Поэзия кошмаров и ужаса

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Здесь Теодор, Киприан и Лотар соответствуют ему самому, Винценц – Корефу, автору страшной повести «Die Schatzgraber», Сильвестр – Контессе и Оттмар – Хицигу. Впрочем рассказы, помещенные в «Serapionsbriider», составляют собственность самого Гофмана, см. Sackheim «Hoffman, Studien zu seinem Leben u seinen Werken»."},{"id":"contentnotes0:298","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:299","kind":"heading","text":"100"},{"id":"contentnotes0:300","kind":"paragraph","text":"Адам Готлоб Эленшлегер (1779–1850) – датский писатель, драматург, поэт. Представитель романтизма. Автор слов национального гимна Дании."},{"id":"contentnotes0:301","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:302","kind":"heading","text":"101"},{"id":"contentnotes0:303","kind":"paragraph","text":"В переводе на русский – «Связь вещей»."},{"id":"contentnotes0:304","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:305","kind":"heading","text":"102"},{"id":"contentnotes0:306","kind":"paragraph","text":"Этьенн Пивер де Сенанкур (1770–1846) – французский писатель, на которого особенно повлияли труды Жан-Жака Руссо."},{"id":"contentnotes0:307","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:308","kind":"heading","text":"103"},{"id":"contentnotes0:309","kind":"paragraph","text":"Альфонс де Ламартин (1790–1869) – один из крупнейших поэтов французского романтизма. Известен также как прозаик, историк, публицист, политический деятель."},{"id":"contentnotes0:310","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:311","kind":"heading","text":"104"},{"id":"contentnotes0:312","kind":"paragraph","text":"Шарль Нодье (1780–1844) – французский писатель, библиофил эпохи романтизма."},{"id":"contentnotes0:313","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:314","kind":"heading","text":"105"},{"id":"contentnotes0:315","kind":"paragraph","text":"Гектор Берлиоз (1803–1869) – французский композитор, дирижер, музыкальный писатель периода романтизма."},{"id":"contentnotes0:316","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:317","kind":"heading","text":"106"},{"id":"contentnotes0:318","kind":"paragraph","text":"Жерар де Нерваль (1808–1855) – французский поэт-романтик, прозаик, переводчик."},{"id":"contentnotes0:319","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:320","kind":"heading","text":"107"},{"id":"contentnotes0:321","kind":"paragraph","text":"Поэзия кошмаров и ужаса является, конечно, только частью романтизма, который по своему содержанию сложнее; все же эта мрачно-фантастическая струя составляет очень важную составную часть романтизма, притом повторяющуюся в романтизме всех европейских стран."},{"id":"contentnotes0:322","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:323","kind":"heading","text":"108"},{"id":"contentnotes0:324","kind":"paragraph","text":"Хорас Уолпол (1717–1797) – английский писатель, основатель жанра готического романа."},{"id":"contentnotes0:325","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:326","kind":"heading","text":"109"},{"id":"contentnotes0:327","kind":"paragraph","text":"О влиянии «готических» романов на французскую и немецкую литературу см. диссертации Ренча, Мебиуса и Мюллера."},{"id":"contentnotes0:328","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:329","kind":"heading","text":"110"},{"id":"contentnotes0:330","kind":"paragraph","text":"Томас Медвин (1788–1869) – английский писатель, поэт и переводчик."},{"id":"contentnotes0:331","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:332","kind":"heading","text":"111"},{"id":"contentnotes0:333","kind":"paragraph","text":"Галерея Уффици – один из старейших музеев Европы, основанный в 1581 году."},{"id":"contentnotes0:334","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:335","kind":"heading","text":"112"},{"id":"contentnotes0:336","kind":"paragraph","text":"«Манфред» в переводе И. А. Бунина."},{"id":"contentnotes0:337","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:338","kind":"heading","text":"113"},{"id":"contentnotes0:339","kind":"paragraph","text":"«Тьма» в переводе И. С. Тургенева."},{"id":"contentnotes0:340","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:341","kind":"heading","text":"114"},{"id":"contentnotes0:342","kind":"paragraph","text":"В русском переводе – «Пентесилея»."},{"id":"contentnotes0:343","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:344","kind":"heading","text":"115"},{"id":"contentnotes0:345","kind":"paragraph","text":"Гоувальд Кристоф Эрнст (1778–1845) – немецкий поэт и драматург. Особенный успех имела его драма «Das Bild» (1821). Также писал романы и рассказы."},{"id":"contentnotes0:346","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:347","kind":"heading","text":"116"},{"id":"contentnotes0:348","kind":"paragraph","text":"Мюлльнер Амадей Готфрид Август (1774–1829) – немецкий драматург и критик, перу которого принадлежит один роман и несколько комедий. В пьесе «Die Schuld» решающую роль играют несчастные дни, роковое оружие, предсказания цыганки и прочие романтические атрибуты. Все его произведения написаны с большим знанием сцены, блестящим, но холодным слогом. Как критик был беспощаден и надменно-придирчив."