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Дата написания1970-01-01
Язык книгиen
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Within six months of Carinthia Jane's disappearance, people had begun to talk of strange doings at Calesford; and some would have it, that it was the rehearsal of a play, in which friars were prominent characters, for there the frocked gentry were seen flitting across the ground. Then the world learnt too surely that the dreaded evil had happened, its wealthiest nobleman had gone over to the Church of Rome! carrying all his personal and unentailed estate to squander it on images and a dogma. Calesford was attacked by the mob;—one of the notorious riots in our history was a result of the Amazing Marriage, and roused the talk of it again over Great Britain. When Carinthia Jane, after two years of adventures and perils rarely encountered by women, returned to these shores, she was, they say, most anxious for news of her husband; and then, indeed, it has been conjectured, they might have been united to walk henceforward as one for life, but for the sad fact that the Earl of Fleetwood had two months and some days previously abjured his rank, his remaining property, and his title, to become, there is one report, the Brother Russett of the mountain monastery he visited in simple curiosity once with his betraying friend, Lord Feltre. Or some say, and so it may truly be, it was an amateur monastery established by him down among his Welsh mountains, in which he served as a simple brother, without any authority over the priests or what not he paid to act as his superiors. Monk of some sort he would be. He was never the man to stop at anything half way.

Mr. Rose Mackrell, in his Memoirs, was the first who revealed to the world, that the Mademoiselle de Levellier of the French Count fighting with the Carlists—falsely claimed by him as a Frenchwoman—was, in very truth, Carinthia Jane, the Countess of Fleetwood, to whom Carlists and Legitimises alike were indebted for tender care of them on the field and in hospital; and who rode from one camp through the other up to the tent of the Pretender to the throne of Spain, bearing her petition for her brother's release; which was granted, in acknowledgement of her 'renowned humanity to both conflicting armies,' as the words translated by Dr. Glossop run. Certain it is she brought her wounded brother safe home to England, and prisoners in that war usually had short shrift. For three years longer she was the Countess of Fleetwood, 'widow of a living suicide,' Mr. Rose Mackrell describes the state of the Marriage at that period. No whisper of divorce did she tolerate.

Six months after it was proved that Brother Russett had perished of his austerities, or his heart, we learn she said to the beseeching applicant for her hand, Mr. Owain Wythan, with the gift of it, in compassion: 'Rebecca could foretell events.' Carinthia Jane had ever been ashamed of second marriages, and the union with her friend Rebecca's faithful simpleton gave it, one supposes, a natural air, for he as little as she had previously known the wedded state. She married him, Henrietta has written, because of his wooing her with dog's eyes instead of words. The once famous beauty carried a wrinkled spot on her cheek to her grave; a saving disfigurement, and the mark of changes in the story told you enough to make us think it a providential intervention for such ends as were in view.

So much I can say: the facts related, with some regretted omissions, by which my story has so skeleton a look, are those that led to the lamentable conclusion. But the melancholy, the pathos of it, the heart of all England stirred by it, have been—and the panting excitement it was to every listener—sacrificed in the vain effort to render events as consequent to your understanding as a piece of logic, through an exposure of character! Character must ever be a mystery, only to be explained in some degree by conduct; and that is very dependent upon accident: and unless we have a perpetual whipping of the tender part of the reader's mind, interest in invisible persons must needs flag. For it is an infant we address, and the storyteller whose art excites an infant to serious attention succeeds best; with English people assuredly, I rejoice to think, though I have to pray their patience here while that philosophy and exposure of character block the course along a road inviting to traffic of the most animated kind.

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