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Дата написания1970-01-01
Язык книгиen
Возрастное ограничение12+
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Страница 56 из 57SCENE II
ZTo these, Dumont
Dumont. Ah, friends, up so early? Catching the worm, catching the worm?
Dumont. By the way, very remarkable thing: I found that key.
Dumont. Perhaps a still more remarkable thing: it was my key that had the twisted handle.
Dumont. Now, what we have to do is to get the cash-box. Hallo! what’s that you’re sitting on?
Macaire. The table! I beg your pardon.
Dumont. Why, it’s my cash-box!
Dumont. It’s very singular.
Macaire. Diabolishly singular.
Bertrand. Early worms, early worms!
Dumont (blowing in key). Well, I suppose you are still willing to begone?
Macaire. More than willing, my dear soul: pressed, I may say, for time; for though it had quite escaped my memory, I have an appointment in Turin with a lady of title.
Dumont (at box). It’s very odd. (Blows in key.) It’s a singular thing (blowing), key won’t turn. It’s a patent. Someone must have tampered with the lock (blowing). It’s strangely singular, it’s singularly singular! I’ve shown this key to commercial gentlemen all the way from Paris: they never saw a better key! (more business). Well, (giving it up and looking reproachfully on key,) that’s pretty singular.
Macaire. Let me try. (He tries, and flings down the key with a curse.) Bitten!
Dumont (picking up key). It’s a patent key.
Macaire (to Bertrand). The game’s up: we must save the swag. (To Dumont.) Sir, since your key, on which I invoke the blight of Egypt, has once more defaulted, my feelings are unequal to a repetition of yesterday’s distress, and I shall simply pad the hoof. From Turin you shall receive the address of my banker, and may prosperity attend your ventures. (To Bertrand.) Now, boy! (To Dumont.) Embrace my fatherless child! farewell! (Macaire and Bertrand turn to go off, and are met in the door by the Gendarmes.)
SCENE III
To these, the Brigadier and Gendarmes
Brigadier. Let no man leave the house.
Dumont. Welcome, old friend!
Brigadier. It is not the friend that comes; it is the Brigadier. Summon your guests; I must investigate their passports. I am in pursuit of a notorious malefactor, Robert Macaire.
Dumont. But I was led to believe that both Macaire and his accomplice had been arrested and condemned.
Brigadier. They were, but they have once more escaped for the moment, and justice is indefatigable. (He sits at table, R.) Dumont, a bottle of white wine.
Macaire (to Dumont). My excellent friend, I will discharge your commission, and return with all speed. (Going.)
Macaire (returning: as if he saw Brigadier for the first time). Ha! a member of the force? Charmed, I’m sure. But you misconceive me: I return, at once, and my friend remains behind to answer for me.
Brigadier. Justice is insensible to friendship. I shall deal with you in due time. Dumont, that bottle.
Macaire. Sir, my friend and I, who are students of character, would grasp the opportunity to share and – may one add? – to pay the bottle. Dumont, three!
Bertrand. For God’s sake! (Enter Aline and Maids.)
Macaire. My friend is an author: so, in a humbler way, am I. Your knowledge of the criminal classes naturally tempts one to pursue so interesting an acquaintance.
Brigadier. Justice is impartial. Gentlemen, your health.
Macaire. Will not these brave fellows join us?
Brigadier. They are on duty; but what matters?
Macaire. My dear sir, what is duty? duty is my eye.
Brigadier (solemnly). And Betty Martin. (Gendarmes sit at table.)
Macaire (to Bertrand). Dear friend, sit down.
Bertrand (sitting down). O Lord!
Brigadier (to Macaire). You seem to be a gentleman of considerable intelligence.
Macaire. I fear, sir, you flatter. One has lived, one has loved, and one remembers: that is all. One’s “Lives of Celebrated Criminals” has met with a certain success, and one is ever in quest of fresh material.
Dumont. By the way, a singular thing about my patent key.
Brigadier. This gentleman is speaking.
Macaire. Excellent Dumont! he means no harm. This Macaire is not personally known to you?
Brigadier. Are you connected with justice?
Macaire. Ah, sir, justice is a point above a poor author.
Brigadier (with glass). Justice is the very devil.
Macaire. My dear sir, my friend and I, I regret to say, have an appointment in Lyons, or I could spend my life in this society. Charge your glasses: one hour to madness and to joy! What is to-morrow? the enemy of to-day. Wine? the bath of life. One moment: I find I have forgotten my watch. (He makes for the door.)
Macaire. Sir, what is this jest?
Brigadier. Sentry at the door. Your passports.
Macaire. My good man, with all the pleasure in life. (Gives papers. The Brigadier puts on spectacles and examines them.)
Bertrand (rising and passing round to Macaire’s other side). It’s life and death: they must soon find it.
Macaire (aside). Don’t I know? My heart’s like fire in my body.
Macaire. It is; one’s name is not unknown.
Brigadier. Justice exacts your name.
Macaire. Henri-Frédéric de Latour de Main de la Tonnerre de Brest.
Brigadier. Your profession?
Brigadier. No, but what is your trade?
Macaire. I am an analytical chemist.
Brigadier. Justice is inscrutable. Your papers are in order. (To Bertrand.) Now, sir, and yours?
Bertrand. I feel kind of ill.
Macaire. Bertrand, this gentleman addresses you. He is not one of us; in other scenes, in the gay and giddy world of fashion, one is his superior. But to-day he represents the majesty of law; and as a citizen it is one’s pride to do him honour.
Brigadier. Those are my sentiments.
Bertrand. I beg your pardon, I – (Gives papers.)
Brigadier. What? In your passport it is written Bertrand.
Bertrand. It’s this way: I was born Bertrand, and then I took the name of Napoleon, and I mostly always call myself either Napoleon or Bertrand.
Brigadier. The truth is always best. Your profession?
Bertrand. I am an orphan.
Brigadier. What the devil! (To Macaire.) Is your friend an idiot?
Macaire. Pardon me, he is a poet.
Brigadier. Poetry is a great hindrance to the ends of justice. Well, take your papers.
