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Дата написания1970-01-01
Язык книгиen
Возрастное ограничение12+
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Страница 5 из 57SCENE IX
Brodie
(He closes, locks, and double-bolts the doors)
Brodie. Now for one of the Deacon’s headaches! Rogues all, rogues all! (Goes to clothes-press and proceeds to change his coat.) On with the new coat and into the new life! Down with the Deacon and up with the robber! (Changing neck-band and ruffles.) Eh God! how still the house is! There’s something in hypocrisy after all. If we were as good as we seem, what would the world be? (The city has its vizard on, and we – at night we are our naked selves. Trysts are keeping, bottles cracking, knives are stripping; and here is Deacon Brodie flaming forth the man of men he is!) – How still it is!.. My father and Mary – Well! the day for them, the night for me; the grimy cynical night that makes all cats grey, and all honesties of one complexion. Shall a man not have half a life of his own? – not eight hours out of twenty-four? (Eight shall he have should he dare the pit of Tophet.) (Takes out money.) Where’s the blunt? I must be cool to-night, or … steady, Deacon, you must win; damn you, you must! You must win back the dowry that you’ve stolen, and marry your sister, and pay your debts, and gull the world a little longer! (As he blows out the lights.) The Deacon’s going to bed – the poor sick Deacon! Allons! (Throws up the window and looks out.) Only the stars to see me! (Addressing the bed.) Lie there, Deacon! sleep and be well to-morrow. As for me, I’m a man once more till morning. (Gets out of the window.)
TABLEAU II Hunt The Runner
The Scene represents the Procurator’s Office
SCENE I
Lawson, Hunt
Lawson (entering). Step your way in, Officer. (At wing.) Mr. Carfrae, give a chair to yon decent wife that cam’ in wi’ me. Nae news?
A Voice without. Naething, sir.
Lawson (sitting). Weel, Officer, and what can I do for you?
Hunt. Well, sir, as I was saying, I’ve an English warrant for the apprehension of one Jemmy Rivers, alias Captain Starlight, now at large within your jurisdiction.
Lawson. That’ll be the highwayman?
Hunt. That same, Mr. Procurator-Fiscal. The Captain’s given me a hard hunt of it this time. I dropped on his marks at Huntingdon, but he was away North, and I had to up and after him. I heard of him all along the York road, for he’s a light hand on the pad, has Jemmy, and leaves his mark. I missed him at York by four-and-twenty hours, and lost him for as much more. Then I picked him up again at Carlisle, and we made a race of it for the Border; but he’d a better nag, and was best up in the road; so I had to wait till I ran him to earth in Edinburgh here and could get a new warrant. So here I am, sir. They told me you were an active sort of gentleman, and I’m an active man myself. And Sir John Fielding, Mr. Procurator-Fiscal, he’s an active gentleman likewise, though he’s blind as a himage, and he desired his compliments to you (sir, and said that between us he thought we’d do the trick).
Lawson. Ay, he’ll be a fine man, Sir John. Hand me owre your papers, Hunt, and you’ll have your new warrant quam primum. And see here, Hunt, ye’ll aiblins have a while to yoursel’, and an active man, as ye say ye are, should aye be grinding grist. We’re sair forfeuchen wi’ our burglaries. Non constat de personâ. We canna get a grip o’ the delinquents. Here is the Hue and Cry. Ye see there is a guid two hundred pounds for ye.
Hunt. Well, Mr. Procurator-Fiscal (I ain’t a rich man, and two hundred’s two hundred. Thereby, sir), I don’t mind telling you I’ve had a bit of a worry at it already. You see, Mr. Procurator-Fiscal, I had to look into a ken to-night about the Captain, and an old cock always likes to be sure of his walk; so I got one of your Scots officers – him as was so polite as to show me round to Mr. Brodie’s – to give me full particulars about the ’ouse, and the flash companions that use it. In his list I drop on the names of two old lambs of my own; and I put it to you, Mr. Procurator-Fiscal, as a gentleman as knows the world, if what’s a black sheep in London is likely or not to be keeping school in Edinburgh?
Lawson. Coelum non animum. A just observe.
Hunt. I’ll give it a thought, sir, and see if I can’t kill two birds with one stone. Talking of which, Mr. Procurator-Fiscal, I’d like to have a bit of a confab with that nice young woman as came to pay her rent.
Lawson. Hunt, that’s a very decent woman.
Hunt. And a very decent woman may have mighty queer pals, Mr. Procurator-Fiscal. Lord love you, sir, I don’t know what the profession would do without ’em!
Lawson. Ye’re vera richt, Hunt. An active and a watchful officer, I’ll send her in till ye.
