Симфонии

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Лаврова."},{"id":"id298:2","kind":"paragraph","text":"Тексты четырех «симфоний» Андрея Белого печатаются по их первым изданиям, с исправлением типографских погрешностей и в соответствии с современными нормами орфографии и пунктуации (но с сохранением специфических особенностей, отражающих индивидуальную авторскую манеру). Первые три «симфонии» были переизданы при жизни Белого, однако при этом их текст творческой авторской правке не подвергался; незначительные отличия по отношению к первым изданиям представляют собой в основном дополнительные опечатки и порчу текста. По прижизненным переизданиям первые три «симфонии» (а также и четвертая — по ее единственному изданию) напечатаны в кн.: Белый А. Старый Арбат. Повести/Подгот. текста и примеч. Вл. Б. Муравьева. М.: Моск. рабочий, 1989."},{"id":"id298:3","kind":"paragraph","text":"Андрей Белый"},{"id":"id298:4","kind":"paragraph","text":"Александр Лавров"},{"id":"id298:5","kind":"paragraph","text":"СЕВЕРНАЯ СИМФОНИЯ"},{"id":"id298:6","kind":"paragraph","text":"ВСТУПЛЕНИЕ"},{"id":"id298:7","kind":"paragraph","text":"ПЕРВАЯ ЧАСТЬ"},{"id":"id298:8","kind":"paragraph","text":"ВТОРАЯ ЧАСТЬ"},{"id":"id298:9","kind":"paragraph","text":"ТРЕТЬЯ ЧАСТЬ"},{"id":"id298:10","kind":"paragraph","text":"ЧЕТВЕРТАЯ ЧАСТЬ"},{"id":"id298:11","kind":"paragraph","text":"СИМФОНИЯ"},{"id":"id298:12","kind":"paragraph","text":"ВМЕСТО ПРЕДИСЛОВИЯ"},{"id":"id298:13","kind":"paragraph","text":"ЧАСТЬ ПЕРВАЯ"},{"id":"id298:14","kind":"paragraph","text":"ЧАСТЬ ВТОРАЯ"},{"id":"id298:15","kind":"paragraph","text":"ЧАСТЬ ТРЕТЬЯ"},{"id":"id298:16","kind":"paragraph","text":"ЧАСТЬ ЧЕТВЕРТАЯ"},{"id":"id298:17","kind":"paragraph","text":"ВОЗВРАТ"},{"id":"id298:18","kind":"paragraph","text":"I ЧАСТЬ"},{"id":"id298:19","kind":"paragraph","text":"II ЧАСТЬ"},{"id":"id298:20","kind":"paragraph","text":"III ЧАСТЬ"},{"id":"id298:21","kind":"paragraph","text":"КУБОК МЕТЕЛЕЙ"},{"id":"id298:22","kind":"paragraph","text":"ВМЕСТО ПРЕДИСЛОВИЯ"},{"id":"id298:23","kind":"paragraph","text":"ЧАСТЬ ПЕРВАЯ"},{"id":"id298:24","kind":"paragraph","text":"МЕТЕЛЬ"},{"id":"id298:25","kind":"paragraph","text":"ГОРОД"},{"id":"id298:26","kind":"paragraph","text":"ЖЕМЧУГ В АЛОМ"},{"id":"id298:27","kind":"paragraph","text":"БАРХАТНАЯ ЛАПА"},{"id":"id298:28","kind":"paragraph","text":"БУСЫ И БИСЕР"},{"id":"id298:29","kind":"paragraph","text":"МЕД СНЕЖНЫЙ"},{"id":"id298:30","kind":"paragraph","text":"В ПЕНЕ БЕЛОЙ"},{"id":"id298:31","kind":"paragraph","text":"ПРЕДВЕЩАНИЯ"},{"id":"id298:32","kind":"paragraph","text":"ПОЛЕТ ВЗОРОВ"},{"id":"id298:33","kind":"paragraph","text":"ПОСТЫЛОЕ ЗЕЛЬЕ"},{"id":"id298:34","kind":"paragraph","text":"ПЕРВАЯ МЕТЕЛЬНАЯ ЕКТЕНИЯ"},{"id":"id298:35","kind":"paragraph","text":"СУМБУР"},{"id":"id298:36","kind":"paragraph","text":"ГАДАЛКА"},{"id":"id298:37","kind":"paragraph","text":"ГОРОД"},{"id":"id298:38","kind":"paragraph","text":"ТРЕТИЙ"},{"id":"id298:39","kind":"paragraph","text":"ВТОРАЯ МЕТЕЛЬНАЯ ЕКТЕНИЯ"},{"id":"id298:40","kind":"paragraph","text":"ЧАСТЬ ВТОРАЯ"},{"id":"id298:41","kind":"paragraph","text":"МРАМОРНЫЙ ГЕНИЙ"},{"id":"id298:42","kind":"paragraph","text":"ЗАЦВЕТАЮЩИЙ ВЕТР"},{"id":"id298:43","kind":"paragraph","text":"ВОЗДУШНЫЙ НАБЕГ"},{"id":"id298:44","kind":"paragraph","text":"МОЛИТВА О ХЛЕБЕ"},{"id":"id298:45","kind":"paragraph","text":"ВЕРХОМ НА ВОЗДУХЕ"},{"id":"id298:46","kind":"paragraph","text":"ПЕНА КОЛОСИСТАЯ"},{"id":"id298:47","kind":"paragraph","text":"ВЕЧНЫЙ ПОКОЙ"},{"id":"id298:48","kind":"paragraph","text":"ЗОЛОТАЯ ОСЕНЬ"},{"id":"id298:49","kind":"paragraph","text":"В МОНАСТЫРЕ"},{"id":"id298:50","kind":"paragraph","text":"ЧАСТЬ ТРЕТЬЯ"},{"id":"id298:51","kind":"paragraph","text":"СЛЕЗЫ РОСНЫЕ"},{"id":"id298:52","kind":"paragraph","text":"АЛМАЗЫ"},{"id":"id298:53","kind":"paragraph","text":"ХАОС ЗАШЕВЕЛИЛСЯ"},{"id":"id298:54","kind":"paragraph","text":"ВОЗДУШНАЯ ИГУМЕНЬЯ"},{"id":"id298:55","kind":"paragraph","text":"ШЕПОТ ВЕСЕННЕГО ВРЕМЕНИ"},{"id":"id298:56","kind":"paragraph","text":"В СТАРИНЕ"},{"id":"id298:57","kind":"paragraph","text":"ПРЕЛЕСТИЮ СВОЕЮ"},{"id":"id298:58","kind":"paragraph","text":"ОГНЕВОЙ БОКАЛ"},{"id":"id298:59","kind":"paragraph","text":"ДЕТОЧКА"},{"id":"id298:60","kind":"paragraph","text":"КАПЕЛИ"},{"id":"id298:61","kind":"paragraph","text":"ОПЯТЬ КАПЕЛИ"},{"id":"id298:62","kind":"paragraph","text":"КОЛДУН"},{"id":"id298:63","kind":"paragraph","text":"СИНЕВА ГОСПОДНЯ"},{"id":"id298:64","kind":"paragraph","text":"ЧАСТЬ ЧЕТВЕРТАЯ"},{"id":"id298:65","kind":"paragraph","text":"БЕЛОЛИЛЕЙНЫЙ ЦВЕТОК"},{"id":"id298:66","kind":"paragraph","text":"ГРОБНАЯ ЛАЗУРЬ"},{"id":"id298:67","kind":"paragraph","text":"ПОЛИЕЛЕЙ"},{"id":"id298:68","kind":"paragraph","text":"ДУХОВО ПЬЯНСТВО"},{"id":"id298:69","kind":"paragraph","text":"МЕРТВЕЦ"},{"id":"id298:70","kind":"paragraph","text":"ВЕРХОМ НА МЕСЯЦЕ"},{"id":"id298:71","kind":"paragraph","text":"ВСПОМНИЛА!"},{"id":"id298:72","kind":"paragraph","text":"ПЕСНЬ ИЗ БЕЗДНЫ"},{"id":"id298:73","kind":"paragraph","text":"В СТРАНЕ БРИЛЛИАНТОВ"},{"id":"id298:74","kind":"paragraph","text":"ТРЕТЬЯ МЕТЕЛЬНАЯ ЕКТЕНИЯ"},{"id":"id298:75","kind":"paragraph","text":"ВСТРЕЧА"},{"id":"id298:76","kind":"paragraph","text":"ЗМЕЙ ПОВЕРЖЕН"},{"id":"id298:77","kind":"paragraph","text":"ТОЛЬКО СНЕГ, ТОЛЬКО ВЕТЕР!"},{"id":"id298:78","kind":"paragraph","text":"ЧУДО"},{"id":"id298:79","kind":"paragraph","text":"ПРИЛОЖЕНИЯ"},{"id":"id298:80","kind":"paragraph","text":"\u003CПРЕДСИМФОНИЯ\u003E"},{"id":"id298:81","kind":"paragraph","text":"ЛИРИЧЕСКИЕ ОТРЫВКИ В ПРОЗЕ"},{"id":"id298:82","kind":"paragraph","text":"ВИДЕНИЕ"},{"id":"id298:83","kind":"paragraph","text":"ВОЛОСАТИК"},{"id":"id298:84","kind":"paragraph","text":"РЕВУН"},{"id":"id298:85","kind":"paragraph","text":"ССОРА"},{"id":"id298:86","kind":"paragraph","text":"ЭТЮД"},{"id":"id298:87","kind":"paragraph","text":"СОН"},{"id":"id298:88","kind":"paragraph","text":"АРГОНАВТЫ"},{"id":"id298:89","kind":"paragraph","text":"ОТРЫВКИ ИЗ 4-й СИМФОНИИ"},{"id":"id298:90","kind":"paragraph","text":"ИЗ 2-й ЧАСТИ"},{"id":"id298:91","kind":"paragraph","text":"ИЗ 2-й ЧАСТИ"},{"id":"id298:92","kind":"paragraph","text":"КОНЕЦ 2-й ЧАСТИ"},{"id":"id298:93","kind":"paragraph","text":"ИЗ 