Путевые записки

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городов"]},{"key":"conclusion","title":"Вывод","body":"Книга приводит к выводу, что путешествие, наблюдение за архитектурой и театром, а также осмысление политического контекста позволяют увидеть, как национальная идентичность и политика формируют культурное пространство."},{"key":"audience","title":"Кому полезна","body":["Путешественники и любители культуры","Историки и студенты европейской истории","Театральные критики и любители театра","Кто интересуется влиянием национализма на культуру"]},{"key":"topics","title":"Главные темы","body":["Путешествие и культурные наблюдения","Готическая архитектура","Театральная критика","Политический контекст Богемии и Австрии","Влияние национализма на культуру"]},{"key":"characters","title":"Персонажи","body":["Нарратор — Главный рассказчик, описывающий впечатления от поездки и культурные наблюдения","Автор — Отчитывается о театральных и культурных впечатлениях, критикует немецкую сцену и описывает политический контекст","Паули — Умный и многогранный, но требующий спокойствия в исполнении","Девриент — Тщательно отделывающий роли, создаёт впечатление разрозненности","Шоппе — Упоминается без подробностей, но как часть труппы","Хевлинг — Упоминается как часть труппы","Антюц — Некарасивая, но умная, ограничена внешними средствами","Г-жа Бауер — Принадлежит к старому немецкому методу, играет больше пантомиму","Катковый — Помогает в путешествии, участвует в поездке","Кучер — Ведет кони, сопровождает путешествие","Принцесса Амалия — Утверждается, что её вкус и влияние короля способствуют развитию театра"]},{"key":"quotes","title":"Цитаты","body":["Дом-Кирхе отличается еще необыкновенною длиннотой своей, и так как легенда в Германии живет и вьется над историческими памятниками, как ласточка, свивающая гнездо в расселинах вековых стен их, то и по построению, и по длине Дом-Кирхе есть легенда.","Готическая рыцарская Германия не могла выбрать себе лучшего представителя, который впервые бы встретил иностранца на первом шагу и, взяв его за руку, учтиво и улыбаясь, рекомендовал земле замков, баронов и феодалов.","Мне издали показалось, что я сижу в обществе, где благородные актеры вздумали давать представление: так все опрятно в игре, так аристократически, важно.","Богемия составляет теперь оппозицию Австрии так, как католические провинции Рейна – Пруссии, Ирландия – Англии и проч., и проч."]}],"authorSummary":null,"hasArtifacts":true,"canReadInApp":true,"readUrl":"https://web.bookra.app/?startapp=r_760559","artifactsUrl":"https://web.bookra.app/?startapp=b_760559","readCtaLabel":"Читать 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географ."},{"id":"contentnotes0:245","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:246","kind":"heading","text":"51"},{"id":"contentnotes0:247","kind":"paragraph","text":"…руку, достойную фарнезского Геркулеса… – Имеется в виду мраморная статуя Геракла (Геркулеса) Фарнеэе в Неаполитанском музее, изображающая Геркулеса, опирающегося на палицу."},{"id":"contentnotes0:248","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:249","kind":"heading","text":"52"},{"id":"contentnotes0:250","kind":"paragraph","text":"…знаменитый бронзовый обожатель… – Видимо, статуя Адониса, полубога, охотника, любимца Венеры."},{"id":"contentnotes0:251","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:252","kind":"heading","text":"53"},{"id":"contentnotes0:253","kind":"paragraph","text":"Полигимния – одна из девяти муз, изобретательница лиры, покровительница танцев и пантомим."},{"id":"contentnotes0:254","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:255","kind":"heading","text":"54"},{"id":"contentnotes0:256","kind":"paragraph","text":"Бозио Франсуа Жозеф (1769–1845) – французский скульптор, автор конной статуи Людовика XIV в Париже."},{"id":"contentnotes0:257","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:258","kind":"heading","text":"55"},{"id":"contentnotes0:259","kind":"paragraph","text":"…и мраморная прекрасная Кановы, изображающая Гебу… – Речь идет о статуе 1796 г. итальянского скульптора Кановы Антонио (1757–1822), повторенной им несколько раз; один экземпляр ее находился в Берлине."