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Naething, sir."},{"id":"content1:6","kind":"paragraph","text":"Lawson (sitting). Weel, Officer, and what can I do for you?"},{"id":"content1:7","kind":"paragraph","text":"Hunt. Well, sir, as I was saying, I’ve an English warrant for the apprehension of one Jemmy Rivers, alias Captain Starlight, now at large within your jurisdiction."},{"id":"content1:8","kind":"paragraph","text":"Lawson. That’ll be the highwayman?"},{"id":"content1:9","kind":"paragraph","text":"Hunt. That same, Mr. Procurator-Fiscal. The Captain’s given me a hard hunt of it this time. I dropped on his marks at Huntingdon, but he was away North, and I had to up and after him. I heard of him all along the York road, for he’s a light hand on the pad, has Jemmy, and leaves his mark. I missed him at York by four-and-twenty hours, and lost him for as much more. Then I picked him up again at Carlisle, and we made a race of it for the Border; but he’d a better nag, and was best up in the road; so I had to wait till I ran him to earth in Edinburgh here and could get a new warrant. So here I am, sir. They told me you were an active sort of gentleman, and I’m an active man myself. And Sir John Fielding, Mr. Procurator-Fiscal, he’s an active gentleman likewise, though he’s blind as a himage, and he desired his compliments to you (sir, and said that between us he thought we’d do the trick)."},{"id":"content1:10","kind":"paragraph","text":"Lawson. Ay, he’ll be a fine man, Sir John. Hand me owre your papers, Hunt, and you’ll have your new warrant quam primum. And see here, Hunt, ye’ll aiblins have a while to yoursel’, and an active man, as ye say ye are, should aye be grinding grist. We’re sair forfeuchen wi’ our burglaries. Non constat de personâ. We canna get a grip o’ the delinquents. Here is the Hue and Cry. Ye see there is a guid two hundred pounds for ye."},{"id":"content1:11","kind":"paragraph","text":"Hunt. Well, Mr. Procurator-Fiscal (I ain’t a rich man, and two hundred’s two hundred. Thereby, sir), I don’t mind telling you I’ve had a bit of a worry at it already. You see, Mr. Procurator-Fiscal, I had to look into a ken to-night about the Captain, and an old cock always likes to be sure of his walk; so I got one of your Scots officers – him as was so polite as to show me round to Mr. Brodie’s – to give me full particulars about the ’ouse, and the flash companions that use it. In his list I drop on the names of two old lambs of my own; and I put it to you, Mr. Procurator-Fiscal, as a gentleman as knows the world, if what’s a black sheep in London is likely or not to be keeping school in Edinburgh?"},{"id":"content1:12","kind":"paragraph","text":"Lawson. Coelum non animum. A just observe."},{"id":"content1:13","kind":"paragraph","text":"Hunt. I’ll give it a thought, sir, and see if I can’t kill two birds with one stone. Talking of which, Mr. Procurator-Fiscal, I’d like to have a bit of a confab with that nice young woman as came to pay her rent."},{"id":"content1:14","kind":"paragraph","text":"Lawson. Hunt, that’s a very decent woman."},{"id":"content1:15","kind":"paragraph","text":"Hunt. And a very decent woman may have mighty queer pals, Mr. Procurator-Fiscal. Lord love you, sir, I don’t know what the profession would do without ’em!"},{"id":"content1:16","kind":"paragraph","text":"Lawson. Ye’re vera richt, Hunt. An active and a watchful officer, I’ll send her in till ye."}],"toc":[{"id":"content0:0:1","label":"Robert Louis Stevenson The Works of Robert Louis Stevenson – Swanston Edition, Vol. 15","page":1,"pageUrl":"/books/4eWPBnoA#reader-content"},{"id":"content0:1:1","label":"DEACON BRODIE OR THE DOUBLE LIFE","page":1,"pageUrl":"/books/4eWPBnoA#reader-content"},{"id":"content0:2:1","label":"A MELODRAMA IN FIVE ACTS AND EIGHT TABLEAUX","page":1,"pageUrl":"/books/4eWPBnoA#reader-content"},{"id":"content0:3:1","label":"PERSONS REPRESENTED","page":1,"pageUrl":"/books/4eWPBnoA#reader-content"},{"id":"content0:14:1","label":"The Scene is laid in Edinburgh. The Time is towards the close of the Eighteenth Century. The Action, some fifty hours l…","page":1,"pageUrl":"/books/4eWPBnoA#reader-content"},{"id":"content0:16:1","label":"ACT