Человек на сцене

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Волконский Человек на сцене","page":1,"pageUrl":"/books/4OqrAyqb#reader-content"},{"id":"id470:0:1","label":"Вступление","page":1,"pageUrl":"/books/4OqrAyqb#reader-content"},{"id":"id469:0:1","label":"В защиту актерской техники[1]","page":1,"pageUrl":"/books/4OqrAyqb#reader-content"},{"id":"id469:3:1","label":"1 — О жесте","page":1,"pageUrl":"/books/4OqrAyqb#reader-content"},{"id":"id469:58:8","label":"2 — О речи","page":8,"pageUrl":"/books/4OqrAyqb?page=8#reader-content"},{"id":"id468:0:14","label":"«Дон Жуан» и «Мокрое»","page":14,"pageUrl":"/books/4OqrAyqb?page=14#reader-content"},{"id":"id468:1:14","label":"По поводу двух постановок","page":14,"pageUrl":"/books/4OqrAyqb?page=14#reader-content"},{"id":"id467:0:18","label":"Красота и правда на сцене[16]","page":18,"pageUrl":"/books/4OqrAyqb?page=18#reader-content"},{"id":"id467:1:18","label":"Берлинские впечатления","page":18,"pageUrl":"/books/4OqrAyqb?page=18#reader-content"},{"id":"id466:0:26","label":"Человек как материал искусства[24]","page":26,"pageUrl":"/books/4OqrAyqb?page=26#reader-content"},{"id":"id466:1:26","label":"Музыка — Тело — Пляска","page":26,"pageUrl":"/books/4OqrAyqb?page=26#reader-content"},{"id":"id465:0:29","label":"Человек и ритм[38]","page":29,"pageUrl":"/books/4OqrAyqb?page=29#reader-content"},{"id":"id465:3:29","label":"Система и школа Жака 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