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The Atlantic Monthly, Volume 03, No. 16, February, 1859
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Страница 2 из 71It is true that Eve ruined us all, according to theology, without knowing her letters. Still, there is something to be said in defence of that venerable ancestress. The Veronese lady, Isotta Nogarola, five hundred and thirty-six of whose learned letters were preserved by De Thou, composed a dialogue on the question, Whether Adam or Eve had committed the greater sin? But Ludovico Domenichi, in his "Dialogue on the Nobleness of Women," maintains that Eve did not sin at all, because she was not even created when Adam was told not to eat the apple. It is "in Adam all died," he shrewdly says; nobody died in Eve;—which looks plausible. Be that as it may, Eve's daughters are in danger of swallowing a whole harvest of forbidden fruit, in these revolutionary days, unless something be done to cut off the supply.
It has been seriously asserted that during the last half-century more books have been written by women and about women than during all the previous uncounted ages. It may be true; although, when we think of the innumerable volumes of Mémoires by Frenchwomen of the seventeenth and eighteenth centuries,—each one justifying the existence of her own ten volumes by the remark, that all her contemporaries were writing as many,—we have our doubts. As to the increased multitude of general treatises on the female sex, however,—its education, life, health, diseases, charms, dress, deeds, sphere, rights, wrongs, work, wages, encroachments, and idiosyncrasies generally,—there can be no doubt whatever; and the poorest of these books recognizes a condition of public sentiment which no other age ever dreamed of. Still, literary history preserves the names of some reformers before the Reformation, in this matter. There was Signora Moderata Fonte, the Venetian, who left a book to be published after her death, in 1592, "Dei Meriti delle Donne." There was her townswoman, Lucrezia Marinella, who followed ten years after, with her essay, "La Nobilità e la Eccelenza delle Donne, con Difetti e Mancamenti degli Domini,"—a comprehensive theme, truly! Then followed the all-accomplished Anna Maria Schurman, in 1645, with her "Dissertatio de Ingenii Muliebris ad Doctrinam et meliores Literas Aptitudine," with a few miscellaneous letters appended, in Greek and Hebrew. At last came boldly Jacquette Guillaume, in 1665, and threw down the gauntlet in her title-page, "Les Dames Illustres; où par bonnes et fortes Raisons il se prouve que le Sexe Feminin surpasse en toute Sorte de Genre le Sexe Masculin"; and with her came Margaret Boufflet and a host of others; and finally, in England, Mary Wollstonecraft, whose famous book, formidable in its day, would seem rather conservative now,—and in America, that pious and worthy dame, Mrs. H. Mather Crocker, Cotton Mather's grandchild, who, in 1818, published the first book on the "Rights of Woman" ever written on this side the Atlantic.
Meanwhile there have never been wanting men, and strong men, to echo these appeals. From Cornelius Agrippa and his essay (1509) on the excellence of woman and her preëminence over man, down to the first youthful thesis of Agassiz, "Mens Feminae Viri Animo superior," there has been a succession of voices crying in the wilderness. In England, Anthony Gibson wrote a book, in 1599, called "A Woman's Woorth, defended against all the Men in the World, proouing them to be more Perfect, Excellent, and Absolute in all Vertuous Actions than any Man of what Qualitie soever, Interlarded with Poetry." Per contra, the learned Acidalius published a book in Latin and afterwards in French, to prove that women are not reasonable creatures. Modern theologians are at worst merely sub-acid, and do not always say so, if they think so. Meanwhile most persons have been content to leave the world to go on its old course, in this matter as in others, and have thus acquiesced in that stern judicial decree, with which Timon of Athens sums up all his curses upon womankind,—"If there sit twelve women at the table, let a dozen of them be—as they are."
Ancient or modern, nothing in any of these discussions is so valuable as the fact of the discussion itself. There is no discussion where there is no wrong. Nothing so indicates wrong as this morbid self-inspection. The complaints are a perpetual protest, the defences a perpetual confession. It is too late to ignore the question, and once opened, it can be settled only on absolute and permanent principles. There is a wrong; but where? Does woman already know too much, or too little? Was she created for man's subject, or his equal? Shall she have the alphabet, or not?
Ancient mythology, which undertook to explain everything, easily accounted for the social and political disabilities of woman. Goguet quotes the story from St. Augustine, who got it from Varro. Cecrops, building Athens, saw starting from the earth an olive-plant and a fountain, side by side. The Delphic oracle said, that this indicated a strife between Minerva and Neptune for the honor of giving a name to the city, and that the people must decide between them. Cecrops thereupon assembled the men, and the women also, who then had a right to vote; and the result was that Minerva carried the election by a glorious majority of one. Then Attica was overflowed and laid waste; of course the citizens attributed the calamity to Neptune, and resolved to punish the women. It was therefore determined that in future they should not vote, nor should any child bear the name of its mother.
