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Дата написания1970-01-01
Язык книгиen
Возрастное ограничение12+

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The melancholy death of poor Shelley, which happened, as we have seen, also during this period, seems to have affected Lord Byron's mind less with grief for the actual loss of his friend than with bitter indignation against those who had, through life, so grossly misrepresented him; and never certainly was there an instance where the supposed absence of all religion in an individual was assumed so eagerly as an excuse for the entire absence of truth and charity in judging him. Though never personally acquainted with Mr. Shelley, I can join freely with those who most loved him in admiring the various excellencies of his heart and genius, and lamenting the too early doom that robbed us of the mature fruits of both. His short life had been, like his poetry, a sort of bright, erroneous dream,—false in the general principles on which it proceeded, though beautiful and attaching in most of the details. Had full time been allowed for the "over-light" of his imagination to have been tempered down by the judgment which, in him, was still in reserve, the world at large would have been taught to pay that high homage to his genius which those only who saw what he was capable of can now be expected to accord to it.

It was about this time that Mr. Cowell, paying a visit to Lord Byron at Genoa, was told by him that some friends of Mr. Shelley, sitting together one evening, had seen that gentleman, distinctly, as they thought, walk, into a little wood at Lerici, when at the same moment, as they afterwards discovered, he was far away, in quite a different direction. "This," added Lord Byron, in a low, awe-struck tone of voice, "was but ten days before poor Shelley died."

HIS SERVICE IN THE GREEK CAUSE

With that thanklessness which too often waits on disinterested actions, it has been some times tauntingly remarked, and in quarters from whence a more generous judgment might be expected, that, after all, Lord Byron effected but little for Greece: as if much could be effected by a single individual, and in so short a time, for a cause which, fought as it has been almost incessantly through the six years since his death, has required nothing less than the intervention of all the great powers of Europe to give it a chance of success, and, even so, has not yet succeeded. That Byron himself was under no delusion, as to the importance of his own solitary aid—that he knew, in a struggle like this, there must be the same prodigality of means towards one great end as is observable in the still grander operations of nature, where individuals are as nothing in the tide of events—that such was his, at once, philosophic and melancholy view of his own sacrifices, I have, I trust, clearly shown. But that, during this short period of action, he did not do well and wisely all that man could achieve in the time, and under the circumstances, is an assertion which the noble facts here recorded fully and triumphantly disprove. He knew that, placed as he was, his measures, to be wise, must be prospective, and from the nature of the seeds thus sown by him, the benefits that were to be expected must be judged. To reconcile the rude chiefs to the government and to each other;—to infuse a spirit of humanity, by his example, into their warfare;—to prepare the way for the employment of the expected loan, in a manner most calculated to call forth the resources of the country—to put the fortifications of Missolonghi in such a state of repair as might, and eventually did, render it proof against the besieger;—to prevent those infractions of neutrality, so tempting to the Greeks, which brought their government in collision with the Ionian authorities, and to restrain all such license of the press as might indispose the courts of Europe to their cause:—such were the important objects which he had proposed to himself to accomplish, and towards which, in this brief interval, and in the midst of such dissensions and hindrances, he had already made considerable and most promising progress. But it would be unjust to close even here the bright catalogue of his services. It is, after all, not with the span of mortal life that the good achieved by a name immortal ends. The charm acts into the future—it is an auxiliary through all time; and the inspiring example of Byron, as a martyr of liberty, is for ever freshly embalmed in his glory as a poet.

HIS PORTRAIT

Of his face, the beauty may be pronounced to have been of the highest order, as combining at once regularity of features with the most varied and interesting expression.

The same facility, indeed, of change observable in the movements of his mind was seen also in the free play of his features, as the passing thoughts within darkened or shone through them. His eyes, though of a light grey, were capable of all extremes of expression, from the most joyous hilarity to the deepest sadness—from the very sunshine of benevolence to the most concentrated scorn or rage. Of this latter passion, I had once an opportunity of seeing what fiery interpreters they could be, on my telling him, thoughtlessly enough, that a friend of mine had said to me—"Beware of Lord Byron, he will, some day or other, do something very wicked." "Was it man or woman said so?" he exclaimed, suddenly turning round upon me with a look of such intense anger as, though it lasted not an instant, could not easily be forgot, and of which no better idea can be given than in the words of one who, speaking of Chatterton's eyes, says that "fire rolled at the bottom of them."

But it was in the mouth and chin that the great beauty, as well as expression of his fine countenance lay. "Many pictures have been painted of him (says a fair critic of his features) with various success; but the excessive beauty of his lips escaped every painter and sculptor. In their ceaseless play they represented every emotion, whether pale with anger, curled in disdain, smiling in triumph, or dimpled with archness and love." It would be injustice to the reader not to borrow from the same pencil a few more touches of portraiture. "This extreme facility of expression was sometimes painful, for I have seen him look absolutely ugly—I have seen him look so hard and cold, that you must hate him, and then, in a moment, brighter than the sun, with such playful softness in his look, such affectionate eagerness kindling in his eyes, and dimpling his lips into something more sweet than a smile, that you forget the man, the Lord Byron, in the picture of beauty presented to you, and gazed with intense curiosity—I had almost said—as if to satisfy yourself, that thus looked the god of poetry, the god of the Vatican, when he conversed with the sons and daughters of man."

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