I","page":1,"pageUrl":"/books/4eWPBnoA#reader-content"},{"id":"content0:17:1","label":"TABLEAU I The Double Life","page":1,"pageUrl":"/books/4eWPBnoA#reader-content"},{"id":"content0:20:1","label":"SCENE I","page":1,"pageUrl":"/books/4eWPBnoA#reader-content"},{"id":"content0:21:1","label":"To these, Leslie, C","page":1,"pageUrl":"/books/4eWPBnoA#reader-content"},{"id":"content0:71:2","label":"SCENE II","page":2,"pageUrl":"/books/4eWPBnoA?page=2#reader-content"},{"id":"content0:72:2","label":"To these, Brodie and Lawson","page":2,"pageUrl":"/books/4eWPBnoA?page=2#reader-content"},{"id":"content0:112:3","label":"SCENE III","page":3,"pageUrl":"/books/4eWPBnoA?page=3#reader-content"},{"id":"content0:113:3","label":"To these, Smith and Jean, C","page":3,"pageUrl":"/books/4eWPBnoA?page=3#reader-content"},{"id":"content0:125:3","label":"SCENE IV","page":3,"pageUrl":"/books/4eWPBnoA?page=3#reader-content"},{"id":"content0:126:3","label":"Smith, Jean Watt, Old Brodie","page":3,"pageUrl":"/books/4eWPBnoA?page=3#reader-content"},{"id":"content0:149:3","label":"SCENE V","page":3,"pageUrl":"/books/4eWPBnoA?page=3#reader-content"},{"id":"content0:150:3","label":"To these, Hunt, C. (He steals down, and claps each one suddenly on the shoulder.)","page":3,"pageUrl":"/books/4eWPBnoA?page=3#reader-content"},{"id":"content0:163:4","label":"SCENE VI","page":4,"pageUrl":"/books/4eWPBnoA?page=4#reader-content"},{"id":"content0:164:4","label":"To these, C., Brodie and Lawson (greatcoat, muffler, lantern)","page":4,"pageUrl":"/books/4eWPBnoA?page=4#reader-content"},{"id":"content0:173:4","label":"SCENE VII","page":4,"pageUrl":"/books/4eWPBnoA?page=4#reader-content"},{"id":"content0:174:4","label":"Brodie, Smith","page":4,"pageUrl":"/books/4eWPBnoA?page=4#reader-content"},{"id":"content0:207:4","label":"SCENE VIII","page":4,"pageUrl":"/books/4eWPBnoA?page=4#reader-content"},{"id":"content0:208:4","label":"Brodie, Old Brodie; to whom, Mary","page":4,"pageUrl":"/books/4eWPBnoA?page=4#reader-content"},{"id":"content0:220:5","label":"SCENE IX","page":5,"pageUrl":"/books/4eWPBnoA?page=5#reader-content"},{"id":"content0:221:5","label":"Brodie","page":5,"pageUrl":"/books/4eWPBnoA?page=5#reader-content"},{"id":"content0:222:5","label":"(He closes, locks, and double-bolts the doors)","page":5,"pageUrl":"/books/4eWPBnoA?page=5#reader-content"},{"id":"content1:0:5","label":"TABLEAU II Hunt The Runner","page":5,"pageUrl":"/books/4eWPBnoA?page=5#reader-content"},{"id":"content1:2:5","label":"SCENE I","page":5,"pageUrl":"/books/4eWPBnoA?page=5#reader-content"},{"id":"content1:3:5","label":"Lawson, Hunt","page":5,"pageUrl":"/books/4eWPBnoA?page=5#reader-content"},{"id":"content1:17:6","label":"SCENE II","page":6,"pageUrl":"/books/4eWPBnoA?page=6#reader-content"},{"id":"content1:19:6","label":"SCENE III","page":6,"pageUrl":"/books/4eWPBnoA?page=6#reader-content"},{"id":"content1:20:6","label":"Hunt; to him, Jean","page":6,"pageUrl":"/books/4eWPBnoA?page=6#reader-content"},{"id":"content1:35:6","label":"SCENE IV","page":6,"pageUrl":"/books/4eWPBnoA?page=6#reader-content"},{"id":"content1:36:6","label":"Hunt (solus)","page":6,"pageUrl":"/books/4eWPBnoA?page=6#reader-content"},{"id":"content1:38:7","label":"TABLEAU III Mother Clarke’s","page":7,"pageUrl":"/books/4eWPBnoA?page=7#reader-content"},{"id":"content1:40:7","label":"SCENE I","page":7,"pageUrl":"/books/4eWPBnoA?page=7#reader-content"},{"id":"content1:61:7","label":"SCENE II","page":7,"pageUrl":"/books/4eWPBnoA?page=7#reader-content"},{"id":"content1:62:7","label":"To these, Hunt, disguised","page":7,"pageUrl":"/books/4eWPBnoA?page=7#reader-content"},{"id":"content1:97:8","label":"SCENE III","page":8,"pageUrl":"/books/4eWPBnoA?page=8#reader-content"},{"id":"content1:98:8","label":"To these, Smith, Rivers","page":8,"pageUrl":"/books/4eWPBnoA?page=8#reader-content"},{"id":"content1:153:9","label":"The Psalm without: —","page":9,"pageUrl":"/books/4eWPBnoA?page=9#reader-content"},{"id":"content1:158:9","label":"END OF THE FIRST ACT","page":9,"pageUrl":"/books/4eWPBnoA?page=9#reader-content"},{"id":"content2:0:9","label":"ACT II","page":9,"pageUrl":"/books/4eWPBnoA?page=9#reader-content"},{"id":"content2:1:9","label":"TABLEAU IV Evil and Good","page":9,"pageUrl":"/books/4eWPBnoA?page=9#reader-content"},{"id":"content2:3:9","label":"SCENE