Вторая книга отражений

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Вняв мольбе Пигмалиона, богиня любви оживила созданную им статую."},{"id":"id438:0","kind":"heading","text":"138"},{"id":"id438:1","kind":"paragraph","text":"Помню, в одну золотую осень, в Генуе… — Анненский путешествовал по Италии в 1890 г."},{"id":"id437:0","kind":"heading","text":"139"},{"id":"id437:1","kind":"paragraph","text":"…белый дольмен роденовского Бальзака… — Речь идет о скульптуре Бальзака, выполненной Роденом в 1893–1897 гг."},{"id":"id436:0","kind":"heading","text":"140"},{"id":"id436:1","kind":"paragraph","text":"Я был недалеко даже от того англичанина, который… послал вызов Шлегелю за его непочтительную догадку о нравах Офелии. — Источник ссылки не обнаружен."},{"id":"id435:0","kind":"heading","text":"141"},{"id":"id435:1","kind":"paragraph","text":"…Ибсен замышлял его раньше в эпической форме. — Ибсен начал работать над «Брандом» в 1864 г., предполагая написать его в форме поэмы, пятистопным ямбом и восьмистрочными строфами."},{"id":"id434:0","kind":"heading","text":"142"},{"id":"id434:1","kind":"paragraph","text":"…болела нежная Дамаянти… — Дамаянти — героиня «Сказания о Нале» из индийского эпоса «Махабхарата» — была одержима любовью к Налю."},{"id":"id433:0","kind":"heading","text":"143"},{"id":"id433:1","kind":"paragraph","text":"Бранды спускались гораздо южнее и в Женеву, и во Флоренцию… Намек на Руссо и Савонаролу."},{"id":"id432:0","kind":"heading","text":"144"},{"id":"id432:1","kind":"paragraph","text":"Рокамболь — герой бульварных романов Понсон дю Террайля (1829–1871). «Воскресший Рокамболь», в русском переводе, 1868, и др."},{"id":"id431:0","kind":"heading","text":"145"},{"id":"id431:1","kind":"paragraph","text":"Достаточно (лат.)."},{"id":"id430:0","kind":"heading","text":"146"},{"id":"id430:1","kind":"paragraph","text":"Милосердием (лат.)."},{"id":"id429:0","kind":"heading","text":"147"},{"id":"id429:1","kind":"paragraph","text":"…когда был написан Бранд? — Анненский не точен, «Бранд» написан в 1865 г."},{"id":"id428:0","kind":"heading","text":"148"},{"id":"id428:1","kind":"paragraph","text":"Альф — сын Бранда, принесенный им в жертву идее служения богу."},{"id":"id427:0","kind":"heading","text":"149"},{"id":"id427:1","kind":"paragraph","text":"Фогт — в Норвегии до конца XIX в. полицейский и податной чиновник; пробст — старший пастор у лютеран; кистер — пономарь, причетник лютеранской церкви."},{"id":"id426:0","kind":"heading","text":"150"},{"id":"id426:1","kind":"paragraph","text":"О, до Джон Габриеля оставалось еще так много времени. Тот вон на садовой скамейке задохнулся и помер… — Речь идет о герое драмы Ибсена «Йун Габриэль Боркман», которая была написана в 1896 г., т. е. спустя 31 год после «Бранда». Анненский проводит параллель между двумя героями, одержимыми идеей власти. Боркман умирает на садовой скамейке (IV)."},{"id":"id425:0","kind":"heading","text":"151"},{"id":"id425:1","kind":"heading","text":"ИСКУССТВО МЫСЛИ"},{"id":"id425:2","kind":"heading","text":"ДОСТОЕВСКИЙ В ХУДОЖЕСТВЕННОЙ ИДЕОЛОГИИ"},{"id":"id425:3","kind":"paragraph","text":"Впервые — 2 КО, с. 110–135. Автограф неизвестен. Печатается по тексту книги. Статья была написана в 1908 г., до июля (см. письмо к Е. М. Мухиной от 3. VI 1908 г., а также письмо к А. В. Бородиной от 6. VIII 1908 г.)