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Страница 1 из 57Robert Louis Stevenson The Works of Robert Louis Stevenson – Swanston Edition, Vol. 15
DEACON BRODIE OR THE DOUBLE LIFE
A MELODRAMA IN FIVE ACTS AND EIGHT TABLEAUX
PERSONS REPRESENTED
William Brodie, Deacon of the Wrights, Housebreaker and Master Carpenter
Old Brodie, the Deacon’s Father
William Lawson, Procurator-Fiscal, the Deacon’s Uncle
Captain Rivers, an English Highwayman
Hunt, a Bow Street Runner
Mary Brodie, the Deacon’s Sister
Jean Watt, the Deacon’s Mistress
Vagabonds, Officers of the Watch, Men-servants
The Scene is laid in Edinburgh. The Time is towards the close of the Eighteenth Century. The Action, some fifty hours long, begins at eight p.m. on Saturday and ends before midnight on Monday
Note. —Passages suggested for omission in representationare enclosed in parentheses, thus ( )
ACT I
TABLEAU I The Double Life
The Stage represents a room in the Deacon’s house, furnished partly as a sitting-, partly as a bed-room, in the style of an easy burgess of about 1780. C., a door; L.C., second and smaller door; R.C., practicable window; L., alcove, supposed to contain bed; at the back, a clothes-press and a corner cupboard containing bottles, etc.
Mary Brodie at needlework; Old Brodie, a paralytic, in wheeled chair, at the fireside, L.
SCENE I
To these, Leslie, C
Leslie. May I come in, Mary?
Leslie. I scarce knew where to find you.
Mary. The dad and I must have a corner, must we not? So when my brother’s friends are in the parlour he allows us to sit in his room. ’Tis a great favour, I can tell you; the place is sacred.
Leslie. Are you sure that “sacred” is strong enough?
Leslie. I? And with regard to the Deacon? Believe me, I am not so ill-advised. You have trained me well, and I feel by him as solemnly as a true-born Brodie.
Mary. And now you are impertinent! Do you mean to go any further? We are a fighting race, we Brodies. O, you may laugh, sir! But ’tis no child’s play to jest us on our Deacon, or, for that matter, on our Deacon’s chamber either. It was his father’s before him: he works in it by day and sleeps in it by night; and scarce anything it contains but is the labour of his hands. Do you see this table, Walter? He made it while he was yet a ’prentice. I remember how I used to sit and watch him at his work. It would be grand, I thought, to be able to do as he did, and handle edge-tools without cutting my fingers, and getting my ears pulled for a meddlesome minx! He used to give me his mallet to keep and his nails to hold; and didn’t I fly when he called for them! and wasn’t I proud to be ordered about with them! And then, you know, there is the tall cabinet yonder; that it was that proved him the first of Edinburgh joiners, and worthy to be their Deacon and their head. And the father’s chair, and the sister’s work-box, and the dear dead mother’s footstool – what are they all but proofs of the Deacon’s skill, and tokens of the Deacon’s care for those about him?
Leslie. I am all penitence. Forgive me this last time, and I promise you I never will again.
Mary. Candidly, now, do you think you deserve forgiveness?
Leslie. Candidly, I do not.
Mary. Then I suppose you must have it. What have you done with Willie and my uncle?
Leslie. I left them talking deeply. The dear old Procurator has not much thought just now for anything but those mysterious burglaries —
Leslie. Still, all of him that is not magistrate and official is politician and citizen; and he has been striving his hardest to undermine the Deacon’s principles, and win the Deacon’s vote and interest.
Mary. They are worth having, are they not?
Leslie. The Procurator seems to think that having them makes the difference between winning and losing.
Mary. Did he say so? You may rely upon it that he knows. There are not many in Edinburgh who can match with our Will.
Leslie. There shall be as many as you please, and not one more.
Mary. How I should like to have heard you! What did uncle say? Did he speak of the Town Council again? Did he tell Will what a wonderful Bailie he would make? O, why did you come away?
Leslie. I could not pretend to listen any longer. The election is months off yet; and if it were not – if it were tramping up-stairs this moment – drums, flags, cockades, guineas, candidates, and all! – how should I care for it? What are Whig and Tory to me?
Mary. O, fie on you! It is for every man to concern himself in the common weal. Mr. Leslie – Leslie of the Craig! – should know that much at least.
Leslie. And be a politician like the Deacon! All in good time, but not now. I hearkened while I could, and when I could no more I slipped out and followed my heart. I hoped I should be welcome.
Mary. I suppose you mean to be unkind.
Leslie. Tit for tat. Did you not ask me why I came away? And is it usual for a young lady to say “Mr.” to the man she means to marry?
Mary. That is for the young lady to decide, sir.
Leslie. And against that judgment there shall be no appeal?
Mary. O, if you mean to argue! —
Leslie. I do not mean to argue. I am content to love and be loved. I think I am the happiest man in the world.
Mary. That is as it should be; for I am the happiest girl.
Leslie. Why not say the happiest wife? I have your word, and you have mine. Is not that enough?
Mary. Have you so soon forgotten? Did I not tell you how it must be as my brother wills? I can do only as he bids me.
Leslie. Then you have not spoken as you promised?
Mary. I have been too happy to speak.
Leslie. I am his friend. Precious as you are, he will trust you to me. He has but to know how I love you, Mary, and how your life is all in your love of me, to give us his blessing with a full heart.
Mary. I am sure of him. It is that which makes my happiness complete. Even to our marriage I should find it hard to say “Yes” when he said “No.”
Leslie. Your father is trying to speak. I’ll wager he echoes you.
Mary (to Old Brodie). My poor dearie! Do you want to say anything to me? No? Is it to Mr. Leslie, then?
Leslie. I am listening, Mr. Brodie.
Mary. What is it, daddie?
Old Brodie. My son – the Deacon – Deacon Brodie – the first at school.
Leslie. I know it, Mr. Brodie. Was I not the last in the same class? (To Mary.) But he seems to have forgotten us.
Mary. O, yes! his mind is wellnigh gone. He will sit for hours as you see him, and never speak nor stir but at the touch of Will’s hand or the sound of Will’s name.
Leslie. It is so good to sit beside you. By and by it will always be like this. You will not let me speak to the Deacon? You are fast set upon speaking yourself? I could be so eloquent, Mary – I would touch him. I cannot tell you how I fear to trust my happiness to any one else – even to you.
Mary. He must hear of my good fortune from none but me. And, besides, you do not understand. We are not like other families, we Brodies. We are so clannish, we hold so close together.
Leslie. You Brodies, and your Deacon!
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The Time is towards the close of the Eighteenth Century. The Action, some fifty hours long, begins at eight p.m. on Saturday and ends before midnight on Monday"},{"id":"content0:15","kind":"paragraph","text":"Note. —Passages suggested for omission in representationare enclosed in parentheses, thus ( )"},{"id":"content0:16","kind":"heading","text":"ACT I"},{"id":"content0:17","kind":"heading","text":"TABLEAU I The Double Life"},{"id":"content0:18","kind":"paragraph","text":"The Stage represents a room in the Deacon’s house, furnished partly as a sitting-, partly as a bed-room, in the style of an easy burgess of about 1780. C., a door; L.C., second and smaller door; R.C., practicable window; L., alcove, supposed to contain bed; at the back, a clothes-press and a corner cupboard containing bottles, etc."},{"id":"content0:19","kind":"paragraph","text":"Mary Brodie at needlework; Old Brodie, a paralytic, in wheeled chair, at the fireside, L."},{"id":"content0:20","kind":"heading","text":"SCENE I"},{"id":"content0:21","kind":"heading","text":"To these, Leslie, C"},{"id":"content0:22","kind":"paragraph","text":"Leslie. May I come in, Mary?"},{"id":"content0:23","kind":"paragraph","text":"Mary. Why not?"},{"id":"content0:24","kind":"paragraph","text":"Leslie. I scarce knew where to find you."},{"id":"content0:25","kind":"paragraph","text":"Mary. The dad and I must have a corner, must we not? So when my brother’s friends are in the parlour he allows us to sit in his room. ’Tis a great favour, I can tell you; the place is sacred."},{"id":"content0:26","kind":"paragraph","text":"Leslie. Are you sure that “sacred” is strong enough?"},{"id":"content0:27","kind":"paragraph","text":"Mary. You are satirical!"},{"id":"content0:28","kind":"paragraph","text":"Leslie. I? And with regard to the Deacon? Believe me, I am not so ill-advised. You have trained me well, and I feel by him as solemnly as a true-born Brodie."},{"id":"content0:29","kind":"paragraph","text":"Mary. And now you are impertinent! Do you mean to go any further? We are a fighting race, we Brodies. O, you may laugh, sir! But ’tis no child’s play to jest us on our Deacon, or, for that matter, on our Deacon’s chamber either. It was his father’s before him: he works in it by day and sleeps in it by night; and scarce anything it contains but is the labour of his hands. Do you see this table, Walter? He made it while he was yet a ’prentice. I remember how I used to sit and watch him at his work. It would be grand, I thought, to be able to do as he did, and handle edge-tools without cutting my fingers, and getting my ears pulled for a meddlesome minx! He used to give me his mallet to keep and his nails to hold; and didn’t I fly when he called for them! and wasn’t I proud to be ordered about with them! And then, you know, there is the tall cabinet yonder; that it was that proved him the first of Edinburgh joiners, and worthy to be their Deacon and their head. And the father’s chair, and the sister’s work-box, and the dear dead mother’s footstool – what are they all but proofs of the Deacon’s skill, and tokens of the Deacon’s care for those about him?"},{"id":"content0:30","kind":"paragraph","text":"Leslie. I am all penitence. Forgive me this last time, and I promise you I never will again."},{"id":"content0:31","kind":"paragraph","text":"Mary. Candidly, now, do you think you deserve forgiveness?"},{"id":"content0:32","kind":"paragraph","text":"Leslie. Candidly, I do not."},{"id":"content0:33","kind":"paragraph","text":"Mary. Then I suppose you must have it. What have you done with Willie and my uncle?"},{"id":"content0:34","kind":"paragraph","text":"Leslie. I left them talking deeply. The dear old Procurator has not much thought just now for anything but those mysterious burglaries —"},{"id":"content0:35","kind":"paragraph","text":"Mary. I know! —"},{"id":"content0:36","kind":"paragraph","text":"Leslie. Still, all of him that is not magistrate and official is politician and citizen; and he has been striving his hardest to undermine the Deacon’s principles, and win the Deacon’s vote and interest."},{"id":"content0:37","kind":"paragraph","text":"Mary. They are worth having, are they not?"},{"id":"content0:38","kind":"paragraph","text":"Leslie. The Procurator seems to think that having them makes the difference between winning and losing."},{"id":"content0:39","kind":"paragraph","text":"Mary. Did he say so? You may rely upon it that he knows. There are not many in Edinburgh who can match with our Will."},{"id":"content0:40","kind":"paragraph","text":"Leslie. There shall be as many as you please, and not one more."},{"id":"content0:41","kind":"paragraph","text":"Mary. How I should like to have heard you! What did uncle say? Did he speak of the Town Council again? Did he tell Will what a wonderful Bailie he would make? O, why did you come away?"},{"id":"content0:42","kind":"paragraph","text":"Leslie. I could not pretend to listen any longer. The election is months off yet; and if it were not – if it were tramping up-stairs this moment – drums, flags, cockades, guineas, candidates, and all! – how should I care for it? What are Whig and Tory to me?"},{"id":"content0:43","kind":"paragraph","text":"Mary. O, fie on you! It is for every man to concern himself in the common weal. Mr. Leslie – Leslie of the Craig! – should know that much at least."},{"id":"content0:44","kind":"paragraph","text":"Leslie. And be a politician like the Deacon! All in good time, but not now. I hearkened while I could, and when I could no more I slipped out and followed my heart. I hoped I should be welcome."