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Дата написания1970-01-01
Язык книгиen
Возрастное ограничение12+
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Страница 54 из 57SCENE V
Marcaire, to whom Bertrand. Afterwards Dumont
Marcaire. Had he the wit of a lucifer-match! But what can gods or men against stupidity? Still, I have a trick. Where is that damned old man?
Dumont (entering). I hear you want me.
Marcaire. Ah, my good old Dumont, this is very sad.
Dumont. Dear me, what is wrong?
Marcaire. Dumont, you had a dowry for my son?
Dumont. I had; I have: ten thousand francs.
Marcaire. It’s a poor thing, but it must do. Dumont, I bury my old hopes, my old paternal tenderness.
Dumont. What? is he not your son?
Marcaire. Pardon me, my friend. The Marquis claims my boy. I will not seek to deny that he attempted to corrupt me, or that I spurned his gold. It was thirty thousand.
Marcaire. One has a heart… He spoke, Dumont, that proud noble spoke, of the advantages to our beloved Charles; and in my father’s heart a voice arose, louder than thunder. Dumont, was I unselfish? The voice said no; the voice, Dumont, up and told me to begone.
Dumont. To begone? to go?
Marcaire. To begone, Dumont, and to go. Both, Dumont. To leave my son to marry, and be rich and happy as the son of another; to creep forth myself, old, penniless, broken-hearted, exposed to the inclemencies of heaven and the rebuffs of the police.
Dumont. This is what I had looked for at your hands. Noble, noble man!
Marcaire. One has a heart … and yet, Dumont, it can hardly have escaped your penetration that if I were to shift from this hostelry without a farthing and leave my offspring to wallow – literally – among millions, I should play the part of little better than an ass.
Dumont. But I had thought … I had fancied…
Marcaire. No, Dumont, you had not; do not seek to impose upon my simplicity. What you did think was this, Dumont: for the sake of this noble father, for the sake of this son whom he denies for his own interest – I mean, for his interest – no, I mean, for his own – well, anyway, in order to keep up the general atmosphere of sacrifice and nobility, I must hand over this dowry to the Baron Henri-Frédéric de Latour de Main de la Tonnerre de Brest.
Dumont. Now Charles is rich he needs it not. For whom could it more fittingly be set aside than for his noble father? I will give it you at once.
Bertrand. At once, at once!
Macaire (aside to Bertrand). Hang on. (Aloud.) Charles, Charles, my lost boy! (He falls weeping at L. table. Dumont enters the office and brings down cash-box to table R. He feels in all his pockets: Bertrand from behind him making signs to Macaire, which the latter does not see.)
Dumont. That’s strange. I can’t find the key. It’s a patent key.
Bertrand (behind Dumont, making signs to Macaire). The key, he can’t find the key.
Macaire. O, yes, I remember. I heard it drop. (Drops key.) And here it is before my eyes.
Dumont. That? That’s yours. I saw it drop.
Macaire. I give you my word of honour I heard it fall five minutes back.
Macaire. Impossible. It must be yours.
Dumont. It is like mine, indeed. How came it in your pocket?
Macaire. Bitten! (Aside.)
Bertrand. Sold again! (Aside) … You forget, Baron, it’s the key of my valise; I gave it you to keep in consequence of the hole in my pocket.
Macaire. True, true; and that explains.
Dumont. O, that explains. Now, all we have to do is to find mine. It’s a patent key. You heard it drop.
Bertrand. So I did: distinctly.
Dumont. Here, Aline, Babette, Goriot, Curate, Charles, everybody, come here and look for my key!
SCENE VI
To these, with candles, all the former characters, except Fiddlers, Peasants, and Notary. They hunt for the key
Dumont. It’s bound to be here. We all heard it drop.
Marquis (with Bertrand’s bundle). Is this it?
Bertrand. Hands off, that’s my luggage. (Hunt resumed.)
Dumont. I heard it drop, as plain as ever I heard anything.
Marquis. By the way (all start up), what are we looking for?
Dumont. Will you have the kindness to find my key? (Hunt resumed.)
Curate. What description of a key —
Dumont. A patent, patent, patent, patent key!
Macaire. I have it. Here it is!
Dumont. That? What do you mean? That’s yours.
Dumont. I tell you it is: look at that twisted handle.
Macaire. It can’t be mine, and so it must be yours.
Dumont. It is NOT. Feel in your pockets. (To the others.) Will you have the kindness to find my patent key?
Macaire. Ah, well, you’re right. (He slips key into Dumont’s pocket.) An idea: suppose you felt in your pocket?
All (rising). Yes! Suppose you did!
Dumont. I will not feel in my pockets. How could it be there? It’s a patent key. This is more than any man can bear. First, Charles is one man’s son, and then he’s another’s, and then he’s nobody’s, and be damned to him! And then there’s my key lost; and then there’s your key! What is your key? Where is your key? Where isn’t it? And why is it like mine, only mine’s a patent? The long and short of it is this: that I’m going to bed, and that you’re all going to bed, and that I refuse to hear another word upon the subject or upon any subject. There!
