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Дата написания1970-01-01
Язык книгиen
Возрастное ограничение12+
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Страница 57 из 57SCENE IV
To these, Charles, who is seen on the gallery going to the door of Number Thirteen. Afterwards all the characters but the Notary and the Marquis
Brigadier. One glass more. (Bertrand touches Macaire, and points to Charles, who enters Number Thirteen.)
Macaire. No more, no more, no more.
Brigadier (rising and taking Macaire by the arm). I stipulate.
Macaire. Engagement in Turin!
Bertrand. For God’s sake …
Brigadier. Well, good-bye!
Macaire. Good-bye, good —
Charles (from within). Murder! Help! (Appearing.) Help here! The Marquis is murdered.
Brigadier. Stand to the door. A man up there. (A Gendarme hurries up staircase into Number Thirteen, Charles following him. Enter on both sides of gallery the remaining characters of the piece, except the Notary and the Marquis.)
Brigadier (to Dumont). John Paul Dumont, I arrest you.
Dumont. Do your duty, officer. I can answer for myself and my own people.
Brigadier. Yes, but these strangers?
Dumont. They are strangers to me.
Macaire. I am an honest man: I stand upon my rights: search me; or search this person, of whom I know too little. (Smiting his brow.) By heaven, I see it all! This morning – (To Bertrand.) How, sir, did you dare to flaunt your booty in my very face? (To Brigadier.) He showed me notes; he was up ere day; search him, and you’ll find. There stands the murderer.
Bertrand. O, Macaire! (He is seized and searched and the notes are found.)
Brigadier. There is blood upon the notes. Handcuffs. (Macaire edging towards the door.)
Bertrand. Macaire, you may as well take the bundle. (Macaire is stopped by sentry, and comes front, R.)
Charles (re-appearing). Stop, I know the truth. (He comes down.) Brigadier, my father is not dead. He is not even dangerously hurt. He has spoken. There is the would-be assassin.
Macaire. Hell! (He darts across to the staircase, and turns on the second step, flashing out the knife.) Back, hounds! (He springs up the stair, and confronts them from the top.) Fools, I am Robert Macaire! (As Macaire turns to flee, he is met by the Gendarme coming out of Number Thirteen; he stands an instant checked, is shot from the stage, and falls headlong backward down the stair. Bertrand, with a cry, breaks from the Gendarmes, kneels at his side, and raises his head.)
Bertrand. Macaire, Macaire, forgive me. I didn’t blab; you know I didn’t blab.
Macaire. Sold again, old boy. Sold for the last time; at least, the last time this side death. Death – what is death? (He dies.)
CURTAIN
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How, sir, did you dare to flaunt your booty in my very face? (To Brigadier.) He showed me notes; he was up ere day; search him, and you’ll find. There stands the murderer."},{"id":"content16:136","kind":"paragraph","text":"Bertrand. O, Macaire! (He is seized and searched and the notes are found.)"},{"id":"content16:137","kind":"paragraph","text":"Brigadier. There is blood upon the notes. Handcuffs. (Macaire edging towards the door.)"},{"id":"content16:138","kind":"paragraph","text":"Bertrand. Macaire, you may as well take the bundle. (Macaire is stopped by sentry, and comes front, R.)"},{"id":"content16:139","kind":"paragraph","text":"Charles (re-appearing). Stop, I know the truth. (He comes down.) Brigadier, my father is not dead. He is not even dangerously hurt. He has spoken. There is the would-be assassin."},{"id":"content16:140","kind":"paragraph","text":"Macaire. Hell! (He darts across to the staircase, and turns on the second step, flashing out the knife.) Back, hounds! (He springs up the stair, and confronts them from the top.) Fools, I am Robert Macaire! (As Macaire turns to flee, he is met by the Gendarme coming out of Number Thirteen; he stands an instant checked, is shot from the stage, and falls headlong backward down the stair. Bertrand, with a cry, breaks from the Gendarmes, kneels at his side, and raises his head.)"},{"id":"content16:141","kind":"paragraph","text":"Bertrand. Macaire, Macaire, forgive me. I didn’t blab; you know I didn’t blab."},{"id":"content16:142","kind":"paragraph","text":"Macaire. Sold again, old boy. Sold for the last time; at least, the last time this side death. Death – what is death? (He dies.)"