Family Sacrifice.—During the French revolution, Madame Saintmaraule, with her daughter, and a youth, her son, not yet of age, were confined in prison and brought to trial. The mother and daughter behaved with resolution, and were sentenced to die; but of the youth no notice was taken, and he was remanded to prison. "What!" exclaimed the boy, "am I then to be separated from my mother? It cannot be!" and immediately he cried out, "Vive le Roi!" In consequence of this, he was condemned to death, and, with his mother and his sister, was led out to execution.

Expedient of Conjugal Affection.—Napoleon used to relate an anecdote shewing the conjugal affection of some women who accompanied his troops when he was at Col de Tende. To enter this mountainous and difficult country, it was necessary for the soldiers to pass over a narrow bridge, and, as the enterprise was a hazardous one, Napoleon had given orders that no women should be permitted to cross it with them. To enforce this order, two captains were stationed on the bridge with instructions, on pain of death, not to suffer a woman to pass. The passage was effected, and the troops continued their march. When some miles beyond the bridge, the Emperor was greatly astonished at the appearance of a considerable number of women with the soldiers. He immediately ordered the two captains to be put under arrest, intending to have them tried for a breach of duty. The prisoners protested their innocence, and stoutly asserted that no women had crossed the bridge. Napoleon, on hearing this, commanded that some of the women should be brought before him, when he interrogated them on the subject. To his utter surprise they readily acknowledged that the captains had not betrayed their trust, but that a contrivance of their own had brought them into their present situation. They informed Napoleon, that having taken the provisions, which had been prepared for the support of the army, out of some of the casks, they had concealed themselves in them, and by this stratagem succeeded in passing the bridge without discovery.

ARTISTS

Sir Joshua Reynolds.—"What do you ask for this sketch?" said Sir Joshua to an old picture-dealer, whose portfolio he was looking over. "Twenty guineas, your honour." "Twenty pence, I suppose you mean?" "No, sir; it is true I would have taken twenty pence for it this morning, but if you think it worth looking at, all the world will think it worth buying." Sir Joshua ordered him to send the sketch home, and gave him the money.

Ditto.—Two gentlemen were at a coffee-house, when the discourse fell upon Sir Joshua Reynold's painting; one of them said that "his tints were admirable, but the colours flew." It happened that Sir Joshua was in the next box, who taking up his hat, accosted them thus, with a low bow—"Gentlemen, I return you many thanks for bringing me off with flying colours."

Richardson, in his anecdotes of painting, says, a gentleman came to me to invite me to his house: "I have," says he, "a picture of Rubens, and it is a rare good one. There is little H. the other day came to see it, and says it is a copy. If any one says so again, I'll break his head. Pray, Mr. Richardson, will you do me the favour to come, and give me your real opinion of it?"

Gainsborough.—A countryman was shown Gainsborough's celebrated picture of "The Pigs." "To be sure," said he, "they be deadly like pigs; but there is one fault; nobody ever saw three pigs feeding together but what one on 'em had a foot in the trough."

Turner.—Once, at a dinner, where several artists, amateurs and literary men were convened, a poet, by way of being facetious, proposed as a toast the health of the painters and glaziers of Great Britain. The toast was drunk, and Turner, after returning thanks for it, proposed the health of the British paper-stainers.

Lely and the Alderman.—Sir Peter Lely, a famous painter in the reign of Charles I., agreed for the price of a full-length, which he was to draw for a rich alderman of London, who was not indebted to nature either for shape or face. When the picture was finished, the alderman endeavoured to beat down the price; alleging that if he did not purchase it, it would lie on the painter's hands. "That's a mistake," replied Sir Peter, "for I can sell it at double the price I demand."—"How can that be?" says the alderman; "for it is like nobody but myself."—"But I will draw a tail to it, and then it will be an excellent monkey." The alderman, to prevent exposure, paid the sum agreed for, and carried off the picture.

Morland.—It is well known that Morland the painter used to go on an expedition with a companion sometimes without a guinea, or perhaps scarcely a shilling, to defray the expenses of their journey; and thus they were often reduced to an unpleasant and ludicrous dilemma. On one occasion the painter was travelling in Kent, in company with a relative, and finding their cash exhausted, while at a distance from their destination, they were compelled to exert their wits, for the purpose of recruiting themselves after a long and fatiguing march. As they approached Canterbury, a homely village ale-house caught their eye; and the itinerant artists hailed, with delight, the sign of the Black Bull, which indicated abundance of home-made bread and generous ale. They entered, and soon made considerable havoc among the good things of mine host, who, on reckoning up, found that they had consumed as much bread, cheese and ale, as amounted to 12s. 6d. Morland now candidly informed his host that they were two poor painters going in search of employment, and that they had spent all their money. He, however, added that, as the sign of the Bull was a disgraceful daub for so respectable a house, he would have no objection to repaint it, as a set-off for what he and his companion had received. The landlord, who had long been wishing for a new sign (the one in question having passed through two generations), gladly accepted his terms, and Morland immediately went to work. The next day the Bull was sketched in such a masterly manner that the landlord was enraptured; he supplied his guests with more provisions, and generously gave them money for their subsequent expenses. About three months after a gentleman well acquainted with Morland's works, accidentally passing through the village, recognised it instantly to be the production of that inimitable painter: he stopped, and was confirmed in his opinion, by the history which the landlord gave of the transaction. In short, he purchased the sign of him for twenty pounds; the landlord was struck with admiration at his liberality; but this identical painting was some time afterwards sold at a public auction for the sum of one hundred guineas!

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