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Dumont, I bury my old hopes, my old paternal tenderness."},{"id":"content15:134","kind":"paragraph","text":"Dumont. What? is he not your son?"},{"id":"content15:135","kind":"paragraph","text":"Marcaire. Pardon me, my friend. The Marquis claims my boy. I will not seek to deny that he attempted to corrupt me, or that I spurned his gold. It was thirty thousand."},{"id":"content15:136","kind":"paragraph","text":"Dumont. Noble soul!"},{"id":"content15:137","kind":"paragraph","text":"Marcaire. One has a heart… He spoke, Dumont, that proud noble spoke, of the advantages to our beloved Charles; and in my father’s heart a voice arose, louder than thunder. Dumont, was I unselfish? The voice said no; the voice, Dumont, up and told me to begone."},{"id":"content15:138","kind":"paragraph","text":"Dumont. To begone? to go?"},{"id":"content15:139","kind":"paragraph","text":"Marcaire. To begone, Dumont, and to go. Both, Dumont. To leave my son to marry, and be rich and happy as the son of another; to creep forth myself, old, penniless, broken-hearted, exposed to the inclemencies of heaven and the rebuffs of the police."},{"id":"content15:140","kind":"paragraph","text":"Dumont. This is what I had looked for at your hands. Noble, noble man!"},{"id":"content15:141","kind":"paragraph","text":"Marcaire. One has a heart … and yet, Dumont, it can hardly have escaped your penetration that if I were to shift from this hostelry without a farthing and leave my offspring to wallow – literally – among millions, I should play the part of little better than an ass."},{"id":"content15:142","kind":"paragraph","text":"Dumont. But I had thought … I had fancied…"},{"id":"content15:143","kind":"paragraph","text":"Marcaire. No, Dumont, you had not; do not seek to impose upon my simplicity. What you did think was this, Dumont: for the sake of this noble father, for the sake of this son whom he denies for his own interest – I mean, for his interest – no, I mean, for his own – well, anyway, in order to keep up the general atmosphere of sacrifice and nobility, I must hand over this dowry to the Baron Henri-Frédéric de Latour de Main de la Tonnerre de Brest."},{"id":"content15:144","kind":"paragraph","text":"Dumont. Now Charles is rich he needs it not. For whom could it more fittingly be set aside than for his noble father? I will give it you at once."},{"id":"content15:145","kind":"paragraph","text":"Bertrand. At once, at once!"},{"id":"content15:146","kind":"paragraph","text":"Macaire (aside to Bertrand). Hang on. (Aloud.) Charles, Charles, my lost boy! (He falls weeping at L. table. Dumont enters the office and brings down cash-box to table R. He feels in all his pockets: Bertrand from behind him making signs to Macaire, which the latter does not see.)"},{"id":"content15:147","kind":"paragraph","text":"Dumont. That’s strange. I can’t find the key. It’s a patent key."},{"id":"content15:148","kind":"paragraph","text":"Bertrand (behind Dumont, making signs to Macaire). The key, he can’t find the key."},{"id":"content15:149","kind":"paragraph","text":"Macaire. O, yes, I remember. I heard it drop. (Drops key.) And here it is before my eyes."},{"id":"content15:150","kind":"paragraph","text":"Dumont. That? That’s yours. I saw it drop."},{"id":"content15:151","kind":"paragraph","text":"Macaire. I give you my word of honour I heard it fall five minutes back."},{"id":"content15:152","kind":"paragraph","text":"Dumont. But I saw it."},{"id":"content15:153","kind":"paragraph","text":"Macaire. Impossible. It must be yours."},{"id":"content15:154","kind":"paragraph","text":"Dumont. It is like mine, indeed. How came it in your pocket?"},{"id":"content15:155","kind":"paragraph","text":"Macaire. Bitten! (Aside.)"},{"id":"content15:156","kind":"paragraph","text":"Bertrand. Sold again! (Aside) … You forget, Baron, it’s the key of my valise; I gave it you to keep in consequence of the hole in my pocket."},{"id":"content15:157","kind":"paragraph","text":"Macaire. True, true; and that explains."},{"id":"content15:158","kind":"paragraph","text":"Dumont. O, that explains. Now, all we have to do is to find mine. It’s a patent key. You heard it drop."},{"id":"content15:159","kind":"paragraph","text":"Macaire. Distinctly."},{"id":"content15:160","kind":"paragraph","text":"Bertrand. So I did: distinctly."},{"id":"content15:161","kind":"paragraph","text":"Dumont. Here, Aline, Babette, Goriot, Curate, Charles, everybody, come here and look for my key!"},{"id":"content15:162","kind":"heading","text":"SCENE VI"},{"id":"content15:163","kind":"heading","text":"To these, with candles, all the former characters, except Fiddlers, Peasants, and Notary. They hunt for the key"},{"id":"content15:164","kind":"paragraph","text":"Dumont. It’s bound to be here. We all heard it drop."},{"id":"content15:165","kind":"paragraph","text":"Marquis (with Bertrand’s bundle). Is this it?"},{"id":"content15:166","kind":"paragraph","text":"All (with fury). No."},{"id":"content15:167","kind":"paragraph","text":"Bertrand. Hands off, that’s my luggage. (Hunt resumed.)"},{"id":"content15:168","kind":"paragraph","text":"Dumont. I heard it drop, as plain as ever I heard anything."},{"id":"content15:169","kind":"paragraph","text":"Marquis. By the way (all start up), what are we looking for?"},{"id":"content15:170","kind":"paragraph","text":"All (with fury). O!!"