Thus easily did mythology explain all troublesome inconsistencies. But it is much that it should even have recognized them, at so early an epoch, as needing explanation. When we ask for a less symbolical elucidation, it lies within our reach. At least, it is not hard to take the first steps into the mystery. There are, to be sure, some flowers of rhetoric in the way. The obstacle to the participation of woman in the alphabet, or in any other privilege, has been thought by some to be the fear of impairing her delicacy, or of destroying her domesticity, or of confounding the distinction between the sexes. We think otherwise. These have been plausible excuses; they have even been genuine, though minor, anxieties. But the whole thing, we take it, had always one simple, intelligible basis,—sheer contempt for the supposed intellectual inferiority of woman. She was not to be taught, because she was not worth teaching. The learned Acidalius, aforesaid, was in the majority. According to Aristotle and the Peripatetics, woman was animal occasionatum, as if a sort of monster and accidental production. Mediaeval councils, charitably asserting her claims to the rank of humanity, still pronounced her unfit for instruction. In the Hindoo dramas, she did not even speak the same language with her master, but used the dialect of slaves. When, in the sixteenth century, Françoise de Saintonges wished to establish girls' schools in France, she was hooted in the streets, and her father called together four doctors, learned in the law, to decide whether she was not possessed by demons, to think of educating women,—pour s'assurer qu'instraire des femmes n'était pas un oeuvre du démon.
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It may be true; although, when we think of the innumerable volumes of Mémoires by Frenchwomen of the seventeenth and eighteenth centuries,—each one justifying the existence of her own ten volumes by the remark, that all her contemporaries were writing as many,—we have our doubts. As to the increased multitude of general treatises on the female sex, however,—its education, life, health, diseases, charms, dress, deeds, sphere, rights, wrongs, work, wages, encroachments, and idiosyncrasies generally,—there can be no doubt whatever; and the poorest of these books recognizes a condition of public sentiment which no other age ever dreamed of. Still, literary history preserves the names of some reformers before the Reformation, in this matter. There was Signora Moderata Fonte, the Venetian, who left a book to be published after her death, in 1592, \"Dei Meriti delle Donne.\" There was her townswoman, Lucrezia Marinella, who followed ten years after, with her essay, \"La Nobilità e la Eccelenza delle Donne, con Difetti e Mancamenti degli Domini,\"—a comprehensive theme, truly! Then followed the all-accomplished Anna Maria Schurman, in 1645, with her \"Dissertatio de Ingenii Muliebris ad Doctrinam et meliores Literas Aptitudine,\" with a few miscellaneous letters appended, in Greek and Hebrew. At last came boldly Jacquette Guillaume, in 1665, and threw down the gauntlet in her title-page, \"Les Dames Illustres; où par bonnes et fortes Raisons il se prouve que le Sexe Feminin surpasse en toute Sorte de Genre le Sexe Masculin\"; and with her came Margaret Boufflet and a host of others; and finally, in England, Mary Wollstonecraft, whose famous book, formidable in its day, would seem rather conservative now,—and in America, that pious and worthy dame, Mrs. H. Mather Crocker, Cotton Mather's grandchild, who, in 1818, published the first book on the \"Rights of Woman\" ever written on this side the Atlantic."},{"id":"content0:9","kind":"paragraph","text":"Meanwhile there have never been wanting men, and strong men, to echo these appeals. From Cornelius Agrippa and his essay (1509) on the excellence of woman and her preëminence over man, down to the first youthful thesis of Agassiz, \"Mens Feminae Viri Animo superior,\" there has been a succession of voices crying in the wilderness. In England, Anthony Gibson wrote a book, in 1599, called \"A Woman's Woorth, defended against all the Men in the World, proouing them to be more Perfect, Excellent, and Absolute in all Vertuous Actions than any Man of what Qualitie soever, Interlarded with Poetry.