},{"id":"content0:45","kind":"paragraph","text":"Mary. I suppose you mean to be unkind."},{"id":"content0:46","kind":"paragraph","text":"Leslie. Tit for tat. Did you not ask me why I came away? And is it usual for a young lady to say “Mr.” to the man she means to marry?"},{"id":"content0:47","kind":"paragraph","text":"Mary. That is for the young lady to decide, sir."},{"id":"content0:48","kind":"paragraph","text":"Leslie. And against that judgment there shall be no appeal?"},{"id":"content0:49","kind":"paragraph","text":"Mary. O, if you mean to argue! —"},{"id":"content0:50","kind":"paragraph","text":"Leslie. I do not mean to argue. I am content to love and be loved. I think I am the happiest man in the world."},{"id":"content0:51","kind":"paragraph","text":"Mary. That is as it should be; for I am the happiest girl."},{"id":"content0:52","kind":"paragraph","text":"Leslie. Why not say the happiest wife? I have your word, and you have mine. Is not that enough?"},{"id":"content0:53","kind":"paragraph","text":"Mary. Have you so soon forgotten? Did I not tell you how it must be as my brother wills? I can do only as he bids me."},{"id":"content0:54","kind":"paragraph","text":"Leslie. Then you have not spoken as you promised?"},{"id":"content0:55","kind":"paragraph","text":"Mary. I have been too happy to speak."},{"id":"content0:56","kind":"paragraph","text":"Leslie. I am his friend. Precious as you are, he will trust you to me. He has but to know how I love you, Mary, and how your life is all in your love of me, to give us his blessing with a full heart."},{"id":"content0:57","kind":"paragraph","text":"Mary. I am sure of him. It is that which makes my happiness complete. Even to our marriage I should find it hard to say “Yes” when he said “No.”"},{"id":"content0:58","kind":"paragraph","text":"Leslie. Your father is trying to speak. I’ll wager he echoes you."},{"id":"content0:59","kind":"paragraph","text":"Mary (to Old Brodie). My poor dearie! Do you want to say anything to me? No? Is it to Mr. Leslie, then?"},{"id":"content0:60","kind":"paragraph","text":"Leslie. I am listening, Mr. Brodie."},{"id":"content0:61","kind":"paragraph","text":"Mary. What is it, daddie?"},{"id":"content0:62","kind":"paragraph","text":"Old Brodie. My son – the Deacon – Deacon Brodie – the first at school."},{"id":"content0:63","kind":"paragraph","text":"Leslie. I know it, Mr. Brodie. Was I not the last in the same class? (To Mary.) But he seems to have forgotten us."},{"id":"content0:64","kind":"paragraph","text":"Mary. O, yes! his mind is wellnigh gone. He will sit for hours as you see him, and never speak nor stir but at the touch of Will’s hand or the sound of Will’s name."},{"id":"content0:65","kind":"paragraph","text":"Leslie. It is so good to sit beside you. By and by it will always be like this. You will not let me speak to the Deacon? You are fast set upon speaking yourself? I could be so eloquent, Mary – I would touch him. I cannot tell you how I fear to trust my happiness to any one else – even to you."},{"id":"content0:66","kind":"paragraph","text":"Mary. He must hear of my good fortune from none but me. And, besides, you do not understand. We are not like other families, we Brodies. We are so clannish, we hold so close together."},{"id":"content0:67","kind":"paragraph","text":"Leslie. You Brodies, and your Deacon!"}],"toc":[{"id":"content0:0:1","label":"Robert Louis Stevenson The Works of Robert Louis Stevenson – Swanston Edition, Vol. 15","page":1,"pageUrl":"/books/4eWPBnoA#reader-content"},{"id":"content0:1:1","label":"DEACON BRODIE OR THE DOUBLE LIFE","page":1,"pageUrl":"/books/4eWPBnoA#reader-content"},{"id":"content0:2:1","label":"A MELODRAMA IN FIVE ACTS AND EIGHT TABLEAUX","page":1,"pageUrl":"/books/4eWPBnoA#reader-content"},{"id":"content0:3:1","label":"PERSONS REPRESENTED","page":1,"pageUrl":"/books/4eWPBnoA#reader-content"},{"id":"content0:14:1","label":"The Scene is laid in Edinburgh. The Time is towards the close of the Eighteenth Century. The Action, some fifty hours l…","page":1,"pageUrl":"/books/4eWPBnoA#reader-content"},{"id":"content0:16:1","label":"ACT I","page":1,"pageUrl":"/books/4eWPBnoA#reader-content"},{"id":"content0:17:1","label":"TABLEAU I The Double Life","page":1,"pageUrl":"/books/4eWPBnoA#reader-content"},{"id":"content0:20:1","label":"SCENE I","page":1,"pageUrl":"/books/4eWPBnoA#reader-content"},{"id":"content0:21:1","label":"To these, Leslie, C","page":1,"pageUrl":"/books/4eWPBnoA#reader-content"},{"id":"content0:71:2","label":"SCENE II","page":2,"pageUrl":"/books/4eWPBnoA?page=2#reader-content"},{"id":"content0:72:2","label":"To these, Brodie and Lawson","page":2,"pageUrl":"/books/4eWPBnoA?page=2#reader-content"},{"id":"content0:112:3","label":"SCENE III","page":3,"pageUrl":"/books/4eWPBnoA?page=3#reader-content"},{"id":"content0:113:3","label":"To these, Smith and Jean, C","page":3,"pageUrl":"/books/4eWPBnoA?page=3#reader-content"},{"id":"content0:125:3","label":"SCENE IV","page":3,"pageUrl":"/books/4eWPBnoA?page=3#reader-content"},{"id":"content0:126:3","label":"Smith, Jean Watt, Old Brodie","page":3,"pageUrl":"/books/4eWPBnoA?page=3#reader-content"},{"id":"content0:149:3","label":"SCENE V","page":3,"pageUrl":"/books/4eWPBnoA?page=3#reader-content"},{"id":"content0:150:3","label":"To these, Hunt, C. (He steals down, and claps each one suddenly on the shoulder.)","page":3,"pageUrl":"/books/4eWPBnoA?page=3#reader-content"},{"id":"content0:163:4","label":"SCENE VI","page":4,"pageUrl":"/books/4eWPBnoA?page=4#reader-content"},{"id":"content0:164:4","label":"To these, C., Brodie and Lawson (greatcoat, muffler, lantern)","page":4,"pageUrl":"/books/4eWPBnoA?page=4#reader-content"},{"id":"content0:173:4","label":"SCENE VII","page":4,"pageUrl":"/books/4eWPBnoA?page=4#reader-content"},{"id":"content0:174:4","label":"Brodie, Smith","page":4,"pageUrl":"/books/4eWPBnoA?page=4#reader-content"},{"id":"content0:207:4","label":"SCENE VIII","page":4,"pageUrl":"/books/4eWPBnoA?page=4#reader-content"},{"id":"content0:208:4","label":"Brodie, Old Brodie; to whom, Mary","page":4,"pageUrl":"/books/4eWPBnoA?page=4#reader-content"},{"id":"content0:220:5","label":"SCENE IX","page":5,"pageUrl":"/books/4eWPBnoA?page=5#reader-content"},{"id":"content0:221:5","label":"Brodie","page":5,"pageUrl":"/books/4eWPBnoA?page=5#reader-content"},{"id":"content0:222:5","label":"(He closes, locks, and double-bolts the doors)","page":5,"pageUrl":"/books/4eWPBnoA?page=5#reader-content"},{"id":"content1:0:5","label":"TABLEAU II Hunt The Runner","page":5,"pageUrl":"/books/4eWPBnoA?page=5#reader-content"},{"id":"content1:2:5","label":"SCENE I","page":5,"pageUrl":"/books/4eWPBnoA?page=5#reader-content"},{"id":"content1:3:5","label":"Lawson, Hunt","page":5,"pageUrl":"/books/4eWPBnoA?page=5#reader-content"},{"id":"content1:17:6","label":"SCENE II","page":6,"pageUrl":"/books/4eWPBnoA?page=6#reader-content"},{"id":"content1:19:6","label":"SCENE III","page":6,"pageUrl":"/books/4eWPBnoA?page=6#reader-content"},{"id":"content1:20:6","label":"Hunt; to him, Jean","page":6,"pageUrl":"/books/4eWPBnoA?page=6#reader-content"},{"id":"content1:35:6","label":"SCENE IV","page":6,"pageUrl":"/books/4eWPBnoA?page=6#reader-content"},{"id":"content1:36:6","label":"Hunt (solus)","page":6,"pageUrl":"/books/4eWPBnoA?page=6#reader-content"},{"id":"content1:38:7","label":"TABLEAU III Mother Clarke’s","page":7,"pageUrl":"/books/4eWPBnoA?page=7#reader-content"},{"id":"content1:40:7","label":"SCENE I","page":7,"pageUrl":"/books/4eWPBnoA?page=7#reader-content"},{"id":"content1:61:7","label":"SCENE II","page":7,"pageUrl":"/books/4eWPBnoA?page=7#reader-content"},{"id":"content1:62:7","label":"To these, Hunt, disguised","page":7,"pageUrl":"/books/4eWPBnoA?page=7#reader-content"},{"id":"content1:97:8","label":"SCENE III","page":8,"pageUrl":"/books/4eWPBnoA?page=8#reader-content"},{"id":"content1:98:8","label":"To these, Smith, Rivers","page":8,"pageUrl":"/books/4eWPBnoA?page=8#reader-content"},{"id":"content1:153:9","label":"The Psalm without: —","page":9,"pageUrl":"/books/4eWPBnoA?page=9#reader-content"},{"id":"content1:158:9","label":"END OF THE FIRST ACT","page":9,"pageUrl":"/books/4eWPBnoA?page=9#reader-content"},{"id":"content2:0:9","label":"ACT II","page":9,"pageUrl":"/books/4eWPBnoA?page=9#reader-content"},{"id":"content2:1:9","label":"TABLEAU IV Evil and Good","page":9,"pageUrl":"/books/4eWPBnoA?page=9#reader-content"},{"id":"content2:3:9","label":"SCENE I","page":9,"pageUrl":"/books/4eWPBnoA?page=9#reader-content"},{"id":"content2:5:9","label":"SCENE II","page":9,"pageUrl":"/books/4eWPBnoA?page=9#reader-content"},{"id":"content2:6:9","label":"To him, Jean, a baby in her shawl, C","page":9,"pageUrl":"/books/4eWPBnoA?page=9#reader-content"},{"id":"content2:41:10","label":"SCENE III","page":10,"pageUrl":"/books/4eWPBnoA?page=10#reader-content"},{"id":"content2:42:10","label":"To these, Lawson, L","page":10,"pageUrl":"/books/4eWPBnoA?page=10#reader-content"},{"id":"content2:48:10","label":"SCENE IV","page":10,"pageUrl":"/books/4eWPBnoA?page=10#reader-content"},{"id":"content2:78:11","label":"SCENE V","page":11,"pageUrl":"/books/4eWPBnoA?page=11#reader-content"},{"id":"content2:80:11","label":"SCENE VI","page":11,"pageUrl":"/books/4eWPBnoA?page=11#reader-content"},{"id":"content2:81:11","label":"Brodie, Mary","page":11,"pageUrl":"/books/4eWPBnoA?page=11#reader-content"},{"id":"content2:126:12","label":"SCENE VII","page":12,"pageUrl":"/books/4eWPBnoA?page=12#reader-content"},{"id":"content2:127:12","label":"Brodie, Hunt","page":12,"pageUrl":"/books/4eWPBnoA?page=12#reader-content"},{"id":"content2:165:12","label":"SCENE VIII","page":12,"pageUrl":"/books/4eWPBnoA?page=12#reader-content"},{"id":"content2:166:12","label":"Brodie, Moore, Smith","page":12,"pageUrl":"/books/4eWPBnoA?page=12#reader-content"},{"id":"content2:216:13","label":"SCENE IX","page":13,"pageUrl":"/books/4eWPBnoA?page=13#reader-content"},{"id":"content2:218:13","label":"SCENE X","page":13,"pageUrl":"/books/4eWPBnoA?page=13#reader-content"},{"id":"content2:219:13","label":"Brodie, Mary, Old Brodie","page":13,"pageUrl":"/books/4eWPBnoA?page=13#reader-content"},{"id":"content2:233:14","label":"END OF THE SECOND ACT","page":14,"pageUrl":"/books/4eWPBnoA?page=14#reader-content"},{"id":"content3:0:14","label":"ACT III","page":14,"pageUrl":"/books/4eWPBnoA?page=14#reader-content"},{"id":"content3:1:14","label":"TABLEAU V King’s Evidence","page":14,"pageUrl":"/books/4eWPBnoA?page=14#reader-content"},{"id":"content3:3:14","label":"SCENE I","page":14,"pageUrl":"/books/4eWPBnoA?page=14#reader-content"},{"id":"content3:4:14","label":"Jean, Smith, and Moore","page":14,"pageUrl":"/books/4eWPBnoA?page=14#reader-content"},{"id":"content3:13:14","label":"SCENE II","page":14,"pageUrl":"/books/4eWPBnoA?page=14#reader-content"},{"id":"content3:14:14","label":"Smith and Jean, to whom Hunt and afterwards Moore","page":14,"pageUrl":"/books/4eWPBnoA?page=14#reader-content"},{"id":"content3:63:15","label":"SCENE III","page":15,"pageUrl":"/books/4eWPBnoA?page=15#reader-content"},{"id":"content3:64:15","label":"Hunt, Moore","page":15,"pageUrl":"/books/4eWPBnoA?page=15#reader-content"},{"id":"content3:67:15","label":"SCENE IV","page":15,"pageUrl":"/books/4eWPBnoA?page=15#reader-content"},{"id":"content3:68:15","label":"Hunt, to