","text":"– Послушайте, не придавайте значения всем этим глупостям докторов, к черту их! Доктора – ослы. Вы крепче, чем Новый мост. Вы всех нас похороните!"},{"id":"contentnotes0:0","kind":"heading","text":"Примечания"},{"id":"contentnotes0:1","kind":"heading","text":"1"},{"id":"contentnotes0:2","kind":"paragraph","text":"Мериме, Проспер (1803–1870) – французский писатель, получивший известность благодаря своим новеллам и историческим романам. Будучи главным инспектором исторических памятников, он во времена Империи был близок ко двору. – Здесь и далее – примеч. ред."},{"id":"contentnotes0:3","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:4","kind":"heading","text":"2"},{"id":"contentnotes0:5","kind":"paragraph","text":"Мельяк, Анри (1831–1897) – французский драматург, автор многочисленных пьес, в том числе и комедии «Муж дебютантки», которая упоминается ниже."},{"id":"contentnotes0:6","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:7","kind":"heading","text":"3"},{"id":"contentnotes0:8","kind":"paragraph","text":"Персонажи трагедии Вольтера (1694–1778) «Заира» (1732). Заира – пленница влюбленного в нее турецкого султана Оросмана."},{"id":"contentnotes0:9","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:10","kind":"heading","text":"4"},{"id":"contentnotes0:11","kind":"paragraph","text":"«Федра» – трагедия французского драматурга Жана Расина (1639–1699)."},{"id":"contentnotes0:12","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:13","kind":"heading","text":"5"},{"id":"contentnotes0:14","kind":"paragraph","text":"Арисия – в упомянутой выше трагедии Расина пленница Тесея, возлюбленная Ипполита. Исмена – ее кормилица и наперсница."},{"id":"contentnotes0:15","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:16","kind":"heading","text":"6"},{"id":"contentnotes0:17","kind":"paragraph","text":"Пеплум – в Древней Греции и Риме женская верхняя одежда из легкой ткани в складках, без рукавов, надевавшаяся поверх туники."},{"id":"contentnotes0:18","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:19","kind":"heading","text":"7"},{"id":"contentnotes0:20","kind":"paragraph","text":"Зигфрид (Сигурд) – главный герой немецкой эпической поэмы «Песни о Нибелунгах»."},{"id":"contentnotes0:21","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:22","kind":"heading","text":"8"},{"id":"contentnotes0:23","kind":"paragraph","text":"Брейгель, Питер Старший (ок. 1525–1569) – нидерландский живописец, рисовальщик и гравер, автор ряда картин на сельские сюжеты («Сбор урожая», «Крестьянский танец» и др.)."},{"id":"contentnotes0:24","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:25","kind":"heading","text":"9"},{"id":"contentnotes0:26","kind":"paragraph","text":"Намек на картину Питера Брейгеля Старшего «Всеобщая перепись в Вифлееме» (1566), которая хранится в Королевском музее изящных искусств в Брюсселе."},{"id":"contentnotes0:27","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:28","kind":"heading","text":"10"},{"id":"contentnotes0:29","kind":"paragraph","text":"Палисси, Бернар (1510–1590) – французский естествоиспытатель и художник-керамист."},{"id":"contentnotes0:30","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:31","kind":"heading","text":"11"},{"id":"contentnotes0:32","kind":"paragraph","text":"Маршалы Луи Александр Бертье (1753–1815) и Андре Массена (1756–1817) были ближайшими сподвижниками Наполеона."},{"id":"contentnotes0:33","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:34","kind":"heading","text":"12"},{"id":"contentnotes0:35","kind":"paragraph","text":"Гутенберг и Ваграм – названия крупнейших телефонных станций в Париже рубежа веков."},{"id":"contentnotes0:36","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:37","kind":"heading","text":"13"},{"id":"contentnotes0:38","kind":"paragraph","text":"Неточная цитата из Библии (Лк. 10, 28)."},{"id":"contentnotes0:39","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:40","kind":"heading","text":"14"},{"id":"contentnotes0:41","kind":"paragraph","text":"Бушерон – знаменитый ювелирный магазин."},{"id":"contentnotes0:42","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:43","kind":"heading","text":"15"},{"id":"contentnotes0:44","kind":"paragraph","text":"Ватто, Жан Антуан (1684–1721) – французский художник и гравер, которому принадлежит множество рисунков, сделанных сангиной (красный карандаш)."},{"id":"contentnotes0:45","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:46","kind":"heading","text":"16"},{"id":"contentnotes0:47","kind":"paragraph","text":"Из ничего (лат)."},{"id":"contentnotes0:48","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:49","kind":"heading","text":"17"},{"id":"contentnotes0:50","kind":"paragraph","text":"Жубер, Жозеф (1754–1824) – французский писатель-моралист."},{"id":"contentnotes0:51","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:52","kind":"heading","text":"18"},{"id":"contentnotes0:53","kind":"paragraph","text":"Британский музей (англ.) – одно из крупнейших в мире собраний книг, рукописей, произведений искусства."},{"id":"contentnotes0:54","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:55","kind":"heading","text":"19"},{"id":"contentnotes0:56","kind":"paragraph","text":"Тьер, Луи (1797–1877) – государственный деятель, автор исторических трудов «История Французской революции» и «История Консульства и Империи»."},{"id":"contentnotes0:57","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:58","kind":"heading","text":"20"},{"id":"contentnotes0:59","kind":"paragraph","text":"Ожье, Эмиль (1820–1889) – французский драматург."},{"id":"contentnotes0:60","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:61","kind":"heading","text":"21"},{"id":"contentnotes0:62","kind":"paragraph","text":"Мельяк, Анри (1831–1897) – французский драматург, автор многочисленных пьес."},{"id":"contentnotes0:63","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:64","kind":"heading","text":"22"},{"id":"contentnotes0:65","kind":"paragraph","text":"Галеви, Фроманталь (1799–1862) – французский композитор, автор знаменитой оперы «Жидовка» (1835)."},{"id":"contentnotes0:66","kind":"paragraph","text":"Вернуться"}],"toc":[{"id":"content0:0:1","label":"Марсель Пруст Германт","page":1,"pageUrl":"/books/3vNfQSDV#reader-content"},{"id":"content0:4:1","label":"Часть 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