I","page":9,"pageUrl":"/books/4eWPBnoA?page=9#reader-content"},{"id":"content2:5:9","label":"SCENE II","page":9,"pageUrl":"/books/4eWPBnoA?page=9#reader-content"},{"id":"content2:6:9","label":"To him, Jean, a baby in her shawl, C","page":9,"pageUrl":"/books/4eWPBnoA?page=9#reader-content"},{"id":"content2:41:10","label":"SCENE III","page":10,"pageUrl":"/books/4eWPBnoA?page=10#reader-content"},{"id":"content2:42:10","label":"To these, Lawson, L","page":10,"pageUrl":"/books/4eWPBnoA?page=10#reader-content"},{"id":"content2:48:10","label":"SCENE IV","page":10,"pageUrl":"/books/4eWPBnoA?page=10#reader-content"},{"id":"content2:78:11","label":"SCENE V","page":11,"pageUrl":"/books/4eWPBnoA?page=11#reader-content"},{"id":"content2:80:11","label":"SCENE VI","page":11,"pageUrl":"/books/4eWPBnoA?page=11#reader-content"},{"id":"content2:81:11","label":"Brodie, Mary","page":11,"pageUrl":"/books/4eWPBnoA?page=11#reader-content"},{"id":"content2:126:12","label":"SCENE VII","page":12,"pageUrl":"/books/4eWPBnoA?page=12#reader-content"},{"id":"content2:127:12","label":"Brodie, Hunt","page":12,"pageUrl":"/books/4eWPBnoA?page=12#reader-content"},{"id":"content2:165:12","label":"SCENE VIII","page":12,"pageUrl":"/books/4eWPBnoA?page=12#reader-content"},{"id":"content2:166:12","label":"Brodie, Moore, Smith","page":12,"pageUrl":"/books/4eWPBnoA?page=12#reader-content"},{"id":"content2:216:13","label":"SCENE IX","page":13,"pageUrl":"/books/4eWPBnoA?page=13#reader-content"},{"id":"content2:218:13","label":"SCENE X","page":13,"pageUrl":"/books/4eWPBnoA?page=13#reader-content"},{"id":"content2:219:13","label":"Brodie, Mary, Old Brodie","page":13,"pageUrl":"/books/4eWPBnoA?page=13#reader-content"},{"id":"content2:233:14","label":"END OF THE SECOND ACT","page":14,"pageUrl":"/books/4eWPBnoA?page=14#reader-content"},{"id":"content3:0:14","label":"ACT III","page":14,"pageUrl":"/books/4eWPBnoA?page=14#reader-content"},{"id":"content3:1:14","label":"TABLEAU V King’s Evidence","page":14,"pageUrl":"/books/4eWPBnoA?page=14#reader-content"},{"id":"content3:3:14","label":"SCENE I","page":14,"pageUrl":"/books/4eWPBnoA?page=14#reader-content"},{"id":"content3:4:14","label":"Jean, Smith, and Moore","page":14,"pageUrl":"/books/4eWPBnoA?page=14#reader-content"},{"id":"content3:13:14","label":"SCENE II","page":14,"pageUrl":"/books/4eWPBnoA?page=14#reader-content"},{"id":"content3:14:14","label":"Smith and Jean, to whom Hunt and afterwards Moore","page":14,"pageUrl":"/books/4eWPBnoA?page=14#reader-content"},{"id":"content3:63:15","label":"SCENE III","page":15,"pageUrl":"/books/4eWPBnoA?page=15#reader-content"},{"id":"content3:64:15","label":"Hunt, Moore","page":15,"pageUrl":"/books/4eWPBnoA?page=15#reader-content"},{"id":"content3:67:15","label":"SCENE IV","page":15,"pageUrl":"/books/4eWPBnoA?page=15#reader-content"},{"id":"content3:68:15","label":"Hunt, to whom Ainslie","page":15,"pageUrl":"/books/4eWPBnoA?page=15#reader-content"},{"id":"content4:0:16","label":"TABLEAU VI Unmasked","page":16,"pageUrl":"/books/4eWPBnoA?page=16#reader-content"},{"id":"content4:2:16","label":"SCENE I","page":16,"pageUrl":"/books/4eWPBnoA?page=16#reader-content"},{"id":"content4:3:16","label":"Leslie, Lawson, Mary, seated. Brodie at back, walking between the windows and the strong-box","page":16,"pageUrl":"/books/4eWPBnoA?page=16#reader-content"},{"id":"content4:41:16","label":"SCENE II","page":16,"pageUrl":"/books/4eWPBnoA?page=16#reader-content"},{"id":"content4:42:16","label":"Leslie, Lawson (wrapping up)","page":16,"pageUrl":"/books/4eWPBnoA?page=16#reader-content"},{"id":"content4:77:17","label":"SCENE III","page":17,"pageUrl":"/books/4eWPBnoA?page=17#reader-content"},{"id":"content4:82:17","label":"SCENE IV","page":17,"pageUrl":"/books/4eWPBnoA?page=17#reader-content"},{"id":"content4:83:17","label":"Brodie, Leslie","page":17,"pageUrl":"/books/4eWPBnoA?page=17#reader-content"},{"id":"content4:118:17","label":"SCENE V","page":17,"pageUrl":"/books/4eWPBnoA?page=17#reader-content"},{"id":"content4:119:17","label":"Brodie, Lawson, Leslie","page":17,"pageUrl":"/books/4eWPBnoA?page=17#reader-content"},{"id":"content4:138:18","label":"SCENE VI","page":18,"pageUrl":"/books/4eWPBnoA?page=18#reader-content"},{"id":"content4:139:18","label":"To