whom Ainslie","page":15,"pageUrl":"/books/4eWPBnoA?page=15#reader-content"},{"id":"content4:0:16","label":"TABLEAU VI Unmasked","page":16,"pageUrl":"/books/4eWPBnoA?page=16#reader-content"},{"id":"content4:2:16","label":"SCENE I","page":16,"pageUrl":"/books/4eWPBnoA?page=16#reader-content"},{"id":"content4:3:16","label":"Leslie, Lawson, Mary, seated. Brodie at back, walking between the windows and the strong-box","page":16,"pageUrl":"/books/4eWPBnoA?page=16#reader-content"},{"id":"content4:41:16","label":"SCENE II","page":16,"pageUrl":"/books/4eWPBnoA?page=16#reader-content"},{"id":"content4:42:16","label":"Leslie, Lawson (wrapping up)","page":16,"pageUrl":"/books/4eWPBnoA?page=16#reader-content"},{"id":"content4:77:17","label":"SCENE III","page":17,"pageUrl":"/books/4eWPBnoA?page=17#reader-content"},{"id":"content4:82:17","label":"SCENE IV","page":17,"pageUrl":"/books/4eWPBnoA?page=17#reader-content"},{"id":"content4:83:17","label":"Brodie, Leslie","page":17,"pageUrl":"/books/4eWPBnoA?page=17#reader-content"},{"id":"content4:118:17","label":"SCENE V","page":17,"pageUrl":"/books/4eWPBnoA?page=17#reader-content"},{"id":"content4:119:17","label":"Brodie, Lawson, Leslie","page":17,"pageUrl":"/books/4eWPBnoA?page=17#reader-content"},{"id":"content4:138:18","label":"SCENE VI","page":18,"pageUrl":"/books/4eWPBnoA?page=18#reader-content"},{"id":"content4:139:18","label":"To these, Jean","page":18,"pageUrl":"/books/4eWPBnoA?page=18#reader-content"},{"id":"content4:164:18","label":"SCENE VII","page":18,"pageUrl":"/books/4eWPBnoA?page=18#reader-content"},{"id":"content4:165:18","label":"To these, Moore","page":18,"pageUrl":"/books/4eWPBnoA?page=18#reader-content"},{"id":"content4:170:18","label":"END OF THE THIRD ACT","page":18,"pageUrl":"/books/4eWPBnoA?page=18#reader-content"},{"id":"content5:0:18","label":"ACT IV","page":18,"pageUrl":"/books/4eWPBnoA?page=18#reader-content"},{"id":"content5:1:18","label":"TABLEAU VII The Robbery","page":18,"pageUrl":"/books/4eWPBnoA?page=18#reader-content"},{"id":"content5:3:18","label":"SCENE I","page":18,"pageUrl":"/books/4eWPBnoA?page=18#reader-content"},{"id":"content5:4:18","label":"Smith, Moore, Ainslie","page":18,"pageUrl":"/books/4eWPBnoA?page=18#reader-content"},{"id":"content5:24:19","label":"SCENE II","page":19,"pageUrl":"/books/4eWPBnoA?page=19#reader-content"},{"id":"content5:25:19","label":"To these, Brodie","page":19,"pageUrl":"/books/4eWPBnoA?page=19#reader-content"},{"id":"content5:48:19","label":"SCENE III","page":19,"pageUrl":"/books/4eWPBnoA?page=19#reader-content"},{"id":"content5:49:19","label":"Ainslie; afterwards Brodie; afterwards Hunt and Officers","page":19,"pageUrl":"/books/4eWPBnoA?page=19#reader-content"},{"id":"content5:64:19","label":"SCENE IV","page":19,"pageUrl":"/books/4eWPBnoA?page=19#reader-content"},{"id":"content5:65:19","label":"Hunt and Officers; with Smith and Moore handcuffed. Signs of a severe struggle","page":19,"pageUrl":"/books/4eWPBnoA?page=19#reader-content"},{"id":"content5:79:19","label":"END OF THE FOURTH ACT","page":19,"pageUrl":"/books/4eWPBnoA?page=19#reader-content"},{"id":"content5:80:19","label":"ACT V","page":19,"pageUrl":"/books/4eWPBnoA?page=19#reader-content"},{"id":"content5:81:19","label":"TABLEAU VIII The Open Door","page":19,"pageUrl":"/books/4eWPBnoA?page=19#reader-content"},{"id":"content5:83:19","label":"SCENE I","page":19,"pageUrl":"/books/4eWPBnoA?page=19#reader-content"},{"id":"content5:84:19","label":"Doctor, Mary, a Maidservant with lights","page":19,"pageUrl":"/books/4eWPBnoA?page=19#reader-content"},{"id":"content5:101:20","label":"SCENE II","page":20,"pageUrl":"/books/4eWPBnoA?page=20#reader-content"},{"id":"content5:102:20","label":"Mary, to whom Jean and afterwards Leslie","page":20,"pageUrl":"/books/4eWPBnoA?page=20#reader-content"},{"id":"content5:123:20","label":"SCENE III","page":20,"pageUrl":"/books/4eWPBnoA?page=20#reader-content"},{"id":"content5:124:20","label":"Mary, Leslie","page":20,"pageUrl":"/books/4eWPBnoA?page=20#reader-content"},{"id":"content5:151:21","label":"SCENE IV","page":21,"pageUrl":"/books/4eWPBnoA?page=21#reader-content"},{"id":"content5:152:21","label":"After a pause, Brodie through the window","page":21,"pageUrl":"/books/4eWPBnoA?page=21#reader-content"},{"id":"content5:154:21","label":"SCENE V","page":21,"pageUrl":"/books/4eWPBnoA?page=21#reader-content"},{"id":"content5:155:21","label":"Brodie, Mary","page":21,"pageUrl":"/books/4eWPBnoA?page=21#reader-content"},{"id":"content5:196:22","label":"SCENE VI","page":22,"pageUrl":"/books/4eWPBnoA?page=22#reader-content"},{"id":"content5:197:22","label":"To these, Lawson, Leslie, Jean","page":22,"pageUrl":"/books/4eWPBnoA?page=22#reader-content"},{"id":"content5:208:22","label":"SCENE VII","page":22,"pageUrl":"/books/4eWPBnoA?page=22#reader-content"},{"id":"content5:209:22","label":"To these, Hunt","page":22,"pageUrl":"/books/4eWPBnoA?page=22#reader-content"},{"id":"content5:212:22","label":"CURTAIN","page":22,"pageUrl":"/books/4eWPBnoA?page=22#reader-content"},{"id":"content6:0:22","label":"BEAU AUSTIN","page":22,"pageUrl":"/books/4eWPBnoA?page=22#reader-content"},{"id":"content6:1:22","label":"DEDICATED WITH ADMIRATION AND RESPECT TO GEORGE MEREDITH","page":22,"pageUrl":"/books/4eWPBnoA?page=22#reader-content"},{"id":"content6:5:22","label":"PROLOGUE","page":22,"pageUrl":"/books/4eWPBnoA?page=22#reader-content"},{"id":"content6:8:22","label":"Musical Induction: “Lascia ch’io pianga” (Rinaldo), Handel","page":22,"pageUrl":"/books/4eWPBnoA?page=22#reader-content"},{"id":"content6:9:22","label":"ACT