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Ah, friends, up so early? Catching the worm, catching the worm?"},{"id":"content16:39","kind":"paragraph","text":"Dumont. By the way, very remarkable thing: I found that key."},{"id":"content16:40","kind":"paragraph","text":"Macaire. No!"},{"id":"content16:41","kind":"paragraph","text":"Bertrand. O!"},{"id":"content16:42","kind":"paragraph","text":"Dumont. Perhaps a still more remarkable thing: it was my key that had the twisted handle."},{"id":"content16:43","kind":"paragraph","text":"Macaire. I told you so."},{"id":"content16:44","kind":"paragraph","text":"Dumont. Now, what we have to do is to get the cash-box. Hallo! what’s that you’re sitting on?"},{"id":"content16:45","kind":"paragraph","text":"Bertrand. Nothing."},{"id":"content16:46","kind":"paragraph","text":"Macaire. The table! I beg your pardon."},{"id":"content16:47","kind":"paragraph","text":"Dumont. Why, it’s my cash-box!"},{"id":"content16:48","kind":"paragraph","text":"Maciare. Why, so it is!"},{"id":"content16:49","kind":"paragraph","text":"Dumont. It’s very singular."},{"id":"content16:50","kind":"paragraph","text":"Macaire. Diabolishly singular."},{"id":"content16:51","kind":"paragraph","text":"Bertrand. Early worms, early worms!"},{"id":"content16:52","kind":"paragraph","text":"Dumont (blowing in key). Well, I suppose you are still willing to begone?"},{"id":"content16:53","kind":"paragraph","text":"Macaire. More than willing, my dear soul: pressed, I may say, for time; for though it had quite escaped my memory, I have an appointment in Turin with a lady of title."},{"id":"content16:54","kind":"paragraph","text":"Dumont (at box). It’s very odd. (Blows in key.) It’s a singular thing (blowing), key won’t turn. It’s a patent. Someone must have tampered with the lock (blowing). It’s strangely singular, it’s singularly singular! I’ve shown this key to commercial gentlemen all the way from Paris: they never saw a better key! (more business). Well, (giving it up and looking reproachfully on key,) that’s pretty singular."},{"id":"content16:55","kind":"paragraph","text":"Macaire. Let me try. (He tries, and flings down the key with a curse.) Bitten!"},{"id":"content16:56","kind":"paragraph","text":"Bertrand. Sold again!"},{"id":"content16:57","kind":"paragraph","text":"Dumont (picking up key). It’s a patent key."},{"id":"content16:58","kind":"paragraph","text":"Macaire (to Bertrand). The game’s up: we must save the swag. (To Dumont.) Sir, since your key, on which I invoke the blight of Egypt, has once more defaulted, my feelings are unequal to a repetition of yesterday’s distress, and I shall simply pad the hoof. From Turin you shall receive the address of my banker, and may prosperity attend your ventures. (To Bertrand.) Now, boy! (To Dumont.) Embrace my fatherless child! farewell! (Macaire and Bertrand turn to go off, and are met in the door by the Gendarmes.)"},{"id":"content16:59","kind":"heading","text":"SCENE III"},{"id":"content16:60","kind":"heading","text":"To these, the Brigadier and Gendarmes"},{"id":"content16:61","kind":"paragraph","text":"Brigadier. Let no man leave the house."},{"id":"content16:62","kind":"paragraph","text":"Dumont. Welcome, old friend!"},{"id":"content16:63","kind":"paragraph","text":"Brigadier. It is not the friend that comes; it is the Brigadier. Summon your guests; I must investigate their passports. I am in pursuit of a notorious malefactor, Robert Macaire."},{"id":"content16:64","kind":"paragraph","text":"Dumont. But I was led to believe that both Macaire and his accomplice had been arrested and condemned."},{"id":"content16:65","kind":"paragraph","text":"Brigadier. They were, but they have once more escaped for the moment, and justice is indefatigable. (He sits at table, R.) Dumont, a bottle of white wine."},{"id":"content16:66","kind":"paragraph","text":"Macaire (to Dumont). My excellent friend, I will discharge your commission, and return with all speed. (Going.)"},{"id":"content16:67","kind":"paragraph","text":"Brigadier. Halt!"},{"id":"content16:68","kind":"paragraph","text":"Macaire (returning: as if he saw Brigadier for the first time). Ha! a member of the force? Charmed, I’m sure. But you misconceive me: I return, at once, and my friend remains behind to answer for me."},{"id":"content16:69","kind":"paragraph","text":"Brigadier. Justice is insensible to friendship. I shall deal with you in due time. Dumont, that bottle."},{"id":"content16:70","kind":"paragraph","text":"Macaire. Sir, my friend and I, who are students of character, would grasp the opportunity to share and – may one add? – to pay the bottle. Dumont, three!"},{"id":"content16:71","kind":"paragraph","text":"Bertrand. For God’s sake! (Enter Aline and Maids.)"},{"id":"content16:72","kind":"paragraph","text":"Macaire. My friend is an author: so, in a humbler way, am I. Your knowledge of the criminal classes naturally tempts one to pursue so interesting an acquaintance."},{"id":"content16:73","kind":"paragraph","text":"Brigadier. Justice is impartial. Gentlemen, your health."},{"id":"content16:74","kind":"paragraph","text":"Macaire. Will not these brave fellows join us?"},{"id":"content16:75","kind":"paragraph","text":"Brigadier. They are on duty; but what matters?"},{"id":"content16:76","kind":"paragraph","text":"Macaire. My dear sir, what is duty? duty is my eye."},{"id":"content16:77","kind":"paragraph","text":"Brigadier (solemnly). And Betty Martin. (Gendarmes sit at table.)"},{"id":"content16:78","kind":"paragraph","text":"Macaire (to Bertrand). Dear friend, sit down."},{"id":"content16:79","kind":"paragraph","text":"Bertrand (sitting down). O Lord!"},{"id":"content16:80","kind":"paragraph","text":"Brigadier (to Macaire). You seem to be a gentleman of considerable intelligence."