these, Jean","page":18,"pageUrl":"/books/4eWPBnoA?page=18#reader-content"},{"id":"content4:164:18","label":"SCENE VII","page":18,"pageUrl":"/books/4eWPBnoA?page=18#reader-content"},{"id":"content4:165:18","label":"To these, Moore","page":18,"pageUrl":"/books/4eWPBnoA?page=18#reader-content"},{"id":"content4:170:18","label":"END OF THE THIRD ACT","page":18,"pageUrl":"/books/4eWPBnoA?page=18#reader-content"},{"id":"content5:0:18","label":"ACT IV","page":18,"pageUrl":"/books/4eWPBnoA?page=18#reader-content"},{"id":"content5:1:18","label":"TABLEAU VII The Robbery","page":18,"pageUrl":"/books/4eWPBnoA?page=18#reader-content"},{"id":"content5:3:18","label":"SCENE I","page":18,"pageUrl":"/books/4eWPBnoA?page=18#reader-content"},{"id":"content5:4:18","label":"Smith, Moore, Ainslie","page":18,"pageUrl":"/books/4eWPBnoA?page=18#reader-content"},{"id":"content5:24:19","label":"SCENE II","page":19,"pageUrl":"/books/4eWPBnoA?page=19#reader-content"},{"id":"content5:25:19","label":"To these, Brodie","page":19,"pageUrl":"/books/4eWPBnoA?page=19#reader-content"},{"id":"content5:48:19","label":"SCENE III","page":19,"pageUrl":"/books/4eWPBnoA?page=19#reader-content"},{"id":"content5:49:19","label":"Ainslie; afterwards Brodie; afterwards Hunt and Officers","page":19,"pageUrl":"/books/4eWPBnoA?page=19#reader-content"},{"id":"content5:64:19","label":"SCENE IV","page":19,"pageUrl":"/books/4eWPBnoA?page=19#reader-content"},{"id":"content5:65:19","label":"Hunt and Officers; with Smith and Moore handcuffed. Signs of a severe struggle","page":19,"pageUrl":"/books/4eWPBnoA?page=19#reader-content"},{"id":"content5:79:19","label":"END OF THE FOURTH ACT","page":19,"pageUrl":"/books/4eWPBnoA?page=19#reader-content"},{"id":"content5:80:19","label":"ACT V","page":19,"pageUrl":"/books/4eWPBnoA?page=19#reader-content"},{"id":"content5:81:19","label":"TABLEAU VIII The Open Door","page":19,"pageUrl":"/books/4eWPBnoA?page=19#reader-content"},{"id":"content5:83:19","label":"SCENE I","page":19,"pageUrl":"/books/4eWPBnoA?page=19#reader-content"},{"id":"content5:84:19","label":"Doctor, Mary, a Maidservant with lights","page":19,"pageUrl":"/books/4eWPBnoA?page=19#reader-content"},{"id":"content5:101:20","label":"SCENE II","page":20,"pageUrl":"/books/4eWPBnoA?page=20#reader-content"},{"id":"content5:102:20","label":"Mary, to whom Jean and afterwards Leslie","page":20,"pageUrl":"/books/4eWPBnoA?page=20#reader-content"},{"id":"content5:123:20","label":"SCENE III","page":20,"pageUrl":"/books/4eWPBnoA?page=20#reader-content"},{"id":"content5:124:20","label":"Mary, Leslie","page":20,"pageUrl":"/books/4eWPBnoA?page=20#reader-content"},{"id":"content5:151:21","label":"SCENE IV","page":21,"pageUrl":"/books/4eWPBnoA?page=21#reader-content"},{"id":"content5:152:21","label":"After a pause, Brodie through the window","page":21,"pageUrl":"/books/4eWPBnoA?page=21#reader-content"},{"id":"content5:154:21","label":"SCENE V","page":21,"pageUrl":"/books/4eWPBnoA?page=21#reader-content"},{"id":"content5:155:21","label":"Brodie, Mary","page":21,"pageUrl":"/books/4eWPBnoA?page=21#reader-content"},{"id":"content5:196:22","label":"SCENE VI","page":22,"pageUrl":"/books/4eWPBnoA?page=22#reader-content"},{"id":"content5:197:22","label":"To these, Lawson, Leslie, Jean","page":22,"pageUrl":"/books/4eWPBnoA?page=22#reader-content"},{"id":"content5:208:22","label":"SCENE VII","page":22,"pageUrl":"/books/4eWPBnoA?page=22#reader-content"},{"id":"content5:209:22","label":"To these, Hunt","page":22,"pageUrl":"/books/4eWPBnoA?page=22#reader-content"},{"id":"content5:212:22","label":"CURTAIN","page":22,"pageUrl":"/books/4eWPBnoA?page=22#reader-content"},{"id":"content6:0:22","label":"BEAU AUSTIN","page":22,"pageUrl":"/books/4eWPBnoA?page=22#reader-content"},{"id":"content6:1:22","label":"DEDICATED WITH ADMIRATION AND RESPECT TO GEORGE MEREDITH","page":22,"pageUrl":"/books/4eWPBnoA?page=22#reader-content"},{"id":"content6:5:22","label":"PROLOGUE","page":22,"pageUrl":"/books/4eWPBnoA?page=22#reader-content"},{"id":"content6:8:22","label":"Musical Induction: “Lascia ch’io pianga” (Rinaldo), Handel","page":22,"pageUrl":"/books/4eWPBnoA?page=22#reader-content"},{"id":"content6:9:22","label":"ACT I","page":22,"pageUrl":"/books/4eWPBnoA?page=22#reader-content"},{"id":"content6:11:22","label":"SCENE