I","page":22,"pageUrl":"/books/4eWPBnoA?page=22#reader-content"},{"id":"content6:11:22","label":"SCENE I","page":22,"pageUrl":"/books/4eWPBnoA?page=22#reader-content"},{"id":"content6:12:22","label":"Barbara; to her, Miss Foster","page":22,"pageUrl":"/books/4eWPBnoA?page=22#reader-content"},{"id":"content6:46:23","label":"SCENE II","page":23,"pageUrl":"/books/4eWPBnoA?page=23#reader-content"},{"id":"content6:47:23","label":"To these, Dorothy, L","page":23,"pageUrl":"/books/4eWPBnoA?page=23#reader-content"},{"id":"content6:83:24","label":"SCENE III","page":24,"pageUrl":"/books/4eWPBnoA?page=24#reader-content"},{"id":"content6:85:24","label":"SCENE IV","page":24,"pageUrl":"/books/4eWPBnoA?page=24#reader-content"},{"id":"content6:86:24","label":"To her, Fenwick, C","page":24,"pageUrl":"/books/4eWPBnoA?page=24#reader-content"},{"id":"content7:0:25","label":"Musical Induction: “The Lass of Richmond Hill”","page":25,"pageUrl":"/books/4eWPBnoA?page=25#reader-content"},{"id":"content7:1:25","label":"ACT II","page":25,"pageUrl":"/books/4eWPBnoA?page=25#reader-content"},{"id":"content7:3:25","label":"SCENE I","page":25,"pageUrl":"/books/4eWPBnoA?page=25#reader-content"},{"id":"content7:4:25","label":"Austin, Menteith","page":25,"pageUrl":"/books/4eWPBnoA?page=25#reader-content"},{"id":"content7:24:25","label":"SCENE II","page":25,"pageUrl":"/books/4eWPBnoA?page=25#reader-content"},{"id":"content7:25:25","label":"Austin, Menteith, Anthony","page":25,"pageUrl":"/books/4eWPBnoA?page=25#reader-content"},{"id":"content7:53:26","label":"SCENE III","page":26,"pageUrl":"/books/4eWPBnoA?page=26#reader-content"},{"id":"content7:54:26","label":"Austin, Menteith, returning","page":26,"pageUrl":"/books/4eWPBnoA?page=26#reader-content"},{"id":"content7:71:26","label":"SCENE IV","page":26,"pageUrl":"/books/4eWPBnoA?page=26#reader-content"},{"id":"content7:72:26","label":"Austin, R. To him, Menteith and Fenwick","page":26,"pageUrl":"/books/4eWPBnoA?page=26#reader-content"},{"id":"content7:119:27","label":"SCENE V","page":27,"pageUrl":"/books/4eWPBnoA?page=27#reader-content"},{"id":"content7:121:28","label":"SCENE VI","page":28,"pageUrl":"/books/4eWPBnoA?page=28#reader-content"},{"id":"content7:122:28","label":"Austin, Menteith","page":28,"pageUrl":"/books/4eWPBnoA?page=28#reader-content"},{"id":"content8:0:28","label":"Musical Induction: The “Minuet” from Don Giovanni","page":28,"pageUrl":"/books/4eWPBnoA?page=28#reader-content"},{"id":"content8:1:28","label":"ACT III","page":28,"pageUrl":"/books/4eWPBnoA?page=28#reader-content"},{"id":"content8:3:28","label":"SCENE I","page":28,"pageUrl":"/books/4eWPBnoA?page=28#reader-content"},{"id":"content8:4:28","label":"Dorothy, R., at tambour; Anthony, C., bestriding chair; Miss Foster, L.C","page":28,"pageUrl":"/books/4eWPBnoA?page=28#reader-content"},{"id":"content8:23:28","label":"SCENE II","page":28,"pageUrl":"/books/4eWPBnoA?page=28#reader-content"},{"id":"content8:24:28","label":"Anthony, Miss Foster","page":28,"pageUrl":"/books/4eWPBnoA?page=28#reader-content"},{"id":"content8:29:28","label":"SCENE III","page":28,"pageUrl":"/books/4eWPBnoA?page=28#reader-content"},{"id":"content8:31:29","label":"SCENE IV","page":29,"pageUrl":"/books/4eWPBnoA?page=29#reader-content"},{"id":"content8:32:29","label":"Anthony, Barbara","page":29,"pageUrl":"/books/4eWPBnoA?page=29#reader-content"},{"id":"content8:55:29","label":"SCENE V","page":29,"pageUrl":"/books/4eWPBnoA?page=29#reader-content"},{"id":"content8:56:29","label":"Anthony, Fenwick","page":29,"pageUrl":"/books/4eWPBnoA?page=29#reader-content"},{"id":"content8:66:30","label":"SCENE VI","page":30,"pageUrl":"/books/4eWPBnoA?page=30#reader-content"},{"id":"content8:67:30","label":"To these, Austin, Barbara announcing","page":30,"pageUrl":"/books/4eWPBnoA?page=30#reader-content"},{"id":"content8:85:30","label":"SCENE VII","page":30,"pageUrl":"/books/4eWPBnoA?page=30#reader-content"},{"id":"content8:86:30","label":"Austin, Dorothy","page":30,"pageUrl":"/books/4eWPBnoA?page=30#reader-content"},{"id":"content8:117:31","label":"SCENE VIII","page":31,"pageUrl":"/books/4eWPBnoA?page=31#reader-content"},{"id":"content8:118:31","label":"Dorothy; to whom, Anthony, L","page":31,"pageUrl":"/books/4eWPBnoA?page=31#reader-content"},{"id":"content8:142:32","label":"(Music: “Chè farò” as the drop falls.)","page":32,"pageUrl":"/books/4eWPBnoA?page=32#reader-content"},{"id":"content9:0:32","label":"Musical Induction: “Gavotte,” Iphigénie en Aulide, Gluck","page":32,"pageUrl":"/books/4eWPBnoA?page=32#reader-content"},{"id":"content9:1:32","label":"ACT IV","page":32,"pageUrl":"/books/4eWPBnoA?page=32#reader-content"},{"id":"content9:3:32","label":"SCENE I","page":32,"pageUrl":"/books/4eWPBnoA?page=32#reader-content"},{"id":"content9:4:32","label":"Miss Foster, Barbara, Menteith; Visitors","page":32,"pageUrl":"/books/4eWPBnoA?page=32#reader-content"},{"id":"content9:23:32","label":"SCENE II","page":32,"pageUrl":"/books/4eWPBnoA?page=32#reader-content"},{"id":"content9:24:32","label":"To these, Austin. Menteith falls back, and Austin takes his place in front of Miss Foster, his attitude a counterpart o…","page":32,"pageUrl":"/books/4eWPBnoA?page=32#reader-content"},{"id":"content9:36:33","label":"SCENE III","page":33,"pageUrl":"/books/4eWPBnoA?page=33#reader-content"},{"id":"content9:37:33","label":"To these, Fenwick. Miss Foster remains seated, L. Austin goes R. to Fenwick, whom he salutes with great respect","page":33,"pageUrl":"/books/4eWPBnoA?page=33#reader-content"},{"id":"content9:47:33","label":"SCENE IV","page":33,"pageUrl":"/books/4eWPBnoA?page=33#reader-content"},{"id":"content9:48:33","label":"To these, the Royal