},{"id":"content16:81","kind":"paragraph","text":"Macaire. I fear, sir, you flatter. One has lived, one has loved, and one remembers: that is all. One’s “Lives of Celebrated Criminals” has met with a certain success, and one is ever in quest of fresh material."},{"id":"content16:82","kind":"paragraph","text":"Dumont. By the way, a singular thing about my patent key."},{"id":"content16:83","kind":"paragraph","text":"Brigadier. This gentleman is speaking."},{"id":"content16:84","kind":"paragraph","text":"Macaire. Excellent Dumont! he means no harm. This Macaire is not personally known to you?"},{"id":"content16:85","kind":"paragraph","text":"Brigadier. Are you connected with justice?"},{"id":"content16:86","kind":"paragraph","text":"Macaire. Ah, sir, justice is a point above a poor author."},{"id":"content16:87","kind":"paragraph","text":"Brigadier (with glass). Justice is the very devil."},{"id":"content16:88","kind":"paragraph","text":"Macaire. My dear sir, my friend and I, I regret to say, have an appointment in Lyons, or I could spend my life in this society. Charge your glasses: one hour to madness and to joy! What is to-morrow? the enemy of to-day. Wine? the bath of life. One moment: I find I have forgotten my watch. (He makes for the door.)"},{"id":"content16:89","kind":"paragraph","text":"Brigadier. Halt!"},{"id":"content16:90","kind":"paragraph","text":"Macaire. Sir, what is this jest?"},{"id":"content16:91","kind":"paragraph","text":"Brigadier. Sentry at the door. Your passports."},{"id":"content16:92","kind":"paragraph","text":"Macaire. My good man, with all the pleasure in life. (Gives papers. The Brigadier puts on spectacles and examines them.)"},{"id":"content16:93","kind":"paragraph","text":"Bertrand (rising and passing round to Macaire’s other side). It’s life and death: they must soon find it."},{"id":"content16:94","kind":"paragraph","text":"Macaire (aside). Don’t I know? My heart’s like fire in my body."},{"id":"content16:95","kind":"paragraph","text":"Brigadier. Your name is?"},{"id":"content16:96","kind":"paragraph","text":"Macaire. It is; one’s name is not unknown."},{"id":"content16:97","kind":"paragraph","text":"Brigadier. Justice exacts your name."},{"id":"content16:98","kind":"paragraph","text":"Macaire. Henri-Frédéric de Latour de Main de la Tonnerre de Brest."},{"id":"content16:99","kind":"paragraph","text":"Brigadier. Your profession?"},{"id":"content16:100","kind":"paragraph","text":"Macaire. Gentleman."},{"id":"content16:101","kind":"paragraph","text":"Brigadier. No, but what is your trade?"},{"id":"content16:102","kind":"paragraph","text":"Macaire. I am an analytical chemist."},{"id":"content16:103","kind":"paragraph","text":"Brigadier. Justice is inscrutable. Your papers are in order. (To Bertrand.) Now, sir, and yours?"},{"id":"content16:104","kind":"paragraph","text":"Bertrand. I feel kind of ill."},{"id":"content16:105","kind":"paragraph","text":"Macaire. Bertrand, this gentleman addresses you. He is not one of us; in other scenes, in the gay and giddy world of fashion, one is his superior. But to-day he represents the majesty of law; and as a citizen it is one’s pride to do him honour."},{"id":"content16:106","kind":"paragraph","text":"Brigadier. Those are my sentiments."},{"id":"content16:107","kind":"paragraph","text":"Bertrand. I beg your pardon, I – (Gives papers.)"},{"id":"content16:108","kind":"paragraph","text":"Brigadier. Your name?"},{"id":"content16:109","kind":"paragraph","text":"Bertrand. Napoleon."},{"id":"content16:110","kind":"paragraph","text":"Brigadier. What? In your passport it is written Bertrand."},{"id":"content16:111","kind":"paragraph","text":"Bertrand. It’s this way: I was born Bertrand, and then I took the name of Napoleon, and I mostly always call myself either Napoleon or Bertrand."},{"id":"content16:112","kind":"paragraph","text":"Brigadier. The truth is always best. Your profession?"},{"id":"content16:113","kind":"paragraph","text":"Bertrand. I am an orphan."},{"id":"content16:114","kind":"paragraph","text":"Brigadier. What the devil! (To Macaire.) Is your friend an idiot?"},{"id":"content16:115","kind":"paragraph","text":"Macaire. Pardon me, he is a poet."},{"id":"content16:116","kind":"paragraph","text":"Brigadier. Poetry is a great hindrance to the ends of justice. Well, take your papers."},{"id":"content16:117","kind":"paragraph","text":"Macaire. Then we may go?"}],"toc":[{"id":"content0:0:1","label":"Robert Louis Stevenson The Works of Robert Louis Stevenson – Swanston Edition, Vol. 15","page":1,"pageUrl":"/books/4eWPBnoA#reader-content"},{"id":"content0:1:1","label":"DEACON BRODIE OR THE DOUBLE LIFE","page":1,"pageUrl":"/books/4eWPBnoA#reader-content"},{"id":"content0:2:1","label":"A MELODRAMA IN FIVE ACTS AND EIGHT TABLEAUX","page":1,"pageUrl":"/books/4eWPBnoA#reader-content"},{"id":"content0:3:1","label":"PERSONS REPRESENTED","page":1,"pageUrl":"/books/4eWPBnoA#reader-content"},{"id":"content0:14:1","label":"The Scene is laid in Edinburgh. The Time is towards the close of the Eighteenth Century. The Action, some fifty hours l…","page":1,"pageUrl":"/books/4eWPBnoA#reader-content"},{"id":"content0:16:1","label":"ACT I","page":1,"pageUrl":"/books/4eWPBnoA#reader-content"},{"id":"content0:17:1","label":"TABLEAU I The Double Life","page":1,"pageUrl":"/books/4eWPBnoA#reader-content"},{"id":"content0:20:1","label":"SCENE I","page":1,"pageUrl":"/books/4eWPBnoA#reader-content"},{"id":"content0:21:1","label":"To these, Leslie, C","page":1,"pageUrl":"/books/4eWPBnoA#reader-content"},{"id":"content0:71:2","label":"SCENE II","page":2,"pageUrl":"/books/4eWPBnoA?page=2#reader-content"},{"id":"content0:72:2","label":"To these, Brodie and Lawson","page":2,"pageUrl":"/books/4eWPBnoA?page=2#reader-content"},{"id":"content0:112:3","label":"SCENE