I","page":22,"pageUrl":"/books/4eWPBnoA?page=22#reader-content"},{"id":"content6:12:22","label":"Barbara; to her, Miss Foster","page":22,"pageUrl":"/books/4eWPBnoA?page=22#reader-content"},{"id":"content6:46:23","label":"SCENE II","page":23,"pageUrl":"/books/4eWPBnoA?page=23#reader-content"},{"id":"content6:47:23","label":"To these, Dorothy, L","page":23,"pageUrl":"/books/4eWPBnoA?page=23#reader-content"},{"id":"content6:83:24","label":"SCENE III","page":24,"pageUrl":"/books/4eWPBnoA?page=24#reader-content"},{"id":"content6:85:24","label":"SCENE IV","page":24,"pageUrl":"/books/4eWPBnoA?page=24#reader-content"},{"id":"content6:86:24","label":"To her, Fenwick, C","page":24,"pageUrl":"/books/4eWPBnoA?page=24#reader-content"},{"id":"content7:0:25","label":"Musical Induction: “The Lass of Richmond Hill”","page":25,"pageUrl":"/books/4eWPBnoA?page=25#reader-content"},{"id":"content7:1:25","label":"ACT II","page":25,"pageUrl":"/books/4eWPBnoA?page=25#reader-content"},{"id":"content7:3:25","label":"SCENE I","page":25,"pageUrl":"/books/4eWPBnoA?page=25#reader-content"},{"id":"content7:4:25","label":"Austin, Menteith","page":25,"pageUrl":"/books/4eWPBnoA?page=25#reader-content"},{"id":"content7:24:25","label":"SCENE II","page":25,"pageUrl":"/books/4eWPBnoA?page=25#reader-content"},{"id":"content7:25:25","label":"Austin, Menteith, Anthony","page":25,"pageUrl":"/books/4eWPBnoA?page=25#reader-content"},{"id":"content7:53:26","label":"SCENE III","page":26,"pageUrl":"/books/4eWPBnoA?page=26#reader-content"},{"id":"content7:54:26","label":"Austin, Menteith, returning","page":26,"pageUrl":"/books/4eWPBnoA?page=26#reader-content"},{"id":"content7:71:26","label":"SCENE IV","page":26,"pageUrl":"/books/4eWPBnoA?page=26#reader-content"},{"id":"content7:72:26","label":"Austin, R. 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Sensation. Music stops. Tableau","page":33,"pageUrl":"/books/4eWPBnoA?page=33#reader-content"},{"id":"content10:0:33","label":"ADMIRAL GUINEA","page":33,"pageUrl":"/books/4eWPBnoA?page=33#reader-content"},{"id":"content10:1:33","label":"DEDICATED WITH AFFECTION AND ESTEEM TO ANDREW LANG BY THE SURVIVORS OF THE WALRUS","page":33,"pageUrl":"/books/4eWPBnoA?page=33#reader-content"},{"id":"content10:4:33","label":"PERSONS REPRESENTED","page":33,"pageUrl":"/books/4eWPBnoA?page=33#reader-content"},{"id":"content10:10:34","label":"The Scene is laid in the neighbourhood of Barnstaple","page":34,"pageUrl":"/books/4eWPBnoA?page=34#reader-content"},{"id":"content10:11:34","label":"The Time is about the year 1760. The Action occupies part of a day and night","page":34,"pageUrl":"/books/4eWPBnoA?page=34#reader-content"},{"id":"content10:13:34","label":"ACT I","page":34,"pageUrl":"/books/4eWPBnoA?page=34#reader-content"},{"id":"content10:15:34","label":"SCENE I","page":34,"pageUrl":"/books/4eWPBnoA?page=34#reader-content"},{"id":"content10:16:34","label":"Arethusa is discovered, dusting","page":34,"pageUrl":"/books/4eWPBnoA?page=34#reader-content"},{"id":"content10:18:34","label":"SCENE II","page":34,"pageUrl":"/books/4eWPBnoA?page=34#reader-content"},{"id":"content10:19:34","label":"Arethusa; to her, Kit, C. He enters on tiptoe, and she does not see or hear him","page":34,"pageUrl":"/books/4eWPBnoA?page=34#reader-content"},{"id":"content10:48:35","label":"SCENE III","page":35,"pageUrl":"/books/4eWPBnoA?page=35#reader-content"},{"id":"content10:49:35","label":"To these, Gaunt, C","page":35,"pageUrl":"/books/4eWPBnoA?page=35#reader-content"},{"id":"content10:67:36","label":"SCENE IV","page":36,"pageUrl":"/books/4eWPBnoA?page=36#reader-content"},{"id":"content10:68:36","label":"Arethusa, Gaunt","page":36,"pageUrl":"/books/4eWPBnoA?page=36#reader-content"},{"id":"content10:73:36","label":"SCENE V","page":36,"pageUrl":"/books/4eWPBnoA?page=36#reader-content"},{"id":"content10:75:36","label":"SCENE VI","page":36,"pageUrl":"/books/4eWPBnoA?page=36#reader-content"},{"id":"content10:76:36","label":"Arethusa; to her, Pew","page":36,"pageUrl":"/books/4eWPBnoA?page=36#reader-content"},{"id":"content10:112:37","label":"SCENE VII","page":37,"pageUrl":"/books/4eWPBnoA?page=37#reader-content"},{"id":"content10:114:37","label":"SCENE