Skrzypce z Cremony (Radca Crespel)

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Crespel wzruszony do głębi duszy grał z jeszcze większą ekspresją niż zwykle i gdy śmiało a mocno przebiegał wszystkie tony gamy, Antonia klaskała w ręce i wołała jakby w zachwyceniu:"},{"id":"content2:37","kind":"paragraph","text":"– Ach, jak dobrze śpiewam, jak dobrze śpiewam!"},{"id":"content2:38","kind":"paragraph","text":"Od tego dnia na nowo stała się pogodna i wesoła. Często mówiła do radcy:"},{"id":"content2:39","kind":"paragraph","text":"– Ojcze, chciałabym jeszcze coś zaśpiewać."},{"id":"content2:40","kind":"paragraph","text":"Crespel zdejmował skrzypce ze ściany, grał ulubione melodie córki i wtedy serce jej rozpływało się w rozkoszy."},{"id":"content2:41","kind":"paragraph","text":"Na krótki czas przed moim powrotem do H. pewnego razu zdawało się radcy, że pośrodku nocy usłyszał dźwięk fortepianu w sąsiedniej izbie. Natychmiast rozpoznał wyraźnie zwykłe preludium młodego muzyka. Chciał się podnieść, ale był jakby przywiązany stalowymi łańcuchami i nie mógł uczynić najmniejszego poruszenia. W parę chwil później rozpoznał głos Antonii, który się naprzód rozlewał jak lekkie tchnienie, a potem rósł stopniowo aż do najdźwięczniejszego fortissimo20; następnie usłyszał tony porywającej melodii, którą narzeczony skomponował dla Antonii w stylu religijnym dawnych mistrzów. Crespel zapewniał, że był w tym momencie pełen przerażającego wzruszenia; odczuwał naraz najokropniejszą trwogę i rodzaj idealnej rozkoszy."},{"id":"content2:42","kind":"paragraph","text":"Naraz uderza go jasność oślepiająca; widzi muzyka i Antonię, którzy się całują i patrzą na siebie w zachwyceniu. Melodia brzmiała dalej, choć Antonia nie śpiewała i choć jej narzeczony nie dotykał fortepianu. Radca upadł zemdlony. Gdy wrócił do przytomności, na nowo się w nim obudziła straszliwa trwoga, jakiej doznawał niby we śnie. Popędził do pokoju Antonii; ujrzał ją na kanapie, z oczami zamkniętymi, z wargą uśmiechniętą, ze złożonymi rękami: rzekłbyś, spała kołysana niebiańskimi marzeniami."},{"id":"content2:43","kind":"paragraph","text":"Umarła."},{"id":"contentnotes0:0","kind":"heading","text":"1"},{"id":"contentnotes0:1","kind":"paragraph","text":"miesić (daw.) – ugniatać, mieszać, wyrabiać substancję o konsystencji ciasta. [przypis edytorski]"},{"id":"contentnotes0:2","kind":"paragraph","text":"Do tyłu"},{"id":"contentnotes0:3","kind":"heading","text":"2"},{"id":"contentnotes0:4","kind":"paragraph","text":"mularz (daw.) – murarz. [przypis edytorski]"},{"id":"contentnotes0:5","kind":"paragraph","text":"Do tyłu"},{"id":"contentnotes0:6","kind":"heading","text":"3"},{"id":"contentnotes0:7","kind":"paragraph","text":"przystać na coś – zgodzić się, pozwolić na coś. [przypis edytorski]"},{"id":"contentnotes0:8","kind":"paragraph","text":"Do tyłu"},{"id":"contentnotes0:9","kind":"heading","text":"4"},{"id":"contentnotes0:10","kind":"paragraph","text":"kielnia – narzędzie pomocne przy murowaniu i tynkowaniu. [przypis edytorski]"},{"id":"contentnotes0:11","kind":"paragraph","text":"Do tyłu"},{"id":"contentnotes0:12","kind":"heading","text":"5"},{"id":"contentnotes0:13","kind":"paragraph","text":"psalmodia – śpiewanie i intonowanie psalmów. [przypis edytorski]"},{"id":"contentnotes0:14","kind":"paragraph","text":"Do tyłu"},{"id":"contentnotes0:15","kind":"heading","text":"6"},{"id":"contentnotes0:16","kind":"paragraph","text":"konsyliarz (daw.) – lekarz, doradca. [przypis edytorski]"},{"id":"contentnotes0:17","kind":"paragraph","text":"Do tyłu"},{"id":"contentnotes0:18","kind":"heading","text":"7"},{"id":"contentnotes0:19","kind":"paragraph","text":"doktor