III","page":3,"pageUrl":"/books/4eWPBnoA?page=3#reader-content"},{"id":"content0:113:3","label":"To these, Smith and Jean, C","page":3,"pageUrl":"/books/4eWPBnoA?page=3#reader-content"},{"id":"content0:125:3","label":"SCENE IV","page":3,"pageUrl":"/books/4eWPBnoA?page=3#reader-content"},{"id":"content0:126:3","label":"Smith, Jean Watt, Old Brodie","page":3,"pageUrl":"/books/4eWPBnoA?page=3#reader-content"},{"id":"content0:149:3","label":"SCENE V","page":3,"pageUrl":"/books/4eWPBnoA?page=3#reader-content"},{"id":"content0:150:3","label":"To these, Hunt, C. (He steals down, and claps each one suddenly on the shoulder.)","page":3,"pageUrl":"/books/4eWPBnoA?page=3#reader-content"},{"id":"content0:163:4","label":"SCENE VI","page":4,"pageUrl":"/books/4eWPBnoA?page=4#reader-content"},{"id":"content0:164:4","label":"To these, C., Brodie and Lawson (greatcoat, muffler, lantern)","page":4,"pageUrl":"/books/4eWPBnoA?page=4#reader-content"},{"id":"content0:173:4","label":"SCENE VII","page":4,"pageUrl":"/books/4eWPBnoA?page=4#reader-content"},{"id":"content0:174:4","label":"Brodie, Smith","page":4,"pageUrl":"/books/4eWPBnoA?page=4#reader-content"},{"id":"content0:207:4","label":"SCENE VIII","page":4,"pageUrl":"/books/4eWPBnoA?page=4#reader-content"},{"id":"content0:208:4","label":"Brodie, Old Brodie; to whom, Mary","page":4,"pageUrl":"/books/4eWPBnoA?page=4#reader-content"},{"id":"content0:220:5","label":"SCENE IX","page":5,"pageUrl":"/books/4eWPBnoA?page=5#reader-content"},{"id":"content0:221:5","label":"Brodie","page":5,"pageUrl":"/books/4eWPBnoA?page=5#reader-content"},{"id":"content0:222:5","label":"(He closes, locks, and double-bolts the doors)","page":5,"pageUrl":"/books/4eWPBnoA?page=5#reader-content"},{"id":"content1:0:5","label":"TABLEAU II Hunt The Runner","page":5,"pageUrl":"/books/4eWPBnoA?page=5#reader-content"},{"id":"content1:2:5","label":"SCENE I","page":5,"pageUrl":"/books/4eWPBnoA?page=5#reader-content"},{"id":"content1:3:5","label":"Lawson, Hunt","page":5,"pageUrl":"/books/4eWPBnoA?page=5#reader-content"},{"id":"content1:17:6","label":"SCENE II","page":6,"pageUrl":"/books/4eWPBnoA?page=6#reader-content"},{"id":"content1:19:6","label":"SCENE III","page":6,"pageUrl":"/books/4eWPBnoA?page=6#reader-content"},{"id":"content1:20:6","label":"Hunt; to him, Jean","page":6,"pageUrl":"/books/4eWPBnoA?page=6#reader-content"},{"id":"content1:35:6","label":"SCENE IV","page":6,"pageUrl":"/books/4eWPBnoA?page=6#reader-content"},{"id":"content1:36:6","label":"Hunt (solus)","page":6,"pageUrl":"/books/4eWPBnoA?page=6#reader-content"},{"id":"content1:38:7","label":"TABLEAU III Mother Clarke’s","page":7,"pageUrl":"/books/4eWPBnoA?page=7#reader-content"},{"id":"content1:40:7","label":"SCENE I","page":7,"pageUrl":"/books/4eWPBnoA?page=7#reader-content"},{"id":"content1:61:7","label":"SCENE II","page":7,"pageUrl":"/books/4eWPBnoA?page=7#reader-content"},{"id":"content1:62:7","label":"To these, Hunt, disguised","page":7,"pageUrl":"/books/4eWPBnoA?page=7#reader-content"},{"id":"content1:97:8","label":"SCENE III","page":8,"pageUrl":"/books/4eWPBnoA?page=8#reader-content"},{"id":"content1:98:8","label":"To these, Smith, Rivers","page":8,"pageUrl":"/books/4eWPBnoA?page=8#reader-content"},{"id":"content1:153:9","label":"The Psalm without: —","page":9,"pageUrl":"/books/4eWPBnoA?page=9#reader-content"},{"id":"content1:158:9","label":"END OF THE FIRST ACT","page":9,"pageUrl":"/books/4eWPBnoA?page=9#reader-content"},{"id":"content2:0:9","label":"ACT II","page":9,"pageUrl":"/books/4eWPBnoA?page=9#reader-content"},{"id":"content2:1:9","label":"TABLEAU IV Evil and Good","page":9,"pageUrl":"/books/4eWPBnoA?page=9#reader-content"},{"id":"content2:3:9","label":"SCENE I","page":9,"pageUrl":"/books/4eWPBnoA?page=9#reader-content"},{"id":"content2:5:9","label":"SCENE II","page":9,"pageUrl":"/books/4eWPBnoA?page=9#reader-content"},{"id":"content2:6:9","label":"To him, Jean, a baby in her shawl, C","page":9,"pageUrl":"/books/4eWPBnoA?page=9#reader-content"},{"id":"content2:41:10","label":"SCENE III","page":10,"pageUrl":"/books/4eWPBnoA?page=10#reader-content"},{"id":"content2:42:10","label":"To these, Lawson, L","page":10,"pageUrl":"/books/4eWPBnoA?page=10#reader-content"},{"id":"content2:48:10","label":"SCENE IV","page":10,"pageUrl":"/books/4eWPBnoA?page=10#reader-content"},{"id":"content2:78:11","label":"SCENE V","page":11,"pageUrl":"/books/4eWPBnoA?page=11#reader-content"},{"id":"content2:80:11","label":"SCENE VI","page":11,"pageUrl":"/books/4eWPBnoA?page=11#reader-content"},{"id":"content2:81:11","label":"Brodie, Mary","page":11,"pageUrl":"/books/4eWPBnoA?page=11#reader-content"},{"id":"content2:126:12","label":"SCENE VII","page":12,"pageUrl":"/books/4eWPBnoA?page=12#reader-content"},{"id":"content2:127:12","label":"Brodie, Hunt","page":12,"pageUrl":"/books/4eWPBnoA?page=12#reader-content"},{"id":"content2:165:12","label":"SCENE VIII","page":12,"pageUrl":"/books/4eWPBnoA?page=12#reader-content"},{"id":"content2:166:12","label":"Brodie, Moore, Smith","page":12,"pageUrl":"/books/4eWPBnoA?page=12#reader-content"},{"id":"content2:216:13","label":"SCENE IX","page":13,"pageUrl":"/books/4eWPBnoA?page=13#reader-content"},{"id":"content2:218:13","label":"SCENE X","page":13,"pageUrl":"/books/4eWPBnoA?page=13#reader-content"},{"id":"content2:219:13","label":"Brodie, Mary, Old Brodie","page":13,"pageUrl":"/books/4eWPBnoA?page=13#reader-content"},{"id":"content2:233:14","label":"END OF THE SECOND ACT","page":14,"pageUrl":"/books/4eWPBnoA?page=14#reader-content"},{"id":"content3:0:14","label":"ACT III","page":14,"pageUrl":"/books/4eWPBnoA?page=14#reader-content"},{"id":"content3:1:14","label":"TABLEAU V King’s Evidence","page":14,"pageUrl":"/books/4eWPBnoA?page=14#reader-content"},{"id":"content3:3:14","label":"SCENE I","page":14,"pageUrl":"/books/4eWPBnoA?page=14#reader-content"},{"id":"content3:4:14","label":"Jean, Smith, and