},{"id":"content16:143","kind":"heading","text":"CURTAIN"}],"toc":[{"id":"content0:0:1","label":"Robert Louis Stevenson The Works of Robert Louis Stevenson – Swanston Edition, Vol. 15","page":1,"pageUrl":"/books/4eWPBnoA#reader-content"},{"id":"content0:1:1","label":"DEACON BRODIE OR THE DOUBLE LIFE","page":1,"pageUrl":"/books/4eWPBnoA#reader-content"},{"id":"content0:2:1","label":"A MELODRAMA IN FIVE ACTS AND EIGHT TABLEAUX","page":1,"pageUrl":"/books/4eWPBnoA#reader-content"},{"id":"content0:3:1","label":"PERSONS REPRESENTED","page":1,"pageUrl":"/books/4eWPBnoA#reader-content"},{"id":"content0:14:1","label":"The Scene is laid in Edinburgh. The Time is towards the close of the Eighteenth Century. The Action, some fifty hours l…","page":1,"pageUrl":"/books/4eWPBnoA#reader-content"},{"id":"content0:16:1","label":"ACT I","page":1,"pageUrl":"/books/4eWPBnoA#reader-content"},{"id":"content0:17:1","label":"TABLEAU I The Double Life","page":1,"pageUrl":"/books/4eWPBnoA#reader-content"},{"id":"content0:20:1","label":"SCENE I","page":1,"pageUrl":"/books/4eWPBnoA#reader-content"},{"id":"content0:21:1","label":"To these, Leslie, C","page":1,"pageUrl":"/books/4eWPBnoA#reader-content"},{"id":"content0:71:2","label":"SCENE II","page":2,"pageUrl":"/books/4eWPBnoA?page=2#reader-content"},{"id":"content0:72:2","label":"To these, Brodie and Lawson","page":2,"pageUrl":"/books/4eWPBnoA?page=2#reader-content"},{"id":"content0:112:3","label":"SCENE III","page":3,"pageUrl":"/books/4eWPBnoA?page=3#reader-content"},{"id":"content0:113:3","label":"To these, Smith and Jean, C","page":3,"pageUrl":"/books/4eWPBnoA?page=3#reader-content"},{"id":"content0:125:3","label":"SCENE IV","page":3,"pageUrl":"/books/4eWPBnoA?page=3#reader-content"},{"id":"content0:126:3","label":"Smith, Jean Watt, Old Brodie","page":3,"pageUrl":"/books/4eWPBnoA?page=3#reader-content"},{"id":"content0:149:3","label":"SCENE V","page":3,"pageUrl":"/books/4eWPBnoA?page=3#reader-content"},{"id":"content0:150:3","label":"To these, Hunt, C. (He steals down, and claps each one suddenly on the shoulder.)","page":3,"pageUrl":"/books/4eWPBnoA?page=3#reader-content"},{"id":"content0:163:4","label":"SCENE VI","page":4,"pageUrl":"/books/4eWPBnoA?page=4#reader-content"},{"id":"content0:164:4","label":"To these, C., Brodie and Lawson (greatcoat, muffler, lantern)","page":4,"pageUrl":"/books/4eWPBnoA?page=4#reader-content"},{"id":"content0:173:4","label":"SCENE VII","page":4,"pageUrl":"/books/4eWPBnoA?page=4#reader-content"},{"id":"content0:174:4","label":"Brodie, Smith","page":4,"pageUrl":"/books/4eWPBnoA?page=4#reader-content"},{"id":"content0:207:4","label":"SCENE VIII","page":4,"pageUrl":"/books/4eWPBnoA?page=4#reader-content"},{"id":"content0:208:4","label":"Brodie, Old Brodie; to whom, Mary","page":4,"pageUrl":"/books/4eWPBnoA?page=4#reader-content"},{"id":"content0:220:5","label":"SCENE IX","page":5,"pageUrl":"/books/4eWPBnoA?page=5#reader-content"},{"id":"content0:221:5","label":"Brodie","page":5,"pageUrl":"/books/4eWPBnoA?page=5#reader-content"},{"id":"content0:222:5","label":"(He closes, locks, and double-bolts the doors)","page":5,"pageUrl":"/books/4eWPBnoA?page=5#reader-content"},{"id":"content1:0:5","label":"TABLEAU II Hunt The Runner","page":5,"pageUrl":"/books/4eWPBnoA?page=5#reader-content"},{"id":"content1:2:5","label":"SCENE I","page":5,"pageUrl":"/books/4eWPBnoA?page=5#reader-content"},{"id":"content1:3:5","label":"Lawson, Hunt","page":5,"pageUrl":"/books/4eWPBnoA?page=5#reader-content"},{"id":"content1:17:6","label":"SCENE II","page":6,"pageUrl":"/books/4eWPBnoA?page=6#reader-content"},{"id":"content1:19:6","label":"SCENE III","page":6,"pageUrl":"/books/4eWPBnoA?page=6#reader-content"},{"id":"content1:20:6","label":"Hunt; to him, Jean","page":6,"pageUrl":"/books/4eWPBnoA?page=6#reader-content"},{"id":"content1:35:6","label":"SCENE IV","page":6,"pageUrl":"/books/4eWPBnoA?page=6#reader-content"},{"id":"content1:36:6","label":"Hunt (solus)","page":6,"pageUrl":"/books/4eWPBnoA?page=6#reader-content"},{"id":"content1:38:7","label":"TABLEAU III Mother Clarke’s","page":7,"pageUrl":"/books/4eWPBnoA?page=7#reader-content"},{"id":"content1:40:7","label":"SCENE I","page":7,"pageUrl":"/books/4eWPBnoA?page=7#reader-content"},{"id":"content1:61:7","label":"SCENE II","page":7,"pageUrl":"/books/4eWPBnoA?page=7#reader-content"},{"id":"content1:62:7","label":"To