Bartolo – postać ze sztuki Pierre'a Beaumarchais (1732–1799) Cyrulik sewilski, będącej kanwą dla librett oper Giovanniego Paisella oraz Gioacchina Rossiniego (sławniejszej wersji z 1816 r.). Pilnie strzeżoną i więzioną w domu wychowanką doktora Bartola jest Rozyna, której pomaga w romansie Figaro, tytułowy cyrulik (pełniący funkcje golibrody, fryzjera i inne). [przypis edytorski]"},{"id":"contentnotes0:20","kind":"paragraph","text":"Do tyłu"},{"id":"contentnotes0:21","kind":"heading","text":"8"},{"id":"contentnotes0:22","kind":"paragraph","text":"argusowy – czujny, wszechwidzący; od imienia Argusa, stuokiego olbrzyma, strażnika na usługach Hery w mit. gr. [przypis edytorski]"},{"id":"contentnotes0:23","kind":"paragraph","text":"Do tyłu"},{"id":"contentnotes0:24","kind":"heading","text":"9"},{"id":"contentnotes0:25","kind":"paragraph","text":"adagio (wł. wolno) – wolne tempo w muzyce. [przypis edytorski]"},{"id":"contentnotes0:26","kind":"paragraph","text":"Do tyłu"},{"id":"contentnotes0:27","kind":"heading","text":"10"},{"id":"contentnotes0:28","kind":"paragraph","text":"kwinta – interwał, odległość między dźwiękami. [przypis edytorski]"},{"id":"contentnotes0:29","kind":"paragraph","text":"Do tyłu"},{"id":"contentnotes0:30","kind":"heading","text":"11"},{"id":"contentnotes0:31","kind":"paragraph","text":"maestro de capella (z wł. maestro di capella) – kapelmistrz. [przypis edytorski]"},{"id":"contentnotes0:32","kind":"paragraph","text":"Do tyłu"},{"id":"contentnotes0:33","kind":"heading","text":"12"},{"id":"contentnotes0:34","kind":"paragraph","text":"poskoczyć – skocznie podbiec. [przypis edytorski]"},{"id":"contentnotes0:35","kind":"paragraph","text":"Do tyłu"},{"id":"contentnotes0:36","kind":"heading","text":"13"},{"id":"contentnotes0:37","kind":"paragraph","text":"amoroso (hiszp.) – pieszczotliwie, czule. [przypis edytorski]"},{"id":"contentnotes0:38","kind":"paragraph","text":"Do tyłu"},{"id":"contentnotes0:39","kind":"heading","text":"14"},{"id":"contentnotes0:40","kind":"paragraph","text":"jurysta (daw.) – prawnik. [przypis edytorski]"},{"id":"contentnotes0:41","kind":"paragraph","text":"Do tyłu"},{"id":"contentnotes0:42","kind":"heading","text":"15"},{"id":"contentnotes0:43","kind":"paragraph","text":"primadonna (wł.) – dosł.: pierwsza dama; śpiewaczka operowa, solistka w operze. [przypis edytorski]"},{"id":"contentnotes0:44","kind":"paragraph","text":"Do tyłu"},{"id":"contentnotes0:45","kind":"heading","text":"16"},{"id":"contentnotes0:46","kind":"paragraph","text":"signora (wł.) – pani. [przypis edytorski]"},{"id":"contentnotes0:47","kind":"paragraph","text":"Do tyłu"},{"id":"contentnotes0:48","kind":"heading","text":"17"},{"id":"contentnotes0:49","kind":"paragraph","text":"bestia tedesca (wł.) – niemieckie bydlę (zwierzę). [przypis edytorski]"},{"id":"contentnotes0:50","kind":"paragraph","text":"Do tyłu"},{"id":"contentnotes0:51","kind":"heading","text":"18"},{"id":"contentnotes0:52","kind":"paragraph","text":"marito amato (wł.) – ukochany mąż. [przypis edytorski]"},{"id":"contentnotes0:53","kind":"paragraph","text":"Do tyłu"},{"id":"contentnotes0:54","kind":"heading","text":"19"},{"id":"contentnotes0:55","kind":"paragraph","text":"padre felicissimo (wł.) – najszczęśliwszy ojciec. [przypis edytorski]"},{"id":"contentnotes0:56","kind":"paragraph","text":"Do tyłu"},{"id":"contentnotes0:57","kind":"heading","text":"20"},{"id":"contentnotes0:58","kind":"paragraph","text":"fortissimo (wł.) – bardzo głośno. [przypis edytorski]"},{"id":"contentnotes0:59","kind":"paragraph","text":"Do tyłu"}],"toc":[{"id":"content0:0:1","label":"E. T. A. 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