},{"id":"content15:171","kind":"paragraph","text":"Dumont. Will you have the kindness to find my key? (Hunt resumed.)"},{"id":"content15:172","kind":"paragraph","text":"Curate. What description of a key —"},{"id":"content15:173","kind":"paragraph","text":"Dumont. A patent, patent, patent, patent key!"},{"id":"content15:174","kind":"paragraph","text":"Macaire. I have it. Here it is!"},{"id":"content15:175","kind":"paragraph","text":"All (with relief). Ah!!"},{"id":"content15:176","kind":"paragraph","text":"Dumont. That? What do you mean? That’s yours."},{"id":"content15:177","kind":"paragraph","text":"Macaire. Pardon me."},{"id":"content15:178","kind":"paragraph","text":"Dumont. It is."},{"id":"content15:179","kind":"paragraph","text":"Macaire. It isn’t."},{"id":"content15:180","kind":"paragraph","text":"Dumont. I tell you it is: look at that twisted handle."},{"id":"content15:181","kind":"paragraph","text":"Macaire. It can’t be mine, and so it must be yours."},{"id":"content15:182","kind":"paragraph","text":"Dumont. It is NOT. Feel in your pockets. (To the others.) Will you have the kindness to find my patent key?"},{"id":"content15:183","kind":"paragraph","text":"All. O!! (Hunt resumed.)"},{"id":"content15:184","kind":"paragraph","text":"Macaire. Ah, well, you’re right. (He slips key into Dumont’s pocket.) An idea: suppose you felt in your pocket?"},{"id":"content15:185","kind":"paragraph","text":"All (rising). Yes! Suppose you did!"},{"id":"content15:186","kind":"paragraph","text":"Dumont. I will not feel in my pockets. How could it be there? It’s a patent key. This is more than any man can bear. First, Charles is one man’s son, and then he’s another’s, and then he’s nobody’s, and be damned to him! And then there’s my key lost; and then there’s your key! What is your key? Where is your key? Where isn’t it? And why is it like mine, only mine’s a patent? The long and short of it is this: that I’m going to bed, and that you’re all going to bed, and that I refuse to hear another word upon the subject or upon any subject. There!"}],"toc":[{"id":"content0:0:1","label":"Robert Louis Stevenson The Works of Robert Louis Stevenson – Swanston Edition, Vol. 15","page":1,"pageUrl":"/books/4eWPBnoA#reader-content"},{"id":"content0:1:1","label":"DEACON BRODIE OR THE DOUBLE LIFE","page":1,"pageUrl":"/books/4eWPBnoA#reader-content"},{"id":"content0:2:1","label":"A MELODRAMA IN FIVE ACTS AND EIGHT TABLEAUX","page":1,"pageUrl":"/books/4eWPBnoA#reader-content"},{"id":"content0:3:1","label":"PERSONS REPRESENTED","page":1,"pageUrl":"/books/4eWPBnoA#reader-content"},{"id":"content0:14:1","label":"The Scene is laid in Edinburgh. The Time is towards the close of the Eighteenth Century. The Action, some fifty hours l…","page":1,"pageUrl":"/books/4eWPBnoA#reader-content"},{"id":"content0:16:1","label":"ACT I","page":1,"pageUrl":"/books/4eWPBnoA#reader-content"},{"id":"content0:17:1","label":"TABLEAU I The Double Life","page":1,"pageUrl":"/books/4eWPBnoA#reader-content"},{"id":"content0:20:1","label":"SCENE I","page":1,"pageUrl":"/books/4eWPBnoA#reader-content"},{"id":"content0:21:1","label":"To these, Leslie, C","page":1,"pageUrl":"/books/4eWPBnoA#reader-content"},{"id":"content0:71:2","label":"SCENE II","page":2,"pageUrl":"/books/4eWPBnoA?page=2#reader-content"},{"id":"content0:72:2","label":"To these, Brodie and Lawson","page":2,"pageUrl":"/books/4eWPBnoA?page=2#reader-content"},{"id":"content0:112:3","label":"SCENE III","page":3,"pageUrl":"/books/4eWPBnoA?page=3#reader-content"},{"id":"content0:113:3","label":"To these, Smith and Jean, C","page":3,"pageUrl":"/books/4eWPBnoA?page=3#reader-content"},{"id":"content0:125:3","label":"SCENE IV","page":3,"pageUrl":"/books/4eWPBnoA?page=3#reader-content"},{"id":"content0:126:3","label":"Smith, Jean Watt, Old Brodie","page":3,"pageUrl":"/books/4eWPBnoA?page=3#reader-content"},{"id":"content0:149:3","label":"SCENE V","page":3,"pageUrl":"/books/4eWPBnoA?page=3#reader-content"},{"id":"content0:150:3","label":"To these, Hunt, C. (He steals down, and claps each one suddenly on the shoulder.)","page":3,"pageUrl":"/books/4eWPBnoA?page=3#reader-content"},{"id":"content0:163:4","label":"SCENE VI","page":4,"pageUrl":"/books/4eWPBnoA?page=4#reader-content"},{"id":"content0:164:4","label":"To these, C., Brodie and Lawson (greatcoat, muffler, lantern)","page":4,"pageUrl":"/books/4eWPBnoA?page=4#reader-content"},{"id":"content0:173:4","label":"SCENE VII","page":4,"pageUrl":"/books/4eWPBnoA?page=4#reader-content"},{"id":"content0:174:4","label":"Brodie, Smith","page":4,"pageUrl":"/books/4eWPBnoA?page=4#reader-content"},{"id":"content0:207:4","label":"SCENE VIII","page":4,"pageUrl":"/books/4eWPBnoA?page=4#reader-content"},{"id":"content0:208:4","label":"Brodie, Old Brodie; to whom, Mary","page":4,"pageUrl":"/books/4eWPBnoA?page=4#reader-content"},{"id":"content0:220:5","label":"SCENE IX","page":5,"pageUrl":"/books/4eWPBnoA?page=5#reader-content"},{"id":"content0:221:5","label":"Brodie","page":5,"pageUrl":"/books/4eWPBnoA?page=5#reader-content"},{"id":"content0:222:5","label":"(He closes, locks, and double-bolts the doors)","page":5,"pageUrl":"/books/4eWPBnoA?page=5#reader-content"},{"id":"content1:0:5","label":"TABLEAU II Hunt The Runner","page":5,"pageUrl":"/books/4eWPBnoA?page=5#reader-content"},{"id":"content1:2:5","label":"SCENE