these, Hunt, disguised","page":7,"pageUrl":"/books/4eWPBnoA?page=7#reader-content"},{"id":"content1:97:8","label":"SCENE III","page":8,"pageUrl":"/books/4eWPBnoA?page=8#reader-content"},{"id":"content1:98:8","label":"To these, Smith, Rivers","page":8,"pageUrl":"/books/4eWPBnoA?page=8#reader-content"},{"id":"content1:153:9","label":"The Psalm without: —","page":9,"pageUrl":"/books/4eWPBnoA?page=9#reader-content"},{"id":"content1:158:9","label":"END OF THE FIRST ACT","page":9,"pageUrl":"/books/4eWPBnoA?page=9#reader-content"},{"id":"content2:0:9","label":"ACT II","page":9,"pageUrl":"/books/4eWPBnoA?page=9#reader-content"},{"id":"content2:1:9","label":"TABLEAU IV Evil and Good","page":9,"pageUrl":"/books/4eWPBnoA?page=9#reader-content"},{"id":"content2:3:9","label":"SCENE I","page":9,"pageUrl":"/books/4eWPBnoA?page=9#reader-content"},{"id":"content2:5:9","label":"SCENE II","page":9,"pageUrl":"/books/4eWPBnoA?page=9#reader-content"},{"id":"content2:6:9","label":"To him, Jean, a baby in her shawl, C","page":9,"pageUrl":"/books/4eWPBnoA?page=9#reader-content"},{"id":"content2:41:10","label":"SCENE III","page":10,"pageUrl":"/books/4eWPBnoA?page=10#reader-content"},{"id":"content2:42:10","label":"To these, Lawson, L","page":10,"pageUrl":"/books/4eWPBnoA?page=10#reader-content"},{"id":"content2:48:10","label":"SCENE IV","page":10,"pageUrl":"/books/4eWPBnoA?page=10#reader-content"},{"id":"content2:78:11","label":"SCENE V","page":11,"pageUrl":"/books/4eWPBnoA?page=11#reader-content"},{"id":"content2:80:11","label":"SCENE VI","page":11,"pageUrl":"/books/4eWPBnoA?page=11#reader-content"},{"id":"content2:81:11","label":"Brodie, Mary","page":11,"pageUrl":"/books/4eWPBnoA?page=11#reader-content"},{"id":"content2:126:12","label":"SCENE VII","page":12,"pageUrl":"/books/4eWPBnoA?page=12#reader-content"},{"id":"content2:127:12","label":"Brodie, Hunt","page":12,"pageUrl":"/books/4eWPBnoA?page=12#reader-content"},{"id":"content2:165:12","label":"SCENE VIII","page":12,"pageUrl":"/books/4eWPBnoA?page=12#reader-content"},{"id":"content2:166:12","label":"Brodie, Moore, Smith","page":12,"pageUrl":"/books/4eWPBnoA?page=12#reader-content"},{"id":"content2:216:13","label":"SCENE IX","page":13,"pageUrl":"/books/4eWPBnoA?page=13#reader-content"},{"id":"content2:218:13","label":"SCENE X","page":13,"pageUrl":"/books/4eWPBnoA?page=13#reader-content"},{"id":"content2:219:13","label":"Brodie, Mary, Old Brodie","page":13,"pageUrl":"/books/4eWPBnoA?page=13#reader-content"},{"id":"content2:233:14","label":"END OF THE SECOND ACT","page":14,"pageUrl":"/books/4eWPBnoA?page=14#reader-content"},{"id":"content3:0:14","label":"ACT III","page":14,"pageUrl":"/books/4eWPBnoA?page=14#reader-content"},{"id":"content3:1:14","label":"TABLEAU V King’s Evidence","page":14,"pageUrl":"/books/4eWPBnoA?page=14#reader-content"},{"id":"content3:3:14","label":"SCENE I","page":14,"pageUrl":"/books/4eWPBnoA?page=14#reader-content"},{"id":"content3:4:14","label":"Jean, Smith, and Moore","page":14,"pageUrl":"/books/4eWPBnoA?page=14#reader-content"},{"id":"content3:13:14","label":"SCENE II","page":14,"pageUrl":"/books/4eWPBnoA?page=14#reader-content"},{"id":"content3:14:14","label":"Smith and Jean, to whom Hunt and afterwards Moore","page":14,"pageUrl":"/books/4eWPBnoA?page=14#reader-content"},{"id":"content3:63:15","label":"SCENE III","page":15,"pageUrl":"/books/4eWPBnoA?page=15#reader-content"},{"id":"content3:64:15","label":"Hunt, Moore","page":15,"pageUrl":"/books/4eWPBnoA?page=15#reader-content"},{"id":"content3:67:15","label":"SCENE IV","page":15,"pageUrl":"/books/4eWPBnoA?page=15#reader-content"},{"id":"content3:68:15","label":"Hunt, to whom Ainslie","page":15,"pageUrl":"/books/4eWPBnoA?page=15#reader-content"},{"id":"content4:0:16","label":"TABLEAU VI Unmasked","page":16,"pageUrl":"/books/4eWPBnoA?page=16#reader-content"},{"id":"content4:2:16","label":"SCENE I","page":16,"pageUrl":"/books/4eWPBnoA?page=16#reader-content"},{"id":"content4:3:16","label":"Leslie, Lawson, Mary, seated. Brodie at back, walking between the windows and the strong-box","page":16,"pageUrl":"/books/4eWPBnoA?page=16#reader-content"},{"id":"content4:41:16","label":"SCENE II","page":16,"pageUrl":"/books/4eWPBnoA?page=16#reader-content"},{"id":"content4:42:16","label":"Leslie, Lawson (wrapping up)","page":16,"pageUrl":"/books/4eWPBnoA?page=16#reader-content"},{"id":"content4:77:17","label":"SCENE