Марьон Делорм

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В центре сюжета – конфликт между плебеем Дидье, отвергнутым обществом, и куртизанкой Марьон Делорм, чьи судьбы переплетаются в вихре политических интриг и личных страстей. 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Старается сохранить свободу и независимость, но в итоге открывает свои чувства к Дидье. Сильная и влиятельная, пытается убедить короля в необходимости помиловать дуэлянтов.","Дидье — Влюблён в Марьон, открыто выражает чувства, участвует в дуэли, погибает, но позже попадает в руки охраны. Склонен к эмоциональным реакциям, ищет спасения и справедливости, держит портрет Марьон Делорм.","Маркиз де Саверни — Пытается завоевать Марьон, но её отталкивает. Участвует в дуэли с Дидье и погибает.","Король — Сомневается в необходимости казни, но под давлением кардинала остаётся решительным.","Кардинал (Гаспар) — Инициатор дуэли и казни, стремится к власти.","Тюремщик — Пытается задержать Марьон и Дидье, следит за порядком.","Советник — Участвует в судебном процессе, подписывает приговор Дидье.","Палач — Собирает толпу и готовит казнь Дидье."]},{"key":"quotes","title":"Цитаты","body":["\"Люблю — как вы меня\"","\"Смерть! Он мертв.\"","\"Я изумлен приятно, Маркиз; я полагал, что взял ее обратно.\"","\"Все хуже с каждым днем…\"","«Смерть на твоем пороге. Бежим, Дидье! Скорей!.. Я здесь, бежим!»","«Палач, ты сможешь ли ты простить меня?»"]}],"authorSummary":{"key":"authorSummary","title":"Сводка по автору из Wikidata","body":"1802–1885. Victor Hugo. французский писатель, поэт и драматург (1802—1885)"},"hasArtifacts":true,"canReadInApp":true,"readUrl":"https://web.bookra.app/?startapp=r_796179","artifactsUrl":"https://web.bookra.app/?startapp=b_796179","readCtaLabel":"Читать бесплатно","artifactsCtaLabel":"AI-разбор","appReadLinks":{"tg":"https://t.me/bookra_lib_bot/BookRa?startapp=r_796179","vk":"https://vk.com/app54470698#startapp=r_796179","max":"https://max.ru/id7751370047_bot?startapp=r_796179","web":"https://web.bookra.app/?startapp=r_796179"},"appAnalysisLinks":{"tg":"https://t.me/bookra_lib_bot/BookRa?startapp=b_796179","vk":"https://vk.com/app54470698#startapp=b_796179","max":"https://max.ru/id7751370047_bot?startapp=b_796179","web":"https://web.bookra.app/?startapp=b_796179"},"guestReaderUrl":"/books/0D6bS8QT?page=29#reader-content","authorCtaLabel":"Все книги автора","authorProtectedUrl":"/author/483a07d7-2a82-102a-9ae1-2dfe723fe7c7","readersCount":0,"adultLabel":"0+","yearLabel":null,"datePublished":null,"publisherLabel":null,"isbn":null,"oclc":null,"lccn":null,"partnerUrl":null,"accessNote":"Полный текст книги и AI-разбор откроются на защищенных страницах BookRa после входа."},"reader":{"page":29,"totalPages":31,"hasPrev":true,"hasNext":true,"prevPageUrl":"/books/0D6bS8QT?page=28#reader-content","nextPageUrl":"/books/0D6bS8QT?page=30#reader-content","progressLabel":"Страница 29 из 31","sections":[{"id":"id453:8","kind":"paragraph","text":"Конфликт Гюго с цензурой получил широкую огласку, ибо запрещение «Марьон Делорм» было типичным случаем применения реакционных «июльских ордонансов» министерства Полиньяка, послуживших толчком к началу революции 1830 г. Близкий к сен-симонизму журнал «Глоб» писал: «Господину Виктору Гюго выпала честь принять на себя первый удар во вновь разгоревшейся ныне войне против идей»."},{"id":"id453:9","kind":"paragraph","text":"«Марьон Делорм» была впервые поставлена уже после свержения Бурбонов, 11 августа 1831 г., в театре Порт-Сен-Мартен."