3-й ЧАСТИ"},{"id":"id298:94","kind":"paragraph","text":"ИЗ 3-й ЧАСТИ"},{"id":"id298:95","kind":"paragraph","text":"РАССКАЗЫ"},{"id":"id298:96","kind":"paragraph","text":"СВЕТОВАЯ СКАЗКА"},{"id":"id298:97","kind":"paragraph","text":"«МЫ ЖДЕМ ЕГО ВОЗВРАЩЕНИЯ…»"},{"id":"id298:98","kind":"paragraph","text":"РАССКАЗ № 2"},{"id":"id298:99","kind":"paragraph","text":"notes"},{"id":"id298:100","kind":"paragraph","text":"1"},{"id":"id298:101","kind":"paragraph","text":"2"},{"id":"id298:102","kind":"paragraph","text":"3"},{"id":"id298:103","kind":"paragraph","text":"4"},{"id":"id298:104","kind":"paragraph","text":"5"},{"id":"id298:105","kind":"paragraph","text":"6"},{"id":"id298:106","kind":"paragraph","text":"7"},{"id":"id298:107","kind":"paragraph","text":"8"},{"id":"id298:108","kind":"paragraph","text":"9"},{"id":"id298:109","kind":"paragraph","text":"10"},{"id":"id298:110","kind":"paragraph","text":"11"},{"id":"id298:111","kind":"paragraph","text":"12"},{"id":"id298:112","kind":"paragraph","text":"13"},{"id":"id298:113","kind":"paragraph","text":"14"},{"id":"id298:114","kind":"paragraph","text":"15"},{"id":"id298:115","kind":"paragraph","text":"16"},{"id":"id298:116","kind":"paragraph","text":"17"},{"id":"id298:117","kind":"paragraph","text":"18"},{"id":"id298:118","kind":"paragraph","text":"19"},{"id":"id298:119","kind":"paragraph","text":"20"},{"id":"id298:120","kind":"paragraph","text":"21"},{"id":"id298:121","kind":"paragraph","text":"22"},{"id":"id298:122","kind":"paragraph","text":"23"},{"id":"id298:123","kind":"paragraph","text":"24"},{"id":"id298:124","kind":"paragraph","text":"25"},{"id":"id298:125","kind":"paragraph","text":"26"},{"id":"id298:126","kind":"paragraph","text":"27"},{"id":"id298:127","kind":"paragraph","text":"28"},{"id":"id298:128","kind":"paragraph","text":"29"},{"id":"id298:129","kind":"paragraph","text":"30"},{"id":"id298:130","kind":"paragraph","text":"31"},{"id":"id298:131","kind":"paragraph","text":"32"},{"id":"id298:132","kind":"paragraph","text":"33"},{"id":"id298:133","kind":"paragraph","text":"34"},{"id":"id298:134","kind":"paragraph","text":"35"},{"id":"id298:135","kind":"paragraph","text":"36"},{"id":"id298:136","kind":"paragraph","text":"37"},{"id":"id298:137","kind":"paragraph","text":"38"},{"id":"id298:138","kind":"paragraph","text":"39"},{"id":"id298:139","kind":"paragraph","text":"40"},{"id":"id298:140","kind":"paragraph","text":"41"},{"id":"id298:141","kind":"paragraph","text":"42"},{"id":"id298:142","kind":"paragraph","text":"43"},{"id":"id298:143","kind":"paragraph","text":"44"},{"id":"id298:144","kind":"paragraph","text":"45"},{"id":"id298:145","kind":"paragraph","text":"46"},{"id":"id298:146","kind":"paragraph","text":"47"},{"id":"id298:147","kind":"paragraph","text":"48"},{"id":"id298:148","kind":"paragraph","text":"49"},{"id":"id298:149","kind":"paragraph","text":"50"},{"id":"id298:150","kind":"paragraph","text":"51"},{"id":"id298:151","kind":"paragraph","text":"52"},{"id":"id298:152","kind":"paragraph","text":"53"},{"id":"id298:153","kind":"paragraph","text":"54"},{"id":"id298:154","kind":"paragraph","text":"55"},{"id":"id298:155","kind":"paragraph","text":"56"},{"id":"id298:156","kind":"paragraph","text":"57"},{"id":"id298:157","kind":"paragraph","text":"58"},{"id":"id298:158","kind":"paragraph","text":"59"},{"id":"id298:159","kind":"paragraph","text":"60"},{"id":"id298:160","kind":"paragraph","text":"61"},{"id":"id298:161","kind":"paragraph","text":"62"},{"id":"id298:162","kind":"paragraph","text":"63"},{"id":"id298:163","kind":"paragraph","text":"64"},{"id":"id298:164","kind":"paragraph","text":"65"},{"id":"id298:165","kind":"paragraph","text":"66"},{"id":"id298:166","kind":"paragraph","text":"67"},{"id":"id297:0","kind":"heading","text":"Андрей Белый Симфонии"},{"id":"id296:0","kind":"heading","text":"Александр Лавров У ИСТОКОВ ТВОРЧЕСТВА АНДРЕЯ БЕЛОГО («СИМФОНИИ»)"},{"id":"id296:1","kind":"paragraph","text":"«Весною 1902 года вышло в свет произведение неизвестного автора под необычным заглавием Драматическая симфония. Впрочем, загадочным прозвучало и самое имя автора Андрей Белый, а издание книги в „декадентском“ Скорпионе довершило в глазах читающей публики характеристику этого странного явления на литературном небосклоне»; «…Симфония драматическая, как первый в литературе и притом сразу удавшийся опыт нового формального творчества, надолго сохранит свою свежесть, и год издания этой первой книги Андрея Белого должен быть отмечен не только как год появления на свет его музы, но и как момент рождения своеобразной поэтической формы». Так писал десять лет спустя после выхода в свет первой книги Андрея Белого в специальной заметке, посвященной этой далеко не для всех знаменательной дате («Маленький юбилей одной „странной“ книги (1902–1912)»), близкий друг ее автора, критик и музыковед Э. К. Метнер.[ 1]"},{"id":"id296:2","kind":"paragraph","text":"Слово в печати, приуроченное к десятилетию (не пятидесятилетию, не столетию!) с момента появления пусть даже и весьма значительного художественного произведения, — прецедент не вполне обычный. Думается, что в данном случае такое указание на историко-культурное значение литературного дебюта Андрея Белого было вполне оправданным. И не только потому, что «Симфония (2-я, драматическая)» была первой книгой великого писателя, своим творчеством открывшего новые горизонты в сфере художественного освоения окружающей реальности и внутреннего мира человека; не только потому, что она явила собой принципиально новый, доселе никому не ведомый литературный жанр — эксперимент фронтального построения литературного текста в соответствии со структурными канонами музыкального произведения. «Симфонии» суждено было стать первой яркой манифестацией русского символизма «второй волны», наследовавшего символизму 1890-х годов в его «декадентском» изводе и в то же время ему противостоявшего, символизма «жизнестроительного», религиозно-философского, теургического. Вслед за «Симфонией» Белого увидели свет «Кормчие звезды» (1903) Вячеслава Иванова и «Стихи о Прекрасной Даме» (1904) Александра Блока. Внешне разительно несхожие между собою, эти три книги в равной мере возвестили о новом эстетическом мировидении, стали своего рода опознавательными знаками начала века, воспринимавшегося и как начало новой, неведомой жизни, новых чувствований и восприятий."