."},{"id":"id425:4","kind":"paragraph","text":"Попытка выявить внутреннюю структуру романа Достоевского, установить «родство» между героями — особая задача Анненского в этой статье. Говоря о ненавязчивости авторского голоса в «Преступлении и наказании», Анненский угадывает тот принцип поэтики Достоевского, который в трудах М. М. Бахтина получит название полифонии."},{"id":"id425:5","kind":"paragraph","text":"Статья «Достоевский в художественной идеологии» вместе с другими статьями Анненского о Достоевском образует сложное единство, позволяющее говорить о своеобразном отражении всего творчества Достоевского в критике Анненского (особенно если учесть различные суждения о Достоевском в статьях, посвященных другим писателям)."},{"id":"id425:6","kind":"paragraph","text":"В чертеже, помещенном на с. 197, красная линия заменена жирной чертой."},{"id":"id424:0","kind":"heading","text":"152"},{"id":"id424:1","kind":"paragraph","text":"Митрофанов Павел Павлович — см. прим. 1, с. 656."},{"id":"id423:0","kind":"heading","text":"153"},{"id":"id423:1","kind":"paragraph","text":"…он считал острожные пали. — Ср. в «Записках из Мертвого дома»: «Был один ссыльный, у которого любимым занятием в свободное время было считать пали. Их было тысячи полторы, и у него они были все на счету и на примете. Каждая паля означала у него день…» (гл. 1 «Мертвый дом»)."},{"id":"id422:0","kind":"heading","text":"154"},{"id":"id422:1","kind":"paragraph","text":"Мучительному нарастанию июльской недели… — События романа происходят в июле."},{"id":"id421:0","kind":"heading","text":"155"},{"id":"id421:1","kind":"paragraph","text":"Я читал где-то недавно про Льва Толстого… кто-то большой и лучезарно-белый. — В дневниках Толстого и в мемуарах о нем упоминаний о таком замысле не обнаружено."}],"toc":[{"id":"id4191:0:1","label":"Иннокентий Анненский Вторая книга отражений","page":1,"pageUrl":"/books/0qDFGVUE#reader-content"},{"id":"id4190:0:1","label":"ПРЕДИСЛОВИЕ","page":1,"pageUrl":"/books/0qDFGVUE#reader-content"},{"id":"id4189:0:1","label":"ИЗНАНКА ПОЭЗИИ","page":1,"pageUrl":"/books/0qDFGVUE#reader-content"},{"id":"id4188:0:1","label":"МЕЧТАТЕЛИ И ИЗБРАННИК[1]","page":1,"pageUrl":"/books/0qDFGVUE#reader-content"},{"id":"id4187:0:2","label":"СИМВОЛЫ КРАСОТЫ У РУССКИХ ПИСАТЕЛЕЙ[8]","page":2,"pageUrl":"/books/0qDFGVUE?page=2#reader-content"},{"id":"id4187:1:2","label":"I","page":2,"pageUrl":"/books/0qDFGVUE?page=2#reader-content"},{"id":"id4187:12:3","label":"II","page":3,"pageUrl":"/books/0qDFGVUE?page=3#reader-content"},{"id":"id4186:0:5","label":"ЮМОР ЛЕРМОНТОВА[32]","page":5,"pageUrl":"/books/0qDFGVUE?page=5#reader-content"},{"id":"id4185:0:7","label":"БЕЛЫЙ ЭКСТАЗ","page":7,"pageUrl":"/books/0qDFGVUE?page=7#reader-content"},{"id":"id4184:0:7","label":"СТРАННАЯ ИСТОРИЯ, РАССКАЗАННАЯ ТУРГЕНЕВЫМ[47]","page":7,"pageUrl":"/books/0qDFGVUE?page=7#reader-content"},{"id":"id4183:0:9","label":"ИУДА[52] ИУДА, НОВЫЙ СИМВОЛ","page":9,"pageUrl":"/books/0qDFGVUE?page=9#reader-content"},{"id":"id4183:1:9","label":"I. ОБАЯНИЕ ДОСТОЕВСКОГО","page":9,"pageUrl":"/books/0qDFGVUE?page=9#reader-content"},{"id":"id4183:21:10","label":"II. ИСКУССТВО ЛЕОНИДА АНДРЕЕВА","page":10,"pageUrl":"/books/0qDFGVUE?page=10#reader-content"},{"id":"id4183:45:11","label":"III. 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