},{"id":"contentnotes0:349","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:350","kind":"heading","text":"117"},{"id":"contentnotes0:351","kind":"paragraph","text":"Вернер Людвиг Цахариас (1768–1823) – немецкий поэт и драматург, католический священник. Писал стихотворные трагедии; самые значительные «Мартин Лютер, или Освящение силы», «24 февраля», «Аттила, король гуннов»."},{"id":"contentnotes0:352","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:353","kind":"heading","text":"118"},{"id":"contentnotes0:354","kind":"paragraph","text":"Грилльпарцер Франц (1791–1872) – австрийский поэт и драматург, один из первых членов Венской Императорской Академии наук. Пьеса «Прародительница» («Die Ahnfrau») была в 1829 году переведена на русский П. Г. Ободовским."},{"id":"contentnotes0:355","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:356","kind":"heading","text":"119"},{"id":"contentnotes0:357","kind":"paragraph","text":"В русском переводе – «Белокурый Экберт»."},{"id":"contentnotes0:358","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:359","kind":"heading","text":"120"},{"id":"contentnotes0:360","kind":"paragraph","text":"В русском переводе – «Бокал»."},{"id":"contentnotes0:361","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:362","kind":"heading","text":"121"},{"id":"contentnotes0:363","kind":"paragraph","text":"В русском переводе – «Рунеберг»."},{"id":"contentnotes0:364","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:365","kind":"heading","text":"122"},{"id":"contentnotes0:366","kind":"paragraph","text":"Тик, как и большинство романтиков, был сторонником неподвижного средневекового сословного строя, как видно из его драмы: «Genofeva», из рассказа «Des Lebens Uberfluss» и др. Та же тема, что разработана в рассказе «Der Runeberg», вдохновила потом Гофмана к рассказу «Die Bergwerke von Falun», а этот последний лег затем в основу лирической драмы Гуго фон Гофмансталя, носящей то же самое заглавие."},{"id":"contentnotes0:367","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:368","kind":"heading","text":"123"},{"id":"contentnotes0:369","kind":"paragraph","text":"Ахим фон Арним (1781–1831) – немецкий писатель, прозаик и драматург, основной представитель гейдельбергского романтизма."},{"id":"contentnotes0:370","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:371","kind":"heading","text":"124"},{"id":"contentnotes0:372","kind":"paragraph","text":"Фигура Abraun’a появляется снова в рассказе Гофмана «Klein Zaches», где она олицетворяет человека, делающего карьеру, опираясь на чужие заслуги, а в XX в. в романе Эверса «Die Alranne», где от корня мандрагоры родится странная женщина, жестокая и бессердечная, символ женского пола, губящего мужчину."},{"id":"contentnotes0:373","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:374","kind":"heading","text":"125"},{"id":"contentnotes0:375","kind":"paragraph","text":"В русском переводе – «Золотой горшок»."},{"id":"contentnotes0:376","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:377","kind":"heading","text":"126"},{"id":"contentnotes0:378","kind":"paragraph","text":"В русском переводе – «Эликсиры Сатаны»."},{"id":"contentnotes0:379","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:380","kind":"heading","text":"127"},{"id":"contentnotes0:381","kind":"paragraph","text":"Роман Гофмана написан под несомненным влиянием «Melmoth the Wanderer» Метьюрина и особенно «The Monk» Льюиса, который упоминается в «Эликсирах Сатаны»."},{"id":"contentnotes0:382","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:383","kind":"heading","text":"128"},{"id":"contentnotes0:384","kind":"paragraph","text":"Готфрид Август Бюргер (1747–1794) – немецкий поэт. Опираясь на фольклорные традиции, создал новый для немецкой литературы жанр серьезной баллады, введя элементы чудесного, таинственного, иррационального."},{"id":"contentnotes0:385","kind":"paragraph","text":"Вернуться"},{"id":"contentnotes0:386","kind":"heading","text":"129"},{"id":"contentnotes0:387","kind":"paragraph","text":"В русском переводе – «Инес де Лас-Сьерре»."},{"id":"contentnotes0:388","kind":"paragraph","text":"Вернуться"}],"toc":[{"id":"content0:0:1","label":"Владимир Фриче Поэзия кошмаров и ужаса","page":1,"pageUrl":"/books/1UZOKZ90#reader-content"},{"id":"content0:3:1","label":"Предисловие","page":1,"pageUrl":"/books/1UZOKZ90#reader-content"},{"id":"content0:18:1","label":"Средние века Эпоха натурального хозяйства","page":1,"pageUrl":"/books/1UZOKZ90#reader-content"},{"id":"content1:0:5","label":"Ренессанс Возникновение и крушение торгового капитализма","page":5,"pageUrl":"/books/1UZOKZ90?page=5#reader-content"},{"id":"content2:0:13","label":"От рококо к романтизму 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