III","page":17,"pageUrl":"/books/4eWPBnoA?page=17#reader-content"},{"id":"content4:82:17","label":"SCENE IV","page":17,"pageUrl":"/books/4eWPBnoA?page=17#reader-content"},{"id":"content4:83:17","label":"Brodie, Leslie","page":17,"pageUrl":"/books/4eWPBnoA?page=17#reader-content"},{"id":"content4:118:17","label":"SCENE V","page":17,"pageUrl":"/books/4eWPBnoA?page=17#reader-content"},{"id":"content4:119:17","label":"Brodie, Lawson, Leslie","page":17,"pageUrl":"/books/4eWPBnoA?page=17#reader-content"},{"id":"content4:138:18","label":"SCENE VI","page":18,"pageUrl":"/books/4eWPBnoA?page=18#reader-content"},{"id":"content4:139:18","label":"To these, Jean","page":18,"pageUrl":"/books/4eWPBnoA?page=18#reader-content"},{"id":"content4:164:18","label":"SCENE VII","page":18,"pageUrl":"/books/4eWPBnoA?page=18#reader-content"},{"id":"content4:165:18","label":"To these, Moore","page":18,"pageUrl":"/books/4eWPBnoA?page=18#reader-content"},{"id":"content4:170:18","label":"END OF THE THIRD ACT","page":18,"pageUrl":"/books/4eWPBnoA?page=18#reader-content"},{"id":"content5:0:18","label":"ACT IV","page":18,"pageUrl":"/books/4eWPBnoA?page=18#reader-content"},{"id":"content5:1:18","label":"TABLEAU VII The Robbery","page":18,"pageUrl":"/books/4eWPBnoA?page=18#reader-content"},{"id":"content5:3:18","label":"SCENE I","page":18,"pageUrl":"/books/4eWPBnoA?page=18#reader-content"},{"id":"content5:4:18","label":"Smith, Moore, Ainslie","page":18,"pageUrl":"/books/4eWPBnoA?page=18#reader-content"},{"id":"content5:24:19","label":"SCENE II","page":19,"pageUrl":"/books/4eWPBnoA?page=19#reader-content"},{"id":"content5:25:19","label":"To these, Brodie","page":19,"pageUrl":"/books/4eWPBnoA?page=19#reader-content"},{"id":"content5:48:19","label":"SCENE III","page":19,"pageUrl":"/books/4eWPBnoA?page=19#reader-content"},{"id":"content5:49:19","label":"Ainslie; afterwards Brodie; afterwards Hunt and Officers","page":19,"pageUrl":"/books/4eWPBnoA?page=19#reader-content"},{"id":"content5:64:19","label":"SCENE IV","page":19,"pageUrl":"/books/4eWPBnoA?page=19#reader-content"},{"id":"content5:65:19","label":"Hunt and Officers; with Smith and Moore handcuffed. Signs of a severe struggle","page":19,"pageUrl":"/books/4eWPBnoA?page=19#reader-content"},{"id":"content5:79:19","label":"END OF THE FOURTH ACT","page":19,"pageUrl":"/books/4eWPBnoA?page=19#reader-content"},{"id":"content5:80:19","label":"ACT V","page":19,"pageUrl":"/books/4eWPBnoA?page=19#reader-content"},{"id":"content5:81:19","label":"TABLEAU VIII The Open Door","page":19,"pageUrl":"/books/4eWPBnoA?page=19#reader-content"},{"id":"content5:83:19","label":"SCENE I","page":19,"pageUrl":"/books/4eWPBnoA?page=19#reader-content"},{"id":"content5:84:19","label":"Doctor, Mary, a Maidservant with lights","page":19,"pageUrl":"/books/4eWPBnoA?page=19#reader-content"},{"id":"content5:101:20","label":"SCENE II","page":20,"pageUrl":"/books/4eWPBnoA?page=20#reader-content"},{"id":"content5:102:20","label":"Mary, to whom Jean and afterwards Leslie","page":20,"pageUrl":"/books/4eWPBnoA?page=20#reader-content"},{"id":"content5:123:20","label":"SCENE III","page":20,"pageUrl":"/books/4eWPBnoA?page=20#reader-content"},{"id":"content5:124:20","label":"Mary, Leslie","page":20,"pageUrl":"/books/4eWPBnoA?page=20#reader-content"},{"id":"content5:151:21","label":"SCENE IV","page":21,"pageUrl":"/books/4eWPBnoA?page=21#reader-content"},{"id":"content5:152:21","label":"After a pause, Brodie through the window","page":21,"pageUrl":"/books/4eWPBnoA?page=21#reader-content"},{"id":"content5:154:21","label":"SCENE V","page":21,"pageUrl":"/books/4eWPBnoA?page=21#reader-content"},{"id":"content5:155:21","label":"Brodie, Mary","page":21,"pageUrl":"/books/4eWPBnoA?page=21#reader-content"},{"id":"content5:196:22","label":"SCENE VI","page":22,"pageUrl":"/books/4eWPBnoA?page=22#reader-content"},{"id":"content5:197:22","label":"To these, Lawson, Leslie, Jean","page":22,"pageUrl":"/books/4eWPBnoA?page=22#reader-content"},{"id":"content5:208:22","label":"SCENE VII","page":22,"pageUrl":"/books/4eWPBnoA?page=22#reader-content"},{"id":"content5:209:22","label":"To these, Hunt","page":22,"pageUrl":"/books/4eWPBnoA?page=22#reader-content"},{"id":"content5:212:22","label":"CURTAIN","page":22,"pageUrl":"/books/4eWPBnoA?page=22#reader-content"},{"id":"content6:0:22","label":"BEAU