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The Atlantic Monthly, Volume 08, No. 48, October, 1861
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Страница 4 из 71Well, all that I have written is pitifully meagre, as a description of Blenheim; and I hate to leave it without some more adequate expression of the noble edifice, with its rich domain, all as I saw them in that beautiful sunshine; for, if a day had been chosen out of a hundred years, it could not have been a finer one. But I must give up the attempt; only further remarking that the finest trees here were cedars, of which I saw one—and there may have been many such—immense in girth and not less than three centuries old. I likewise saw a vast heap of laurel, two hundred feet in circumference, all growing from one root; and the gardener offered to show us another growth of twice that stupendous size. If the Great Duke himself had been buried in that spot, his heroic heart could not have been the seed of a more plentiful crop of laurels.
We now went back to the Black Bear, and sat down to a cold collation, of which we ate abundantly, and drank (in the good old English fashion) a due proportion of various delightful liquors. A stranger in England, in his rambles to various quarters of the country, may learn little in regard to wines, (for the ordinary English taste is simple, though sound, in that particular,) but he makes acquaintance with more varieties of hop and malt liquor than he previously supposed to exist. I remember a sort of foaming stuff, called hop-champagne, which is very vivacious, and appears to be a hybrid between ale and bottled cider. Another excellent tipple for warm weather is concocted by mixing brown-stout or bitter ale with ginger-beer, the foam of which stirs up the heavier liquor from its depths, forming a compound of singular vivacity and sufficient body. But of all things ever brewed from malt, (unless it be the Trinity Ale of Cambridge, which I drank long afterwards, and which Barry Cornwall has celebrated in immortal verse,) commend me to the Archdeacon, as the Oxford scholars call it, in honor of the jovial dignitary who first taught these erudite worthies how to brew their favorite nectar. John Barleycorn has given his very heart to this admirable liquor; it is a superior kind of ale, the Prince of Ales, with a richer flavor and a mightier spirit than you can find elsewhere in this weary world. Much have we been strengthened and encouraged by the potent blood of the Archdeacon!
A few days after our excursion to Blenheim, the same party set forth, in two flies, on a tour to some other places of interest in the neighborhood of Oxford. It was again a delightful day; and, in truth, every day, of late, had been so pleasant that it seemed as if each must be the very last of such perfect weather; and yet the long succession had given us confidence in as many more to come. The climate of England has been shamefully maligned; its sulkinesses and asperities are not nearly so offensive as Englishmen tell us (their climate being the only attribute of their country which they never overvalue); and the really good summer weather is the very kindest and sweetest that the world knows.
We first drove to the village of Cumnor, about six miles from Oxford, and alighted at the entrance of the church. Here, while waiting for the keys, we looked at an old wall of the churchyard, piled up of loose gray stones which are said to have once formed a portion of Cumnor Hall, celebrated in Mickle's ballad and Scott's romance. The hall must have been in very close vicinity to the church,—not more than twenty yards off; and I waded through the long, dewy grass of the churchyard, and tried to peep over the wall, in hopes to discover some tangible and traceable remains of the edifice. But the wall was just too high to be overlooked, and difficult to clamber over without tumbling down some of the stones; so I took the word of one of our party, who had been here before, that there is nothing interesting on the other side. The churchyard is in rather a neglected state, and seems not to have been mown for the benefit of the parson's cow; it contains a good many gravestones, of which I remember only some upright memorials of slate to individuals of the name of Tabbs.
Soon a woman arrived with the key of the church-door, and we entered the simple old edifice, which has the pavement of lettered tombstones, the sturdy pillars and low arches, and other ordinary characteristics of an English country-church. One or two pews, probably those of the gentlefolk of the neighborhood, were better furnished than the rest, but all in a modest style. Near the high altar, in the holiest place, there is an oblong, angular, ponderous tomb of blue marble, built against the wall, and surmounted by a carved canopy of the same material; and over the tomb, and beneath the canopy, are two monumental brasses, such as we oftener see inlaid into a church-pavement. On these brasses are engraved the figures of a gentleman in armor and a lady in an antique garb, each about a foot high, devoutly kneeling in prayer; and there is a long Latin inscription likewise cut into the enduring brass, bestowing the highest eulogies on the character of Anthony Forster, who, with his virtuous dame, lies buried beneath this tombstone. His is the knightly figure that kneels above; and if Sir Walter Scott ever saw this tomb, he must have had an even greater than common disbelief in laudatory epitaphs, to venture on depicting Anthony Forster in such hues as blacken him in the romance. For my part, I read the inscription in full faith, and believe the poor deceased gentleman to be a much-wronged individual, with good grounds for bringing an action of slander in the courts above.
