Озорные рассказы. Все три десятка

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В эту же книгу вошли все рассказы цикла, в том числе и те, что не были напечатаны при жизни Оноре де Бальзака."},{"id":"id5230:4","kind":"paragraph","text":"Оноре де Бальзак"},{"id":"id5230:5","kind":"paragraph","text":"Предуведомление издателя к первому изданию"},{"id":"id5230:6","kind":"paragraph","text":"Первый десяток"},{"id":"id5230:7","kind":"paragraph","text":"Пролог"},{"id":"id5230:8","kind":"paragraph","text":"Красавица Империа"},{"id":"id5230:9","kind":"paragraph","text":"Невольный грех"},{"id":"id5230:10","kind":"paragraph","text":"Глава первая. Как старый Брюин выбрал себе жену"},{"id":"id5230:11","kind":"paragraph","text":"Глава вторая. Как сенешал Брюин укрощал свою девственную супругу"},{"id":"id5230:12","kind":"paragraph","text":"Глава третья. Что есть грех невольный"},{"id":"id5230:13","kind":"paragraph","text":"Глава четвёртая. Каким образом и с чьей помощью появился на свет некий младенец"},{"id":"id5230:14","kind":"paragraph","text":"Глава пятая. Как за грех любви наложено было строгое покаяние и наступила засим великая печаль"},{"id":"id5230:15","kind":"paragraph","text":"Королевская зазноба"},{"id":"id5230:16","kind":"paragraph","text":"Наследник дьявола"},{"id":"id5230:17","kind":"paragraph","text":"Увеселения короля Людовика Одиннадцатого"},{"id":"id5230:18","kind":"paragraph","text":"Жена коннетабля"},{"id":"id5230:19","kind":"paragraph","text":"Тилузская девственница"},{"id":"id5230:20","kind":"paragraph","text":"Брат по оружию"},{"id":"id5230:21","kind":"paragraph","text":"Кюре из Азе-лё-Ридо"},{"id":"id5230:22","kind":"paragraph","text":"Спасительный возглас"},{"id":"id5230:23","kind":"paragraph","text":"Эпилог"},{"id":"id5230:24","kind":"paragraph","text":"Второй десяток"},{"id":"id5230:25","kind":"paragraph","text":"Пролог"},{"id":"id5230:26","kind":"paragraph","text":"Три подопечных святого Николая"},{"id":"id5230:27","kind":"paragraph","text":"Тяжкий плен Франциска Первого"},{"id":"id5230:28","kind":"paragraph","text":"Славные пересуды монашек из Пуасси"},{"id":"id5230:29","kind":"paragraph","text":"Как построили замок Азе"},{"id":"id5230:30","kind":"paragraph","text":"Мнимая куртизанка"},{"id":"id5230:31","kind":"paragraph","text":"Опасность неведения"},{"id":"id5230:32","kind":"paragraph","text":"Дорогая ночь любви"},{"id":"id5230:33","kind":"paragraph","text":"Проповедь весёлого кюре из Мёдона"},{"id":"id5230:34","kind":"paragraph","text":"Ведьма"},{"id":"id5230:35","kind":"paragraph","text":"Пролог"},{"id":"id5230:36","kind":"paragraph","text":"Глава первая. Кто была ведьма"},{"id":"id5230:37","kind":"paragraph","text":"Глава вторая. О том, как поступили с оным дьяволом женского пола"},{"id":"id5230:38","kind":"paragraph","text":"Глава третья. О том, что сделала ведьма, дабы завладеть душой старого судьи, и что произошло вследствие сего дьявольского наваждения"},{"id":"id5230:39","kind":"paragraph","text":"Глава четвёртая. Как ускользнула из рук правосудия мавританка с Горячей улицы и сколь великих трудов стоило сжечь и зажарить её живьём наперекор аду"},{"id":"id5230:40","kind":"paragraph","text":"Отчаяние влюблённого"},{"id":"id5230:41","kind":"paragraph","text":"Эпилог"},{"id":"id5230:42","kind":"paragraph","text":"Третий десяток"},{"id":"id5230:43","kind":"paragraph","text":"Пролог"},{"id":"id5230:44","kind":"paragraph","text":"Настойчивость любви"},{"id":"id5230:45","kind":"paragraph","text":"О прево, не знавшем прелестей своей жены"},{"id":"id5230:46","kind":"paragraph","text":"О монахе Амадоре, славном тюрпенейском аббате"},{"id":"id5230:47","kind":"paragraph","text":"Раскаяние Берты"},{"id":"id5230:48","kind":"paragraph","text":"Глава первая. Как Берта и в замужестве оставалась девственно-непорочной"},{"id":"id5230:49","kind":"paragraph","text":"Глава вторая. О радостях и горестях Берты, познавшей тайны любви"},{"id":"id5230:50","kind":"paragraph","text":"Глава третья. О страшной каре, постигшей Берту, о том, как Берта искупила свой грех и умерла прощённой"},{"id":"id5230:51","kind":"paragraph","text":"Как красотка из Портильона судью одолела"},{"id":"id5230:52","kind":"paragraph","text":"Почему Фортуна женского рода"},{"id":"id5230:53","kind":"paragraph","text":"Об одном бедняке по прозвищу Дед-Ищи-Ветра-в-Поле"},{"id":"id5230:54","kind":"paragraph","text":"Несуразные речи трёх пилигримов"},{"id":"id5230:55","kind":"paragraph","text":"Наивность"},{"id":"id5230:56","kind":"paragraph","text":"Замужество красавицы Империи"},{"id":"id5230:57","kind":"paragraph","text":"Глава первая. Как госпожа Империа сама запуталась в силки, коими своих любезных голубей уловляла"},{"id":"id5230:58","kind":"paragraph","text":"Глава вторая. Чем закончилось замужество Империи"},{"id":"id5230:59","kind":"paragraph","text":"Эпилог"},{"id":"id5230:60","kind":"paragraph","text":"Приложение I. ОЗОРНЫЕ Рассказы, не публиковавшиеся при жизни Бальзака"},{"id":"id5230:61","kind":"paragraph","text":"Инкуб"},{"id":"id5230:62","kind":"paragraph","text":"О великой милостивости госпожи Империи"},{"id":"id5230:63","kind":"paragraph","text":"Как три паломника языками чесали"},{"id":"id5230:64","kind":"paragraph","text":"Пролог к пятому десятку, именуемому «Десяток подражаний»"},{"id":"id5230:65","kind":"paragraph","text":"Тонкопряха."},{"id":"id5230:66","kind":"paragraph","text":"Приложение II"},{"id":"id5230:67","kind":"paragraph","text":"notes"},{"id":"id5230:68","kind":"paragraph","text":"Примечания"},{"id":"id5230:69","kind":"paragraph","text":"1"},{"id":"id5230:70","kind":"paragraph","text":"2"},{"id":"id5230:71","kind":"paragraph","text":"3"},{"id":"id5230:72","kind":"paragraph","text":"4"},{"id":"id5230:73","kind":"paragraph","text":"5"},{"id":"id5230:74","kind":"paragraph","text":"6"},{"id":"id5230:75","kind":"paragraph","text":"7"},{"id":"id5230:76","kind":"paragraph","text":"8"},{"id":"id5230:77","kind":"paragraph","text":"9"},{"id":"id5230:78","kind":"paragraph","text":"10"},{"id":"id5230:79","kind":"paragraph","text":"11"},{"id":"id5230:80","kind":"paragraph","text":"12"},{"id":"id5230:81","kind":"paragraph","text":"13"},{"id":"id5230:82","kind":"paragraph","text":"Комментарии"},{"id":"id5230:83","kind":"paragraph","text":"1"},{"id":"id5230:84","kind":"paragraph","text":"2"},{"id":"id5230:85","kind":"paragraph","text":"3"},{"id":"id5230:86","kind":"paragraph","text":"4"},{"id":"id5230:87","kind":"paragraph","text":"5"},{"id":"id5230:88","kind":"paragraph","text":"6"},{"id":"id5230:89","kind":"paragraph","text":"7"},{"id":"id5230:90","kind":"paragraph","text":"8"},{"id":"id5230:91","kind":"paragraph","text":"9"},{"id":"id5230:92","kind":"paragraph","text":"10"},{"id":"id5230:93","kind":"paragraph","text":"11"},{"id":"id5230:94","kind":"paragraph","text":"12"},{"id":"id5230:95","kind":"paragraph","text":"13"},{"id":"id5230:96","kind":"paragraph","text":"14"},{"id":"id5230:97","kind":"paragraph","text":"15"},{"id":"id5230:98","kind":"paragraph","text":"16"},{"id":"id5230:99","kind":"paragraph","text":"17"},{"id":"id5230:100","kind":"paragraph","text":"18"},{"id":"id5230:101","kind":"paragraph","text":"19"},{"id":"id5230:102","kind":"paragraph","text":"20"},{"id":"id5230:103","kind":"paragraph","text":"21"},{"id":"id5230:104","kind":"paragraph","text":"22"},{"id":"id5230:105","kind":"paragraph","text":"23"},{"id":"id5230:106","kind":"paragraph","text":"24"},{"id":"id5230:107","kind":"paragraph","text":"25"},{"id":"id5230:108","kind":"paragraph","text":"26"},{"id":"id5230:109","kind":"paragraph","text":"27"},{"id":"id5230:110","kind":"paragraph","text":"28"},{"id":"id5230:111","kind":"paragraph","text":"29"},{"id":"id5230:112","kind":"paragraph","text":"30"},{"id":"id5230:113","kind":"paragraph","text":"31"},{"id":"id5230:114","kind":"paragraph","text":"32"},{"id":"id5230:115","kind":"paragraph","text":"33"},{"id":"id5230:116","kind":"paragraph","text":"34"},{"id":"id5230:117","kind":"paragraph","text":"35"},{"id":"id5230:118","kind":"paragraph","text":"36"},{"id":"id5230:119","kind":"paragraph","text":"37"},{"id":"id5230:120","kind":"paragraph","text":"38"},{"id":"id5230:121","kind":"paragraph","text":"39"},{"id":"id5230:122","kind":"paragraph","text":"40"},{"id":"id5230:123","kind":"paragraph","text":"41"},{"id":"id5230:124","kind":"paragraph","text":"42"},{"id":"id5230:125","kind":"paragraph","text":"43"},{"id":"id5230:126","kind":"paragraph","text":"44"},{"id":"id5230:127","kind":"paragraph","text":"45"},{"id":"id5230:128","kind":"paragraph","text":"46"},{"id":"id5230:129","kind":"paragraph","text":"47"},{"id":"id5230:130","kind":"paragraph","text":"48"},{"id":"id5230:131","kind":"paragraph","text":"49"},{"id":"id5230:132","kind":"paragraph","text":"50"},{"id":"id5230:133","kind":"paragraph","text":"51"},{"id":"id5230:134","kind":"paragraph","text":"52"},{"id":"id5230:135","kind":"paragraph","text":"53"},{"id":"id5230:136","kind":"paragraph","text":"54"},{"id":"id5230:137","kind":"paragraph","text":"55"},{"id":"id5230:138","kind":"paragraph","text":"56"},{"id":"id5230:139","kind":"paragraph","text":"57"},{"id":"id5230:140","kind":"paragraph","text":"58"},{"id":"id5230:141","kind":"paragraph","text":"59"},{"id":"id5230:142","kind":"paragraph","text":"60"},{"id":"id5230:143","kind":"paragraph","text":"61"},{"id":"id5230:144","kind":"paragraph","text":"62"},{"id":"id5230:145","kind":"paragraph","text":"63"},{"id":"id5230:146","kind":"paragraph","text":"64"},{"id":"id5230:147","kind":"paragraph","text":"65"},{"id":"id5230:148","kind":"paragraph","text":"66"},{"id":"id5230:149","kind":"paragraph","text":"67"},{"id":"id5230:150","kind":"paragraph","text":"68"},{"id":"id5230:151","kind":"paragraph","text":"69"},{"id":"id5230:152","kind":"paragraph","text":"70"},{"id":"id5230:153","kind":"paragraph","text":"71"},{"id":"id5230:154","kind":"paragraph","text":"72"},{"id":"id5230:155","kind":"paragraph","text":"73"},{"id":"id5230:156","kind":"paragraph","text":"74"},{"id":"id5230:157","kind":"paragraph","text":"75"},{"id":"id5230:158","kind":"paragraph","text":"76"},{"id":"id5230:159","kind":"paragraph","text":"77"},{"id":"id5230:160","kind":"paragraph","text":"78"},{"id":"id5230:161","kind":"paragraph","text":"79"},{"id":"id5230:162","kind":"paragraph","text":"80"},{"id":"id5230:163","kind":"paragraph","text":"81"},{"id":"id5230:164","kind":"paragraph","text":"82"},{"id":"id5230:165","kind":"p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де Бальзак Озорные рассказы: все три десятка"},{"id":"id5229:1","kind":"paragraph","text":"© Перевод. Е. Трынкина, 2022"},{"id":"id5229:3","kind":"heading","text":"* * *"},{"id":"id5228:0","kind":"heading","text":"Предуведомление издателя к первому изданию"},{"id":"id5228:1","kind":"paragraph","text":"Перевод Е. В. Трынкиной"},{"id":"id5228:2","kind":"paragraph","text":"Издатель не рискнул бы опубликовать эту книгу, не будь она произведением искусства в полном смысле этого слова – слова, которое в наши дни стало слишком расхожим. Однако он счёл, что добросовестные критики и искушённые читатели, взяв в руки «Сто озорных рассказов» {1} , вспомнят широко известные прецеденты, оправдывающие сие смелое предприятие, коего дерзость и чреватость опасностями автор его полностью сознавал."