AUSTIN","page":22,"pageUrl":"/books/4eWPBnoA?page=22#reader-content"},{"id":"content6:1:22","label":"DEDICATED WITH ADMIRATION AND RESPECT TO GEORGE MEREDITH","page":22,"pageUrl":"/books/4eWPBnoA?page=22#reader-content"},{"id":"content6:5:22","label":"PROLOGUE","page":22,"pageUrl":"/books/4eWPBnoA?page=22#reader-content"},{"id":"content6:8:22","label":"Musical Induction: “Lascia ch’io pianga” (Rinaldo), Handel","page":22,"pageUrl":"/books/4eWPBnoA?page=22#reader-content"},{"id":"content6:9:22","label":"ACT I","page":22,"pageUrl":"/books/4eWPBnoA?page=22#reader-content"},{"id":"content6:11:22","label":"SCENE I","page":22,"pageUrl":"/books/4eWPBnoA?page=22#reader-content"},{"id":"content6:12:22","label":"Barbara; to her, Miss Foster","page":22,"pageUrl":"/books/4eWPBnoA?page=22#reader-content"},{"id":"content6:46:23","label":"SCENE II","page":23,"pageUrl":"/books/4eWPBnoA?page=23#reader-content"},{"id":"content6:47:23","label":"To these, Dorothy, L","page":23,"pageUrl":"/books/4eWPBnoA?page=23#reader-content"},{"id":"content6:83:24","label":"SCENE III","page":24,"pageUrl":"/books/4eWPBnoA?page=24#reader-content"},{"id":"content6:85:24","label":"SCENE IV","page":24,"pageUrl":"/books/4eWPBnoA?page=24#reader-content"},{"id":"content6:86:24","label":"To her, Fenwick, C","page":24,"pageUrl":"/books/4eWPBnoA?page=24#reader-content"},{"id":"content7:0:25","label":"Musical Induction: “The Lass of Richmond Hill”","page":25,"pageUrl":"/books/4eWPBnoA?page=25#reader-content"},{"id":"content7:1:25","label":"ACT II","page":25,"pageUrl":"/books/4eWPBnoA?page=25#reader-content"},{"id":"content7:3:25","label":"SCENE I","page":25,"pageUrl":"/books/4eWPBnoA?page=25#reader-content"},{"id":"content7:4:25","label":"Austin, Menteith","page":25,"pageUrl":"/books/4eWPBnoA?page=25#reader-content"},{"id":"content7:24:25","label":"SCENE II","page":25,"pageUrl":"/books/4eWPBnoA?page=25#reader-content"},{"id":"content7:25:25","label":"Austin, Menteith, Anthony","page":25,"pageUrl":"/books/4eWPBnoA?page=25#reader-content"},{"id":"content7:53:26","label":"SCENE III","page":26,"pageUrl":"/books/4eWPBnoA?page=26#reader-content"},{"id":"content7:54:26","label":"Austin, Menteith, returning","page":26,"pageUrl":"/books/4eWPBnoA?page=26#reader-content"},{"id":"content7:71:26","label":"SCENE IV","page":26,"pageUrl":"/books/4eWPBnoA?page=26#reader-content"},{"id":"content7:72:26","label":"Austin, R. To him, Menteith and Fenwick","page":26,"pageUrl":"/books/4eWPBnoA?page=26#reader-content"},{"id":"content7:119:27","label":"SCENE V","page":27,"pageUrl":"/books/4eWPBnoA?page=27#reader-content"},{"id":"content7:121:28","label":"SCENE VI","page":28,"pageUrl":"/books/4eWPBnoA?page=28#reader-content"},{"id":"content7:122:28","label":"Austin, Menteith","page":28,"pageUrl":"/books/4eWPBnoA?page=28#reader-content"},{"id":"content8:0:28","label":"Musical Induction: The “Minuet” from Don Giovanni","page":28,"pageUrl":"/books/4eWPBnoA?page=28#reader-content"},{"id":"content8:1:28","label":"ACT III","page":28,"pageUrl":"/books/4eWPBnoA?page=28#reader-content"},{"id":"content8:3:28","label":"SCENE I","page":28,"pageUrl":"/books/4eWPBnoA?page=28#reader-content"},{"id":"content8:4:28","label":"Dorothy, R., at tambour; Anthony, C., bestriding chair; Miss Foster, L.C","page":28,"pageUrl":"/books/4eWPBnoA?page=28#reader-content"},{"id":"content8:23:28","label":"SCENE II","page":28,"pageUrl":"/books/4eWPBnoA?page=28#reader-content"},{"id":"content8:24:28","label":"Anthony, Miss Foster","page":28,"pageUrl":"/books/4eWPBnoA?page=28#reader-content"},{"id":"content8:29:28","label":"SCENE III","page":28,"pageUrl":"/books/4eWPBnoA?page=28#reader-content"},{"id":"content8:31:29","label":"SCENE IV","page":29,"pageUrl":"/books/4eWPBnoA?page=29#reader-content"},{"id":"content8:32:29","label":"Anthony, Barbara","page":29,"pageUrl":"/books/4eWPBnoA?page=29#reader-content"},{"id":"content8:55:29","label":"SCENE V","page":29,"pageUrl":"/books/4eWPBnoA?page=29#reader-content"},{"id":"content8:56:29","label":"Anthony, Fenwick","page":29,"pageUrl":"/books/4eWPBnoA?page=29#reader-content"},{"id":"content8:66:30","label":"SCENE VI","page":30,"pageUrl":"/books/4eWPBnoA?page=30#reader-content"},{"id":"content8:67:30","label":"To these, Austin, Barbara announcing","page":30,"pageUrl":"/books/4eWPBnoA?page=30#reader-content"},{"id":"content8:85:30","label":"SCENE