Дублинцы. Ранняя проза

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Окончательно закрепивший владычество англичан, этот монарх пользовался особой неприязнью ирландских католиков."},{"id":"id7103:30","kind":"paragraph","text":"С. 498. Ах, дождик льет… – рефрен старинной ирландской баллады «Девушка из Огрима» (Огрим – местность в западном графстве Голуэй). Сюжет баллады – судьба девушки, соблазненной и брошенной с младенцем; когда она приходит к своему соблазнителю, тот не впускает ее в дом и устраивает ей допрос, заставляя оставаться под дождем с ребенком на руках. Как вспоминал Константин Каррен, Джойс часто пел эту очень длинную балладу, уверяя, что знает тридцать пять ее строф."},{"id":"id7103:31","kind":"paragraph","text":"С. 501. Сэр, а огонь очень горячий? – в первом издании 1914 г., как и во многих последующих, эта реплика относилась не к Грете, а к Габриэлу. Лишь в критическом издании Р. Шоулза, установившем окончательный текст «Дублинцев» (1968), была учтена поправка, сделанная Джойсом в гранках."},{"id":"id7103:32","kind":"paragraph","text":"С. 502. Габриэл указал на статую – статуя Дэниэла О’Коннелла, воздвигнутая в 1882 г."},{"id":"id7103:33","kind":"paragraph","text":"С. 503. касание ее тела, странного, музыкального, благоухающего – набор эпитетов, который Джойс относил к Норе, к ее телу. Ср.: «А ты помнишь три слова, которые я использовал в “Мертвых”, говоря о твоем теле? Вот они: странное, музыкальное, благоухающее». (Из письма Джойса к Норе Барнакл от 22 августа 1912 г.)."},{"id":"id7103:34","kind":"paragraph","text":"С. 511. Снова пошел снег. – Знаменитый финальный пассаж новеллы связан с двумя источниками – с описаниями снегопада в Песни XII «Илиады» и в зачине вышеупомянутого романа Ф. Брет-Гарта «Габриэл Конрой». Более тесное соответствие – со вторым снегопадом. Отметим также, что финал создает кольцевую структуру всего цикла, осуществляя возврат к его началу – хотя и ненавязчивый, на лексическом уровне: лейтмотивный эпитет последней фразы, faintly, тихо, мы находим и в первых фразах «Сестер»."},{"id":"id7103:35","kind":"paragraph","text":"Сергей Хоружий"},{"id":"id7103:36","kind":"paragraph","text":"Содержание"},{"id":"id7103:37","kind":"paragraph","text":"Эпифании 5"},{"id":"id7103:38","kind":"paragraph","text":"Портрет художника 23"},{"id":"id7103:39","kind":"paragraph","text":"Герой Стивен 35"},{"id":"id7103:40","kind":"paragraph","text":"Дублинцы 289"},{"id":"id7103:41","kind":"paragraph","text":"Сестры 291"},{"id":"id7103:42","kind":"paragraph","text":"Встреча 301"},{"id":"id7103:43","kind":"paragraph","text":"Аравия 310"},{"id":"id7103:44","kind":"paragraph","text":"Эвелин 318"},{"id":"id7103:45","kind":"paragraph","text":"После гонок 323"},{"id":"id7103:46","kind":"paragraph","text":"Два кавалера 330"},{"id":"id7103:47","kind":"paragraph","text":"Пансион 343"},{"id":"id7103:48","kind":"paragraph","text":"Облачко 351"},{"id":"id7103:49","kind":"paragraph","text":"Взаимные дополнения 367"},{"id":"id7103:50","kind":"paragraph","text":"Земля 380"},{"id":"id7103:51","kind":"paragraph","text":"Печальное происшествие 388"},{"id":"id7103:52","kind":"paragraph","text":"День плюща в зале заседаний 399"},{"id":"id7103:53","kind":"paragraph","text":"Мать 418"},{"id":"id7103:54","kind":"paragraph","text":"Милость Божия 433"},{"id":"id7103:55","kind":"paragraph","text":"Мертвые 460"},{"id":"id7103:56","kind":"paragraph","text":"Комментарии. С. Хоружий 511"},{"id":"id7103:57","kind":"heading","text":"notes"},{"id":"id7102:0","kind":"heading","text":"Примечания"},{"id":"id7101:0","kind":"heading","text":"1"},{"id":"id7101:1","kind":"paragraph","text":"Парафраз Песн. 4,8."},{"id":"id7100:0","kind":"heading","text":"2"},{"id":"id7100:1","kind":"paragraph","text":"У грудей моих пребывает (лат.). Песн. 1,12."},{"id":"id799:0","kind":"heading","text":"3"},{"id":"id799:1","kind":"paragraph","text":"Отрицаю, отвергаю (лат.)."},{"id":"id798:0","kind":"heading","text":"4"},{"id":"id798:1","kind":"paragraph","text":"Рукопись романа не была подготовлена автором к печати, дойдя до нас не полной и не исправной. Пояснения помет в тексте, связанных с состоянием рукописи, см. в заметке Т. Спенсера (первого публикатора «Героя Стивена»), которую мы приводим в начале Комментария."},{"id":"id797:0","kind":"heading","text":"5"},{"id":"id797:1","kind":"paragraph","text":"Заголовок крупно вписан между абзацами наискосок, синим карандашом."},{"id":"id796:0","kind":"heading","text":"6"},{"id":"id796:1","kind":"paragraph","text":"На полях карандашом написано: «чем»."