Duke, C.; then, immediately, Anthony, L. Fenwick crosses to Miss Foster, R. Austin accosts the Duke…","page":33,"pageUrl":"/books/4eWPBnoA?page=33#reader-content"},{"id":"content9:55:33","label":"SCENE V","page":33,"pageUrl":"/books/4eWPBnoA?page=33#reader-content"},{"id":"content9:56:33","label":"To these, Dorothy, L. U. E. Dorothy, unseen by Austin, shrieks. Sensation. Music stops. Tableau","page":33,"pageUrl":"/books/4eWPBnoA?page=33#reader-content"},{"id":"content10:0:33","label":"ADMIRAL GUINEA","page":33,"pageUrl":"/books/4eWPBnoA?page=33#reader-content"},{"id":"content10:1:33","label":"DEDICATED WITH AFFECTION AND ESTEEM TO ANDREW LANG BY THE SURVIVORS OF THE WALRUS","page":33,"pageUrl":"/books/4eWPBnoA?page=33#reader-content"},{"id":"content10:4:33","label":"PERSONS REPRESENTED","page":33,"pageUrl":"/books/4eWPBnoA?page=33#reader-content"},{"id":"content10:10:34","label":"The Scene is laid in the neighbourhood of Barnstaple","page":34,"pageUrl":"/books/4eWPBnoA?page=34#reader-content"},{"id":"content10:11:34","label":"The Time is about the year 1760. The Action occupies part of a day and night","page":34,"pageUrl":"/books/4eWPBnoA?page=34#reader-content"},{"id":"content10:13:34","label":"ACT I","page":34,"pageUrl":"/books/4eWPBnoA?page=34#reader-content"},{"id":"content10:15:34","label":"SCENE I","page":34,"pageUrl":"/books/4eWPBnoA?page=34#reader-content"},{"id":"content10:16:34","label":"Arethusa is discovered, dusting","page":34,"pageUrl":"/books/4eWPBnoA?page=34#reader-content"},{"id":"content10:18:34","label":"SCENE II","page":34,"pageUrl":"/books/4eWPBnoA?page=34#reader-content"},{"id":"content10:19:34","label":"Arethusa; to her, Kit, C. He enters on tiptoe, and she does not see or hear him","page":34,"pageUrl":"/books/4eWPBnoA?page=34#reader-content"},{"id":"content10:48:35","label":"SCENE III","page":35,"pageUrl":"/books/4eWPBnoA?page=35#reader-content"},{"id":"content10:49:35","label":"To these, Gaunt, C","page":35,"pageUrl":"/books/4eWPBnoA?page=35#reader-content"},{"id":"content10:67:36","label":"SCENE IV","page":36,"pageUrl":"/books/4eWPBnoA?page=36#reader-content"},{"id":"content10:68:36","label":"Arethusa, Gaunt","page":36,"pageUrl":"/books/4eWPBnoA?page=36#reader-content"},{"id":"content10:73:36","label":"SCENE V","page":36,"pageUrl":"/books/4eWPBnoA?page=36#reader-content"},{"id":"content10:75:36","label":"SCENE VI","page":36,"pageUrl":"/books/4eWPBnoA?page=36#reader-content"},{"id":"content10:76:36","label":"Arethusa; to her, Pew","page":36,"pageUrl":"/books/4eWPBnoA?page=36#reader-content"},{"id":"content10:112:37","label":"SCENE VII","page":37,"pageUrl":"/books/4eWPBnoA?page=37#reader-content"},{"id":"content10:114:37","label":"SCENE VIII","page":37,"pageUrl":"/books/4eWPBnoA?page=37#reader-content"},{"id":"content10:115:37","label":"Pew; to him, Gaunt","page":37,"pageUrl":"/books/4eWPBnoA?page=37#reader-content"},{"id":"content11:0:38","label":"ACT II","page":38,"pageUrl":"/books/4eWPBnoA?page=38#reader-content"},{"id":"content11:2:38","label":"SCENE I","page":38,"pageUrl":"/books/4eWPBnoA?page=38#reader-content"},{"id":"content11:3:38","label":"Pew; afterwards Mrs. Drake, out and in","page":38,"pageUrl":"/books/4eWPBnoA?page=38#reader-content"},{"id":"content11:43:39","label":"SCENE II","page":39,"pageUrl":"/books/4eWPBnoA?page=39#reader-content"},{"id":"content11:44:39","label":"To these, Kit, a little drunk","page":39,"pageUrl":"/books/4eWPBnoA?page=39#reader-content"},{"id":"content11:71:40","label":"SCENE III","page":40,"pageUrl":"/books/4eWPBnoA?page=40#reader-content"},{"id":"content11:72:40","label":"To these, Arethusa","page":40,"pageUrl":"/books/4eWPBnoA?page=40#reader-content"},{"id":"content11:82:40","label":"SCENE IV","page":40,"pageUrl":"/books/4eWPBnoA?page=40#reader-content"},{"id":"content11:83:40","label":"To these, Gaunt","page":40,"pageUrl":"/books/4eWPBnoA?page=40#reader-content"},{"id":"content11:100:41","label":"SCENE V","page":41,"pageUrl":"/books/4eWPBnoA?page=41#reader-content"},{"id":"content11:101:41","label":"Pew, Mrs. Drake, Kit","page":41,"pageUrl":"/books/4eWPBnoA?page=41#reader-content"},{"id":"content11:118:41","label":"SCENE VI","page":41,"pageUrl":"/books/4eWPBnoA?page=41#reader-content"},{"id":"content11:119:41","label":"Pew, Kit","page":41,"pageUrl":"/books/4eWPBnoA?page=41#reader-content"},{"id":"content11:120:41","label":"They sit at the other table, L","page":41,"pageUrl":"/books/4eWPBnoA?page=41#reader-content"},{"id":"content12:0:42","label":"ACT III","page":42,"pageUrl":"/books/4eWPBnoA?page=42#reader-content"},{"id":"content12:2:42","label":"SCENE I","page":42,"pageUrl":"/books/4eWPBnoA?page=42#reader-content"},{"id":"content12:3:42","label":"Arethusa, Gaunt","page":42,"pageUrl":"/books/4eWPBnoA?page=42#reader-content"},{"id":"content12:38:44","label":"SCENE II","page":44,"pageUrl":"/books/4eWPBnoA?page=44#reader-content"},{"id":"content12:39:44","label":"Gaunt and Arethusa go out L., carrying the candles. Stage dark. A distant clock chimes the quarters, and strikes one. T…","page":44,"pageUrl":"/books/4eWPBnoA?page=44#reader-content"},{"id":"content12:55:44","label":"SCENE III","page":44,"pageUrl":"/books/4eWPBnoA?page=44#reader-content"},{"id":"content12:56:44","label":"To these, Arethusa, Gaunt, with lights. Stage light, Pew has Kit down, and is throttling him","page":44,"pageUrl":"/books/4eWPBnoA?page=44#reader-content"},{"id":"content12:82:45","label":"SCENE IV","page":45,"pageUrl":"/books/4eWPBnoA?page=45#reader-content"},{"id":"content12:83:45","label":"Kit, Arethusa, Gaunt","page":45,"pageUrl":"/books/4eWPBnoA?page=45#reader-content"},{"id":"content12:99:45","label":"SCENE