\" Per contra, the learned Acidalius published a book in Latin and afterwards in French, to prove that women are not reasonable creatures. Modern theologians are at worst merely sub-acid, and do not always say so, if they think so. Meanwhile most persons have been content to leave the world to go on its old course, in this matter as in others, and have thus acquiesced in that stern judicial decree, with which Timon of Athens sums up all his curses upon womankind,—\"If there sit twelve women at the table, let a dozen of them be—as they are.\""},{"id":"content0:10","kind":"paragraph","text":"Ancient or modern, nothing in any of these discussions is so valuable as the fact of the discussion itself. There is no discussion where there is no wrong. Nothing so indicates wrong as this morbid self-inspection. The complaints are a perpetual protest, the defences a perpetual confession. It is too late to ignore the question, and once opened, it can be settled only on absolute and permanent principles. There is a wrong; but where? Does woman already know too much, or too little? Was she created for man's subject, or his equal? Shall she have the alphabet, or not?"},{"id":"content0:11","kind":"paragraph","text":"Ancient mythology, which undertook to explain everything, easily accounted for the social and political disabilities of woman. Goguet quotes the story from St. Augustine, who got it from Varro. Cecrops, building Athens, saw starting from the earth an olive-plant and a fountain, side by side. The Delphic oracle said, that this indicated a strife between Minerva and Neptune for the honor of giving a name to the city, and that the people must decide between them. Cecrops thereupon assembled the men, and the women also, who then had a right to vote; and the result was that Minerva carried the election by a glorious majority of one. Then Attica was overflowed and laid waste; of course the citizens attributed the calamity to Neptune, and resolved to punish the women. It was therefore determined that in future they should not vote, nor should any child bear the name of its mother."},{"id":"content0:12","kind":"paragraph","text":"Thus easily did mythology explain all troublesome inconsistencies. But it is much that it should even have recognized them, at so early an epoch, as needing explanation. When we ask for a less symbolical elucidation, it lies within our reach. At least, it is not hard to take the first steps into the mystery. There are, to be sure, some flowers of rhetoric in the way. The obstacle to the participation of woman in the alphabet, or in any other privilege, has been thought by some to be the fear of impairing her delicacy, or of destroying her domesticity, or of confounding the distinction between the sexes. We think otherwise. These have been plausible excuses; they have even been genuine, though minor, anxieties. But the whole thing, we take it, had always one simple, intelligible basis,—sheer contempt for the supposed intellectual inferiority of woman. She was not to be taught, because she was not worth teaching. The learned Acidalius, aforesaid, was in the majority. According to Aristotle and the Peripatetics, woman was animal occasionatum, as if a sort of monster and accidental production. Mediaeval councils, charitably asserting her claims to the rank of humanity, still pronounced her unfit for instruction. In the Hindoo dramas, she did not even speak the same language with her master, but used the dialect of slaves. When, in the sixteenth century, Françoise de Saintonges wished to establish girls' schools in France, she was hooted in the streets, and her father called together four doctors, learned in the law, to decide whether she was not possessed by demons, to think of educating women,—pour s'assurer qu'instraire des femmes n'était pas un oeuvre du démon."