Выигрыши

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Вполне возможно, что читатель возьмет его в руки с тем же намерением: ведь книга по-прежнему остается единственным убежищем в нашем доме, где мы можем чувствовать себя спокойно, и мне представляется вполне уместным подчеркнуть столь родственную близость в искусстве уединяться."},{"id":"id2113:2","kind":"paragraph","text":"Мне также хотелось бы сказать читателю, возможно, в свое оправдание, что, создавая роман, я не руководствовался аллегорическими ни тем более этическими мотивами. И если к концу романа какой-нибудь персонаж начинает смутно различать самого себя, а другой подозревать, что прочно установленный порядок принуждает его к существованию, то это всего лишь игра житейской диалектики, которую каждый может наблюдать вокруг себя или в зеркале ванной, отнюдь не придавая ей трансцендентного значения."},{"id":"id2113:3","kind":"paragraph","text":"Монологи Персио смутили некоторых моих друзей, привыкших к незамысловатым развлечениям. На и недоумение я могу лишь ответить, что монологи эти были мне навязаны на протяжении всего романа, и именно в том порядке, в котором они появляются, как некое предвидение того, что замышлялось или должно было случиться на борту «Малькольма». Язык Персио наводит на мысль о ином измерении или, выражаясь менее скованно, поражает иные цели. Игрок в «жабу» иногда после четырех удачных попаданий битой дает промах, но это не причина для того, чтобы… Вот именно, не причина. И возможно, как раз поэтому пятая бита завершает партию в какой-то другой, неведомой игре, и Персио вправе пробормотать стихи некоего испанского анонима: «Никто битой не почал. Только я один попал»."},{"id":"id2113:4","kind":"paragraph","text":"И наконец, я подозреваю, что эта книга вызовет недовольство тех читателей, которые привыкли поддерживать своих любимых романистов, понимая под поддержкой желание и едва ли не приказ, чтобы романисты эти следовали давно проторенной дорогой и не смели ступить ни шагу в сторону. Первым таким недовольным оказался я сам, потому что начал писать, отталкиваясь от основного действия, которое диктовало мне совсем иное; затем, к моему великому удивлению и радости, все вдруг смешалось и мне пришлось следовать за повествованием, став первым свидетелем событий, которые совершенно неожиданно для меня произошли на борту парохода компании «Маджента стар». Кто мог бы, например, сказать, что Пушок, вначале не слишком меня привлекавший, так возвысится к концу романа? Уже не говоря о том, что произошло с Лусио, ведь сначала я хотел, чтобы Лусио… Ах, оставим их всех в покое, подобное уже случалось с Сервантесом и продолжает случаться со всеми, кто пишет без определенного плана, оставляя двери раскрытыми настежь для свежего воздуха и даже для чистого света космических пространств, как не преминул бы заметить доктор Рестелли."},{"id":"id2113:5","kind":"heading","text":"notes"},{"id":"id2112:0","kind":"heading","text":"Примечания"},{"id":"id2111:0","kind":"heading","text":"1"},{"id":"id2111:1","kind":"paragraph","text":"Напиток из травы мате, так называемый парагвайский чай. – Здесь далее примечания переводчика."},{"id":"id2110:0","kind":"heading","text":"2"},{"id":"id2110:1","kind":"paragraph","text":"9 июля – провозглашение независимости и самостоятельности всех провинций Аргентины (9 июля 1816 г.)."},{"id":"id2109:0","kind":"heading","text":"3"},{"id":"id2109:1","kind":"paragraph","text":"Коренной житель Буэнос-Айреса,"},{"id":"id2108:0","kind":"heading","text":"4"},{"id":"id2108:1","kind":"paragraph","text":"Название аргентинской газеты."},{"id":"id2107:0","kind":"heading","text":"5"},{"id":"id2107:1","kind":"paragraph","text":"Кубинский поэт."},{"id":"id2106:0","kind":"heading","text":"6"},{"id":"id2106:1","kind":"paragraph","text":"Если не ошибаюсь (англ.)."},{"id":"id2105:0","kind":"heading","text":"7"},{"id":"id2105:1","kind":"paragraph","text":"Че – широко распространенное в Аргентине обращение к другу или близкому знакомому."},{"id":"id2104:0","kind":"heading","text":"8"},{"id":"id2104:1","kind":"paragraph","text":"Двухтактно (англ.)."