Рассказы

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Читать бесплатно онлайн","description":"Полный текст книги «Рассказы». 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Юмор Аверченко способен вызвать улыбку на устах даже самого серьезного читателя. В книгу вошли рассказы, относящиеся к разным периодам творчества писателя, цикл «О маленьких – для больших», повесть «Экспедиция в Западную Европу сатириконцев…», а также его последнее произведение – роман «Шутка мецената».","catalogType":"PUBLIC_DOMAIN","catalogTypeLabel":"Общественное достояние","authorLine":"Аркадий Тимофеевич Аверченко","authors":[{"id":"469afa78-2a82-102a-9ae1-2dfe723fe7c7","displayName":"Аркадий Тимофеевич Аверченко","protectedUrl":"/author/469afa78-2a82-102a-9ae1-2dfe723fe7c7","wikipediaUrl":"https://ru.wikipedia.org/wiki/%D0%90%D0%B2%D0%B5%D1%80%D1%87%D0%B5%D0%BD%D0%BA%D0%BE%2C_%D0%90%D1%80%D0%BA%D0%B0%D0%B4%D0%B8%D0%B9_%D0%A2%D0%B8%D0%BC%D0%BE%D1%84%D0%B5%D0%B5%D0%B2%D0%B8%D1%87","wikidataUrl":"https://www.wikidata.org/wiki/Q602217"}],"genres":[{"id":5199,"title":"юмористическая проза","token":null,"publicUrl":"https://bookra.app/genre/5199"},{"id":5304,"title":"литература 20 века","token":null,"publicUrl":"https://bookra.app/genre/5304"},{"id":5297,"title":"русская классика","token":null,"publicUrl":"https://bookra.app/genre/5297"}],"keywords":["сборник рассказов","проза жизни","6 класс"],"facts":[{"key":"dateWritten","label":"Дата написания","value":"1970-01-01"},{"key":"bookLanguage","label":"Язык книги","value":"ru"},{"key":"adult","label":"Возрастное ограничение","value":"12+"}],"seoSections":[{"key":"summaryShort","title":"Описание","body":"Сборник сатирических рассказов Аверченко Аркадия Тимофеевича, в котором автор через абсурдные ситуации, скрытую личность и бюрократические ловушки раскрывает повседневные абсурдности российской жизни, поднимая темы идентичности, контроля и человеческих отношений."},{"key":"conflict","title":"Главный конфликт / проблема","body":"Конфликт между личной свободой и внешним контролем, а также между истинной личностью и масками, которые люди носят в повседневной жизни"},{"key":"keyIdeas","title":"Ключевые идеи","body":["Уникальный юмор Аверченко как зеркало обыденной жизни","Сборник включает рассказы разных периодов, цикл «О маленьких – для больших» и роман «Шутка мецената”","Проблема притворства и скрытых истин в обществе.","Скука как следствие фальши и неуверенности в себе.","Бюрократические препятствия и их влияние на личные решения","Конфликт между личной инициативой и общественными нормами","Тяжёлые тетради с ролями как символы театральной работы.","Мари́ськина сталкивается с внутренним конфликтом и поиском своего места в постановке.","Драматический потенциал даже маленькой роли, как у купчихи Полуяновой.","Бюрократический контроль над творчеством","Тайна и устойчивость институциональных структур","Влияние суеверий и примет на повседневную жизнь"]},{"key":"conclusion","title":"Вывод","body":"Книга демонстрирует, что даже в абсурдных и бюрократических обстоятельствах юмор и искренность способны выявить скрытые истины и помочь людям осознать собственную идентичность и ценности."