Путевые записки

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городов"]},{"key":"conclusion","title":"Вывод","body":"Книга приводит к выводу, что путешествие, наблюдение за архитектурой и театром, а также осмысление политического контекста позволяют увидеть, как национальная идентичность и политика формируют культурное пространство."},{"key":"audience","title":"Кому полезна","body":["Путешественники и любители культуры","Историки и студенты европейской истории","Театральные критики и любители театра","Кто интересуется влиянием национализма на культуру"]},{"key":"topics","title":"Главные темы","body":["Путешествие и культурные наблюдения","Готическая архитектура","Театральная критика","Политический контекст Богемии и Австрии","Влияние национализма на культуру"]},{"key":"characters","title":"Персонажи","body":["Нарратор — Главный рассказчик, описывающий впечатления от поездки и культурные наблюдения","Автор — Отчитывается о театральных и культурных впечатлениях, критикует немецкую сцену и описывает политический контекст","Паули — Умный и многогранный, но требующий спокойствия в исполнении","Девриент — Тщательно отделывающий роли, создаёт впечатление разрозненности","Шоппе — Упоминается без подробностей, но как часть труппы","Хевлинг — Упоминается как часть труппы","Антюц — Некарасивая, но умная, ограничена внешними средствами","Г-жа Бауер — Принадлежит к старому немецкому методу, играет больше пантомиму","Катковый — Помогает в путешествии, участвует в поездке","Кучер — Ведет кони, сопровождает путешествие","Принцесса Амалия — Утверждается, что её вкус и влияние короля способствуют развитию театра"]},{"key":"quotes","title":"Цитаты","body":["Дом-Кирхе отличается еще необыкновенною длиннотой своей, и так как легенда в Германии живет и вьется над историческими памятниками, как ласточка, свивающая гнездо в расселинах вековых стен их, то и по построению, и по длине Дом-Кирхе есть легенда.","Готическая рыцарская Германия не могла выбрать себе лучшего представителя, который впервые бы встретил иностранца на первом шагу и, взяв его за руку, учтиво и улыбаясь, рекомендовал земле замков, баронов и феодалов.","Мне издали показалось, что я сижу в обществе, где благородные актеры вздумали давать представление: так все опрятно в игре, так аристократически, важно.","Богемия составляет теперь оппозицию Австрии так, как католические провинции Рейна – Пруссии, Ирландия – Англии и проч., и проч."]}],"authorSummary":null,"hasArtifacts":true,"canReadInApp":true,"readUrl":"https://web.bookra.app/?startapp=r_760559","artifactsUrl":"https://web.bookra.app/?startapp=b_760559","readCtaLabel":"Читать 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гг."},{"id":"contentnotes0:416","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:417","kind":"heading","text":"108"},{"id":"contentnotes0:418","kind":"paragraph","text":"Цвингер – дворец в стиле рококо, построенный немецким архитектором М. Д. Пёпельманом (1662–1736) в 1711–1722 гг."},{"id":"contentnotes0:419","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:420","kind":"heading","text":"109"},{"id":"contentnotes0:421","kind":"paragraph","text":"Брюль Генрих, граф (1700–1763) – саксонский политический деятель."},{"id":"contentnotes0:422","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:423","kind":"heading","text":"110"},{"id":"contentnotes0:424","kind":"paragraph","text":"диатлингер – немецкий художник, рисовальщик и резчик по дереву."},{"id":"contentnotes0:425","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:426","kind":"heading","text":"111"},{"id":"contentnotes0:427","kind":"paragraph","text":"…двор Великого Магола… – Двор государя знатной тюркской династии, около трех столетий властвовавшей в Индии."},{"id":"contentnotes0:428","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:429","kind":"heading","text":"112"},{"id":"contentnotes0:430","kind":"paragraph","text":"…Менелая, спасающего убитого Патрокла… – Во время битвы греков за Трою был убит греческий герой Патрокл; греческий царь Менелай, не желая, чтобы тело Патрокла досталось врагу, вынес его с поля боя; об этом повествует Гомер в «Илиаде»."},{"id":"contentnotes0:431","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:432","kind":"heading","text":"113"},{"id":"contentnotes0:433","kind":"paragraph","text":"…дворец оканчивается картинной галереей. – Знаменитая Дрезденская галерея, насчитывавшая в 1840-х годах свыше 2500 картин, преимущественно итальянской и фламандской школ; в основу этого собрания положена Моденская галерея, приобретенная саксонскими королями. Впервые с Дрезденской галереей познакомил русского читателя H. M. Карамзин в своих «Письмах русского путешественника» (1791); два десятилетия спустя о Дрезденской галерее публикует свои впечатления В. А. Жуковский в очерке «Рафаэлева мадонна» (см.: Жуковский В. А. Собр. соч. СПб., 1909, т. 12), вслед за ним В. Кюхельбеккер – «Отрывок из путешествия по Германии» (Мнемозина, 1824, кн. I, с. 61). Однако в центре их внимания одна картина – «Сикстинская мадонна» Рафаэля. Анненков дает впервые развернутый обзор сокровищ Дрезденской галереи, подчеркивая светский, демократический характер живописи Возрождения; он указывает на жизненные, почти житейские сюжеты в этих картинах на мифологические и библейские темы, что было подлинным новаторством для своего времени; близким Анненкову было восприятие живописи Возрождения Н. П. Огаревым, которые описал свои впечатления в частных письмах (Русская мысль, 1889, кн. I, с. 11)."