I","page":5,"pageUrl":"/books/4eWPBnoA?page=5#reader-content"},{"id":"content1:3:5","label":"Lawson, Hunt","page":5,"pageUrl":"/books/4eWPBnoA?page=5#reader-content"},{"id":"content1:17:6","label":"SCENE II","page":6,"pageUrl":"/books/4eWPBnoA?page=6#reader-content"},{"id":"content1:19:6","label":"SCENE III","page":6,"pageUrl":"/books/4eWPBnoA?page=6#reader-content"},{"id":"content1:20:6","label":"Hunt; to him, Jean","page":6,"pageUrl":"/books/4eWPBnoA?page=6#reader-content"},{"id":"content1:35:6","label":"SCENE IV","page":6,"pageUrl":"/books/4eWPBnoA?page=6#reader-content"},{"id":"content1:36:6","label":"Hunt (solus)","page":6,"pageUrl":"/books/4eWPBnoA?page=6#reader-content"},{"id":"content1:38:7","label":"TABLEAU III Mother Clarke’s","page":7,"pageUrl":"/books/4eWPBnoA?page=7#reader-content"},{"id":"content1:40:7","label":"SCENE I","page":7,"pageUrl":"/books/4eWPBnoA?page=7#reader-content"},{"id":"content1:61:7","label":"SCENE II","page":7,"pageUrl":"/books/4eWPBnoA?page=7#reader-content"},{"id":"content1:62:7","label":"To these, Hunt, disguised","page":7,"pageUrl":"/books/4eWPBnoA?page=7#reader-content"},{"id":"content1:97:8","label":"SCENE III","page":8,"pageUrl":"/books/4eWPBnoA?page=8#reader-content"},{"id":"content1:98:8","label":"To these, Smith, Rivers","page":8,"pageUrl":"/books/4eWPBnoA?page=8#reader-content"},{"id":"content1:153:9","label":"The Psalm without: —","page":9,"pageUrl":"/books/4eWPBnoA?page=9#reader-content"},{"id":"content1:158:9","label":"END OF THE FIRST ACT","page":9,"pageUrl":"/books/4eWPBnoA?page=9#reader-content"},{"id":"content2:0:9","label":"ACT II","page":9,"pageUrl":"/books/4eWPBnoA?page=9#reader-content"},{"id":"content2:1:9","label":"TABLEAU IV Evil and Good","page":9,"pageUrl":"/books/4eWPBnoA?page=9#reader-content"},{"id":"content2:3:9","label":"SCENE I","page":9,"pageUrl":"/books/4eWPBnoA?page=9#reader-content"},{"id":"content2:5:9","label":"SCENE II","page":9,"pageUrl":"/books/4eWPBnoA?page=9#reader-content"},{"id":"content2:6:9","label":"To him, Jean, a baby in her shawl, C","page":9,"pageUrl":"/books/4eWPBnoA?page=9#reader-content"},{"id":"content2:41:10","label":"SCENE III","page":10,"pageUrl":"/books/4eWPBnoA?page=10#reader-content"},{"id":"content2:42:10","label":"To these, Lawson, L","page":10,"pageUrl":"/books/4eWPBnoA?page=10#reader-content"},{"id":"content2:48:10","label":"SCENE IV","page":10,"pageUrl":"/books/4eWPBnoA?page=10#reader-content"},{"id":"content2:78:11","label":"SCENE V","page":11,"pageUrl":"/books/4eWPBnoA?page=11#reader-content"},{"id":"content2:80:11","label":"SCENE VI","page":11,"pageUrl":"/books/4eWPBnoA?page=11#reader-content"},{"id":"content2:81:11","label":"Brodie, Mary","page":11,"pageUrl":"/books/4eWPBnoA?page=11#reader-content"},{"id":"content2:126:12","label":"SCENE VII","page":12,"pageUrl":"/books/4eWPBnoA?page=12#reader-content"},{"id":"content2:127:12","label":"Brodie, Hunt","page":12,"pageUrl":"/books/4eWPBnoA?page=12#reader-content"},{"id":"content2:165:12","label":"SCENE VIII","page":12,"pageUrl":"/books/4eWPBnoA?page=12#reader-content"},{"id":"content2:166:12","label":"Brodie, Moore, Smith","page":12,"pageUrl":"/books/4eWPBnoA?page=12#reader-content"},{"id":"content2:216:13","label":"SCENE IX","page":13,"pageUrl":"/books/4eWPBnoA?page=13#reader-content"},{"id":"content2:218:13","label":"SCENE X","page":13,"pageUrl":"/books/4eWPBnoA?page=13#reader-content"},{"id":"content2:219:13","label":"Brodie, Mary, Old Brodie","page":13,"pageUrl":"/books/4eWPBnoA?page=13#reader-content"},{"id":"content2:233:14","label":"END OF THE SECOND ACT","page":14,"pageUrl":"/books/4eWPBnoA?page=14#reader-content"},{"id":"content3:0:14","label":"ACT III","page":14,"pageUrl":"/books/4eWPBnoA?page=14#reader-content"},{"id":"content3:1:14","label":"TABLEAU V King’s Evidence","page":14,"pageUrl":"/books/4eWPBnoA?page=14#reader-content"},{"id":"content3:3:14","label":"SCENE I","page":14,"pageUrl":"/books/4eWPBnoA?page=14#reader-content"},{"id":"content3:4:14","label":"Jean, Smith, and Moore","page":14,"pageUrl":"/books/4eWPBnoA?page=14#reader-content"},{"id":"content3:13:14","label":"SCENE II","page":14,"pageUrl":"/books/4eWPBnoA?page=14#reader-content"},{"id":"content3:14:14","label":"Smith and Jean, to whom Hunt and afterwards Moore","page":14,"pageUrl":"/books/4eWPBnoA?page=14#reader-content"},{"id":"content3:63:15","label":"SCENE III","page":15,"pageUrl":"/books/4eWPBnoA?page=15#reader-content"},{"id":"content3:64:15","label":"Hunt, Moore","page":15,"pageUrl":"/books/4eWPBnoA?page=15#reader-content"},{"id":"content3:67:15","label":"SCENE IV","page":15,"pageUrl":"/books/4eWPBnoA?page=15#reader-content"},{"id":"content3:68:15","label":"Hunt, to whom Ainslie","page":15,"pageUrl":"/books/4eWPBnoA?page=15#reader-content"},{"id":"content4:0:16","label":"TABLEAU VI Unmasked","page":16,"pageUrl":"/books/4eWPBnoA?page=16#reader-content"},{"id":"content4:2:16","label":"SCENE I","page":16,"pageUrl":"/books/4eWPBnoA?page=16#reader-content"},{"id":"content4:3:16","label":"Leslie, Lawson, Mary, seated. Brodie at back, walking between the windows and the strong-box","page":16,"pageUrl":"/books/4eWPBnoA?page=16#reader-content"},{"id":"content4:41:16","label":"SCENE II","page":16,"pageUrl":"/books/4eWPBnoA?page=16#reader-content"},{"id":"content4:42:16","label":"Leslie, Lawson (wrapping up)","page":16,"pageUrl":"/books/4eWPBnoA?page=16#reader-content"},{"id":"content4:77:17","label":"SCENE III","page":17,"pageUrl":"/books/4eWPBnoA?page=17#reader-content"},{"id":"content4:82:17","label":"SCENE