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Страница 78 из 793. EDUCATIONAL USE OF EXPRESSION
The educational significance of the truths illustrated in the diagram and the discussion has been somewhat slow in taking hold in our schools. This has been due not alone to the slowness of the educational world to grasp a new idea, but also to the practical difficulties connected with adapting the school exercises as well to the expression side of education as to the impression. From the fall of Athens on down to the time of Froebel the schools were constituted on the theory that pupils were to receive education; that they were to drink in knowledge, that their minds were to be stored with facts. Children were to "be seen and not heard." Education was largely a process of gorging the memory with information.
Easier to Provide for the Impression Side of Education.—Now it is evident that it is far easier to provide for the passive side of education than for the active side. All that is needed in the former case is to have teachers and books reasonably full of information, and pupils sufficiently docile to receive it. But in the latter case, the equipment must be more extensive. If the child is to be allowed to carry out his impressions into action, if he is actually to do something himself, then he must be supplied with adequate equipment.
So far as the home life was concerned, the child of several generations ago was at a decided advantage over the child of today on the expression side of his education. The homes of that day were beehives of industry, in which a dozen handicrafts were taught and practiced. The buildings, the farm implements, and most of the furniture of the home were made from the native timber. The material for the clothing of the family was produced on the farm, made into cloth, and finally into garments in the home. Nearly all the supplies for the table came likewise from the farm. These industries demanded the combined efforts of the family, and each child did his or her part.
But that day is past. One-half of our people live in cities and towns, and even in the village and on the farm the handicrafts of the home have been relegated to the factory, and everything comes into the home ready for use. The telephone, the mail carrier, and the deliveryman do all the errands even, and the child in the home is deprived of responsibility and of nearly all opportunity for manual expression. This is no one's fault, for it is just one phase of a great industrial readjustment in society. Yet the fact remains that the home has lost an important element in education, which the school must supply if we are not to be the losers educationally by the change.
The School to Take Up the Handicrafts.—And modern educational method is insisting precisely on this point. A few years ago the boy caught whittling in school was a fit subject for a flogging; the boy is today given bench and tools, and is instructed in their use. Then the child was punished for drawing pictures; now we are using drawing as one of the best modes of expression. Then instruction in singing was intrusted to an occasional evening class, which only the older children could attend, and which was taught by some itinerant singing master; today we make music one of our most valuable school exercises. Then all play time was so much time wasted; now we recognize play as a necessary and valuable mode of expression and development. Then dramatic representation was confined to the occasional exhibition or evening entertainment; now it has become a recognized part of our school work. Then it was a crime for pupils to communicate with each other in school; now a part of the school work is planned so that pupils work in groups, and thus receive social training. Then our schoolrooms were destitute of every vestige of beauty; today many of them are artistic and beautiful.
This statement of the case is rather over-optimistic if applied to our whole school system, however. For there are still many schools in which all forms of handicraft are unknown, and in which the only training in artistic expression is that which comes from caricaturing the teacher. Singing is still an unknown art to many teachers. The play instinct is yet looked upon with suspicion and distrust in some quarters. A large number of our schoolrooms are as barren and ugly today as ever, and contain an atmosphere as stifling to all forms of natural expression. We can only comfort ourselves with Holmes's maxim, that it matters not so much where we stand as in what direction we are moving. And we certainly are moving toward a larger development and greater efficiency in expression on the part of those who pass through our schools.
Expression and Character.—Finally, all that has been said in this discussion has direct reference to what we call character—that mysterious something which we so often hear eulogized and so seldom analyzed. Character has two distinct phases, which may be called the subjective phase and the social phase; or, stating it differently, character is both what we are and what we do. The first of these has to do with the nature of the real, innermost self; and the last, with the modes in which this self finds expression. And it is fair to say that those about us are concerned with what we are chiefly from its relation to what we do.
Character is not a thing, but a process; it is the succession of our thoughts and acts from hour to hour. It is not something which we can hoard and protect and polish unto a more perfect day, but it is the everyday self in the process of living. And the only way in which it can be made or marred is through the nature of this stream of thoughts and acts which constitute the day's life—is through being or doing well or ill.
Two Lines of Development.—The cultivation of character must, then, ignore neither of these two lines. To neglect the first is to forget that it is out of the abundance of the heart that the mouth speaks; that a corrupt tree cannot bring forth good fruit; that the act is the true index of the soul. To omit the second is to leave the character half formed, the will weak, and the life inefficient and barren of results. The mind must be supplied with noble ideas and high ideals, with right emotions and worthy ambitions. On the other hand, the proper connection must be established between these mental states and appropriate acts. And the acts must finally grow into habits, so that we naturally and inevitably translate our ideas and ideals, our emotions and ambitions into deeds. Our character must be strong not in thought and feeling alone, but also in the power to return to the world its finished product in the form of service.
