Загрузка...

AI-разбор доступен после входа

Суть книги, пересказ, главный конфликт, ключевые идеи, вывод, кому полезна, главные темы, персонажи и цитаты можно получить после входа в BookRa.

auto_awesomeПолучить AI-разбор

О книге

Дата написания1970-01-01
Язык книгиen
Возрастное ограничение0+

Читать онлайн

Страница 2 из 20

STORY OF A RELIC

P. C. S. S. found, some days ago, the following curious story in a rare little Portuguese book in his possession, and he now ventures to send a translation of it to the "Notes and Queries." The work was printed at Vienna in 1717, and is an account of the embassy of Fernando Telles da Sylva, Conde de Villa Mayor, from the court of Lisbon to that of Vienna, to demand in marriage, for the eldest son of King Pedro II. of Portugal, the hand of the Archduchess Maria Anna of Austria. It was written by Father Francisco da Fonseca, a Jesuit priest, who accompanied the ambassador in quality of almoner and confessor, and is full of amusing matter, particularly in reference to the strange opinions concerning our laws, government, and religion, which the worthy padre appears to have picked up during his short stay in England.

The original of the annexed translation is to be found at pp. 318, 319, 320. § 268. of Fonseca's Narrative.

"As we are now upon the subject of miracles wrought by Relics in Vienna, I shall proceed to relate another prodigy which happened in the said city, and which will greatly serve to confirm in us those feelings of piety with which we are wont to venerate such sacred objects. The Count Harrach, who was greatly favoured by the Duke of Saxony, begged of him, as a present, a few of the many relics which the duke preserved in his treasury, assuredly less out of devotion than for the sake of their rarity and value. The duke, with his usual benignity, acceded to this request, and gave orders that sundry vials should be dispatched to the count, filled with most indubitable relics of Our Lord, of the Blessed Virgin, of the Apostles, of the Innocents, and of other holy persons. He directed two Lutheran ministers to pack these vials securely in a precious casket, which the duke himself sealed up with his own signet, and sent off to Vienna. On its arrival there, it was deposited in the chapel of the count, which is situated in the street called Preiner. The count immediately informed the bishop of the arrival of this treasure, and invited him to witness the opening of the casket, and to attend for the purpose of verifying its contents. Accordingly the bishop came, and on opening the casket, there proceeded from it such an abominable stench, that no man could endure it, infecting, as it did, the whole of the chapel. The bishop thereupon ordered all the vials to be taken out, and carefully examined one by one, hoping to ascertain the cause of this strange incident, which did not long remain a mystery, for they soon found the very vial from which this pestilent odour was issuing. It contained a small fragment of cloth, which was thus labelled, 'Ex caligis Divi Martini Lutheri,' that is to say, 'A bit of the Breeches of Saint Martin Luther,' which the aforesaid two Lutheran ministers, by way of mockery of our piety, had slily packed up with the holy relics in the casket. The bishop instantly gave orders to burn this abominable rag of the great heresiarch, and forthwith, not only the stench ceased, but there proceeded from the true relics such a delicious and heavenly odour as perfumed the entire building."

ILLUSTRATIONS OF CHAUCER, NO. II

Complaint of Mars and Venus

I am not aware that the obvious astronomical allegory, which lurks in Chaucer's "Complaint of Mars and Venus," has been pointed out, or that any attempt has been made to explain it. In Tyrwhitt's slight notice of that poem, prefixed to his glossary, there is not the most remote hint that he perceived its astronomical significance, or that he looked upon it in any other light than "that it was intended to describe the situation of some two lovers under a veil of mystical allegory."

But, as I understand it, it plainly describes an astronomical conjunction of the planets Mars and Venus, in the last degree of Taurus, and on the 12th of April.

These three conditions are not likely to concur except at very rare intervals—it is possible they may have been only theoretical—but it is also possible that they may have really occurred under Chaucer's observation; it might therefore well repay the labour bestowed upon it if some person, possessed of time, patience, and the requisite tables, would calculate whether any conjunction, conforming in such particulars, did really take place within the latter half of the fourteenth century: if it was considered worth while to search out a described conjunction 2500 years before Christ, in order to test the credibility of Chinese records, it would surely be not less interesting to confirm the accuracy of Chaucer's astronomy, of his fondness for which, and of his desire to bring it forward on all possible occasions, he has given so many proofs in his writings.

The data to be gathered from the little poem in question are unfortunately neither very numerous nor very definite; but I think the following points are sufficiently plain.

1st. The entrance of Mars into the sign Taurus (domus Veneris), wherein an assignation has been made between him and Venus:

"That Mars shall enter as fast as he may glide, In to her next palais to abide, Walking his course 'till she had him ytake, And he prayed her to hast her for his sake."

2nd. The nearly double velocity in apparent ecliptic motion of Venus as compared with Mars:

"Wherefore she spedded as fast in her way Almost in one day as he did in tway."

3d. The conjunction:

"The great joy that was betwix hem two, When they be mette, there may no long tell. There is no more—but into bed they go."

4th. The entrance of the Sun into Taurus, as indicated in the unceremonious intrusion of Phebus into Venus' chamber; which, as though to confirm its identity with Taurus,

"Depainted was with white boles grete;"

whereupon Mars complains:

"This twelve dayes of April I endure Through jelous Phebus this misaventure."

(It is scarcely necessary to remind the reader of Chaucer, that in the poet's time the Sun would enter Taurus on the 12th of April.)

"Now flieth Venus in to Ciclinius tour, With void corse, for fear of Phebus light."

These two lines, so obscure at first sight, afford, when properly understood, the strongest confirmation of the astronomical meaning of the whole; while, by indicating the conjunction on the last degree of Taurus, they furnish a most essential element for its identification.

I confess that this "Ciclinius" gave me a good deal of trouble; but, taking as a guide the astronomical myth so evident throughout, I came to the conviction that "Ciclinius" is a corruption, and that Chaucer wrote, or intended to write, Cyllenius—a well-known epithet of Mercury, and used too in an astronomical sense by Virgil, "ignis cœli Cyllenius."

Now the sign Gemini is also "domus Mercurii;" so that when Venus fled into the tour of Cyllenius, she simply slipped into the next door to her own house of Taurus—leaving poor Mars behind to halt after her as he best might.

6th. Mars is almost stationary:

"He passeth but a sterre in daies two."

Страница 2 из 20

Вам также может понравиться

Страница 1 из 67

Назад1267Далее