VII","page":30,"pageUrl":"/books/4eWPBnoA?page=30#reader-content"},{"id":"content8:86:30","label":"Austin, Dorothy","page":30,"pageUrl":"/books/4eWPBnoA?page=30#reader-content"},{"id":"content8:117:31","label":"SCENE VIII","page":31,"pageUrl":"/books/4eWPBnoA?page=31#reader-content"},{"id":"content8:118:31","label":"Dorothy; to whom, Anthony, L","page":31,"pageUrl":"/books/4eWPBnoA?page=31#reader-content"},{"id":"content8:142:32","label":"(Music: “Chè farò” as the drop falls.)","page":32,"pageUrl":"/books/4eWPBnoA?page=32#reader-content"},{"id":"content9:0:32","label":"Musical Induction: “Gavotte,” Iphigénie en Aulide, Gluck","page":32,"pageUrl":"/books/4eWPBnoA?page=32#reader-content"},{"id":"content9:1:32","label":"ACT IV","page":32,"pageUrl":"/books/4eWPBnoA?page=32#reader-content"},{"id":"content9:3:32","label":"SCENE I","page":32,"pageUrl":"/books/4eWPBnoA?page=32#reader-content"},{"id":"content9:4:32","label":"Miss Foster, Barbara, Menteith; Visitors","page":32,"pageUrl":"/books/4eWPBnoA?page=32#reader-content"},{"id":"content9:23:32","label":"SCENE II","page":32,"pageUrl":"/books/4eWPBnoA?page=32#reader-content"},{"id":"content9:24:32","label":"To these, Austin. Menteith falls back, and Austin takes his place in front of Miss Foster, his attitude a counterpart o…","page":32,"pageUrl":"/books/4eWPBnoA?page=32#reader-content"},{"id":"content9:36:33","label":"SCENE III","page":33,"pageUrl":"/books/4eWPBnoA?page=33#reader-content"},{"id":"content9:37:33","label":"To these, Fenwick. Miss Foster remains seated, L. Austin goes R. to Fenwick, whom he salutes with great respect","page":33,"pageUrl":"/books/4eWPBnoA?page=33#reader-content"},{"id":"content9:47:33","label":"SCENE IV","page":33,"pageUrl":"/books/4eWPBnoA?page=33#reader-content"},{"id":"content9:48:33","label":"To these, the Royal Duke, C.; then, immediately, Anthony, L. Fenwick crosses to Miss Foster, R. Austin accosts the Duke…","page":33,"pageUrl":"/books/4eWPBnoA?page=33#reader-content"},{"id":"content9:55:33","label":"SCENE V","page":33,"pageUrl":"/books/4eWPBnoA?page=33#reader-content"},{"id":"content9:56:33","label":"To these, Dorothy, L. U. E. Dorothy, unseen by Austin, shrieks. Sensation. Music stops. Tableau","page":33,"pageUrl":"/books/4eWPBnoA?page=33#reader-content"},{"id":"content10:0:33","label":"ADMIRAL GUINEA","page":33,"pageUrl":"/books/4eWPBnoA?page=33#reader-content"},{"id":"content10:1:33","label":"DEDICATED WITH AFFECTION AND ESTEEM TO ANDREW LANG BY THE SURVIVORS OF THE WALRUS","page":33,"pageUrl":"/books/4eWPBnoA?page=33#reader-content"},{"id":"content10:4:33","label":"PERSONS REPRESENTED","page":33,"pageUrl":"/books/4eWPBnoA?page=33#reader-content"},{"id":"content10:10:34","label":"The Scene is laid in the neighbourhood of Barnstaple","page":34,"pageUrl":"/books/4eWPBnoA?page=34#reader-content"},{"id":"content10:11:34","label":"The Time is about the year 1760. The Action occupies part of a day and night","page":34,"pageUrl":"/books/4eWPBnoA?page=34#reader-content"},{"id":"content10:13:34","label":"ACT I","page":34,"pageUrl":"/books/4eWPBnoA?page=34#reader-content"},{"id":"content10:15:34","label":"SCENE I","page":34,"pageUrl":"/books/4eWPBnoA?page=34#reader-content"},{"id":"content10:16:34","label":"Arethusa is discovered, dusting","page":34,"pageUrl":"/books/4eWPBnoA?page=34#reader-content"},{"id":"content10:18:34","label":"SCENE II","page":34,"pageUrl":"/books/4eWPBnoA?page=34#reader-content"},{"id":"content10:19:34","label":"Arethusa; to her, Kit, C. He enters on tiptoe, and she does not see or hear him","page":34,"pageUrl":"/books/4eWPBnoA?page=34#reader-content"},{"id":"content10:48:35","label":"SCENE III","page":35,"pageUrl":"/books/4eWPBnoA?page=35#reader-content"},{"id":"content10:49:35","label":"To these, Gaunt, C","page":35,"pageUrl":"/books/4eWPBnoA?page=35#reader-content"},{"id":"content10:67:36","label":"SCENE IV","page":36,"pageUrl":"/books/4eWPBnoA?page=36#reader-content"},{"id":"content10:68:36","label":"Arethusa, Gaunt","page":36,"pageUrl":"/books/4eWPBnoA?page=36#reader-content"},{"id":"content10:73:36","label":"SCENE V","page":36,"pageUrl":"/books/4eWPBnoA?page=36#reader-content"},{"id":"content10:75:36","label":"SCENE VI","page":36,"pageUrl":"/books/4eWPBnoA?page=36#reader-content"},{"id":"content10:76:36","label":"Arethusa; to her, Pew","page":36,"pageUrl":"/books/4eWPBnoA?page=36#reader-content"},{"id":"content10:112:37","label":"SCENE