IV","page":17,"pageUrl":"/books/4eWPBnoA?page=17#reader-content"},{"id":"content4:83:17","label":"Brodie, Leslie","page":17,"pageUrl":"/books/4eWPBnoA?page=17#reader-content"},{"id":"content4:118:17","label":"SCENE V","page":17,"pageUrl":"/books/4eWPBnoA?page=17#reader-content"},{"id":"content4:119:17","label":"Brodie, Lawson, Leslie","page":17,"pageUrl":"/books/4eWPBnoA?page=17#reader-content"},{"id":"content4:138:18","label":"SCENE VI","page":18,"pageUrl":"/books/4eWPBnoA?page=18#reader-content"},{"id":"content4:139:18","label":"To these, Jean","page":18,"pageUrl":"/books/4eWPBnoA?page=18#reader-content"},{"id":"content4:164:18","label":"SCENE VII","page":18,"pageUrl":"/books/4eWPBnoA?page=18#reader-content"},{"id":"content4:165:18","label":"To these, Moore","page":18,"pageUrl":"/books/4eWPBnoA?page=18#reader-content"},{"id":"content4:170:18","label":"END OF THE THIRD ACT","page":18,"pageUrl":"/books/4eWPBnoA?page=18#reader-content"},{"id":"content5:0:18","label":"ACT IV","page":18,"pageUrl":"/books/4eWPBnoA?page=18#reader-content"},{"id":"content5:1:18","label":"TABLEAU VII The Robbery","page":18,"pageUrl":"/books/4eWPBnoA?page=18#reader-content"},{"id":"content5:3:18","label":"SCENE I","page":18,"pageUrl":"/books/4eWPBnoA?page=18#reader-content"},{"id":"content5:4:18","label":"Smith, Moore, Ainslie","page":18,"pageUrl":"/books/4eWPBnoA?page=18#reader-content"},{"id":"content5:24:19","label":"SCENE II","page":19,"pageUrl":"/books/4eWPBnoA?page=19#reader-content"},{"id":"content5:25:19","label":"To these, Brodie","page":19,"pageUrl":"/books/4eWPBnoA?page=19#reader-content"},{"id":"content5:48:19","label":"SCENE III","page":19,"pageUrl":"/books/4eWPBnoA?page=19#reader-content"},{"id":"content5:49:19","label":"Ainslie; afterwards Brodie; afterwards Hunt and Officers","page":19,"pageUrl":"/books/4eWPBnoA?page=19#reader-content"},{"id":"content5:64:19","label":"SCENE IV","page":19,"pageUrl":"/books/4eWPBnoA?page=19#reader-content"},{"id":"content5:65:19","label":"Hunt and Officers; with Smith and Moore handcuffed. Signs of a severe struggle","page":19,"pageUrl":"/books/4eWPBnoA?page=19#reader-content"},{"id":"content5:79:19","label":"END OF THE FOURTH ACT","page":19,"pageUrl":"/books/4eWPBnoA?page=19#reader-content"},{"id":"content5:80:19","label":"ACT V","page":19,"pageUrl":"/books/4eWPBnoA?page=19#reader-content"},{"id":"content5:81:19","label":"TABLEAU VIII The Open Door","page":19,"pageUrl":"/books/4eWPBnoA?page=19#reader-content"},{"id":"content5:83:19","label":"SCENE I","page":19,"pageUrl":"/books/4eWPBnoA?page=19#reader-content"},{"id":"content5:84:19","label":"Doctor, Mary, a Maidservant with lights","page":19,"pageUrl":"/books/4eWPBnoA?page=19#reader-content"},{"id":"content5:101:20","label":"SCENE II","page":20,"pageUrl":"/books/4eWPBnoA?page=20#reader-content"},{"id":"content5:102:20","label":"Mary, to whom Jean and afterwards Leslie","page":20,"pageUrl":"/books/4eWPBnoA?page=20#reader-content"},{"id":"content5:123:20","label":"SCENE III","page":20,"pageUrl":"/books/4eWPBnoA?page=20#reader-content"},{"id":"content5:124:20","label":"Mary, Leslie","page":20,"pageUrl":"/books/4eWPBnoA?page=20#reader-content"},{"id":"content5:151:21","label":"SCENE IV","page":21,"pageUrl":"/books/4eWPBnoA?page=21#reader-content"},{"id":"content5:152:21","label":"After a pause, Brodie through the window","page":21,"pageUrl":"/books/4eWPBnoA?page=21#reader-content"},{"id":"content5:154:21","label":"SCENE V","page":21,"pageUrl":"/books/4eWPBnoA?page=21#reader-content"},{"id":"content5:155:21","label":"Brodie, Mary","page":21,"pageUrl":"/books/4eWPBnoA?page=21#reader-content"},{"id":"content5:196:22","label":"SCENE VI","page":22,"pageUrl":"/books/4eWPBnoA?page=22#reader-content"},{"id":"content5:197:22","label":"To these, Lawson, Leslie, Jean","page":22,"pageUrl":"/books/4eWPBnoA?page=22#reader-content"},{"id":"content5:208:22","label":"SCENE VII","page":22,"pageUrl":"/books/4eWPBnoA?page=22#reader-content"},{"id":"content5:209:22","label":"To these, Hunt","page":22,"pageUrl":"/books/4eWPBnoA?page=22#reader-content"},{"id":"content5:212:22","label":"CURTAIN","page":22,"pageUrl":"/books/4eWPBnoA?page=22#reader-content"},{"id":"content6:0:22","label":"BEAU AUSTIN","page":22,"pageUrl":"/books/4eWPBnoA?page=22#reader-content"},{"id":"content6:1:22","label":"DEDICATED WITH ADMIRATION AND RESPECT TO GEORGE MEREDITH","page":22,"pageUrl":"/books/4eWPBnoA?page=22#reader-content"},{"id":"content6:5:22","label":"PROLOGUE","page":22,"pageUrl":"/books/4eWPBnoA?page=22#reader-content"},{"id":"content6:8:22","label":"Musical Induction: “Lascia ch’io pianga” (Rinaldo), Handel","page":22,"pageUrl":"/books/4eWPBnoA?page=22#reader-content"},{"id":"content6:9:22","label":"ACT I","page":22,"pageUrl":"/books/4eWPBnoA?page=22#reader-content"},{"id":"content6:11:22","label":"SCENE I","page":22,"pageUrl":"/books/4eWPBnoA?page=22#reader-content"},{"id":"content6:12:22","label":"Barbara; to her, Miss Foster","page":22,"pageUrl":"/books/4eWPBnoA?page=22#reader-content"},{"id":"content6:46:23","label":"SCENE II","page":23,"pageUrl":"/books/4eWPBnoA?page=23#reader-content"},{"id":"content6:47:23","label":"To these, Dorothy, L","page":23,"pageUrl":"/books/4eWPBnoA?page=23#reader-content"},{"id":"content6:83:24","label":"SCENE III","page":24,"pageUrl":"/books/4eWPBnoA?page=24#reader-content"},{"id":"content6:85:24","label":"SCENE