}],"toc":[{"id":"content0:0:1","label":"Various The Atlantic Monthly, Volume 03, No. 16, February, 1859 / A Magazine of Literature, Art, and Politics","page":1,"pageUrl":"/books/3WhKDPIs#reader-content"},{"id":"content0:1:1","label":"OUGHT WOMEN TO LEARN THE ALPHABET?","page":1,"pageUrl":"/books/3WhKDPIs#reader-content"},{"id":"content1:0:8","label":"THE MORNING STREET","page":8,"pageUrl":"/books/3WhKDPIs?page=8#reader-content"},{"id":"content1:2:8","label":"* * * * *","page":8,"pageUrl":"/books/3WhKDPIs?page=8#reader-content"},{"id":"content1:3:8","label":"IN A CELLAR","page":8,"pageUrl":"/books/3WhKDPIs?page=8#reader-content"},{"id":"content1:4:8","label":"I","page":8,"pageUrl":"/books/3WhKDPIs?page=8#reader-content"},{"id":"content2:0:13","label":"II","page":13,"pageUrl":"/books/3WhKDPIs?page=13#reader-content"},{"id":"content2:192:19","label":"* * * * *","page":19,"pageUrl":"/books/3WhKDPIs?page=19#reader-content"},{"id":"content3:0:19","label":"HAMLET AT THE BOSTON","page":19,"pageUrl":"/books/3WhKDPIs?page=19#reader-content"},{"id":"content3:2:20","label":"EL LLANERO","page":20,"pageUrl":"/books/3WhKDPIs?page=20#reader-content"},{"id":"content3:4:20","label":"I. THE HATO","page":20,"pageUrl":"/books/3WhKDPIs?page=20#reader-content"},{"id":"content4:0:22","label":"II. EL ARAUSENSE","page":22,"pageUrl":"/books/3WhKDPIs?page=22#reader-content"},{"id":"content4:3:22","label":"III. EL TEMBLOR","page":22,"pageUrl":"/books/3WhKDPIs?page=22#reader-content"},{"id":"content5:0:24","label":"IV. GUERRA Á LA MUERTE!","page":24,"pageUrl":"/books/3WhKDPIs?page=24#reader-content"},{"id":"content6:0:26","label":"V. LIBERTAD","page":26,"pageUrl":"/books/3WhKDPIs?page=26#reader-content"},{"id":"content7:0:28","label":"BULLS AND BEARS","page":28,"pageUrl":"/books/3WhKDPIs?page=28#reader-content"},{"id":"content7:1:28","label":"[Continued.]","page":28,"pageUrl":"/books/3WhKDPIs?page=28#reader-content"},{"id":"content7:2:28","label":"CHAPTER XI. SHOWING AT WHAT COST OUR HERO ESCAPED DROWNING","page":28,"pageUrl":"/books/3WhKDPIs?page=28#reader-content"},{"id":"content8:0:30","label":"CHAPTER XII. THE BEGINNING OF THE END","page":30,"pageUrl":"/books/3WhKDPIs?page=30#reader-content"},{"id":"content8:35:31","label":"CHAPTER XIII. SED REVOCARE GRADUM!—","page":31,"pageUrl":"/books/3WhKDPIs?page=31#reader-content"},{"id":"content9:0:33","label":"CHAPTER XIV. EVERY MAN FOR HIMSELF","page":33,"pageUrl":"/books/3WhKDPIs?page=33#reader-content"},{"id":"content9:90:35","label":"[To be continued.]","page":35,"pageUrl":"/books/3WhKDPIs?page=35#reader-content"},{"id":"content9:91:35","label":"* * * * *","page":35,"pageUrl":"/books/3WhKDPIs?page=35#reader-content"},{"id":"content10:0:35","label":"\"THE NEW LIFE\" OF DANTE","page":35,"pageUrl":"/books/3WhKDPIs?page=35#reader-content"},{"id":"content10:1:35","label":"[Continued.]","page":35,"pageUrl":"/books/3WhKDPIs?page=35#reader-content"},{"id":"content10:2:35","label":"II","page":35,"pageUrl":"/books/3WhKDPIs?page=35#reader-content"},{"id":"content10:48:40","label":"* * * * *","page":40,"pageUrl":"/books/3WhKDPIs?page=40#reader-content"},{"id":"content11:0:40","label":"THE PHILTER","page":40,"pageUrl":"/books/3WhKDPIs?page=40#reader-content"},{"id":"content11:2:40","label":"DID I?","page":40,"pageUrl":"/books/3WhKDPIs?page=40#reader-content"},{"id":"content11:18:44","label":"* * * * *","page":44,"pageUrl":"/books/3WhKDPIs?page=44#reader-content"},{"id":"content12:0:44","label":"THE MINISTER'S WOOING","page":44,"pageUrl":"/books/3WhKDPIs?page=44#reader-content"},{"id":"content12:1:44","label":"[Continued.]","page":44,"pageUrl":"/books/3WhKDPIs?page=44#reader-content"},{"id":"content12:2:44","label":"CHAPTER VI. THE DOCTOR","page":44,"pageUrl":"/books/3WhKDPIs?page=44#reader-content"},{"id":"content13:0:47","label":"CHAPTER VII. THE FRIENDS AND RELATIONS OF JAMES","page":47,"pageUrl":"/books/3WhKDPIs?page=47#reader-content"},{"id":"content13:27:50","label":"[To be continued.]","page":50,"pageUrl":"/books/3WhKDPIs?page=50#reader-content"},{"id":"content14:0:50","label":"THE PALM AND THE PINE","page":50,"pageUrl":"/books/3WhKDPIs?page=50#reader-content"},{"id":"content14:2:51","label":"THE PROFESSOR AT THE BREAKFAST-TABLE","page":51,"pageUrl":"/books/3WhKDPIs?page=51#reader-content"},{"id":"content14:3:51","label":"WHAT HE SAID, WHAT HE HEARD, AND WHAT HE SAW","page":51,"pageUrl":"/books/3WhKDPIs?page=51#reader-content"},{"id":"content15:0:55","label":"THE BOYS","page":55,"pageUrl":"/books/3WhKDPIs?page=55#reader-content"},{"id":"content15:2:56","label":"* * * * *","page":56,"pageUrl":"/books/3WhKDPIs?page=56#reader-content"},{"id":"content15:3:56","label":"WHITE'S SHAKSPEARE.23","page":56,"pageUrl":"/books/3WhKDPIs?page=56#reader-content"},{"id":"content15:4:56","label":"(SECOND 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