VII","page":37,"pageUrl":"/books/4eWPBnoA?page=37#reader-content"},{"id":"content10:114:37","label":"SCENE VIII","page":37,"pageUrl":"/books/4eWPBnoA?page=37#reader-content"},{"id":"content10:115:37","label":"Pew; to him, Gaunt","page":37,"pageUrl":"/books/4eWPBnoA?page=37#reader-content"},{"id":"content11:0:38","label":"ACT II","page":38,"pageUrl":"/books/4eWPBnoA?page=38#reader-content"},{"id":"content11:2:38","label":"SCENE I","page":38,"pageUrl":"/books/4eWPBnoA?page=38#reader-content"},{"id":"content11:3:38","label":"Pew; afterwards Mrs. Drake, out and in","page":38,"pageUrl":"/books/4eWPBnoA?page=38#reader-content"},{"id":"content11:43:39","label":"SCENE II","page":39,"pageUrl":"/books/4eWPBnoA?page=39#reader-content"},{"id":"content11:44:39","label":"To these, Kit, a little drunk","page":39,"pageUrl":"/books/4eWPBnoA?page=39#reader-content"},{"id":"content11:71:40","label":"SCENE III","page":40,"pageUrl":"/books/4eWPBnoA?page=40#reader-content"},{"id":"content11:72:40","label":"To these, Arethusa","page":40,"pageUrl":"/books/4eWPBnoA?page=40#reader-content"},{"id":"content11:82:40","label":"SCENE IV","page":40,"pageUrl":"/books/4eWPBnoA?page=40#reader-content"},{"id":"content11:83:40","label":"To these, Gaunt","page":40,"pageUrl":"/books/4eWPBnoA?page=40#reader-content"},{"id":"content11:100:41","label":"SCENE V","page":41,"pageUrl":"/books/4eWPBnoA?page=41#reader-content"},{"id":"content11:101:41","label":"Pew, Mrs. Drake, Kit","page":41,"pageUrl":"/books/4eWPBnoA?page=41#reader-content"},{"id":"content11:118:41","label":"SCENE VI","page":41,"pageUrl":"/books/4eWPBnoA?page=41#reader-content"},{"id":"content11:119:41","label":"Pew, Kit","page":41,"pageUrl":"/books/4eWPBnoA?page=41#reader-content"},{"id":"content11:120:41","label":"They sit at the other table, L","page":41,"pageUrl":"/books/4eWPBnoA?page=41#reader-content"},{"id":"content12:0:42","label":"ACT III","page":42,"pageUrl":"/books/4eWPBnoA?page=42#reader-content"},{"id":"content12:2:42","label":"SCENE I","page":42,"pageUrl":"/books/4eWPBnoA?page=42#reader-content"},{"id":"content12:3:42","label":"Arethusa, Gaunt","page":42,"pageUrl":"/books/4eWPBnoA?page=42#reader-content"},{"id":"content12:38:44","label":"SCENE II","page":44,"pageUrl":"/books/4eWPBnoA?page=44#reader-content"},{"id":"content12:39:44","label":"Gaunt and Arethusa go out L., carrying the candles. Stage dark. A distant clock chimes the quarters, and strikes one. T…","page":44,"pageUrl":"/books/4eWPBnoA?page=44#reader-content"},{"id":"content12:55:44","label":"SCENE III","page":44,"pageUrl":"/books/4eWPBnoA?page=44#reader-content"},{"id":"content12:56:44","label":"To these, Arethusa, Gaunt, with lights. Stage light, Pew has Kit down, and is throttling him","page":44,"pageUrl":"/books/4eWPBnoA?page=44#reader-content"},{"id":"content12:82:45","label":"SCENE IV","page":45,"pageUrl":"/books/4eWPBnoA?page=45#reader-content"},{"id":"content12:83:45","label":"Kit, Arethusa, Gaunt","page":45,"pageUrl":"/books/4eWPBnoA?page=45#reader-content"},{"id":"content12:99:45","label":"SCENE V","page":45,"pageUrl":"/books/4eWPBnoA?page=45#reader-content"},{"id":"content12:100:45","label":"Gaunt, Arethusa, afterwards Pew","page":45,"pageUrl":"/books/4eWPBnoA?page=45#reader-content"},{"id":"content12:107:46","label":"SCENE VI","page":46,"pageUrl":"/books/4eWPBnoA?page=46#reader-content"},{"id":"content12:108:46","label":"Arethusa","page":46,"pageUrl":"/books/4eWPBnoA?page=46#reader-content"},{"id":"content13:0:46","label":"ACT IV","page":46,"pageUrl":"/books/4eWPBnoA?page=46#reader-content"},{"id":"content13:2:46","label":"SCENE I","page":46,"pageUrl":"/books/4eWPBnoA?page=46#reader-content"},{"id":"content13:3:46","label":"Arethusa, Kit","page":46,"pageUrl":"/books/4eWPBnoA?page=46#reader-content"},{"id":"content13:37:46","label":"SCENE II","page":46,"pageUrl":"/books/4eWPBnoA?page=46#reader-content"},{"id":"content13:38:46","label":"Arethusa, Gaunt entering L","page":46,"pageUrl":"/books/4eWPBnoA?page=46#reader-content"},{"id":"content13:50:47","label":"SCENE III","page":47,"pageUrl":"/books/4eWPBnoA?page=47#reader-content"},{"id":"content13:51:47","label":"Arethusa (at back of stage by the door); Gaunt (front L.); to these, Pew, C","page":47,"pageUrl":"/books/4eWPBnoA?page=47#reader-content"},{"id":"content13:57:47","label":"SCENE