},{"key":"audience","title":"Кому полезна","body":["Любители сатиры и русской литературы","Читатели, интересующиеся критикой бюрократии","Театральные и литературные ценители"]},{"key":"topics","title":"Главные темы","body":["Сатира и абсурдность повседневной жизни","Бюрократия и контроль","Идентичность и скрытая личность","Человеческие отношения и дружба","Юмор как зеркало реальности"]},{"key":"characters","title":"Персонажи","body":["Четвероруков — Показывает себя как обычный чиновник, но в действительности является кардиналом.","Симочка — Показывает себя как обычную жену, но скрывает истинную личность.","Сандомирский — Показывает себя как обычного коммивояжера, но на самом деле является баритоном.","Незнакомец — Показывает, что все пассажиры притворяются и пытается заставить их признаться в истинных ролях.","Павел Наримский — Спасается с Провом, строит дом, конфликтует с Провом.","Пров Иванов Акациев — Спасает Павла, требует разрешения на строительство, конфликтует с Павлом.","Марыськина — Склонна к эмоциональным реакциям, ищет смысл в своей роли и переживает внутренний конфликт.","Режиссёр — Обеспечивает распределение ролей, объясняет актрисам материал и пытается убедить их в ценности каждой роли.","Полуянова — Второй акт сцены в доме Солнцевой, её монолог раскрывает внутренний конфликт и отчаяние.","Писатель — Творческий человек, стремящийся к свободе в работе, сопротивляется внешнему контролю.","Рабочий контроль — Инициатор контроля над производством писателя.","Мурка — Бюрократическая структура, обслуживающая сотни служащих."]},{"key":"quotes","title":"Цитаты","body":["король смеха","обладал удивительной способностью","Вам скучно? Я знаю, отчего происходит скука… Оттого, что все вы – не те, которыми притворяетесь, а это ужасно скучно.","Вы видите, господа! Едва вы перестали притворяться, стали сами собою, как настроение ваше улучшилось и скуки как не бывало.","Не стоит и пытаться","Пров доплыл первым","Ого!","Боже!","Это не роль, а библия!","Пальчики проглотишь."]}],"authorSummary":{"key":"authorSummary","title":"Сводка по автору из Wikidata","body":"1880–1925. Аркадий Тимофеевич Аверченко. русский писатель, сатирик, театральный критик (1880—1925)"},"hasArtifacts":true,"canReadInApp":true,"readUrl":"https://web.bookra.app/?startapp=r_791670","artifactsUrl":"https://web.bookra.app/?startapp=b_791670","readCtaLabel":"Читать бесплатно","artifactsCtaLabel":"AI-разбор","appReadLinks":{"tg":"https://t.me/bookra_lib_bot/BookRa?startapp=r_791670","vk":"https://vk.com/app54470698#startapp=r_791670","max":"https://max.ru/id7751370047_bot?startapp=r_791670","web":"https://web.bookra.app/?startapp=r_791670"},"appAnalysisLinks":{"tg":"https://t.me/bookra_lib_bot/BookRa?startapp=b_791670","vk":"https://vk.com/app54470698#startapp=b_791670","max":"https://max.ru/id7751370047_bot?startapp=b_791670","web":"https://web.bookra.app/?startapp=b_791670"},"guestReaderUrl":"/books/1VsTTNTc?page=209#reader-content","authorCtaLabel":"Все книги автора","authorProtectedUrl":"/author/469afa78-2a82-102a-9ae1-2dfe723fe7c7","readersCount":450,"adultLabel":"12+","yearLabel":"2008","datePublished":null,"publisherLabel":null,"isbn":null,"oclc":null,"lccn":null,"partnerUrl":null,"accessNote":"Полный текст книги и AI-разбор откроются на защищенных страницах BookRa после входа."