But the circumstance, lightly as we treat it, has its serious moral. What nonsense it is, this anxiety, which so worries us, about our good fame, or our bad fame, after death! If it were of the slightest real moment, our reputations would have been placed by Providence more in our own power, and less in other people's, than we now find them to be. If poor Anthony Forster happens to have met Sir Walter in the other world, I doubt whether he has ever thought it worth while to complain of the latter's misrepresentations.
We did not remain long in the church, as it contains nothing else of interest; and driving through the village, we passed a pretty large and rather antique-looking inn, bearing the sign of the Bear and Ragged Staff. It could not be so old, however, by at least a hundred years, as Giles Gosling's time; nor is there any other object to remind the visitor of the Elizabethan age, unless it be a few ancient cottages, that are perhaps of still earlier date. Cumnor is not nearly so large a village, nor a place of such mark, as one anticipates from its romantic and legendary fame; but, being still inaccessible by railway, it has retained more of a sylvan character than we often find in English country-towns. In this retired neighborhood the road is narrow and bordered with grass, and sometimes interrupted by gates; the hedges grow in unpruned luxuriance; there is not that close-shaven neatness and trimness that characterize the ordinary English landscape. The whole scene conveys the idea of seclusion and remoteness. We met no travellers, whether on foot or otherwise.
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But I must give up the attempt; only further remarking that the finest trees here were cedars, of which I saw one—and there may have been many such—immense in girth and not less than three centuries old. I likewise saw a vast heap of laurel, two hundred feet in circumference, all growing from one root; and the gardener offered to show us another growth of twice that stupendous size. If the Great Duke himself had been buried in that spot, his heroic heart could not have been the seed of a more plentiful crop of laurels."},{"id":"content0:19","kind":"paragraph","text":"We now went back to the Black Bear, and sat down to a cold collation, of which we ate abundantly, and drank (in the good old English fashion) a due proportion of various delightful liquors. A stranger in England, in his rambles to various quarters of the country, may learn little in regard to wines, (for the ordinary English taste is simple, though sound, in that particular,) but he makes acquaintance with more varieties of hop and malt liquor than he previously supposed to exist. I remember a sort of foaming stuff, called hop-champagne, which is very vivacious, and appears to be a hybrid between ale and bottled cider. Another excellent tipple for warm weather is concocted by mixing brown-stout or bitter ale with ginger-beer, the foam of which stirs up the heavier liquor from its depths, forming a compound of singular vivacity and sufficient body. But of all things ever brewed from malt, (unless it be the Trinity Ale of Cambridge, which I drank long afterwards, and which Barry Cornwall has celebrated in immortal verse,) commend me to the Archdeacon, as the Oxford scholars call it, in honor of the jovial dignitary who first taught these erudite worthies how to brew their favorite nectar. John Barleycorn has given his very heart to this admirable liquor; it is a superior kind of ale, the Prince of Ales, with a richer flavor and a mightier spirit than you can find elsewhere in this weary world. Much have we been strengthened and encouraged by the potent blood of the Archdeacon!"},{"id":"content0:20","kind":"paragraph","text":"A few days after our excursion to Blenheim, the same party set forth, in two flies, on a tour to some other places of interest in the neighborhood of Oxford. It was again a delightful day; and, in truth, every day, of late, had been so pleasant that it seemed as if each must be the very last of such perfect weather; and yet the long succession had given us confidence in as many more to come. The climate of England has been shamefully maligned; its sulkinesses and asperities are not nearly so offensive as Englishmen tell us (their climate being the only attribute of their country which they never overvalue); and the really good summer weather is the very kindest and sweetest that the world knows."