},{"id":"contentnotes0:260","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:261","kind":"heading","text":"56"},{"id":"contentnotes0:262","kind":"paragraph","text":"…ученый каталог картин, составленный Ваагеном. – Немецкий искусствовед и художественный критик Вааген Густав Фридрих (1794–1868) составил первый в Европе научный каталог Берлинской картинной галереи."},{"id":"contentnotes0:263","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:264","kind":"heading","text":"57"},{"id":"contentnotes0:265","kind":"paragraph","text":"Виварини Антонио (1497–1543) – венецианский живописец."},{"id":"contentnotes0:266","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:267","kind":"heading","text":"58"},{"id":"contentnotes0:268","kind":"paragraph","text":"Гольбейн Ганс Младший (1497–1543) – немецкий живописец."},{"id":"contentnotes0:269","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:270","kind":"heading","text":"59"},{"id":"contentnotes0:271","kind":"paragraph","text":"Корреджио, настоящее имя Антонио Аллегри (1494–1534) – итальянский живописец."},{"id":"contentnotes0:272","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:273","kind":"heading","text":"60"},{"id":"contentnotes0:274","kind":"paragraph","text":"Юпитер в виде Лебедя, прилетавший в первой к Леде, во второй к Ио… – Картины Корреджио на мифологический сюжет о любви Зевса (Юпитера) к дочери Этолийского царя Леде и дочери Аргавийского царя Ио; чтобы соблазнить их, Юпитер обратился в лебедя."},{"id":"contentnotes0:275","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:276","kind":"heading","text":"61"},{"id":"contentnotes0:277","kind":"paragraph","text":"Вы видите Рафаэля учеником Перуджино. – Итальянский художник Рафаэль Санти (1483–1520) в 1500 г. поступает в ученики к Пьетро Перуджино, влияние которого было на Рафаэля очень велико; следы этого влияния можно видеть даже в зрелых работах мастера."},{"id":"contentnotes0:278","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:279","kind":"heading","text":"62"},{"id":"contentnotes0:280","kind":"paragraph","text":"Иоанн Креститель, или Предтеча – один из героев истории христианской религии, упоминается у римского историка Иосифа Флавия."},{"id":"contentnotes0:281","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:282","kind":"heading","text":"63"},{"id":"contentnotes0:283","kind":"paragraph","text":"Юлий II, в миру Джулиано делла Ровере (1443–1513) – римский папа с 1503 г., при нем лучшие мастера Италии были приглашены в Рим."},{"id":"contentnotes0:284","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:285","kind":"heading","text":"64"},{"id":"contentnotes0:286","kind":"paragraph","text":"Альбано, правильно Альбани, Франческо (1578–1660) – итальянский живописец."},{"id":"contentnotes0:287","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:288","kind":"heading","text":"65"},{"id":"contentnotes0:289","kind":"paragraph","text":"Карраччи Аннибале (1560–1609) – итальянский художник, один из братьев Карраччи (см. прим. к пятому «Письму из-за границы», п. 33)."},{"id":"contentnotes0:290","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:291","kind":"heading","text":"66"},{"id":"contentnotes0:292","kind":"paragraph","text":"Сальвиано, правильно Сальвиати Франческо, настоящее имя Микельанджело де Росси (1510–1563) – итальянский живописец."},{"id":"contentnotes0:293","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:294","kind":"heading","text":"67"},{"id":"contentnotes0:295","kind":"paragraph","text":"Септим-Север Люций – римский император в 193–211 гг."},{"id":"contentnotes0:296","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:297","kind":"heading","text":"68"},{"id":"contentnotes0:298","kind":"paragraph","text":"Шлугер, видимо Шлютер Андреас (1664–1714) – немецкий скульптор и архитектор; жил раньше Фридриха II, действительно принимал участие в постройке Королевского дворца в Берлине, ему принадлежит оформление фасада."