},"reader":{"page":209,"totalPages":209,"hasPrev":true,"hasNext":false,"prevPageUrl":"/books/1VsTTNTc?page=208#reader-content","nextPageUrl":null,"progressLabel":"Страница 209 из 209","sections":[{"id":"id232:810","kind":"paragraph","text":"– Ага! Вся гоп-компания в сборе… Чего это у вас темно так? Сидите, сычи какие словно, нахохлились. Небось коньячище опять хлестать будете, разбойники?! Сюда подать на ковре али по-христиански – в столовую?"},{"id":"id232:811","kind":"paragraph","text":"Кузя подмигнул Меценату на Мотылька и Новаковича, совсем затушеванных сумерками, и, неслышно подойдя к нему, шепнул:"},{"id":"id232:812","kind":"paragraph","text":"– Это, пожалуй, лучший выход из положения. А? Меценат? Коньяк!"},{"id":"id232:813","kind":"paragraph","text":"Меценат вдруг подпрыгнул на диване и выпрямился – старый, дряхлеющий, но все еще мощный лев."},{"id":"id232:814","kind":"paragraph","text":"– Ну, ребята, нечего нюнить!! Гляди весело!! Ходи козырем! Выпьем нынче, чтоб звон пошел, а завтра айда к берегам старой матушки Волги – целой разбойничьей ватагой… Айда! На широкие речные просторы, на светлые струи, куда Стенька Разин швырял женщин, как котят! Туда им, впрочем, и дорога!"},{"id":"id232:815","kind":"paragraph","text":"– Аминь! – восторженно закричал Кузя. – Долой Петербург, да здравствуют Жигули! Кальвия! Почествуйте волжскую вольницу!! «Что ж вы, черти, приуныли… Эй ты, Филька, шут! пляши!! Грянем, братцы, удалую – за помин ее души!»"},{"id":"id231:0","kind":"heading","text":"заключение"},{"id":"id231:1","kind":"paragraph","text":"О, могущественное Время! Будь ты трижды благословенно. Ты лучший врач и лучшее лекарство, потому что никакие препараты медицинской кухни не затягивают, не закрывают так благотворно глубоких открытых ран, как ты, вечно текущее, седое, мудрое!"},{"id":"id231:2","kind":"paragraph","text":"Читатель! Если ты через год заглянул бы в – уже так хорошо тебе знакомую – темную гостиную Мецената – ты тихо улыбнулся бы, увидев, что все на своем месте:"},{"id":"id231:3","kind":"paragraph","text":"Меценат в одном углу, одетый в белый полотняный балахон, лепит новый бюст Мотылька, важно восседающего на высоком стуле, в другом углу возится со штангой, выбрасывая кверху свои могучие, будто веревками – мускулами опутанные руки Новакович; в глубоком кресле мирно покоится, поедая апельсин, Кузя…"},{"id":"id231:4","kind":"paragraph","text":"А у дверей стоит Кальвия Криспинилла и в тысячу первый раз кротко бормочет:"},{"id":"id231:5","kind":"paragraph","text":"– Опять ты, разбойник, шкурки на ковер бросаешь?! Управы на тебя нет, на мытаря!.."},{"id":"id231:6","kind":"paragraph","text":"Zoopot, 1923 г."},{"id":"id231:7","kind":"heading","text":"notes"},{"id":"id230:0","kind":"heading","text":"Примечания"},{"id":"id229:0","kind":"heading","text":"1"},{"id":"id229:1","kind":"paragraph","text":"В «Автобиографии», предпосланной сборнику «Веселые устрицы» (1910), первое выступление Аверченко в печати ошибочно датируется 1905 годом. В 24-м издании сборника, по которому воспроизводится текст, сам автор исправляет дату на 1904 год. В действительности же, наиболее вероятен 1903 год."},{"id":"id228:0","kind":"heading","text":"2"},{"id":"id228:1","kind":"paragraph","text":"Фокусник, развивший необыкновенную ловкость и быстроту пальцев рук."},{"id":"id227:0","kind":"heading","text":"3"},{"id":"id227:1","kind":"paragraph","text":"Здесь: свидание наедине (фр.)."},{"id":"id226:0","kind":"heading","text":"4"},{"id":"id226:1","kind":"paragraph","text":"Железной дорогой (фр.)."