IV","page":24,"pageUrl":"/books/4eWPBnoA?page=24#reader-content"},{"id":"content6:86:24","label":"To her, Fenwick, C","page":24,"pageUrl":"/books/4eWPBnoA?page=24#reader-content"},{"id":"content7:0:25","label":"Musical Induction: “The Lass of Richmond Hill”","page":25,"pageUrl":"/books/4eWPBnoA?page=25#reader-content"},{"id":"content7:1:25","label":"ACT II","page":25,"pageUrl":"/books/4eWPBnoA?page=25#reader-content"},{"id":"content7:3:25","label":"SCENE I","page":25,"pageUrl":"/books/4eWPBnoA?page=25#reader-content"},{"id":"content7:4:25","label":"Austin, Menteith","page":25,"pageUrl":"/books/4eWPBnoA?page=25#reader-content"},{"id":"content7:24:25","label":"SCENE II","page":25,"pageUrl":"/books/4eWPBnoA?page=25#reader-content"},{"id":"content7:25:25","label":"Austin, Menteith, Anthony","page":25,"pageUrl":"/books/4eWPBnoA?page=25#reader-content"},{"id":"content7:53:26","label":"SCENE III","page":26,"pageUrl":"/books/4eWPBnoA?page=26#reader-content"},{"id":"content7:54:26","label":"Austin, Menteith, returning","page":26,"pageUrl":"/books/4eWPBnoA?page=26#reader-content"},{"id":"content7:71:26","label":"SCENE IV","page":26,"pageUrl":"/books/4eWPBnoA?page=26#reader-content"},{"id":"content7:72:26","label":"Austin, R. To him, Menteith and Fenwick","page":26,"pageUrl":"/books/4eWPBnoA?page=26#reader-content"},{"id":"content7:119:27","label":"SCENE V","page":27,"pageUrl":"/books/4eWPBnoA?page=27#reader-content"},{"id":"content7:121:28","label":"SCENE VI","page":28,"pageUrl":"/books/4eWPBnoA?page=28#reader-content"},{"id":"content7:122:28","label":"Austin, Menteith","page":28,"pageUrl":"/books/4eWPBnoA?page=28#reader-content"},{"id":"content8:0:28","label":"Musical Induction: The “Minuet” from Don Giovanni","page":28,"pageUrl":"/books/4eWPBnoA?page=28#reader-content"},{"id":"content8:1:28","label":"ACT III","page":28,"pageUrl":"/books/4eWPBnoA?page=28#reader-content"},{"id":"content8:3:28","label":"SCENE I","page":28,"pageUrl":"/books/4eWPBnoA?page=28#reader-content"},{"id":"content8:4:28","label":"Dorothy, R., at tambour; Anthony, C., bestriding chair; Miss Foster, L.C","page":28,"pageUrl":"/books/4eWPBnoA?page=28#reader-content"},{"id":"content8:23:28","label":"SCENE II","page":28,"pageUrl":"/books/4eWPBnoA?page=28#reader-content"},{"id":"content8:24:28","label":"Anthony, Miss Foster","page":28,"pageUrl":"/books/4eWPBnoA?page=28#reader-content"},{"id":"content8:29:28","label":"SCENE III","page":28,"pageUrl":"/books/4eWPBnoA?page=28#reader-content"},{"id":"content8:31:29","label":"SCENE IV","page":29,"pageUrl":"/books/4eWPBnoA?page=29#reader-content"},{"id":"content8:32:29","label":"Anthony, Barbara","page":29,"pageUrl":"/books/4eWPBnoA?page=29#reader-content"},{"id":"content8:55:29","label":"SCENE V","page":29,"pageUrl":"/books/4eWPBnoA?page=29#reader-content"},{"id":"content8:56:29","label":"Anthony, Fenwick","page":29,"pageUrl":"/books/4eWPBnoA?page=29#reader-content"},{"id":"content8:66:30","label":"SCENE VI","page":30,"pageUrl":"/books/4eWPBnoA?page=30#reader-content"},{"id":"content8:67:30","label":"To these, Austin, Barbara announcing","page":30,"pageUrl":"/books/4eWPBnoA?page=30#reader-content"},{"id":"content8:85:30","label":"SCENE VII","page":30,"pageUrl":"/books/4eWPBnoA?page=30#reader-content"},{"id":"content8:86:30","label":"Austin, Dorothy","page":30,"pageUrl":"/books/4eWPBnoA?page=30#reader-content"},{"id":"content8:117:31","label":"SCENE VIII","page":31,"pageUrl":"/books/4eWPBnoA?page=31#reader-content"},{"id":"content8:118:31","label":"Dorothy; to whom, Anthony, L","page":31,"pageUrl":"/books/4eWPBnoA?page=31#reader-content"},{"id":"content8:142:32","label":"(Music: “Chè farò” as the drop falls.)","page":32,"pageUrl":"/books/4eWPBnoA?page=32#reader-content"},{"id":"content9:0:32","label":"Musical Induction: “Gavotte,” Iphigénie en Aulide, Gluck","page":32,"pageUrl":"/books/4eWPBnoA?page=32#reader-content"},{"id":"content9:1:32","label":"ACT IV","page":32,"pageUrl":"/books/4eWPBnoA?page=32#reader-content"},{"id":"content9:3:32","label":"SCENE I","page":32,"pageUrl":"/books/4eWPBnoA?page=32#reader-content"},{"id":"content9:4:32","label":"Miss Foster, Barbara, Menteith; Visitors","page":32,"pageUrl":"/books/4eWPBnoA?page=32#reader-content"},{"id":"content9:23:32","label":"SCENE II","page":32,"pageUrl":"/books/4eWPBnoA?page=32#reader-content"},{"id":"content9:24:32","label":"To these, Austin. Menteith falls back, and Austin takes his place in front of Miss Foster, his attitude a counterpart o…","page":32,"pageUrl":"/books/4eWPBnoA?page=32#reader-content"},{"id":"content9:36:33","label":"SCENE III","page":33,"pageUrl":"/books/4eWPBnoA?page=33#reader-content"},{"id":"content9:37:33","label":"To these, Fenwick. Miss Foster remains seated, L. Austin goes R. to Fenwick, whom he salutes with great respect","page":33,"pageUrl":"/books/4eWPBnoA?page=33#reader-content"},{"id":"content9:47:33","label":"SCENE IV","page":33,"pageUrl":"/books/4eWPBnoA?page=33#reader-content"},{"id":"content9:48:33","label":"To these, the Royal Duke, C.; then, immediately, Anthony, L. Fenwick crosses to Miss Foster, R. Austin accosts the Duke…","page":33,"pageUrl":"/books/4eWPBnoA?page=33#reader-content"},{"id":"content9:55:33","label":"SCENE V","page":33,"pageUrl":"/books/4eWPBnoA?page=33#reader-content"},{"id":"content9:56:33","label":"To these, Dorothy, L. U. E. Dorothy, unseen by Austin, shrieks. Sensation. Music stops. Tableau","page":33,"pageUrl":"/books/4eWPBnoA?page=33#reader-content"},{"id":"content10:0:33","label":"ADMIRAL