Moore","page":14,"pageUrl":"/books/4eWPBnoA?page=14#reader-content"},{"id":"content3:13:14","label":"SCENE II","page":14,"pageUrl":"/books/4eWPBnoA?page=14#reader-content"},{"id":"content3:14:14","label":"Smith and Jean, to whom Hunt and afterwards Moore","page":14,"pageUrl":"/books/4eWPBnoA?page=14#reader-content"},{"id":"content3:63:15","label":"SCENE III","page":15,"pageUrl":"/books/4eWPBnoA?page=15#reader-content"},{"id":"content3:64:15","label":"Hunt, Moore","page":15,"pageUrl":"/books/4eWPBnoA?page=15#reader-content"},{"id":"content3:67:15","label":"SCENE IV","page":15,"pageUrl":"/books/4eWPBnoA?page=15#reader-content"},{"id":"content3:68:15","label":"Hunt, to whom Ainslie","page":15,"pageUrl":"/books/4eWPBnoA?page=15#reader-content"},{"id":"content4:0:16","label":"TABLEAU VI Unmasked","page":16,"pageUrl":"/books/4eWPBnoA?page=16#reader-content"},{"id":"content4:2:16","label":"SCENE I","page":16,"pageUrl":"/books/4eWPBnoA?page=16#reader-content"},{"id":"content4:3:16","label":"Leslie, Lawson, Mary, seated. Brodie at back, walking between the windows and the strong-box","page":16,"pageUrl":"/books/4eWPBnoA?page=16#reader-content"},{"id":"content4:41:16","label":"SCENE II","page":16,"pageUrl":"/books/4eWPBnoA?page=16#reader-content"},{"id":"content4:42:16","label":"Leslie, Lawson (wrapping up)","page":16,"pageUrl":"/books/4eWPBnoA?page=16#reader-content"},{"id":"content4:77:17","label":"SCENE III","page":17,"pageUrl":"/books/4eWPBnoA?page=17#reader-content"},{"id":"content4:82:17","label":"SCENE IV","page":17,"pageUrl":"/books/4eWPBnoA?page=17#reader-content"},{"id":"content4:83:17","label":"Brodie, Leslie","page":17,"pageUrl":"/books/4eWPBnoA?page=17#reader-content"},{"id":"content4:118:17","label":"SCENE V","page":17,"pageUrl":"/books/4eWPBnoA?page=17#reader-content"},{"id":"content4:119:17","label":"Brodie, Lawson, Leslie","page":17,"pageUrl":"/books/4eWPBnoA?page=17#reader-content"},{"id":"content4:138:18","label":"SCENE VI","page":18,"pageUrl":"/books/4eWPBnoA?page=18#reader-content"},{"id":"content4:139:18","label":"To these, Jean","page":18,"pageUrl":"/books/4eWPBnoA?page=18#reader-content"},{"id":"content4:164:18","label":"SCENE VII","page":18,"pageUrl":"/books/4eWPBnoA?page=18#reader-content"},{"id":"content4:165:18","label":"To these, Moore","page":18,"pageUrl":"/books/4eWPBnoA?page=18#reader-content"},{"id":"content4:170:18","label":"END OF THE THIRD ACT","page":18,"pageUrl":"/books/4eWPBnoA?page=18#reader-content"},{"id":"content5:0:18","label":"ACT IV","page":18,"pageUrl":"/books/4eWPBnoA?page=18#reader-content"},{"id":"content5:1:18","label":"TABLEAU VII The Robbery","page":18,"pageUrl":"/books/4eWPBnoA?page=18#reader-content"},{"id":"content5:3:18","label":"SCENE I","page":18,"pageUrl":"/books/4eWPBnoA?page=18#reader-content"},{"id":"content5:4:18","label":"Smith, Moore, Ainslie","page":18,"pageUrl":"/books/4eWPBnoA?page=18#reader-content"},{"id":"content5:24:19","label":"SCENE II","page":19,"pageUrl":"/books/4eWPBnoA?page=19#reader-content"},{"id":"content5:25:19","label":"To these, Brodie","page":19,"pageUrl":"/books/4eWPBnoA?page=19#reader-content"},{"id":"content5:48:19","label":"SCENE III","page":19,"pageUrl":"/books/4eWPBnoA?page=19#reader-content"},{"id":"content5:49:19","label":"Ainslie; afterwards Brodie; afterwards Hunt and Officers","page":19,"pageUrl":"/books/4eWPBnoA?page=19#reader-content"},{"id":"content5:64:19","label":"SCENE IV","page":19,"pageUrl":"/books/4eWPBnoA?page=19#reader-content"},{"id":"content5:65:19","label":"Hunt and Officers; with Smith and Moore handcuffed. Signs of a severe struggle","page":19,"pageUrl":"/books/4eWPBnoA?page=19#reader-content"},{"id":"content5:79:19","label":"END OF THE FOURTH ACT","page":19,"pageUrl":"/books/4eWPBnoA?page=19#reader-content"},{"id":"content5:80:19","label":"ACT V","page":19,"pageUrl":"/books/4eWPBnoA?page=19#reader-content"},{"id":"content5:81:19","label":"TABLEAU VIII The Open Door","page":19,"pageUrl":"/books/4eWPBnoA?page=19#reader-content"},{"id":"content5:83:19","label":"SCENE I","page":19,"pageUrl":"/books/4eWPBnoA?page=19#reader-content"},{"id":"content5:84:19","label":"Doctor, Mary, a Maidservant with lights","page":19,"pageUrl":"/books/4eWPBnoA?page=19#reader-content"},{"id":"content5:101:20","label":"SCENE II","page":20,"pageUrl":"/books/4eWPBnoA?page=20#reader-content"},{"id":"content5:102:20","label":"Mary, to whom Jean and afterwards Leslie","page":20,"pageUrl":"/books/4eWPBnoA?page=20#reader-content"},{"id":"content5:123:20","label":"SCENE III","page":20,"pageUrl":"/books/4eWPBnoA?page=20#reader-content"},{"id":"content5:124:20","label":"Mary, Leslie","page":20,"pageUrl":"/books/4eWPBnoA?page=20#reader-content"},{"id":"content5:151:21","label":"SCENE IV","page":21,"pageUrl":"/books/4eWPBnoA?page=21#reader-content"},{"id":"content5:152:21","label":"After a pause, Brodie through the window","page":21,"pageUrl":"/books/4eWPBnoA?page=21#reader-content"},{"id":"content5:154:21","label":"SCENE V","page":21,"pageUrl":"/books/4eWPBnoA?page=21#reader-content"},{"id":"content5:155:21","label":"Brodie, Mary","page":21,"pageUrl":"/books/4eWPBnoA?page=21#reader-content"},{"id":"content5:196:22","label":"SCENE VI","page":22,"pageUrl":"/books/4eWPBnoA?page=22#reader-content"},{"id":"content5:197:22","label":"To these, Lawson, Leslie, Jean","page":22,"pageUrl":"/books/4eWPBnoA?page=22#reader-content"},{"id":"content5:208:22","label":"SCENE VII","page":22,"pageUrl":"/books/4eWPBnoA?page=22#reader-content"},{"id":"content5:209:22","label":"To these, Hunt","page":22,"pageUrl":"/books/4eWPBnoA?page=22#reader-content"},{"id":"content5:212:22","label":"CURTAIN","page":22,"pageUrl":"/books/4eWPBnoA?page=22#reader-content"},{"id":"content6:0:22","label":"BEAU