},{"id":"id453:10","kind":"heading","text":"notes"},{"id":"id452:0","kind":"heading","text":"Примечания"},{"id":"id451:0","kind":"heading","text":"1"},{"id":"id451:1","kind":"paragraph","text":"Министерство Мартиньяка, пытавшегося найти среднюю линию между партией короля и либеральной оппозицией, продержалось лишь несколько месяцев и в августе 1829 г. было сменено крайне реакционным министерством Полиньяка."},{"id":"id450:0","kind":"heading","text":"2"},{"id":"id450:1","kind":"paragraph","text":"При первой постановке «Эрнани» в 1830 г. роль доньи Соль исполняла знаменитая артистка м-ль Марс."},{"id":"id449:0","kind":"heading","text":"3"},{"id":"id449:1","kind":"paragraph","text":"«Ода на коронование Карла X» была написана Гюго в 1825 г."},{"id":"id448:0","kind":"heading","text":"4"},{"id":"id448:1","kind":"paragraph","text":"Имеется в виду драматургия эпигонов классицизма, до того времени прочно державшаяся на французской сцене."},{"id":"id447:0","kind":"heading","text":"5"},{"id":"id447:1","kind":"paragraph","text":"Видок преграждал путь Корнелю. — Видок — полицейский сыщик, в прошлом уголовный преступник; приобрел известность благодаря опубликованным в 1828 г. весьма пошлым, рассчитанным на сенсацию «Мемуарам Видока». Корнель назван здесь как представитель высокоидейного искусства."},{"id":"id446:0","kind":"heading","text":"6"},{"id":"id446:1","kind":"paragraph","text":"Незадолго до революции 1789 г. в Париже происходила борьба двух направлений в оперной музыке. Представителем одного был Глюк (ум. в 1787 г.), создававший глубокие по мысли и чувству произведения, представителем другого — поселившийся в Париже итальянец Пиччини (ум. в 1800 г.), писавший изящную и мелодичную, но легковесную оперную музыку."},{"id":"id445:0","kind":"heading","text":"7"},{"id":"id445:1","kind":"paragraph","text":"…после времен регентства, Вольтера, Бомарше, Людовика XV, Калиостро… возможны Карлы Великие… — Регентство Филиппа Орлеанского (1715–1723, в годы малолетства короля Людовика XV) было временем крайнего упадка французского абсолютизма; страна находилась во власти политических авантюристов, спекулянтов и откупщиков. Вольтер и Бомарше упомянуты как писатели, отразившие в своих произведениях кризис дворянской монархии в XVIII веке и упадок нравов аристократии. Калиостро — авантюрист и шарлатан, родом итальянец, подвизавшийся в конце XVIII в. во многих странах Европы, в том числе при французском и русском дворах; он выдавал себя за великого ученого, медика и алхимика. Карл Великий — король франков (768–814), а с 800 г. император, объединивший под своей властью большую часть западной Европы."},{"id":"id444:0","kind":"heading","text":"8"},{"id":"id444:1","kind":"paragraph","text":"Марьон Делорм — знаменитая в XVII в. французская куртизанка, собиравшая в своем салоне цвет придворной аристократии. Эпизод любви Марьон и Дидье, положенный в основу драмы Гюго, вымышлен."},{"id":"id443:0","kind":"heading","text":"9"},{"id":"id443:1","kind":"paragraph","text":"Ланжели — историческое лицо; происходил из обедневших дворян, был конюхом у принца Конде, затем стал придворным шутом Людовика XIII. Вельможи боялись его влияния и давали ему взятки, на которых Ланжели разбогател."},{"id":"id442:0","kind":"heading","text":"10"},{"id":"id442:1","kind":"paragraph","text":"Лафемас — также историческое лицо; сын мелкого дворянина, ближайший помощник Ришелье по судебным делам; за свою жестокость был прозван «кардинальским палачом»."},{"id":"id441:0","kind":"heading","text":"11"},{"id":"id441:1","kind":"paragraph","text":"Герцог де Бельгард в прошлом был фаворитом короля Генриха IV, с 1620 г. стал герцогом и пэром Франции; как политический противник Ришелье был в конце концов выслан им из Парижа."