GUINEA","page":33,"pageUrl":"/books/4eWPBnoA?page=33#reader-content"},{"id":"content10:1:33","label":"DEDICATED WITH AFFECTION AND ESTEEM TO ANDREW LANG BY THE SURVIVORS OF THE WALRUS","page":33,"pageUrl":"/books/4eWPBnoA?page=33#reader-content"},{"id":"content10:4:33","label":"PERSONS REPRESENTED","page":33,"pageUrl":"/books/4eWPBnoA?page=33#reader-content"},{"id":"content10:10:34","label":"The Scene is laid in the neighbourhood of Barnstaple","page":34,"pageUrl":"/books/4eWPBnoA?page=34#reader-content"},{"id":"content10:11:34","label":"The Time is about the year 1760. The Action occupies part of a day and night","page":34,"pageUrl":"/books/4eWPBnoA?page=34#reader-content"},{"id":"content10:13:34","label":"ACT I","page":34,"pageUrl":"/books/4eWPBnoA?page=34#reader-content"},{"id":"content10:15:34","label":"SCENE I","page":34,"pageUrl":"/books/4eWPBnoA?page=34#reader-content"},{"id":"content10:16:34","label":"Arethusa is discovered, dusting","page":34,"pageUrl":"/books/4eWPBnoA?page=34#reader-content"},{"id":"content10:18:34","label":"SCENE II","page":34,"pageUrl":"/books/4eWPBnoA?page=34#reader-content"},{"id":"content10:19:34","label":"Arethusa; to her, Kit, C. He enters on tiptoe, and she does not see or hear him","page":34,"pageUrl":"/books/4eWPBnoA?page=34#reader-content"},{"id":"content10:48:35","label":"SCENE III","page":35,"pageUrl":"/books/4eWPBnoA?page=35#reader-content"},{"id":"content10:49:35","label":"To these, Gaunt, C","page":35,"pageUrl":"/books/4eWPBnoA?page=35#reader-content"},{"id":"content10:67:36","label":"SCENE IV","page":36,"pageUrl":"/books/4eWPBnoA?page=36#reader-content"},{"id":"content10:68:36","label":"Arethusa, Gaunt","page":36,"pageUrl":"/books/4eWPBnoA?page=36#reader-content"},{"id":"content10:73:36","label":"SCENE V","page":36,"pageUrl":"/books/4eWPBnoA?page=36#reader-content"},{"id":"content10:75:36","label":"SCENE VI","page":36,"pageUrl":"/books/4eWPBnoA?page=36#reader-content"},{"id":"content10:76:36","label":"Arethusa; to her, Pew","page":36,"pageUrl":"/books/4eWPBnoA?page=36#reader-content"},{"id":"content10:112:37","label":"SCENE VII","page":37,"pageUrl":"/books/4eWPBnoA?page=37#reader-content"},{"id":"content10:114:37","label":"SCENE VIII","page":37,"pageUrl":"/books/4eWPBnoA?page=37#reader-content"},{"id":"content10:115:37","label":"Pew; to him, Gaunt","page":37,"pageUrl":"/books/4eWPBnoA?page=37#reader-content"},{"id":"content11:0:38","label":"ACT II","page":38,"pageUrl":"/books/4eWPBnoA?page=38#reader-content"},{"id":"content11:2:38","label":"SCENE I","page":38,"pageUrl":"/books/4eWPBnoA?page=38#reader-content"},{"id":"content11:3:38","label":"Pew; afterwards Mrs. Drake, out and in","page":38,"pageUrl":"/books/4eWPBnoA?page=38#reader-content"},{"id":"content11:43:39","label":"SCENE II","page":39,"pageUrl":"/books/4eWPBnoA?page=39#reader-content"},{"id":"content11:44:39","label":"To these, Kit, a little drunk","page":39,"pageUrl":"/books/4eWPBnoA?page=39#reader-content"},{"id":"content11:71:40","label":"SCENE III","page":40,"pageUrl":"/books/4eWPBnoA?page=40#reader-content"},{"id":"content11:72:40","label":"To these, Arethusa","page":40,"pageUrl":"/books/4eWPBnoA?page=40#reader-content"},{"id":"content11:82:40","label":"SCENE IV","page":40,"pageUrl":"/books/4eWPBnoA?page=40#reader-content"},{"id":"content11:83:40","label":"To these, Gaunt","page":40,"pageUrl":"/books/4eWPBnoA?page=40#reader-content"},{"id":"content11:100:41","label":"SCENE V","page":41,"pageUrl":"/books/4eWPBnoA?page=41#reader-content"},{"id":"content11:101:41","label":"Pew, Mrs. Drake, Kit","page":41,"pageUrl":"/books/4eWPBnoA?page=41#reader-content"},{"id":"content11:118:41","label":"SCENE VI","page":41,"pageUrl":"/books/4eWPBnoA?page=41#reader-content"},{"id":"content11:119:41","label":"Pew, Kit","page":41,"pageUrl":"/books/4eWPBnoA?page=41#reader-content"},{"id":"content11:120:41","label":"They sit at the other table, L","page":41,"pageUrl":"/books/4eWPBnoA?page=41#reader-content"},{"id":"content12:0:42","label":"ACT III","page":42,"pageUrl":"/books/4eWPBnoA?page=42#reader-content"},{"id":"content12:2:42","label":"SCENE I","page":42,"pageUrl":"/books/4eWPBnoA?page=42#reader-content"},{"id":"content12:3:42","label":"Arethusa, Gaunt","page":42,"pageUrl":"/books/4eWPBnoA?page=42#reader-content"},{"id":"content12:38:44","label":"SCENE II","page":44,"pageUrl":"/books/4eWPBnoA?page=44#reader-content"},{"id":"content12:39:44","label":"Gaunt and Arethusa go out L., carrying the candles. Stage dark. A distant clock chimes the quarters, and strikes one. T…","page":44,"pageUrl":"/books/4eWPBnoA?page=44#reader-content"},{"id":"content12:55:44","label":"SCENE III","page":44,"pageUrl":"/books/4eWPBnoA?page=44#reader-content"},{"id":"content12:56:44","label":"To these, Arethusa, Gaunt, with lights. Stage light, Pew has Kit down, and is throttling him","page":44,"pageUrl":"/books/4eWPBnoA?page=44#reader-content"},{"id":"content12:82:45","label":"SCENE IV","page":45,"pageUrl":"/books/4eWPBnoA?page=45#reader-content"},{"id":"content12:83:45","label":"Kit, Arethusa, Gaunt","page":45,"pageUrl":"/books/4eWPBnoA?page=45#reader-content"},{"id":"content12:99:45","label":"SCENE V","page":45,"pageUrl":"/books/4eWPBnoA?page=45#reader-content"},{"id":"content12:100:45","label":"Gaunt, Arethusa, afterwards Pew","page":45,"pageUrl":"/books/4eWPBnoA?page=45#reader-content"},{"id":"content12:107:46","label":"SCENE