},{"id":"id225:0","kind":"heading","text":"5"},{"id":"id225:1","kind":"paragraph","text":"Здесь: иначе (говоря) (лат.)."},{"id":"id224:0","kind":"heading","text":"6"},{"id":"id224:1","kind":"paragraph","text":"Шляпы и платья (фр.)."},{"id":"id223:0","kind":"heading","text":"7"},{"id":"id223:1","kind":"paragraph","text":"Успокойся, пожалуйста (фр.)."},{"id":"id222:0","kind":"heading","text":"8"},{"id":"id222:1","kind":"paragraph","text":"Да нет (фр.)."},{"id":"id221:0","kind":"heading","text":"9"},{"id":"id221:1","kind":"paragraph","text":"Свежей рыбы (фр.)."},{"id":"id220:0","kind":"heading","text":"10"},{"id":"id220:1","kind":"paragraph","text":"Автомобиль (фр.)."},{"id":"id219:0","kind":"heading","text":"11"},{"id":"id219:1","kind":"paragraph","text":"Этого знаменитого русского (фр.)."},{"id":"id218:0","kind":"heading","text":"12"},{"id":"id218:1","kind":"paragraph","text":"О наша бедная Россия! (фр.)."},{"id":"id217:0","kind":"heading","text":"13"},{"id":"id217:1","kind":"paragraph","text":"Настоящая петербургская (фр.)."},{"id":"id216:0","kind":"heading","text":"14"},{"id":"id216:1","kind":"paragraph","text":"Есть, кушать (фр.)."},{"id":"id215:0","kind":"heading","text":"15"},{"id":"id215:1","kind":"paragraph","text":"Чашка (фр.)."},{"id":"id214:0","kind":"heading","text":"16"},{"id":"id214:1","kind":"paragraph","text":"С (фр.)."},{"id":"id213:0","kind":"heading","text":"17"},{"id":"id213:1","kind":"paragraph","text":"Гаррик Дейвид (1717–1779) – английский актер, прославившийся в пьесах Шекспира."},{"id":"id212:0","kind":"heading","text":"18"},{"id":"id212:1","kind":"paragraph","text":"Варламов Константин Александрович (1849–1915) – русский актер."},{"id":"id211:0","kind":"heading","text":"19"},{"id":"id211:1","kind":"paragraph","text":"Давыдов Владимир Николаевич (1849–1925) – русский актер."},{"id":"id210:0","kind":"heading","text":"20"},{"id":"id210:1","kind":"paragraph","text":"Намеренно искаженное автором имя одного из богатейших флорентийских меценатов – Козимо Медичи Старшего (1389–1464)."},{"id":"id29:0","kind":"heading","text":"21"},{"id":"id29:1","kind":"paragraph","text":"Любим Торцов – герой комедии А. Н. Островского «Бедность не порок», малообразованный, промотавшийся купец, не лишенный тем не менее стремления к культуре."},{"id":"id28:0","kind":"heading","text":"22"},{"id":"id28:1","kind":"paragraph","text":"Искусство долговечно, жизнь коротка (лат.)."},{"id":"id27:0","kind":"heading","text":"23"},{"id":"id27:1","kind":"paragraph","text":"Здесь игра слов, основанная на старом написании слова «лес» – через букву «ять». Эта буква, совпадавшая по звуку с «е», была упразднена послереволюционной орфографической реформой."},{"id":"id26:0","kind":"heading","text":"24"},{"id":"id26:1","kind":"paragraph","text":"Цензуровано Мифасовым."},{"id":"id25:0","kind":"heading","text":"25"},{"id":"id25:1","kind":"paragraph","text":"Настоящая книга написана до войны с немцами."},{"id":"id24:0","kind":"heading","text":"26"},{"id":"id24:1","kind":"paragraph","text":"До войны мы, русские, все думали это…"},{"id":"id23:0","kind":"heading","text":"27"},{"id":"id23:1","kind":"paragraph","text":"До войны мы, русские, все думали это…"},{"id":"id22:0","kind":"heading","text":"28"},{"id":"id22:1","kind":"paragraph","text":"Написано в 1912 году. 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