AUSTIN","page":22,"pageUrl":"/books/4eWPBnoA?page=22#reader-content"},{"id":"content6:1:22","label":"DEDICATED WITH ADMIRATION AND RESPECT TO GEORGE MEREDITH","page":22,"pageUrl":"/books/4eWPBnoA?page=22#reader-content"},{"id":"content6:5:22","label":"PROLOGUE","page":22,"pageUrl":"/books/4eWPBnoA?page=22#reader-content"},{"id":"content6:8:22","label":"Musical Induction: “Lascia ch’io pianga” (Rinaldo), Handel","page":22,"pageUrl":"/books/4eWPBnoA?page=22#reader-content"},{"id":"content6:9:22","label":"ACT I","page":22,"pageUrl":"/books/4eWPBnoA?page=22#reader-content"},{"id":"content6:11:22","label":"SCENE I","page":22,"pageUrl":"/books/4eWPBnoA?page=22#reader-content"},{"id":"content6:12:22","label":"Barbara; to her, Miss Foster","page":22,"pageUrl":"/books/4eWPBnoA?page=22#reader-content"},{"id":"content6:46:23","label":"SCENE II","page":23,"pageUrl":"/books/4eWPBnoA?page=23#reader-content"},{"id":"content6:47:23","label":"To these, Dorothy, L","page":23,"pageUrl":"/books/4eWPBnoA?page=23#reader-content"},{"id":"content6:83:24","label":"SCENE III","page":24,"pageUrl":"/books/4eWPBnoA?page=24#reader-content"},{"id":"content6:85:24","label":"SCENE IV","page":24,"pageUrl":"/books/4eWPBnoA?page=24#reader-content"},{"id":"content6:86:24","label":"To her, Fenwick, C","page":24,"pageUrl":"/books/4eWPBnoA?page=24#reader-content"},{"id":"content7:0:25","label":"Musical Induction: “The Lass of Richmond Hill”","page":25,"pageUrl":"/books/4eWPBnoA?page=25#reader-content"},{"id":"content7:1:25","label":"ACT II","page":25,"pageUrl":"/books/4eWPBnoA?page=25#reader-content"},{"id":"content7:3:25","label":"SCENE I","page":25,"pageUrl":"/books/4eWPBnoA?page=25#reader-content"},{"id":"content7:4:25","label":"Austin, Menteith","page":25,"pageUrl":"/books/4eWPBnoA?page=25#reader-content"},{"id":"content7:24:25","label":"SCENE II","page":25,"pageUrl":"/books/4eWPBnoA?page=25#reader-content"},{"id":"content7:25:25","label":"Austin, Menteith, Anthony","page":25,"pageUrl":"/books/4eWPBnoA?page=25#reader-content"},{"id":"content7:53:26","label":"SCENE III","page":26,"pageUrl":"/books/4eWPBnoA?page=26#reader-content"},{"id":"content7:54:26","label":"Austin, Menteith, returning","page":26,"pageUrl":"/books/4eWPBnoA?page=26#reader-content"},{"id":"content7:71:26","label":"SCENE IV","page":26,"pageUrl":"/books/4eWPBnoA?page=26#reader-content"},{"id":"content7:72:26","label":"Austin, R. To him, Menteith and Fenwick","page":26,"pageUrl":"/books/4eWPBnoA?page=26#reader-content"},{"id":"content7:119:27","label":"SCENE V","page":27,"pageUrl":"/books/4eWPBnoA?page=27#reader-content"},{"id":"content7:121:28","label":"SCENE VI","page":28,"pageUrl":"/books/4eWPBnoA?page=28#reader-content"},{"id":"content7:122:28","label":"Austin, Menteith","page":28,"pageUrl":"/books/4eWPBnoA?page=28#reader-content"},{"id":"content8:0:28","label":"Musical Induction: The “Minuet” from Don Giovanni","page":28,"pageUrl":"/books/4eWPBnoA?page=28#reader-content"},{"id":"content8:1:28","label":"ACT III","page":28,"pageUrl":"/books/4eWPBnoA?page=28#reader-content"},{"id":"content8:3:28","label":"SCENE I","page":28,"pageUrl":"/books/4eWPBnoA?page=28#reader-content"},{"id":"content8:4:28","label":"Dorothy, R., at tambour; Anthony, C., bestriding chair; Miss Foster, L.C","page":28,"pageUrl":"/books/4eWPBnoA?page=28#reader-content"},{"id":"content8:23:28","label":"SCENE II","page":28,"pageUrl":"/books/4eWPBnoA?page=28#reader-content"},{"id":"content8:24:28","label":"Anthony, Miss Foster","page":28,"pageUrl":"/books/4eWPBnoA?page=28#reader-content"},{"id":"content8:29:28","label":"SCENE III","page":28,"pageUrl":"/books/4eWPBnoA?page=28#reader-content"},{"id":"content8:31:29","label":"SCENE IV","page":29,"pageUrl":"/books/4eWPBnoA?page=29#reader-content"},{"id":"content8:32:29","label":"Anthony, Barbara","page":29,"pageUrl":"/books/4eWPBnoA?page=29#reader-content"},{"id":"content8:55:29","label":"SCENE V","page":29,"pageUrl":"/books/4eWPBnoA?page=29#reader-content"},{"id":"content8:56:29","label":"Anthony, Fenwick","page":29,"pageUrl":"/books/4eWPBnoA?page=29#reader-content"},{"id":"content8:66:30","label":"SCENE VI","page":30,"pageUrl":"/books/4eWPBnoA?page=30#reader-content"},{"id":"content8:67:30","label":"To these, Austin, Barbara announcing","page":30,"pageUrl":"/books/4eWPBnoA?page=30#reader-content"},{"id":"content8:85:30","label":"SCENE VII","page":30,"pageUrl":"/books/4eWPBnoA?page=30#reader-content"},{"id":"content8:86:30","label":"Austin, Dorothy","page":30,"pageUrl":"/books/4eWPBnoA?page=30#reader-content"},{"id":"content8:117:31","label":"SCENE VIII","page":31,"pageUrl":"/books/4eWPBnoA?page=31#reader-content"},{"id":"content8:118:31","label":"Dorothy; to whom, Anthony, L","page":31,"pageUrl":"/books/4eWPBnoA?page=31#reader-content"},{"id":"content8:142:32","label":"(Music: “Chè farò” as the drop falls.)","page":32,"pageUrl":"/books/4eWPBnoA?page=32#reader-content"},{"id":"content9:0:32","label":"Musical Induction: “Gavotte,” Iphigénie en Aulide, Gluck","page":32,"pageUrl":"/books/4eWPBnoA?page=32#reader-content"},{"id":"content9:1:32","label":"ACT IV","page":32,"pageUrl":"/books/4eWPBnoA?page=32#reader-content"},{"id":"content9:3:32","label":"SCENE I","page":32,"pageUrl":"/books/4eWPBnoA?page=32#reader-content"},{"id":"content9:4:32","label":"Miss Foster, Barbara, Menteith; Visitors","page":32,"pageUrl":"/books/4eWPBnoA?page=32#reader-content"},{"id":"content9:23:32","label":"SCENE II","page":32,"pageUrl":"/books/4eWPBnoA?page=32#reader-content"},{"id":"content9:24:32","label":"To these, Austin. Menteith falls back, and Austin takes his place in front of Miss Foster, his attitude a counterpart o…","page":32,"pageUrl":"/books/4eWPBnoA?page=32#reader-content"},{"id":"content9:36:33","label":"SCENE III","page":33,"pageUrl":"/books/4eWPBnoA?page=33#reader-content"},{"id":"content9:37:33","label":"To