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Then all play time was so much time wasted; now we recognize play as a necessary and valuable mode of expression and development. Then dramatic representation was confined to the occasional exhibition or evening entertainment; now it has become a recognized part of our school work. Then it was a crime for pupils to communicate with each other in school; now a part of the school work is planned so that pupils work in groups, and thus receive social training. Then our schoolrooms were destitute of every vestige of beauty; today many of them are artistic and beautiful."},{"id":"content40:15","kind":"paragraph","text":"This statement of the case is rather over-optimistic if applied to our whole school system, however. For there are still many schools in which all forms of handicraft are unknown, and in which the only training in artistic expression is that which comes from caricaturing the teacher. Singing is still an unknown art to many teachers. The play instinct is yet looked upon with suspicion and distrust in some quarters. A large number of our schoolrooms are as barren and ugly today as ever, and contain an atmosphere as stifling to all forms of natural expression. We can only comfort ourselves with Holmes's maxim, that it matters not so much where we stand as in what direction we are moving. And we certainly are moving toward a larger development and greater efficiency in expression on the part of those who pass through our schools."},{"id":"content40:16","kind":"paragraph","text":"Expression and Character.—Finally, all that has been said in this discussion has direct reference to what we call character—that mysterious something which we so often hear eulogized and so seldom analyzed. Character has two distinct phases, which may be called the subjective phase and the social phase; or, stating it differently, character is both what we are and what we do. 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CONTENT OF THE MENTAL STREAM","page":3,"pageUrl":"/books/4DPSQVru?page=3#reader-content"},{"id":"content1:9:4","label":"4. WHERE CONSCIOUSNESS RESIDES","page":4,"pageUrl":"/books/4DPSQVru?page=4#reader-content"},{"id":"content1:13:4","label":"5. PROBLEMS IN OBSERVATION AND INTROSPECTION","page":4,"pageUrl":"/books/4DPSQVru?page=4#reader-content"},{"id":"content2:0:5","label":"CHAPTER II","page":5,"pageUrl":"/books/4DPSQVru?page=5#reader-content"},{"id":"content2:1:5","label":"ATTENTION","page":5,"pageUrl":"/books/4DPSQVru?page=5#reader-content"},{"id":"content2:3:5","label":"1. NATURE OF ATTENTION","page":5,"pageUrl":"/books/4DPSQVru?page=5#reader-content"},{"id":"content2:8:5","label":"2. THE EFFECTS OF ATTENTION","page":5,"pageUrl":"/books/4DPSQVru?page=5#reader-content"},{"id":"content2:12:6","label":"3. HOW WE ATTEND","page":6,"pageUrl":"/books/4DPSQVru?page=6#reader-content"},{"id":"content2:17:6","label":"4. POINTS OF FAILURE IN ATTENTION","page":6,"pageUrl":"/books/4DPSQVru?page=6#reader-content"},{"id":"content3:0:7","label":"5. TYPES OF ATTENTION","page":7,"pageUrl":"/books/4DPSQVru?page=7#reader-content"},{"id":"content3:8:8","label":"6. IMPROVING THE POWER OF ATTENTION","page":8,"pageUrl":"/books/4DPSQVru?page=8#reader-content"},{"id":"content4:0:8","label":"7. PROBLEMS IN OBSERVATION AND INTROSPECTION","page":8,"pageUrl":"/books/4DPSQVru?page=8#reader-content"},{"id":"content4:11:9","label":"CHAPTER III","page":9,"pageUrl":"/books/4DPSQVru?page=9#reader-content"},{"id":"content4:12:9","label":"THE BRAIN AND NERVOUS SYSTEM","page":9,"pageUrl":"/books/4DPSQVru?page=9#reader-content"},{"id":"content4:14:9","label":"1. THE RELATIONS OF MIND AND BRAIN","page":9,"pageUrl":"/books/4DPSQVru?page=9#reader-content"},{"id":"content4:18:9","label":"2. THE MIND'S DEPENDENCE ON THE EXTERNAL