VI","page":46,"pageUrl":"/books/4eWPBnoA?page=46#reader-content"},{"id":"content12:108:46","label":"Arethusa","page":46,"pageUrl":"/books/4eWPBnoA?page=46#reader-content"},{"id":"content13:0:46","label":"ACT IV","page":46,"pageUrl":"/books/4eWPBnoA?page=46#reader-content"},{"id":"content13:2:46","label":"SCENE I","page":46,"pageUrl":"/books/4eWPBnoA?page=46#reader-content"},{"id":"content13:3:46","label":"Arethusa, Kit","page":46,"pageUrl":"/books/4eWPBnoA?page=46#reader-content"},{"id":"content13:37:46","label":"SCENE II","page":46,"pageUrl":"/books/4eWPBnoA?page=46#reader-content"},{"id":"content13:38:46","label":"Arethusa, Gaunt entering L","page":46,"pageUrl":"/books/4eWPBnoA?page=46#reader-content"},{"id":"content13:50:47","label":"SCENE III","page":47,"pageUrl":"/books/4eWPBnoA?page=47#reader-content"},{"id":"content13:51:47","label":"Arethusa (at back of stage by the door); Gaunt (front L.); to these, Pew, C","page":47,"pageUrl":"/books/4eWPBnoA?page=47#reader-content"},{"id":"content13:57:47","label":"SCENE IV","page":47,"pageUrl":"/books/4eWPBnoA?page=47#reader-content"},{"id":"content13:58:47","label":"To these, Kit","page":47,"pageUrl":"/books/4eWPBnoA?page=47#reader-content"},{"id":"content14:0:47","label":"MACAIRE","page":47,"pageUrl":"/books/4eWPBnoA?page=47#reader-content"},{"id":"content14:1:47","label":"A MELODRAMATIC FARCE IN THREE ACTS","page":47,"pageUrl":"/books/4eWPBnoA?page=47#reader-content"},{"id":"content14:2:47","label":"PERSONS REPRESENTED","page":47,"pageUrl":"/books/4eWPBnoA?page=47#reader-content"},{"id":"content14:16:47","label":"The Scene is laid in the Courtyard of the “Auberge des Adrets,” on the frontier of France and Savoy. The time 1820. The…","page":47,"pageUrl":"/books/4eWPBnoA?page=47#reader-content"},{"id":"content14:18:48","label":"ACT I","page":48,"pageUrl":"/books/4eWPBnoA?page=48#reader-content"},{"id":"content14:20:48","label":"SCENE I","page":48,"pageUrl":"/books/4eWPBnoA?page=48#reader-content"},{"id":"content14:21:48","label":"Aline and Maids; to whom, Fiddlers; afterwards Dumont and Charles. As the curtain rises, the sound of the violins is he…","page":48,"pageUrl":"/books/4eWPBnoA?page=48#reader-content"},{"id":"content14:30:48","label":"SCENE II","page":48,"pageUrl":"/books/4eWPBnoA?page=48#reader-content"},{"id":"content14:31:48","label":"To these, by the door L.C., the Curate and the Notary arm in arm; the latter owl-like and titubant","page":48,"pageUrl":"/books/4eWPBnoA?page=48#reader-content"},{"id":"content14:58:49","label":"SCENE III","page":49,"pageUrl":"/books/4eWPBnoA?page=49#reader-content"},{"id":"content14:59:49","label":"The Stage remains vacant. Enter, by door L.C., Macaire, followed by Bertrand with the bundle; in the traditional costume","page":49,"pageUrl":"/books/4eWPBnoA?page=49#reader-content"},{"id":"content14:77:49","label":"SCENE IV","page":49,"pageUrl":"/books/4eWPBnoA?page=49#reader-content"},{"id":"content14:78:49","label":"To these, Dumont","page":49,"pageUrl":"/books/4eWPBnoA?page=49#reader-content"},{"id":"content14:86:49","label":"SCENE V","page":49,"pageUrl":"/books/4eWPBnoA?page=49#reader-content"},{"id":"content14:87:49","label":"Macaire, Bertrand; afterwards Charles, who appears on the gallery and comes down","page":49,"pageUrl":"/books/4eWPBnoA?page=49#reader-content"},{"id":"content14:101:50","label":"SCENE VI","page":50,"pageUrl":"/books/4eWPBnoA?page=50#reader-content"},{"id":"content14:102:50","label":"Macaire, Bertrand; to whom, Aline with tray; and afterwards Maids","page":50,"pageUrl":"/books/4eWPBnoA?page=50#reader-content"},{"id":"content14:117:50","label":"SCENE VII","page":50,"pageUrl":"/books/4eWPBnoA?page=50#reader-content"},{"id":"content14:118:50","label":"To these, from the inn, L.U.E., Dumont, Charles, the Curate, the Notary jigging; from the inn, R.U.E., Fiddlers playing…","page":50,"pageUrl":"/books/4eWPBnoA?page=50#reader-content"},{"id":"content14:172:51","label":"SCENE VIII","page":51,"pageUrl":"/books/4eWPBnoA?page=51#reader-content"},{"id":"content14:173:51","label":"Macaire, Bertrand, who instantly takes a bottle from the wedding-table, and sits with it, L","page":51,"pageUrl":"/books/4eWPBnoA?page=51#reader-content"},{"id":"content14:198:52","label":"DROP","page":52,"pageUrl":"/books/4eWPBnoA?page=52#reader-content"},{"id":"content15:0:52","label":"ACT II","page":52,"pageUrl":"/books/4eWPBnoA?page=52#reader-content"},{"id":"content15:2:52","label":"SCENE I","page":52,"pageUrl":"/books/4eWPBnoA?page=52#reader-content"},{"id":"content15:3:52","label":"Macaire, Bertrand","page":52,"pageUrl":"/books/4eWPBnoA?page=52#reader-content"},{"id":"content15:17:52","label":"SCENE II","page":52,"pageUrl":"/books/4eWPBnoA?page=52#reader-content"},{"id":"content15:46:53","label":"SCENE III","page":53,"pageUrl":"/books/4eWPBnoA?page=53#reader-content"},{"id":"content15:47:53","label":"To these, the Marquis, L.C","page":53,"pageUrl":"/books/4eWPBnoA?page=53#reader-content"},{"id":"content15:87:53","label":"SCENE IV","page":53,"pageUrl":"/books/4eWPBnoA?page=53#reader-content"},{"id":"content15:88:53","label":"Macaire, Marquis","page":53,"pageUrl":"/books/4eWPBnoA?page=53#reader-content"},{"id":"content15:122:54","label":"SCENE V","page":54,"pageUrl":"/books/4eWPBnoA?page=54#reader-content"},{"id":"content15:123:54","label":"Marcaire, to whom Bertrand. 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