these, Fenwick. Miss Foster remains seated, L. Austin goes R. to Fenwick, whom he salutes with great respect","page":33,"pageUrl":"/books/4eWPBnoA?page=33#reader-content"},{"id":"content9:47:33","label":"SCENE IV","page":33,"pageUrl":"/books/4eWPBnoA?page=33#reader-content"},{"id":"content9:48:33","label":"To these, the Royal Duke, C.; then, immediately, Anthony, L. Fenwick crosses to Miss Foster, R. Austin accosts the Duke…","page":33,"pageUrl":"/books/4eWPBnoA?page=33#reader-content"},{"id":"content9:55:33","label":"SCENE V","page":33,"pageUrl":"/books/4eWPBnoA?page=33#reader-content"},{"id":"content9:56:33","label":"To these, Dorothy, L. U. E. Dorothy, unseen by Austin, shrieks. Sensation. Music stops. Tableau","page":33,"pageUrl":"/books/4eWPBnoA?page=33#reader-content"},{"id":"content10:0:33","label":"ADMIRAL GUINEA","page":33,"pageUrl":"/books/4eWPBnoA?page=33#reader-content"},{"id":"content10:1:33","label":"DEDICATED WITH AFFECTION AND ESTEEM TO ANDREW LANG BY THE SURVIVORS OF THE WALRUS","page":33,"pageUrl":"/books/4eWPBnoA?page=33#reader-content"},{"id":"content10:4:33","label":"PERSONS REPRESENTED","page":33,"pageUrl":"/books/4eWPBnoA?page=33#reader-content"},{"id":"content10:10:34","label":"The Scene is laid in the neighbourhood of Barnstaple","page":34,"pageUrl":"/books/4eWPBnoA?page=34#reader-content"},{"id":"content10:11:34","label":"The Time is about the year 1760. The Action occupies part of a day and night","page":34,"pageUrl":"/books/4eWPBnoA?page=34#reader-content"},{"id":"content10:13:34","label":"ACT I","page":34,"pageUrl":"/books/4eWPBnoA?page=34#reader-content"},{"id":"content10:15:34","label":"SCENE I","page":34,"pageUrl":"/books/4eWPBnoA?page=34#reader-content"},{"id":"content10:16:34","label":"Arethusa is discovered, dusting","page":34,"pageUrl":"/books/4eWPBnoA?page=34#reader-content"},{"id":"content10:18:34","label":"SCENE II","page":34,"pageUrl":"/books/4eWPBnoA?page=34#reader-content"},{"id":"content10:19:34","label":"Arethusa; to her, Kit, C. He enters on tiptoe, and she does not see or hear him","page":34,"pageUrl":"/books/4eWPBnoA?page=34#reader-content"},{"id":"content10:48:35","label":"SCENE III","page":35,"pageUrl":"/books/4eWPBnoA?page=35#reader-content"},{"id":"content10:49:35","label":"To these, Gaunt, C","page":35,"pageUrl":"/books/4eWPBnoA?page=35#reader-content"},{"id":"content10:67:36","label":"SCENE IV","page":36,"pageUrl":"/books/4eWPBnoA?page=36#reader-content"},{"id":"content10:68:36","label":"Arethusa, Gaunt","page":36,"pageUrl":"/books/4eWPBnoA?page=36#reader-content"},{"id":"content10:73:36","label":"SCENE V","page":36,"pageUrl":"/books/4eWPBnoA?page=36#reader-content"},{"id":"content10:75:36","label":"SCENE VI","page":36,"pageUrl":"/books/4eWPBnoA?page=36#reader-content"},{"id":"content10:76:36","label":"Arethusa; to her, Pew","page":36,"pageUrl":"/books/4eWPBnoA?page=36#reader-content"},{"id":"content10:112:37","label":"SCENE VII","page":37,"pageUrl":"/books/4eWPBnoA?page=37#reader-content"},{"id":"content10:114:37","label":"SCENE VIII","page":37,"pageUrl":"/books/4eWPBnoA?page=37#reader-content"},{"id":"content10:115:37","label":"Pew; to him, Gaunt","page":37,"pageUrl":"/books/4eWPBnoA?page=37#reader-content"},{"id":"content11:0:38","label":"ACT II","page":38,"pageUrl":"/books/4eWPBnoA?page=38#reader-content"},{"id":"content11:2:38","label":"SCENE I","page":38,"pageUrl":"/books/4eWPBnoA?page=38#reader-content"},{"id":"content11:3:38","label":"Pew; afterwards Mrs. Drake, out and in","page":38,"pageUrl":"/books/4eWPBnoA?page=38#reader-content"},{"id":"content11:43:39","label":"SCENE II","page":39,"pageUrl":"/books/4eWPBnoA?page=39#reader-content"},{"id":"content11:44:39","label":"To these, Kit, a little drunk","page":39,"pageUrl":"/books/4eWPBnoA?page=39#reader-content"},{"id":"content11:71:40","label":"SCENE III","page":40,"pageUrl":"/books/4eWPBnoA?page=40#reader-content"},{"id":"content11:72:40","label":"To these, Arethusa","page":40,"pageUrl":"/books/4eWPBnoA?page=40#reader-content"},{"id":"content11:82:40","label":"SCENE IV","page":40,"pageUrl":"/books/4eWPBnoA?page=40#reader-content"},{"id":"content11:83:40","label":"To these, Gaunt","page":40,"pageUrl":"/books/4eWPBnoA?page=40#reader-content"},{"id":"content11:100:41","label":"SCENE V","page":41,"pageUrl":"/books/4eWPBnoA?page=41#reader-content"},{"id":"content11:101:41","label":"Pew, Mrs. Drake, Kit","page":41,"pageUrl":"/books/4eWPBnoA?page=41#reader-content"},{"id":"content11:118:41","label":"SCENE VI","page":41,"pageUrl":"/books/4eWPBnoA?page=41#reader-content"},{"id":"content11:119:41","label":"Pew, Kit","page":41,"pageUrl":"/books/4eWPBnoA?page=41#reader-content"},{"id":"content11:120:41","label":"They sit at the other table, L","page":41,"pageUrl":"/books/4eWPBnoA?page=41#reader-content"},{"id":"content12:0:42","label":"ACT III","page":42,"pageUrl":"/books/4eWPBnoA?page=42#reader-content"},{"id":"content12:2:42","label":"SCENE I","page":42,"pageUrl":"/books/4eWPBnoA?page=42#reader-content"},{"id":"content12:3:42","label":"Arethusa, Gaunt","page":42,"pageUrl":"/books/4eWPBnoA?page=42#reader-content"},{"id":"content12:38:44","label":"SCENE II","page":44,"pageUrl":"/books/4eWPBnoA?page=44#reader-content"},{"id":"content12:39:44","label":"Gaunt and Arethusa go out L., carrying the candles. Stage dark. A distant clock chimes the quarters, and strikes one. T…","page":44,"pageUrl":"/books/4eWPBnoA?page=44#reader-content"},{"id":"content12:55:44","label":"SCENE III","page":44,"pageUrl":"/books/4eWPBnoA?page=44#reader-content"},{"id":"content12:56:44","label":"To these, Arethusa, Gaunt, with lights. Stage light, Pew has Kit down, and is throttling him","page":44,"pageUrl":"/books/4eWPBnoA?page=44#reader-content"},{"id":"content12:82:45","label":"SCENE