This festival of San Giuseppe, which takes place on the 19th of March, bears a curious resemblance to the Liberalia of the ancient Romans, a festival in honor of Bacchus, which was celebrated every year on the 17th of March, when priests and priestesses, adorned with garlands of ivy, carried through the city wine, honey, cakes, and sweetmeats, together with a portable altar, in the middle of which was a small fire-pan, (foculus,) in which, from time to time, sacrifices were burnt. The altar has now become a booth, the foculus a caldron, the sacrifices are of little fishes as well as of cakes, and San Giuseppe has taken the place of Bacchus, Liber Pater; but the festivals, despite these differences, have such grotesque points of resemblance that the latter looks like the former, just as one's face is still one's face, however distortedly reflected in the bowl of a spoon; and, perhaps, if one remembers the third day of the Anthesteria, when cooked vegetables were offered in honor of Bacchus, by putting it together with the Liberalia, we shall easily get the modern festa of San Giuseppe.

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14

Beside the blessing of the eggs and house, it is the custom in some parts of Italy, (and I have particularly observed it in Siena,) for the priest, at Easter, to affix to the door of the chief palazzi and villas a waxen cross, or the letter M in wax, so as to guard the house from evil spirits. But only the houses of the rich are thus protected; for the priests bestow favors only "for a consideration," which the poor cannot so easily give.

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15

See Shakespeare's Scholar, p. 71.

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16

See the London Athenaeum, of Nov. 20th, 1858, and Jan. 8th, 1859.] It is true, that, when, in his recent edition of Shakespeare's Works

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17

London, 1858, Vol. II, p. 181.

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18

Rimbault's Edition of Overbury's Works, London, 1856, p. 50.

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19

See Dyce's Strictures etc., 1859, p. 28.

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20

See the edition passim.

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21

Strictures on Collier's Shakespeare, London, 1859

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22

This memorandum is characteristic. In full it is as follows:—

"Sept: the 9th: Cloathes: 1. Shirt: 3: bands: 8 handkecheirfs: 4 neckcloaths: 7: pa: cuffs: 1. bootes tops: 1 cap: an old towell: a Napkin."

The writer was evidently young, poor, and a dandy. His youth is shown by his wearing neckcloths, which were a new and youthful fashion at the date of this memorandum; his dandyism, by the number of his handkerchiefs, (a luxury in those days,) and of his cuffs, which answer to our wristbands, and by his lace boot-tops; his poverty, by his wearing three bands, four neckcloths, and seven pair of cuffs (probably one a day for the week) to one shirt. His having, in respect to the last garment, was probably like Poins'

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23

"one for superfluity and one other for use." The cap was probably that which he wore when he laid aside his wig. His hose, of colored silk, probably made only "semi-occasional" visits to the laundress.

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24

See As You Like It, in the folio of 1623, p. 196, col. 2, "I answer you right painted cloath," and Henry VIII., Idem, p. 224, col. 2, "They that beare the Cloath of Honour ouer her."

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