The first oratorio performed in London, was at the Lincoln's Inn Fields Theatre, in 1732. On June 10, in the same year, the serenata of Acis and Galatea was performed at the Italian Opera House, in English, by Italian performers, with scenery representing a rural prospect, with rocks, groves, fountains, and grottoes; amongst which were disposed a chorus of nymphs and shepherds, with dresses and "every other decoration suited to the subject."—Companion to the Theatres.

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We are pleased therefore to commence our Supplementary Sheet with such a volume as the present, which we have reserved for this purpose. The feelings which it must engender in the reader will be doubly grateful in these troublous times of strong political excitement: they enjoin "peace on earth, and goodwill towards men." the Divine antidote to the storms of conflicting interests and passions, and the balm which heals the thorny wounds of the world, that cross every path and tear the finest sympathies of our nature. It adds, moreover, a pleasant variety to the contents of our sheet, and alternates with the vicissitudes of enterprise, in the progress of infant liberty in the New World, as in the Memoirs of the patriot Miller;—the daring and recklessness of crime, as in the vivid sketch of First and Last;—the picturesque country and ceremonies of Arabia and its religious people, as drawn by Burckhardt;—and the architectural embellishment of the Metropolis, as shown in Britton's Picture of London.

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2

In the MIRROR, dated March 1, 1828, we noticed "Gilbert White's Natural History of Selborne, is one of the most delightful household books in our language, and we are surprised at the rarity of such works." The publication of the Journal of a Naturalist, early in March, 1829, is "a coincidence."

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Philosophers and wits have written on this subject. Sir Thomas Brown, who wrote a book of Vulgar Errors, remarks with great seriousness that the man "who could eradicate this error from the minds of the people, might prevent the fearful passions of the heart, and many cold sweats taking place in grandmothers and nurses"—Swift lets fly the shafts of satire in these lines.—

A woodworm That lies in old wood, like a hare in her form; With teeth, or with claws, it will bite, or will scratch; And chambermaids christen this worm a death-watch; Because, like a watch, it always cries click; Then woe be to those in the house who are sick; For sure as a gun they will give up the ghost If the maggat cries click when it scratches the post.

Gay, too, in a pastoral dirge, says,

The wether's bell, Before the drooping flock, toll'd forth her knell; The solemn deathwatch click'd the hour she died.

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4

Francis II. of Germany abdicated 1806, and took the title of Emperor of Austria.

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5

At the close of the sixteenth century, according to Kotobeddyn, the whole plain of Arafat was cultivated.

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6

The Mahmal (an exact representation of which is given by D'Ohsson) is a high, hollow, wooden frame, in the form of a cone, with a pyramidal top, covered with a fine silk brocade adorned with ostrich feathers, and having a small book of prayers and charms placed in the midst of it, wrapped up in a piece of silk. (My description is taken from the Egyptian Mahmal.) When on the road, it serves as a holy banner to the caravan; and on the return of the Egyptian caravan, the book of prayers is exposed in the mosque El Hassaneyn, at Cairo, where men and women of the lower classes go to kiss it and obtain a blessing by rubbing their foreheads upon it. No copy of the Koran, nor any thing but the book of prayers, is placed in the Cairo Mahmal. I believe the custom to have arisen in the battle-banner of the Bedouins, called Merkeb and Otfe, which I have mentioned in my remarks on the Bedouins, and which resemble the Mahmal, inasmuch as they are high wooden frames placed upon camels.

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The Mirror of Literature, Amusement, and Instruction. Volume 13, No. 361, Supplementary Issue (1829)

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