},{"id":"contentnotes0:434","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:435","kind":"heading","text":"114"},{"id":"contentnotes0:436","kind":"paragraph","text":"Геркуланумская матрона – имеется в виду женская статуя из древнеримского города Геркуланума, расположенного между Неаполем и Помпеей у подножия Везувия; город был разрушен во время землетрясения в 73 г."},{"id":"contentnotes0:437","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:438","kind":"heading","text":"115"},{"id":"contentnotes0:439","kind":"paragraph","text":"«Кесарю кесареви, а богу б ого ей» – согласно библейской легенде, ответ Иисуса Христа посланным от фарисея, спрашивавшим, позволительно ли, в соответствии с его верой, платить налоги кесарю."},{"id":"contentnotes0:440","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:441","kind":"heading","text":"116"},{"id":"contentnotes0:442","kind":"paragraph","text":"…«Религия, подводящая к божей матери венецианское семейство». – Знаменитая картина Паоло Веронезе (настоящее имя Калиари) (1528–1592) «Мадонна с семейством Куччина» (1571–1673). В картине, по установленной в венецианской живописи традиции, перед Мадонной, которую отделяет от людей две колонны, представлено знатное венецианское семейство."},{"id":"contentnotes0:443","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:444","kind":"heading","text":"117"},{"id":"contentnotes0:445","kind":"paragraph","text":"«Иаков, подымающий камень с колодца» – Анненков допустил неточность: картина итальянского художника Луки Джордано (1632–1705) написана на библейский сюжет и называется «Ревекка с работником Авраама у колодца». Согласно библейской легенде, Авраам послал своего работника выбрать жену для сына Исаака; работник, придя к г. Харрану и увидя толпу женщин у колодца, решил выбрать в невесты Исааку ту девушку, которая раньше других даст ему напиться, это была Ревекка. Приветливо улыбнувшись, она протянула работнику кувшин с водой."},{"id":"contentnotes0:446","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:447","kind":"heading","text":"118"},{"id":"contentnotes0:448","kind":"paragraph","text":"…о сильной клар-обскуре Еспаньолета… – Картина «Ангел, освобождающий Петра из темницы» принадлежит испанскому художнику Рибера Хозе (1588–1656) из Спаньолетте."},{"id":"contentnotes0:449","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:450","kind":"heading","text":"119"},{"id":"contentnotes0:451","kind":"paragraph","text":"…о Гверчино, картина которого «Царица Томириса»… – Речь идет о картине итальянского живописца Гверчино (собственно Барбери Джованни) (1591–1666) на сюжет из жизни мессагетской царицы Томириде, к которой безуспешно сватался персидский царь Кир Старший, желавший овладеть ее страной; во время войны, которую начал Кир против мессагетов, погиб сын царицы."},{"id":"contentnotes0:452","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:453","kind":"heading","text":"120"},{"id":"contentnotes0:454","kind":"paragraph","text":"Деле-Сарто Стефанус – фламандский живописец XVIII в."},{"id":"contentnotes0:455","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:456","kind":"heading","text":"121"},{"id":"contentnotes0:457","kind":"paragraph","text":"Джорджино, правильно Джорджио, Барбарелли (1478–1511) – итальянский живописец, ученик Джованни Беллини."},{"id":"contentnotes0:458","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:459","kind":"heading","text":"122"},{"id":"contentnotes0:460","kind":"paragraph","text":"Мараты Карло (1625–1713) – итальянский художник."},{"id":"contentnotes0:461","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:462","kind":"heading","text":"123"},{"id":"contentnotes0:463","kind":"paragraph","text":"…архитектурной живописи Каналетти… – Каналетти Бернардо (1720–1786), венецианский живописец, прославился картинами, сюжет которых составляет городской интерьер."},{"id":"contentnotes0:464","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:465","kind":"heading","text":"124"},{"id":"contentnotes0:466","kind":"paragraph","text":"Зейбельд Христиан (1697–1768) – немецкий художник-портретист."},{"id":"contentnotes0:467","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:468","kind":"heading","text":"125"},{"id":"contentnotes0:469","kind":"paragraph","text":"Нетчер Каспар (1639–1684) – голландский художник."},{"id":"contentnotes0:470","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:471","kind":"heading","text":"126"},{"id":"contentnotes0:472","kind":"paragraph","text":"Рюисдаль Яков (1629–1681) – голландский пейзажист."},{"id":"contentnotes0:473","kind":"paragraph","text":"Вернуться"}],"toc":[{"id":"content1:0:1","label":"Травемюнде и 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