},{"id":"id5228:3","kind":"paragraph","text":"Тот, кому ещё дорога литература, не отречётся от королевы Наваррской {2} , Боккаччо {3} , Рабле, Ариосто {4} , Вервиля {5} и Лафонтена {6} – редких для нового времени гениев, каждый из которых за вычетом сцены стоил Мольера. Вместо того чтобы живописать чувства, большинство из них воссоздавало эпоху: и потому, чем ближе тот час, когда литература умрёт, тем больше мы ценим эти старые книги, позволяющие вдохнуть свежий аромат простодушия, пронизанные смехом, коего лишён современный театр, называющие вещи своими именами, написанные языком живым и терпким, прибегнуть к которому сейчас уже никто не осмеливается даже в мыслях."},{"id":"id5228:4","kind":"paragraph","text":"Понимание – вот чего ждёт рассказчик, который не то чтобы считает себя наследником основоположников, но всего лишь идёт по пути, уже пройденному и, казалось бы, закрытому прекрасными гениями, пути, успех на котором стал как будто невозможен в тот день, когда наш язык утратил свою первозданную наивность. Мог ли Лафонтен написать «Влюблённую куртизанку» в стиле Ж.-Ж. Руссо? Издатель позаимствовал эту ремарку у автора, дабы оправдать вышедшие из употребления обороты, используемые в этих рассказах: ко всем препятствиям, мешавшим осуществлению своего замысла, писатель добавил ещё и непопулярный стиль."},{"id":"id5228:5","kind":"paragraph","text":"Во Франции многие сейчас страдают от англицизмов и жаргона, на который часто сетовал лорд Байрон. Эти люди, краснеющие от милых откровенностей, которые в прошлом заставляли смеяться принцесс и королей, облачили в траур нашу древнюю физиономию и убедили самый весёлый и остроумный народ в мире, что смеяться подобает лишь благопристойно, прячась за веером, они забыли о том, что смех как дитя малое, которое бесстрашно играет с тиарами, мечами и коронами."},{"id":"id5228:6","kind":"paragraph","text":"При подобных нравах только талант может спасти от наказания автора «Озорных рассказов», однако, не желая всё же рисковать, он осмелился представить на суд публики лишь первые десять рассказов. Мы же, преисполненные глубокой веры в читателя и автора, надеемся в скором времени выпустить ещё десять, ибо не боимся ни книги, ни упрёков."},{"id":"id5228:7","kind":"paragraph","text":"И почему мы поносим в литературе то, что заслужило признание на художественных выставках, – поиски Делакруа, Девериа, Шенавара и многих великих художников Средних веков? Если мы признаём живопись, витражи, мебель и скульптуру эпохи Возрождения, то почему надо объявлять вне закона весёлые новеллы, смешные стихи и сказки?"},{"id":"id5228:8","kind":"paragraph","text":"Дебют этой музы, ничуть не озабоченной своей наготой, нуждается в горячих защитниках и доброжелательной поддержке, и, может статься, таковые найдутся среди людей, чей вкус и порядочность не вызывают сомнений."},{"id":"id5228:9","kind":"paragraph","text":"Издатель почёл своим долгом дать это предуведомление всему свету. Что касается оправданий авторских, то они являются неотъемлемой частью его книги."},{"id":"id5228:10","kind":"paragraph","text":"Март 1832 года"}],"toc":[{"id":"id5230:0:1","label":"Annotation","page":1,"pageUrl":"/books/4X3BNMQr#reader-content"},{"id":"id5229:0:1","label":"Оноре де Бальзак Озорные рассказы: все три десятка","page":1,"pageUrl":"/books/4X3BNMQr#reader-content"},{"id":"id5229:3:1","label":"* * *","page":1,"pageUrl":"/books/4X3BNMQr#reader-content"},{"id":"id5228:0:1","label":"Предуведомление издателя к первому изданию","page":1,"pageUrl":"/books/4X3BNMQr#reader-content"},{"id":"id5227:0:2","label":"Первый десяток","page":2,"pageUrl":"/books/4X3BNMQr?page=2#reader-content"},{"id":"id5226:0:2","label":"Пролог","page":2,"pageUrl":"/books/4X3BNMQr?page=2#reader-content"},{"id":"id5225:0:3","label":"Красавица Империа","page":3,"pageUrl":"/books/4X3BNMQr?page=3#reader-content"},{"id":"id5224:0:7","label":"Невольный грех","page":7,"pageUrl":"/books/4X3BNMQr?page=7#reader-content"},{"id":"id5224:2:7","label":"Глава первая. 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