VIII","page":37,"pageUrl":"/books/4eWPBnoA?page=37#reader-content"},{"id":"content10:115:37","label":"Pew; to him, Gaunt","page":37,"pageUrl":"/books/4eWPBnoA?page=37#reader-content"},{"id":"content11:0:38","label":"ACT II","page":38,"pageUrl":"/books/4eWPBnoA?page=38#reader-content"},{"id":"content11:2:38","label":"SCENE I","page":38,"pageUrl":"/books/4eWPBnoA?page=38#reader-content"},{"id":"content11:3:38","label":"Pew; afterwards Mrs. Drake, out and in","page":38,"pageUrl":"/books/4eWPBnoA?page=38#reader-content"},{"id":"content11:43:39","label":"SCENE II","page":39,"pageUrl":"/books/4eWPBnoA?page=39#reader-content"},{"id":"content11:44:39","label":"To these, Kit, a little drunk","page":39,"pageUrl":"/books/4eWPBnoA?page=39#reader-content"},{"id":"content11:71:40","label":"SCENE III","page":40,"pageUrl":"/books/4eWPBnoA?page=40#reader-content"},{"id":"content11:72:40","label":"To these, Arethusa","page":40,"pageUrl":"/books/4eWPBnoA?page=40#reader-content"},{"id":"content11:82:40","label":"SCENE IV","page":40,"pageUrl":"/books/4eWPBnoA?page=40#reader-content"},{"id":"content11:83:40","label":"To these, Gaunt","page":40,"pageUrl":"/books/4eWPBnoA?page=40#reader-content"},{"id":"content11:100:41","label":"SCENE V","page":41,"pageUrl":"/books/4eWPBnoA?page=41#reader-content"},{"id":"content11:101:41","label":"Pew, Mrs. Drake, Kit","page":41,"pageUrl":"/books/4eWPBnoA?page=41#reader-content"},{"id":"content11:118:41","label":"SCENE VI","page":41,"pageUrl":"/books/4eWPBnoA?page=41#reader-content"},{"id":"content11:119:41","label":"Pew, Kit","page":41,"pageUrl":"/books/4eWPBnoA?page=41#reader-content"},{"id":"content11:120:41","label":"They sit at the other table, L","page":41,"pageUrl":"/books/4eWPBnoA?page=41#reader-content"},{"id":"content12:0:42","label":"ACT III","page":42,"pageUrl":"/books/4eWPBnoA?page=42#reader-content"},{"id":"content12:2:42","label":"SCENE I","page":42,"pageUrl":"/books/4eWPBnoA?page=42#reader-content"},{"id":"content12:3:42","label":"Arethusa, Gaunt","page":42,"pageUrl":"/books/4eWPBnoA?page=42#reader-content"},{"id":"content12:38:44","label":"SCENE II","page":44,"pageUrl":"/books/4eWPBnoA?page=44#reader-content"},{"id":"content12:39:44","label":"Gaunt and Arethusa go out L., carrying the candles. Stage dark. A distant clock chimes the quarters, and strikes one. T…","page":44,"pageUrl":"/books/4eWPBnoA?page=44#reader-content"},{"id":"content12:55:44","label":"SCENE III","page":44,"pageUrl":"/books/4eWPBnoA?page=44#reader-content"},{"id":"content12:56:44","label":"To these, Arethusa, Gaunt, with lights. Stage light, Pew has Kit down, and is throttling him","page":44,"pageUrl":"/books/4eWPBnoA?page=44#reader-content"},{"id":"content12:82:45","label":"SCENE IV","page":45,"pageUrl":"/books/4eWPBnoA?page=45#reader-content"},{"id":"content12:83:45","label":"Kit, Arethusa, Gaunt","page":45,"pageUrl":"/books/4eWPBnoA?page=45#reader-content"},{"id":"content12:99:45","label":"SCENE V","page":45,"pageUrl":"/books/4eWPBnoA?page=45#reader-content"},{"id":"content12:100:45","label":"Gaunt, Arethusa, afterwards Pew","page":45,"pageUrl":"/books/4eWPBnoA?page=45#reader-content"},{"id":"content12:107:46","label":"SCENE VI","page":46,"pageUrl":"/books/4eWPBnoA?page=46#reader-content"},{"id":"content12:108:46","label":"Arethusa","page":46,"pageUrl":"/books/4eWPBnoA?page=46#reader-content"},{"id":"content13:0:46","label":"ACT IV","page":46,"pageUrl":"/books/4eWPBnoA?page=46#reader-content"},{"id":"content13:2:46","label":"SCENE I","page":46,"pageUrl":"/books/4eWPBnoA?page=46#reader-content"},{"id":"content13:3:46","label":"Arethusa, Kit","page":46,"pageUrl":"/books/4eWPBnoA?page=46#reader-content"},{"id":"content13:37:46","label":"SCENE II","page":46,"pageUrl":"/books/4eWPBnoA?page=46#reader-content"},{"id":"content13:38:46","label":"Arethusa, Gaunt entering L","page":46,"pageUrl":"/books/4eWPBnoA?page=46#reader-content"},{"id":"content13:50:47","label":"SCENE III","page":47,"pageUrl":"/books/4eWPBnoA?page=47#reader-content"},{"id":"content13:51:47","label":"Arethusa (at back of stage by the door); Gaunt (front L.); to these, Pew, C","page":47,"pageUrl":"/books/4eWPBnoA?page=47#reader-content"},{"id":"content13:57:47","label":"SCENE IV","page":47,"pageUrl":"/books/4eWPBnoA?page=47#reader-content"},{"id":"content13:58:47","label":"To