IV","page":45,"pageUrl":"/books/4eWPBnoA?page=45#reader-content"},{"id":"content12:83:45","label":"Kit, Arethusa, Gaunt","page":45,"pageUrl":"/books/4eWPBnoA?page=45#reader-content"},{"id":"content12:99:45","label":"SCENE V","page":45,"pageUrl":"/books/4eWPBnoA?page=45#reader-content"},{"id":"content12:100:45","label":"Gaunt, Arethusa, afterwards Pew","page":45,"pageUrl":"/books/4eWPBnoA?page=45#reader-content"},{"id":"content12:107:46","label":"SCENE VI","page":46,"pageUrl":"/books/4eWPBnoA?page=46#reader-content"},{"id":"content12:108:46","label":"Arethusa","page":46,"pageUrl":"/books/4eWPBnoA?page=46#reader-content"},{"id":"content13:0:46","label":"ACT IV","page":46,"pageUrl":"/books/4eWPBnoA?page=46#reader-content"},{"id":"content13:2:46","label":"SCENE I","page":46,"pageUrl":"/books/4eWPBnoA?page=46#reader-content"},{"id":"content13:3:46","label":"Arethusa, Kit","page":46,"pageUrl":"/books/4eWPBnoA?page=46#reader-content"},{"id":"content13:37:46","label":"SCENE II","page":46,"pageUrl":"/books/4eWPBnoA?page=46#reader-content"},{"id":"content13:38:46","label":"Arethusa, Gaunt entering L","page":46,"pageUrl":"/books/4eWPBnoA?page=46#reader-content"},{"id":"content13:50:47","label":"SCENE III","page":47,"pageUrl":"/books/4eWPBnoA?page=47#reader-content"},{"id":"content13:51:47","label":"Arethusa (at back of stage by the door); Gaunt (front L.); to these, Pew, C","page":47,"pageUrl":"/books/4eWPBnoA?page=47#reader-content"},{"id":"content13:57:47","label":"SCENE IV","page":47,"pageUrl":"/books/4eWPBnoA?page=47#reader-content"},{"id":"content13:58:47","label":"To these, Kit","page":47,"pageUrl":"/books/4eWPBnoA?page=47#reader-content"},{"id":"content14:0:47","label":"MACAIRE","page":47,"pageUrl":"/books/4eWPBnoA?page=47#reader-content"},{"id":"content14:1:47","label":"A MELODRAMATIC FARCE IN THREE ACTS","page":47,"pageUrl":"/books/4eWPBnoA?page=47#reader-content"},{"id":"content14:2:47","label":"PERSONS REPRESENTED","page":47,"pageUrl":"/books/4eWPBnoA?page=47#reader-content"},{"id":"content14:16:47","label":"The Scene is laid in the Courtyard of the “Auberge des Adrets,” on the frontier of France and Savoy. The time 1820. The…","page":47,"pageUrl":"/books/4eWPBnoA?page=47#reader-content"},{"id":"content14:18:48","label":"ACT I","page":48,"pageUrl":"/books/4eWPBnoA?page=48#reader-content"},{"id":"content14:20:48","label":"SCENE I","page":48,"pageUrl":"/books/4eWPBnoA?page=48#reader-content"},{"id":"content14:21:48","label":"Aline and Maids; to whom, Fiddlers; afterwards Dumont and Charles. As the curtain rises, the sound of the violins is he…","page":48,"pageUrl":"/books/4eWPBnoA?page=48#reader-content"},{"id":"content14:30:48","label":"SCENE II","page":48,"pageUrl":"/books/4eWPBnoA?page=48#reader-content"},{"id":"content14:31:48","label":"To these, by the door L.C., the Curate and the Notary arm in arm; the latter owl-like and titubant","page":48,"pageUrl":"/books/4eWPBnoA?page=48#reader-content"},{"id":"content14:58:49","label":"SCENE III","page":49,"pageUrl":"/books/4eWPBnoA?page=49#reader-content"},{"id":"content14:59:49","label":"The Stage remains vacant. Enter, by door L.C., Macaire, followed by Bertrand with the bundle; in the traditional costume","page":49,"pageUrl":"/books/4eWPBnoA?page=49#reader-content"},{"id":"content14:77:49","label":"SCENE IV","page":49,"pageUrl":"/books/4eWPBnoA?page=49#reader-content"},{"id":"content14:78:49","label":"To these, Dumont","page":49,"pageUrl":"/books/4eWPBnoA?page=49#reader-content"},{"id":"content14:86:49","label":"SCENE V","page":49,"pageUrl":"/books/4eWPBnoA?page=49#reader-content"},{"id":"content14:87:49","label":"Macaire, Bertrand; afterwards Charles, who appears on the gallery and comes down","page":49,"pageUrl":"/books/4eWPBnoA?page=49#reader-content"},{"id":"content14:101:50","label":"SCENE VI","page":50,"pageUrl":"/books/4eWPBnoA?page=50#reader-content"},{"id":"content14:102:50","label":"Macaire, Bertrand; to whom, Aline with tray; and afterwards Maids","page":50,"pageUrl":"/books/4eWPBnoA?page=50#reader-content"},{"id":"content14:117:50","label":"SCENE VII","page":50,"pageUrl":"/books/4eWPBnoA?page=50#reader-content"},{"id":"content14:118:50","label":"To these, from the inn, L.U.E., Dumont, Charles, the Curate, the Notary jigging; from the inn, R.U.E., Fiddlers playing…","page":50,"pageUrl":"/books/4eWPBnoA?page=50#reader-content"},{"id":"content14:172:51","label":"SCENE VIII","page":51,"pageUrl":"/books/4eWPBnoA?page=51#reader-content"},{"id":"content14:173:51","label":"Macaire, Bertrand, who instantly takes a bottle from the wedding-table, and sits with it, L","page":51,"pageUrl":"/books/4eWPBnoA?page=51#reader-content"},{"id":"content14:198:52","label":"DROP","page":52,"pageUrl":"/books/4eWPBnoA?page=52#reader-content"},{"id":"content15:0:52","label":"ACT II","page":52,"pageUrl":"/books/4eWPBnoA?page=52#reader-content"},{"id":"content15:2:52","label":"SCENE I","page":52,"pageUrl":"/books/4eWPBnoA?page=52#reader-content"},{"id":"content15:3:52","label":"Macaire, Bertrand","page":52,"pageUrl":"/books/4eWPBnoA?page=52#reader-content"},{"id":"content15:17:52","label":"SCENE II","page":52,"pageUrl":"/books/4eWPBnoA?page=52#reader-content"},{"id":"content15:46:53","label":"SCENE III","page":53,"pageUrl":"/books/4eWPBnoA?page=53#reader-content"},{"id":"content15:47:53","label":"To these, the Marquis, L.C","page":53,"pageUrl":"/books/4eWPBnoA?page=53#reader-content"},{"id":"content15:87:53","label":"SCENE IV","page":53,"pageUrl":"/books/4eWPBnoA?page=53#reader-content"},{"id":"content15:88:53","label":"Macaire, Marquis","page":53,"pageUrl":"/books/4eWPBnoA?page=53#reader-content"},{"id":"content15:122:54","label":"SCENE V","page":54,"pageUrl":"/books/4eWPBnoA?page=54#reader-content"},{"id":"content15:123:54","label":"Marcaire, to whom Bertrand. 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