WORLD","page":9,"pageUrl":"/books/4DPSQVru?page=9#reader-content"},{"id":"content4:23:10","label":"3. STRUCTURAL ELEMENTS OF THE NERVOUS SYSTEM","page":10,"pageUrl":"/books/4DPSQVru?page=10#reader-content"},{"id":"content5:0:10","label":"4. GROSS STRUCTURE OF THE NERVOUS SYSTEM","page":10,"pageUrl":"/books/4DPSQVru?page=10#reader-content"},{"id":"content6:0:12","label":"5. LOCALIZATION OF FUNCTION IN THE NERVOUS SYSTEM","page":12,"pageUrl":"/books/4DPSQVru?page=12#reader-content"},{"id":"content6:7:13","label":"6. FORMS OF SENSORY STIMULI","page":13,"pageUrl":"/books/4DPSQVru?page=13#reader-content"},{"id":"content6:13:13","label":"CHAPTER IV","page":13,"pageUrl":"/books/4DPSQVru?page=13#reader-content"},{"id":"content6:14:13","label":"MENTAL DEVELOPMENT AND MOTOR TRAINING","page":13,"pageUrl":"/books/4DPSQVru?page=13#reader-content"},{"id":"content7:0:13","label":"1. FACTORS DETERMINING THE EFFICIENCY OF THE NERVOUS SYSTEM","page":13,"pageUrl":"/books/4DPSQVru?page=13#reader-content"},{"id":"content7:4:14","label":"2. DEVELOPMENT OF NERVOUS SYSTEM THROUGH USE","page":14,"pageUrl":"/books/4DPSQVru?page=14#reader-content"},{"id":"content8:0:15","label":"3. EDUCATION AND THE TRAINING OF THE NERVOUS SYSTEM","page":15,"pageUrl":"/books/4DPSQVru?page=15#reader-content"},{"id":"content8:5:16","label":"4. IMPORTANCE OF HEALTH AND VIGOR OF THE NERVOUS SYSTEM","page":16,"pageUrl":"/books/4DPSQVru?page=16#reader-content"},{"id":"content8:12:17","label":"5. PROBLEMS FOR INTROSPECTION AND OBSERVATION","page":17,"pageUrl":"/books/4DPSQVru?page=17#reader-content"},{"id":"content9:0:17","label":"CHAPTER V","page":17,"pageUrl":"/books/4DPSQVru?page=17#reader-content"},{"id":"content9:1:17","label":"HABIT","page":17,"pageUrl":"/books/4DPSQVru?page=17#reader-content"},{"id":"content9:3:17","label":"1. THE NATURE OF HABIT","page":17,"pageUrl":"/books/4DPSQVru?page=17#reader-content"},{"id":"content9:11:18","label":"2. THE PLACE OF HABIT IN THE ECONOMY OF OUR LIVES","page":18,"pageUrl":"/books/4DPSQVru?page=18#reader-content"},{"id":"content10:0:20","label":"3. THE TYRANNY OF HABIT","page":20,"pageUrl":"/books/4DPSQVru?page=20#reader-content"},{"id":"content10:4:20","label":"4. HABIT-FORMING A PART OF EDUCATION","page":20,"pageUrl":"/books/4DPSQVru?page=20#reader-content"},{"id":"content10:11:21","label":"5. RULES FOR HABIT-FORMING","page":21,"pageUrl":"/books/4DPSQVru?page=21#reader-content"},{"id":"content11:0:21","label":"6. PROBLEMS IN OBSERVATION AND INTROSPECTION","page":21,"pageUrl":"/books/4DPSQVru?page=21#reader-content"},{"id":"content11:7:22","label":"CHAPTER VI","page":22,"pageUrl":"/books/4DPSQVru?page=22#reader-content"},{"id":"content11:8:22","label":"SENSATION","page":22,"pageUrl":"/books/4DPSQVru?page=22#reader-content"},{"id":"content11:10:22","label":"1. HOW WE COME TO KNOW THE EXTERNAL WORLD","page":22,"pageUrl":"/books/4DPSQVru?page=22#reader-content"},{"id":"content12:0:23","label":"2. THE NATURE OF SENSATION","page":23,"pageUrl":"/books/4DPSQVru?page=23#reader-content"},{"id":"content12:8:24","label":"3. SENSORY QUALITIES AND THEIR END-ORGANS","page":24,"pageUrl":"/books/4DPSQVru?page=24#reader-content"},{"id":"content13:0:25","label":"4. PROBLEMS IN OBSERVATION AND INTROSPECTION","page":25,"pageUrl":"/books/4DPSQVru?page=25#reader-content"},{"id":"content13:7:26","label":"CHAPTER VII","page":26,"pageUrl":"/books/4DPSQVru?page=26#reader-content"},{"id":"content13:8:26","label":"PERCEPTION","page":26,"pageUrl":"/books/4DPSQVru?page=26#reader-content"},{"id":"content13:10:26","label":"1. THE FUNCTION OF PERCEPTION","page":26,"pageUrl":"/books/4DPSQVru?page=26#reader-content"},{"id":"content13:14:26","label":"2. THE NATURE OF PERCEPTION","page":26,"pageUrl":"/books/4DPSQVru?page=26#reader-content"},{"id":"content14:0:27","label":"3. 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