these, Kit","page":47,"pageUrl":"/books/4eWPBnoA?page=47#reader-content"},{"id":"content14:0:47","label":"MACAIRE","page":47,"pageUrl":"/books/4eWPBnoA?page=47#reader-content"},{"id":"content14:1:47","label":"A MELODRAMATIC FARCE IN THREE ACTS","page":47,"pageUrl":"/books/4eWPBnoA?page=47#reader-content"},{"id":"content14:2:47","label":"PERSONS REPRESENTED","page":47,"pageUrl":"/books/4eWPBnoA?page=47#reader-content"},{"id":"content14:16:47","label":"The Scene is laid in the Courtyard of the “Auberge des Adrets,” on the frontier of France and Savoy. The time 1820. The…","page":47,"pageUrl":"/books/4eWPBnoA?page=47#reader-content"},{"id":"content14:18:48","label":"ACT I","page":48,"pageUrl":"/books/4eWPBnoA?page=48#reader-content"},{"id":"content14:20:48","label":"SCENE I","page":48,"pageUrl":"/books/4eWPBnoA?page=48#reader-content"},{"id":"content14:21:48","label":"Aline and Maids; to whom, Fiddlers; afterwards Dumont and Charles. As the curtain rises, the sound of the violins is he…","page":48,"pageUrl":"/books/4eWPBnoA?page=48#reader-content"},{"id":"content14:30:48","label":"SCENE II","page":48,"pageUrl":"/books/4eWPBnoA?page=48#reader-content"},{"id":"content14:31:48","label":"To these, by the door L.C., the Curate and the Notary arm in arm; the latter owl-like and titubant","page":48,"pageUrl":"/books/4eWPBnoA?page=48#reader-content"},{"id":"content14:58:49","label":"SCENE III","page":49,"pageUrl":"/books/4eWPBnoA?page=49#reader-content"},{"id":"content14:59:49","label":"The Stage remains vacant. Enter, by door L.C., Macaire, followed by Bertrand with the bundle; in the traditional costume","page":49,"pageUrl":"/books/4eWPBnoA?page=49#reader-content"},{"id":"content14:77:49","label":"SCENE IV","page":49,"pageUrl":"/books/4eWPBnoA?page=49#reader-content"},{"id":"content14:78:49","label":"To these, Dumont","page":49,"pageUrl":"/books/4eWPBnoA?page=49#reader-content"},{"id":"content14:86:49","label":"SCENE V","page":49,"pageUrl":"/books/4eWPBnoA?page=49#reader-content"},{"id":"content14:87:49","label":"Macaire, Bertrand; afterwards Charles, who appears on the gallery and comes down","page":49,"pageUrl":"/books/4eWPBnoA?page=49#reader-content"},{"id":"content14:101:50","label":"SCENE VI","page":50,"pageUrl":"/books/4eWPBnoA?page=50#reader-content"},{"id":"content14:102:50","label":"Macaire, Bertrand; to whom, Aline with tray; and afterwards Maids","page":50,"pageUrl":"/books/4eWPBnoA?page=50#reader-content"},{"id":"content14:117:50","label":"SCENE VII","page":50,"pageUrl":"/books/4eWPBnoA?page=50#reader-content"},{"id":"content14:118:50","label":"To these, from the inn, L.U.E., Dumont, Charles, the Curate, the Notary jigging; from the inn, R.U.E., Fiddlers playing…","page":50,"pageUrl":"/books/4eWPBnoA?page=50#reader-content"},{"id":"content14:172:51","label":"SCENE VIII","page":51,"pageUrl":"/books/4eWPBnoA?page=51#reader-content"},{"id":"content14:173:51","label":"Macaire, Bertrand, who instantly takes a bottle from the wedding-table, and sits with it, L","page":51,"pageUrl":"/books/4eWPBnoA?page=51#reader-content"},{"id":"content14:198:52","label":"DROP","page":52,"pageUrl":"/books/4eWPBnoA?page=52#reader-content"},{"id":"content15:0:52","label":"ACT II","page":52,"pageUrl":"/books/4eWPBnoA?page=52#reader-content"},{"id":"content15:2:52","label":"SCENE I","page":52,"pageUrl":"/books/4eWPBnoA?page=52#reader-content"},{"id":"content15:3:52","label":"Macaire, Bertrand","page":52,"pageUrl":"/books/4eWPBnoA?page=52#reader-content"},{"id":"content15:17:52","label":"SCENE II","page":52,"pageUrl":"/books/4eWPBnoA?page=52#reader-content"},{"id":"content15:46:53","label":"SCENE III","page":53,"pageUrl":"/books/4eWPBnoA?page=53#reader-content"},{"id":"content15:47:53","label":"To these, the Marquis, L.C","page":53,"pageUrl":"/books/4eWPBnoA?page=53#reader-content"},{"id":"content15:87:53","label":"SCENE IV","page":53,"pageUrl":"/books/4eWPBnoA?page=53#reader-content"},{"id":"content15:88:53","label":"Macaire, Marquis","page":53,"pageUrl":"/books/4eWPBnoA?page=53#reader-content"},{"id":"content15:122:54","label":"SCENE V","page":54,"pageUrl":"/books/4eWPBnoA?page=54#reader-content"},{"id":"content15:123:54","label":"Marcaire, to whom Bertrand. 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