V","page":45,"pageUrl":"/books/4eWPBnoA?page=45#reader-content"},{"id":"content12:100:45","label":"Gaunt, Arethusa, afterwards Pew","page":45,"pageUrl":"/books/4eWPBnoA?page=45#reader-content"},{"id":"content12:107:46","label":"SCENE VI","page":46,"pageUrl":"/books/4eWPBnoA?page=46#reader-content"},{"id":"content12:108:46","label":"Arethusa","page":46,"pageUrl":"/books/4eWPBnoA?page=46#reader-content"},{"id":"content13:0:46","label":"ACT IV","page":46,"pageUrl":"/books/4eWPBnoA?page=46#reader-content"},{"id":"content13:2:46","label":"SCENE I","page":46,"pageUrl":"/books/4eWPBnoA?page=46#reader-content"},{"id":"content13:3:46","label":"Arethusa, Kit","page":46,"pageUrl":"/books/4eWPBnoA?page=46#reader-content"},{"id":"content13:37:46","label":"SCENE II","page":46,"pageUrl":"/books/4eWPBnoA?page=46#reader-content"},{"id":"content13:38:46","label":"Arethusa, Gaunt entering L","page":46,"pageUrl":"/books/4eWPBnoA?page=46#reader-content"},{"id":"content13:50:47","label":"SCENE III","page":47,"pageUrl":"/books/4eWPBnoA?page=47#reader-content"},{"id":"content13:51:47","label":"Arethusa (at back of stage by the door); Gaunt (front L.); to these, Pew, C","page":47,"pageUrl":"/books/4eWPBnoA?page=47#reader-content"},{"id":"content13:57:47","label":"SCENE IV","page":47,"pageUrl":"/books/4eWPBnoA?page=47#reader-content"},{"id":"content13:58:47","label":"To these, Kit","page":47,"pageUrl":"/books/4eWPBnoA?page=47#reader-content"},{"id":"content14:0:47","label":"MACAIRE","page":47,"pageUrl":"/books/4eWPBnoA?page=47#reader-content"},{"id":"content14:1:47","label":"A MELODRAMATIC FARCE IN THREE ACTS","page":47,"pageUrl":"/books/4eWPBnoA?page=47#reader-content"},{"id":"content14:2:47","label":"PERSONS REPRESENTED","page":47,"pageUrl":"/books/4eWPBnoA?page=47#reader-content"},{"id":"content14:16:47","label":"The Scene is laid in the Courtyard of the “Auberge des Adrets,” on the frontier of France and Savoy. The time 1820. The…","page":47,"pageUrl":"/books/4eWPBnoA?page=47#reader-content"},{"id":"content14:18:48","label":"ACT I","page":48,"pageUrl":"/books/4eWPBnoA?page=48#reader-content"},{"id":"content14:20:48","label":"SCENE I","page":48,"pageUrl":"/books/4eWPBnoA?page=48#reader-content"},{"id":"content14:21:48","label":"Aline and Maids; to whom, Fiddlers; afterwards Dumont and Charles. As the curtain rises, the sound of the violins is he…","page":48,"pageUrl":"/books/4eWPBnoA?page=48#reader-content"},{"id":"content14:30:48","label":"SCENE II","page":48,"pageUrl":"/books/4eWPBnoA?page=48#reader-content"},{"id":"content14:31:48","label":"To these, by the door L.C., the Curate and the Notary arm in arm; the latter owl-like and titubant","page":48,"pageUrl":"/books/4eWPBnoA?page=48#reader-content"},{"id":"content14:58:49","label":"SCENE III","page":49,"pageUrl":"/books/4eWPBnoA?page=49#reader-content"},{"id":"content14:59:49","label":"The Stage remains vacant. Enter, by door L.C., Macaire, followed by Bertrand with the bundle; in the traditional costume","page":49,"pageUrl":"/books/4eWPBnoA?page=49#reader-content"},{"id":"content14:77:49","label":"SCENE IV","page":49,"pageUrl":"/books/4eWPBnoA?page=49#reader-content"},{"id":"content14:78:49","label":"To these, Dumont","page":49,"pageUrl":"/books/4eWPBnoA?page=49#reader-content"},{"id":"content14:86:49","label":"SCENE V","page":49,"pageUrl":"/books/4eWPBnoA?page=49#reader-content"},{"id":"content14:87:49","label":"Macaire, Bertrand; afterwards Charles, who appears on the gallery and comes down","page":49,"pageUrl":"/books/4eWPBnoA?page=49#reader-content"},{"id":"content14:101:50","label":"SCENE VI","page":50,"pageUrl":"/books/4eWPBnoA?page=50#reader-content"},{"id":"content14:102:50","label":"Macaire, Bertrand; to whom, Aline with tray; and afterwards Maids","page":50,"pageUrl":"/books/4eWPBnoA?page=50#reader-content"},{"id":"content14:117:50","label":"SCENE VII","page":50,"pageUrl":"/books/4eWPBnoA?page=50#reader-content"},{"id":"content14:118:50","label":"To these, from the inn, L.U.E., Dumont, Charles, the Curate, the Notary jigging; from the inn, R.U.E., Fiddlers playing…","page":50,"pageUrl":"/books/4eWPBnoA?page=50#reader-content"},{"id":"content14:172:51","label":"SCENE VIII","page":51,"pageUrl":"/books/4eWPBnoA?page=51#reader-content"},{"id":"content14:173:51","label":"Macaire, Bertrand, who instantly takes a bottle from the wedding-table, and sits with it, L","page":51,"pageUrl":"/books/4eWPBnoA?page=51#reader-content"},{"id":"content14:198:52","label":"DROP","page":52,"pageUrl":"/books/4eWPBnoA?page=52#reader-content"},{"id":"content15:0:52","label":"ACT II","page":52,"pageUrl":"/books/4eWPBnoA?page=52#reader-content"},{"id":"content15:2:52","label":"SCENE I","page":52,"pageUrl":"/books/4eWPBnoA?page=52#reader-content"},{"id":"content15:3:52","label":"Macaire, Bertrand","page":52,"pageUrl":"/books/4eWPBnoA?page=52#reader-content"},{"id":"content15:17:52","label":"SCENE II","page":52,"pageUrl":"/books/4eWPBnoA?page=52#reader-content"},{"id":"content15:46:53","label":"SCENE III","page":53,"pageUrl":"/books/4eWPBnoA?page=53#reader-content"},{"id":"content15:47:53","label":"To these, the Marquis, L.C","page":53,"pageUrl":"/books/4eWPBnoA?page=53#reader-content"},{"id":"content15:87:53","label":"SCENE IV","page":53,"pageUrl":"/books/4eWPBnoA?page=53#reader-content"},{"id":"content15:88:53","label":"Macaire, Marquis","page":53,"pageUrl":"/books/4eWPBnoA?page=53#reader-content"},{"id":"content15:122:54","label":"SCENE V","page":54,"pageUrl":"/books/4eWPBnoA?page=54#reader-content"},{"id":"content15:123:54","label":"Marcaire, to whom Bertrand. 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