},{"id":"id2103:0","kind":"heading","text":"9"},{"id":"id2103:1","kind":"paragraph","text":"Что и требовалось доказать (лат)."},{"id":"id2102:0","kind":"heading","text":"10"},{"id":"id2102:1","kind":"paragraph","text":"Бандонеон – музыкальный инструмент, вид баяна."},{"id":"id2101:0","kind":"heading","text":"11"},{"id":"id2101:1","kind":"paragraph","text":"25 мая 1810 г. было создано временное правительство провинции Рио-де-ла-Плата."},{"id":"id2100:0","kind":"heading","text":"12"},{"id":"id2100:1","kind":"paragraph","text":"Человека, всем обязанного самому себе (англ.)."},{"id":"id299:0","kind":"heading","text":"13"},{"id":"id299:1","kind":"paragraph","text":"Неотвратимость рока (франц.)."},{"id":"id298:0","kind":"heading","text":"14"},{"id":"id298:1","kind":"paragraph","text":"Довольно об лом (франц.)."},{"id":"id297:0","kind":"heading","text":"15"},{"id":"id297:1","kind":"paragraph","text":"Здесь: губная номада (франц.)."},{"id":"id296:0","kind":"heading","text":"16"},{"id":"id296:1","kind":"paragraph","text":"Пио Бароха (1872 – 1956) – испанский писатель, представитель так называемого «поколения 1898 года»."},{"id":"id295:0","kind":"heading","text":"17"},{"id":"id295:1","kind":"paragraph","text":"Пригород Буэнос-Айреса."},{"id":"id294:0","kind":"heading","text":"18"},{"id":"id294:1","kind":"paragraph","text":"Район в Буэнос-Айресе."},{"id":"id293:0","kind":"heading","text":"19"},{"id":"id293:1","kind":"paragraph","text":"Это отсюда мы движемся вперед? (франц.)."},{"id":"id292:0","kind":"heading","text":"20"},{"id":"id292:1","kind":"paragraph","text":"«Здравствуй, грусть» – роман Франсуазы Саган."},{"id":"id291:0","kind":"heading","text":"21"},{"id":"id291:1","kind":"paragraph","text":"Вы муж и жена? (англ.)"},{"id":"id290:0","kind":"heading","text":"22"},{"id":"id290:1","kind":"paragraph","text":"Вы вместе? (франц.)"},{"id":"id289:0","kind":"heading","text":"23"},{"id":"id289:1","kind":"paragraph","text":"Да, скорее вместе, чем муж и жена. Вот наши паспорта (франц.)."},{"id":"id288:0","kind":"heading","text":"24"},{"id":"id288:1","kind":"paragraph","text":"Сюда, пожалуйста (англ.)."},{"id":"id287:0","kind":"heading","text":"25"},{"id":"id287:1","kind":"paragraph","text":"Не плохо, правда? (франц.)"},{"id":"id286:0","kind":"heading","text":"26"},{"id":"id286:1","kind":"paragraph","text":"Совсем неплохо, милый (франц.)."},{"id":"id285:0","kind":"heading","text":"27"},{"id":"id285:1","kind":"paragraph","text":"Карлос Гардель – «король танго», знаменитый аргентинский певец, киноактер."},{"id":"id284:0","kind":"heading","text":"28"},{"id":"id284:1","kind":"paragraph","text":"Бюстгалтер (франц.)."},{"id":"id283:0","kind":"heading","text":"29"},{"id":"id283:1","kind":"paragraph","text":"Очень скоро (англ.)."},{"id":"id282:0","kind":"heading","text":"30"},{"id":"id282:1","kind":"paragraph","text":"Высотные здания в Буэнос-Айресе с яркими световыми рекламами."},{"id":"id281:0","kind":"heading","text":"31"},{"id":"id281:1","kind":"paragraph","text":"Хуан Баутиста Альберди – аргентинский писатель, политический деятель, юрист."},{"id":"id280:0","kind":"heading","text":"32"},{"id":"id280:1","kind":"paragraph","text":"Жизнеописание, биография (лат.)."},{"id":"id279:0","kind":"heading","text":"33"},{"id":"id279:1","kind":"paragraph","text":"Официальный справочник железных дорог Португалии (португ.)."},{"id":"id278:0","kind":"heading","text":"34"},{"id":"id278:1","kind":"paragraph","text":"«Нетронутой невестой тишины» (англ). – Первая строка из «Оды греческой вазе» Джона Китса."},{"id":"id277:0","kind":"heading","text":"35"},{"id":"id277:1","kind":"paragraph","text":"Тронутая, и неоднократно (англ.)."},{"id":"id276:0","kind":"heading","text":"36"},{"id":"id276:1","kind":"paragraph","text":"Особый вид игральных карт (франц.)."},{"id":"id275:0","kind":"heading","text":"37"},{"id":"id275:1","kind":"paragraph","text":"…небо и море соединяются воедино, образуя некое подобие гитары– (Одиберти, «Куат-Куат».)"}],"toc":[{"id":"id2173:0:1","label":"Annotation","page":1,"pageUrl":"/books/4Rak2o2V#reader-content"},{"id":"id2172:0:1","label":"Хулио Кортасар 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