},{"id":"id440:0","kind":"heading","text":"12"},{"id":"id440:1","kind":"paragraph","text":"…по последней моде 1638 года. — Ремарки, требующие соблюдения исторической точности в костюмах, были одним из новшеств, введенных Гюго-драматургом."},{"id":"id439:0","kind":"heading","text":"13"},{"id":"id439:1","kind":"paragraph","text":"Ракан — французский придворный поэт XVII в., писавший галантные пастушеские идиллии."},{"id":"id438:0","kind":"heading","text":"14"},{"id":"id438:1","kind":"paragraph","text":"Она да «Сид» еще уже затмили всех. — Постановка в 1636 г. трагикомедии Корнеля «Сид», вокруг которой возникла бурная полемика, была видным событием в культурной жизни Франции того времени."},{"id":"id437:0","kind":"heading","text":"15"},{"id":"id437:1","kind":"paragraph","text":"А вдруг он гугенот? — Укрепляя абсолютизм, Ришелье вел решительную борьбу против французских протестантов (гугенотов), состоявших по преимуществу из тех слоев дворянства и буржуазии, которые проявляли сепаратистские стремления и нежелание мириться с централизующими тенденциями монархии."},{"id":"id436:0","kind":"heading","text":"16"},{"id":"id436:1","kind":"paragraph","text":"Фрина — греческая куртизанка, славившаяся своей красотой."},{"id":"id435:0","kind":"heading","text":"17"},{"id":"id435:1","kind":"paragraph","text":"Еретики — гугеноты."},{"id":"id434:0","kind":"heading","text":"18"},{"id":"id434:1","kind":"paragraph","text":"Имеется в виду Тридцатилетняя война (1618–1648 гг.) между католическими и протестантскими князьями Германии. В этой войне с 1635 г. приняла участие также и Франция."},{"id":"id433:0","kind":"heading","text":"19"},{"id":"id433:1","kind":"paragraph","text":"Скюдери Жорж — второстепенный писатель и драматург XVIII в., безуспешно пытавшийся соперничать с молодым Корнелем. После постановки «Сида» Скюдери выпустил злопыхательскую брошюру «Замечания о Сиде»."},{"id":"id432:0","kind":"heading","text":"20"},{"id":"id432:1","kind":"paragraph","text":"Поэтика классицизма требовала избегать прямого наименования обыденных, «низких» предметов и явлений, заменяя их описательными выражениями (перифразами)."},{"id":"id431:0","kind":"heading","text":"21"},{"id":"id431:1","kind":"paragraph","text":"Здесь и далее речь идет о драматургии, составлявшей репертуар единственного тогда в Париже театра Бургундского отеля. «Брадаманта» (1580) — трагедия одного из предшественников классицизма Гарнье; «Пирам и Фисба» (1617) — трагедия Теофиля де Вио."}],"toc":[{"id":"id462:0:1","label":"Annotation","page":1,"pageUrl":"/books/0D6bS8QT#reader-content"},{"id":"id461:0:1","label":"Марьон Делорм","page":1,"pageUrl":"/books/0D6bS8QT#reader-content"},{"id":"id460:0:1","label":"ПРЕДИСЛОВИЕ","page":1,"pageUrl":"/books/0D6bS8QT#reader-content"},{"id":"id459:0:3","label":"ДЕЙСТВУЮЩИЕ ЛИЦА","page":3,"pageUrl":"/books/0D6bS8QT?page=3#reader-content"},{"id":"id458:0:3","label":"ДЕЙСТВИЕ ПЕРВОЕ СВИДАНИЕ","page":3,"pageUrl":"/books/0D6bS8QT?page=3#reader-content"},{"id":"id458:3:3","label":"ЯВЛЕНИЕ ПЕРВОЕ","page":3,"pageUrl":"/books/0D6bS8QT?page=3#reader-content"},{"id":"id458:5:3","label":"Саверни","page":3,"pageUrl":"/books/0D6bS8QT?page=3#reader-content"},{"id":"id458:6:3","label":"(приближаясь к Марьон и пытаясь ее поцеловать)","page":3,"pageUrl":"/books/0D6bS8QT?page=3#reader-content"},{"id":"id458:8:3","label":"Марьон","page":3,"pageUrl":"/books/0D6bS8QT?page=3#reader-content"},{"id":"id458:9:3","label":"(отталкивая его)","page":3,"pageUrl":"/books/0D6bS8QT?page=3#reader-content"},{"id":"id458:12:3","label":"(настойчиво)","page":3,"pageUrl":"/books/0D6bS8QT?page=3#reader-content"},{"id":"id458:15:3","label":"(гневно)","page":3,"pageUrl":"/books/0D6bS8QT?page=3#reader-content"},{"id":"id458:24:3","label":"(в 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