},{"id":"content0:21","kind":"paragraph","text":"We first drove to the village of Cumnor, about six miles from Oxford, and alighted at the entrance of the church. Here, while waiting for the keys, we looked at an old wall of the churchyard, piled up of loose gray stones which are said to have once formed a portion of Cumnor Hall, celebrated in Mickle's ballad and Scott's romance. The hall must have been in very close vicinity to the church,—not more than twenty yards off; and I waded through the long, dewy grass of the churchyard, and tried to peep over the wall, in hopes to discover some tangible and traceable remains of the edifice. But the wall was just too high to be overlooked, and difficult to clamber over without tumbling down some of the stones; so I took the word of one of our party, who had been here before, that there is nothing interesting on the other side. The churchyard is in rather a neglected state, and seems not to have been mown for the benefit of the parson's cow; it contains a good many gravestones, of which I remember only some upright memorials of slate to individuals of the name of Tabbs."},{"id":"content0:22","kind":"paragraph","text":"Soon a woman arrived with the key of the church-door, and we entered the simple old edifice, which has the pavement of lettered tombstones, the sturdy pillars and low arches, and other ordinary characteristics of an English country-church. One or two pews, probably those of the gentlefolk of the neighborhood, were better furnished than the rest, but all in a modest style. Near the high altar, in the holiest place, there is an oblong, angular, ponderous tomb of blue marble, built against the wall, and surmounted by a carved canopy of the same material; and over the tomb, and beneath the canopy, are two monumental brasses, such as we oftener see inlaid into a church-pavement. On these brasses are engraved the figures of a gentleman in armor and a lady in an antique garb, each about a foot high, devoutly kneeling in prayer; and there is a long Latin inscription likewise cut into the enduring brass, bestowing the highest eulogies on the character of Anthony Forster, who, with his virtuous dame, lies buried beneath this tombstone. His is the knightly figure that kneels above; and if Sir Walter Scott ever saw this tomb, he must have had an even greater than common disbelief in laudatory epitaphs, to venture on depicting Anthony Forster in such hues as blacken him in the romance. For my part, I read the inscription in full faith, and believe the poor deceased gentleman to be a much-wronged individual, with good grounds for bringing an action of slander in the courts above."},{"id":"content0:23","kind":"paragraph","text":"But the circumstance, lightly as we treat it, has its serious moral. What nonsense it is, this anxiety, which so worries us, about our good fame, or our bad fame, after death! If it were of the slightest real moment, our reputations would have been placed by Providence more in our own power, and less in other people's, than we now find them to be. If poor Anthony Forster happens to have met Sir Walter in the other world, I doubt whether he has ever thought it worth while to complain of the latter's misrepresentations."},{"id":"content0:24","kind":"paragraph","text":"We did not remain long in the church, as it contains nothing else of interest; and driving through the village, we passed a pretty large and rather antique-looking inn, bearing the sign of the Bear and Ragged Staff. It could not be so old, however, by at least a hundred years, as Giles Gosling's time; nor is there any other object to remind the visitor of the Elizabethan age, unless it be a few ancient cottages, that are perhaps of still earlier date. Cumnor is not nearly so large a village, nor a place of such mark, as one anticipates from its romantic and legendary fame; but, being still inaccessible by railway, it has retained more of a sylvan character than we often find in English country-towns. In this retired neighborhood the road is narrow and bordered with grass, and sometimes interrupted by gates; the hedges grow in unpruned luxuriance; there is not that close-shaven neatness and trimness that characterize the ordinary English landscape. The whole scene conveys the idea of seclusion and remoteness. We met no travellers, whether on foot or otherwise."