},{"id":"id795:0","kind":"heading","text":"7"},{"id":"id795:1","kind":"paragraph","text":"Мы воспроизводим стилистическую ошибку оригинала."},{"id":"id794:0","kind":"heading","text":"8"},{"id":"id794:1","kind":"paragraph","text":"Мр 8,36."},{"id":"id793:0","kind":"heading","text":"9"},{"id":"id793:1","kind":"paragraph","text":"Пропущено «на»."},{"id":"id792:0","kind":"heading","text":"10"},{"id":"id792:1","kind":"paragraph","text":"Рукопись здесь надорвана."},{"id":"id791:0","kind":"heading","text":"11"},{"id":"id791:1","kind":"paragraph","text":"Надпись, сделанная красным карандашом и, вероятно, отражающая процесс перехода от «Героя Стивена» к «Портрету художника в юности»."},{"id":"id790:0","kind":"heading","text":"12"},{"id":"id790:1","kind":"paragraph","text":"Измененный вариант фразы написан карандашом на полях, возможно, позднее основной рукописи."},{"id":"id789:0","kind":"heading","text":"13"},{"id":"id789:1","kind":"paragraph","text":"На полях против этих фраз написано красным карандашом: «не хотелось уходить»."},{"id":"id788:0","kind":"heading","text":"14"},{"id":"id788:1","kind":"paragraph","text":"Напротив этого абзаца написаны красным карандашом слова: «маскарад: Эмма»."},{"id":"id787:0","kind":"heading","text":"15"},{"id":"id787:1","kind":"paragraph","text":"Английский язык (ирл.)."},{"id":"id786:0","kind":"heading","text":"16"},{"id":"id786:1","kind":"paragraph","text":"В оригинале West-Briton, «западный британец» – одна из множества презрительных кличек ирландских приспешников англичан."},{"id":"id785:0","kind":"heading","text":"17"},{"id":"id785:1","kind":"paragraph","text":"Надпись красным карандашом – позднейшая, ибо в рукописи нет разделяющего пространства."},{"id":"id784:0","kind":"heading","text":"18"},{"id":"id784:1","kind":"paragraph","text":"Чурбан, неотесанный (ирл.)."},{"id":"id783:0","kind":"heading","text":"19"},{"id":"id783:1","kind":"paragraph","text":"Дублинский еженедельник на ирландском языке, полное название «Меч света» (An Claidheamh Soluis)."},{"id":"id782:0","kind":"heading","text":"20"},{"id":"id782:1","kind":"paragraph","text":"В этом месте на полях рукописи написана карандашом фраза для вставки после слова «оратор»: «предлагает ему виноград, “Я не ем мускатного винограда”», – но изменений текста, нужных для вставки, не сделано. Эта фраза встречается в гл. II «Портрета художника в юности»."},{"id":"id781:0","kind":"heading","text":"21"},{"id":"id781:1","kind":"paragraph","text":"Прекрасны те [предметы], что приятны для взгляда (лат.)."},{"id":"id780:0","kind":"heading","text":"22"},{"id":"id780:1","kind":"paragraph","text":"Для красоты потребны три вещи. […] Цельность, согласованность, ясность (лат.)."},{"id":"id779:0","kind":"heading","text":"23"},{"id":"id779:1","kind":"paragraph","text":"– И прибывает в Уиклоу в два часа."},{"id":"id779:2","kind":"paragraph","text":"– Это занимает чертовски долго […]"},{"id":"id779:3","kind":"paragraph","text":"– Когда […] на каком (лом. лат.) пароходе мы поедем? (фр.)"},{"id":"id779:4","kind":"paragraph","text":"– На каком пароходе? […] На «Королеве Морей» (лом. лат.)."},{"id":"id778:0","kind":"heading","text":"24"},{"id":"id778:1","kind":"paragraph","text":"– А вот оратор, который в дурном настроении."},{"id":"id778:2","kind":"paragraph","text":"– Вовсе нет. – Я думаю, что в дурном."},{"id":"id778:3","kind":"paragraph","text":"– Минимально."},{"id":"id778:4","kind":"paragraph","text":"– Я думаю, что ты треклятый лгун, поскольку лицо твое говорит, что ты в дурном настроении (лом. лат.)."},{"id":"id777:0","kind":"heading","text":"25"},{"id":"id777:1","kind":"paragraph","text":"Ты подвыпил? (лом. лат.)"},{"id":"id776:0","kind":"heading","text":"26"},{"id":"id776:1","kind":"paragraph","text":"Хорошо говорит. […] Он патриот (лом. лат.)."},{"id":"id775:0","kind":"heading","text":"27"},{"id":"id775:1","kind":"paragraph","text":"Свиные ножки (ирл., верное написание cruibins)."},{"id":"id774:0","kind":"heading","text":"28"},{"id":"id774:1","kind":"paragraph","text":"– Видите, лед на улице… в Ливерпуле (гэльск., нем. и лат., верное написание feuch)."},{"id":"id773:0","kind":"heading","text":"29"},{"id":"id773:1","kind":"paragraph","text":"«Дублинский вариант» Джейсус (Jaysus) включает игру слов: jay – модник, щеголь."},{"id":"id772:0","kind":"heading","text":"30"},{"id":"id772:1","kind":"paragraph","text":"Народное произношение названия графства Уиклоу."}],"toc":[{"id":"id7146:0:1","label":"Annotation","page":1,"pageUrl":"/books/0PwURIxV#reader-content"},{"id":"id7145:0:1","label":"Джеймс Джойс Дублинцы. 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