IV","page":47,"pageUrl":"/books/4eWPBnoA?page=47#reader-content"},{"id":"content13:58:47","label":"To these, Kit","page":47,"pageUrl":"/books/4eWPBnoA?page=47#reader-content"},{"id":"content14:0:47","label":"MACAIRE","page":47,"pageUrl":"/books/4eWPBnoA?page=47#reader-content"},{"id":"content14:1:47","label":"A MELODRAMATIC FARCE IN THREE ACTS","page":47,"pageUrl":"/books/4eWPBnoA?page=47#reader-content"},{"id":"content14:2:47","label":"PERSONS REPRESENTED","page":47,"pageUrl":"/books/4eWPBnoA?page=47#reader-content"},{"id":"content14:16:47","label":"The Scene is laid in the Courtyard of the “Auberge des Adrets,” on the frontier of France and Savoy. The time 1820. The…","page":47,"pageUrl":"/books/4eWPBnoA?page=47#reader-content"},{"id":"content14:18:48","label":"ACT I","page":48,"pageUrl":"/books/4eWPBnoA?page=48#reader-content"},{"id":"content14:20:48","label":"SCENE I","page":48,"pageUrl":"/books/4eWPBnoA?page=48#reader-content"},{"id":"content14:21:48","label":"Aline and Maids; to whom, Fiddlers; afterwards Dumont and Charles. As the curtain rises, the sound of the violins is he…","page":48,"pageUrl":"/books/4eWPBnoA?page=48#reader-content"},{"id":"content14:30:48","label":"SCENE II","page":48,"pageUrl":"/books/4eWPBnoA?page=48#reader-content"},{"id":"content14:31:48","label":"To these, by the door L.C., the Curate and the Notary arm in arm; the latter owl-like and titubant","page":48,"pageUrl":"/books/4eWPBnoA?page=48#reader-content"},{"id":"content14:58:49","label":"SCENE III","page":49,"pageUrl":"/books/4eWPBnoA?page=49#reader-content"},{"id":"content14:59:49","label":"The Stage remains vacant. Enter, by door L.C., Macaire, followed by Bertrand with the bundle; in the traditional costume","page":49,"pageUrl":"/books/4eWPBnoA?page=49#reader-content"},{"id":"content14:77:49","label":"SCENE IV","page":49,"pageUrl":"/books/4eWPBnoA?page=49#reader-content"},{"id":"content14:78:49","label":"To these, Dumont","page":49,"pageUrl":"/books/4eWPBnoA?page=49#reader-content"},{"id":"content14:86:49","label":"SCENE V","page":49,"pageUrl":"/books/4eWPBnoA?page=49#reader-content"},{"id":"content14:87:49","label":"Macaire, Bertrand; afterwards Charles, who appears on the gallery and comes down","page":49,"pageUrl":"/books/4eWPBnoA?page=49#reader-content"},{"id":"content14:101:50","label":"SCENE VI","page":50,"pageUrl":"/books/4eWPBnoA?page=50#reader-content"},{"id":"content14:102:50","label":"Macaire, Bertrand; to whom, Aline with tray; and afterwards Maids","page":50,"pageUrl":"/books/4eWPBnoA?page=50#reader-content"},{"id":"content14:117:50","label":"SCENE VII","page":50,"pageUrl":"/books/4eWPBnoA?page=50#reader-content"},{"id":"content14:118:50","label":"To these, from the inn, L.U.E., Dumont, Charles, the Curate, the Notary jigging; from the inn, R.U.E., Fiddlers playing…","page":50,"pageUrl":"/books/4eWPBnoA?page=50#reader-content"},{"id":"content14:172:51","label":"SCENE VIII","page":51,"pageUrl":"/books/4eWPBnoA?page=51#reader-content"},{"id":"content14:173:51","label":"Macaire, Bertrand, who instantly takes a bottle from the wedding-table, and sits with it, L","page":51,"pageUrl":"/books/4eWPBnoA?page=51#reader-content"},{"id":"content14:198:52","label":"DROP","page":52,"pageUrl":"/books/4eWPBnoA?page=52#reader-content"},{"id":"content15:0:52","label":"ACT II","page":52,"pageUrl":"/books/4eWPBnoA?page=52#reader-content"},{"id":"content15:2:52","label":"SCENE I","page":52,"pageUrl":"/books/4eWPBnoA?page=52#reader-content"},{"id":"content15:3:52","label":"Macaire, Bertrand","page":52,"pageUrl":"/books/4eWPBnoA?page=52#reader-content"},{"id":"content15:17:52","label":"SCENE II","page":52,"pageUrl":"/books/4eWPBnoA?page=52#reader-content"},{"id":"content15:46:53","label":"SCENE III","page":53,"pageUrl":"/books/4eWPBnoA?page=53#reader-content"},{"id":"content15:47:53","label":"To these, the Marquis, L.C","page":53,"pageUrl":"/books/4eWPBnoA?page=53#reader-content"},{"id":"content15:87:53","label":"SCENE IV","page":53,"pageUrl":"/books/4eWPBnoA?page=53#reader-content"},{"id":"content15:88:53","label":"Macaire, Marquis","page":53,"pageUrl":"/books/4eWPBnoA?page=53#reader-content"},{"id":"content15:122:54","label":"SCENE V","page":54,"pageUrl":"/books/4eWPBnoA?page=54#reader-content"},{"id":"content15:123:54","label":"Marcaire, to whom Bertrand. 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