}],"toc":[{"id":"content0:0:1","label":"Various The Atlantic Monthly, Volume 08, No. 48, October, 1861 / A Magazine of Literature, Art, and Politics","page":1,"pageUrl":"/books/2eTXUAsV#reader-content"},{"id":"content0:1:1","label":"NEAR OXFORD","page":1,"pageUrl":"/books/2eTXUAsV#reader-content"},{"id":"content1:0:8","label":"CYRIL WILDE","page":8,"pageUrl":"/books/2eTXUAsV?page=8#reader-content"},{"id":"content1:28:13","label":"* * * * *","page":13,"pageUrl":"/books/2eTXUAsV?page=13#reader-content"},{"id":"content2:0:18","label":"CRAWFORD'S STATUES AT RICHMOND","page":18,"pageUrl":"/books/2eTXUAsV?page=18#reader-content"},{"id":"content2:2:19","label":"JOURNAL OF A PRIVATEERSMAN","page":19,"pageUrl":"/books/2eTXUAsV?page=19#reader-content"},{"id":"content2:3:19","label":"II","page":19,"pageUrl":"/books/2eTXUAsV?page=19#reader-content"},{"id":"content2:9:19","label":"* * * * *","page":19,"pageUrl":"/books/2eTXUAsV?page=19#reader-content"},{"id":"content2:64:23","label":"* * * * *","page":23,"pageUrl":"/books/2eTXUAsV?page=23#reader-content"},{"id":"content3:0:23","label":"CONCERNING PEOPLE OF WHOM MORE MIGHT HAVE BEEN MADE","page":23,"pageUrl":"/books/2eTXUAsV?page=23#reader-content"},{"id":"content3:9:26","label":"* * * * *","page":26,"pageUrl":"/books/2eTXUAsV?page=26#reader-content"},{"id":"content3:13:27","label":"* * * * *","page":27,"pageUrl":"/books/2eTXUAsV?page=27#reader-content"},{"id":"content3:18:28","label":"* * * * *","page":28,"pageUrl":"/books/2eTXUAsV?page=28#reader-content"},{"id":"content3:25:29","label":"* * * * *","page":29,"pageUrl":"/books/2eTXUAsV?page=29#reader-content"},{"id":"content3:28:30","label":"* * * * *","page":30,"pageUrl":"/books/2eTXUAsV?page=30#reader-content"},{"id":"content4:0:30","label":"MY FRIEND'S LIBRARY","page":30,"pageUrl":"/books/2eTXUAsV?page=30#reader-content"},{"id":"content4:4:31","label":"* * * * *","page":31,"pageUrl":"/books/2eTXUAsV?page=31#reader-content"},{"id":"content4:26:32","label":"* * * * *","page":32,"pageUrl":"/books/2eTXUAsV?page=32#reader-content"},{"id":"content4:65:33","label":"* * * * *","page":33,"pageUrl":"/books/2eTXUAsV?page=33#reader-content"},{"id":"content4:84:34","label":"* * * * *","page":34,"pageUrl":"/books/2eTXUAsV?page=34#reader-content"},{"id":"content4:98:34","label":"\"ELIZABETH STEELE","page":34,"pageUrl":"/books/2eTXUAsV?page=34#reader-content"},{"id":"content4:99:34","label":"Her Book","page":34,"pageUrl":"/books/2eTXUAsV?page=34#reader-content"},{"id":"content4:100:34","label":"Giv'n by Her Father","page":34,"pageUrl":"/books/2eTXUAsV?page=34#reader-content"},{"id":"content4:101:34","label":"RICHARD STEELE","page":34,"pageUrl":"/books/2eTXUAsV?page=34#reader-content"},{"id":"content4:102:34","label":"March 20th, 1723","page":34,"pageUrl":"/books/2eTXUAsV?page=34#reader-content"},{"id":"content4:113:35","label":"* * * * *","page":35,"pageUrl":"/books/2eTXUAsV?page=35#reader-content"},{"id":"content5:0:35","label":"THE NAME IN THE BARK","page":35,"pageUrl":"/books/2eTXUAsV?page=35#reader-content"},{"id":"content5:2:35","label":"AGNES OF SORRENTO","page":35,"pageUrl":"/books/2eTXUAsV?page=35#reader-content"},{"id":"content5:3:35","label":"CHAPTER XII. PERPLEXITIES","page":35,"pageUrl":"/books/2eTXUAsV?page=35#reader-content"},{"id":"content6:0:40","label":"CHAPTER XIII. THE MONK AND THE CAVALIER","page":40,"pageUrl":"/books/2eTXUAsV?page=40#reader-content"},{"id":"content6:80:43","label":"* * * * *","page":43,"pageUrl":"/books/2eTXUAsV?page=43#reader-content"},{"id":"content7:0:43","label":"A NIGHT IN A WHERRY","page":43,"pageUrl":"/books/2eTXUAsV?page=43#reader-content"},{"id":"content7:20:47","label":"* * * * *","page":47,"pageUrl":"/books/2eTXUAsV?page=47#reader-content"},{"id":"content8:0:47","label":"A STORY OF TO-DAY. 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