},{"id":"contentnotes0:299","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:300","kind":"heading","text":"69"},{"id":"contentnotes0:301","kind":"paragraph","text":"Девриент Эдуард Филипп (1801–1877) – немецкий актер, из актерской династии Девриентов."},{"id":"contentnotes0:302","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:303","kind":"heading","text":"70"},{"id":"contentnotes0:304","kind":"paragraph","text":"…«Вольтер – богу»… – В 1761 г. Вольтер поблизости от своего замка в Фернее построил церковь, начертав на фасаде ее слова: «Богу воздвиг Вольтер». Сам Вольтер, по преданию, объяснил свой поступок так: «Церковь, которую я построил, единственная церковь в мире, посвященная богу, и только ему одному, все остальные посвящены святым»."},{"id":"contentnotes0:305","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:306","kind":"heading","text":"71"},{"id":"contentnotes0:307","kind":"paragraph","text":"Семилетняя война – война Пруссии с Австрией, которая длилась семь лет, с 1756 по 1763 г., и закончилась победой Пруссии; прусскую армию возглавлял король Фридрих II."},{"id":"contentnotes0:308","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:309","kind":"heading","text":"72"},{"id":"contentnotes0:310","kind":"paragraph","text":"Барбарина — любовница Фридриха II, актриса Барбарина Кампани."},{"id":"contentnotes0:311","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:312","kind":"heading","text":"73"},{"id":"contentnotes0:313","kind":"paragraph","text":"Дидерот – Дидро Дени (1713–1784), французский философ-энциклопедист."},{"id":"contentnotes0:314","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:315","kind":"heading","text":"74"},{"id":"contentnotes0:316","kind":"paragraph","text":"Гельвеций Клод Адриан (1715–1771) – французский философ."},{"id":"contentnotes0:317","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:318","kind":"heading","text":"75"},{"id":"contentnotes0:319","kind":"paragraph","text":"Тут сам Фридрих был сочинителем. – В результате Семилетней войны, выигранной Фридрихом II, Селезня от Австрии перешла к Пруссии."},{"id":"contentnotes0:320","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:321","kind":"heading","text":"76"},{"id":"contentnotes0:322","kind":"paragraph","text":"Королева Луиза – прусская королева Августа Вельгемина Амалия (1776–1810), первая жена Фридриха Вильгельма III."},{"id":"contentnotes0:323","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:324","kind":"heading","text":"77"},{"id":"contentnotes0:325","kind":"paragraph","text":"«Диана, подстереженная в купальне» – картина на мифологический сюжет о юноше Актеоне, осмелившемся взглянуть на обнаженную богиню Диану во время ее купания; разгневанная Диана превратила Актеона в оленя; картина К. Ф. Зона."},{"id":"contentnotes0:326","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:327","kind":"heading","text":"78"},{"id":"contentnotes0:328","kind":"paragraph","text":"Сан-Суси – летняя резиденция Фридриха II, в переводе означает «Без забот»."},{"id":"contentnotes0:329","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:330","kind":"heading","text":"79"},{"id":"contentnotes0:331","kind":"paragraph","text":"…с известной мельницы… – Имеется в виду анекдот о мельнике, не пожелавшем снести свою мельницу, как того требовал король; упрямый мельник пригрозил судом, и Фридрих II уступил, гордясь своим повиновением закону."},{"id":"contentnotes0:332","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:333","kind":"heading","text":"80"},{"id":"contentnotes0:334","kind":"paragraph","text":"…убежал он от ласк и милостей первого своего ученика… – Фридрих II, еще будучи наследным принцем, вступил в переписку с Франсуа Мари Аруэ Вольтером; став королем, Фридрих пригласил Вольтера к себе. Вольтер приехал в 1753 г. и поселился при дворе короля, где ему отвели покои маршала, пожаловали камергерский ключ и орден. Однако вскоре Вольтер разочаровался в короле и особенно в его окружении, что нашло отражение в его произведениях, вызвавших раздражение Фридриха. Через три года Вольтер уехал."},{"id":"contentnotes0:335","kind":"paragraph","text":"Вернуться"}],"toc":[{"id":"content1:0:1","label":"Травемюнде и 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