},{"id":"id296:3","kind":"paragraph","text":"Романтические, неопределенно-мистические устремления и упования, пришедшие на смену «декадентским» настроениям, идея преображающего творчества как служения высшему, надмирному началу, стремление к постижению духовного единства мира — все эти новые тенденции, характеризующие второе поколение русских символистов, у Андрея Белого реализовались ранее всего и главным образом в форме «симфоний». Будучи сугубо индивидуальным изобретением Белого, поразившим и обескуражившим многих его современников, эта форма ни в малой мере не была личной причудой стремящегося к эффектному самоутверждению начинающего писателя. «Симфонии» — естественное и закономерное порождение культуры символизма, тяготевшего к синкретическому творчеству, стремившегося по-новому передать и прочувствовать идею мирового всеединства, воплощающегося во взаимопроникновении и взаимообогащении самых различных аспектов жизни и человеческой культуры — религии и философии, художественного и рационального познания, сиюминутной современности и исторического наследия, а также и в стирании привычных границ между отдельными видами искусств.[ 2] В этом отношении «симфонические» опыты Белого оказываются в одном ряду с «музыкальными» живописными полотнами Чюрлёниса, «световыми» симфониями Скрябина, малоизвестными стихами раннего Александра Добролюбова, ориентированными на «музыкальное» прочтение, великими музыкальными драмами Р. Вагнера, мелодическими стихами Поля Верлена, автора крылатой формулы «De la musique avant toute chose» («Музыки прежде всего»), ставшей одним из лозунгов символизма, другими проявлениями универсалистской тенденции к синтезу искусств — предзнаменованию чаемого всеобщего преобразующего жизнетворчества."},{"id":"id296:4","kind":"paragraph","text":"Огромное значение для выработки миросозерцания Белого на рубеже веков имело знакомство с религиозной философией и поэзией Владимира Соловьева и с философско-поэтическим творчеством Фридриха Ницше. Имена этих двух мыслителей, контрастно несхожих между собою, стали для него единым знаменем в борьбе с позитивизмом и рационалистическим мышлением, со слепотой отрывочного, дискретного «точного» знания, со всяческой духовной косностью."}],"toc":[{"id":"id298:0:1","label":"Annotation","page":1,"pageUrl":"/books/4Miqm5W0#reader-content"},{"id":"id297:0:1","label":"Андрей Белый Симфонии","page":1,"pageUrl":"/books/4Miqm5W0#reader-content"},{"id":"id296:0:1","label":"Александр Лавров У ИСТОКОВ ТВОРЧЕСТВА АНДРЕЯ БЕЛОГО («СИМФОНИИ»)","page":1,"pageUrl":"/books/4Miqm5W0#reader-content"},{"id":"id295:0:12","label":"СЕВЕРНАЯ СИМФОНИЯ (1-я, героическая)","page":12,"pageUrl":"/books/4Miqm5W0?page=12#reader-content"},{"id":"id294:0:12","label":"ВСТУПЛЕНИЕ","page":12,"pageUrl":"/books/4Miqm5W0?page=12#reader-content"},{"id":"id293:0:12","label":"ПЕРВАЯ ЧАСТЬ","page":12,"pageUrl":"/books/4Miqm5W0?page=12#reader-content"},{"id":"id292:0:15","label":"ВТОРАЯ 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