The Man That Corrupted Hadleyburg

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манипуляций.","Незнакомец использует репутацию города, чтобы запустить план обмана, оставив мешок с золотом и загадочное письмо.","Письмо содержит «тест», который должен подтвердить, кто дал незнакомцу двадцать долларов.","Общественный поиск благодетеля приводит к подозрениям, спорам и разрыву доверия между жителями.","Богатство и коррупция разрушают моральный фундамент общества.","Психологическое давление и страх разоблачения приводят к психическим расстройствам и трагическим последствиям.","Богатство может изменить личность и отношения, как показано в истории Ласки.","Христианская наука как псевдонаука, утверждающая, что боль и болезнь – иллюзии.","Роль воображения и веры в исцелении, а также критика эффективности «отсутствующего» лечения.","Финансовая модель «Eddy Trust» и её влияние на распространение учения.","Стремление Марка Твена к признанию как литературного деятеля и его первые публикации","Проблемы выживания и документирования в экстремальных условиях"]},{"key":"conclusion","title":"Вывод","body":"Книга приводит к выводу, что честность, критическое мышление и открытость необходимы для преодоления коррупции и манипуляций, иначе общество и индивиды страдают."},{"key":"audience","title":"Кому полезна","body":["Студенты истории","Политология","Журналистика","Литература","Широкая аудитория, интересующаяся этикой и психологией"]},{"key":"topics","title":"Главные темы","body":["Честность и коррупция","Критика религиозных учений","Журналистика и документирование","Дипломатия и парламентские конфликты","Война и личные испытания","Культурные и литературные влияния"]},{"key":"characters","title":"Персонажи","body":["Stephenson — Он символизирует коррупцию и манипуляцию. Участвует в обсуждении богатства Gretchen","Незнакомец — Человек, который знает о репутации Хэдлибурга и использует её, чтобы запустить план обмана.","Эдвард Ричардс — Он пытается справиться с чувством вины за получение денег и сталкивается с психическим истощением.","Мэри Ричардс — Она переживает страх разоблачения и пытается удержать семью.","Баркли Гудсон — Возможно, тот, кто дал незнакомцу двадцать долларов.","Бургесс — Он одновременно благодарит и обвиняет Ричардс.","Ласка — Она описывает богатство своего отца и свою любовь к Калуле.","Марк Твен — Стремится стать литературным деятелем, публикует статьи, записывает дневники, переживает выживание в открытом судне и отвечает на письмо юриста о причинах антисемитизма.","Капитан Джозеф Митчелл — Опытный моряк, организует спасение после пожара, руководит открытым судном.","Юрист — Американский юрист, задающий вопросы о роли и положении евреев.","Доктор Фуллер — Предоставляет «отсутствующее» лечение и объясняет теорию христианской науки.","Смит — Рассказывает историю о художниках и их планах."]},{"key":"quotes","title":"Цитаты","body":["Я благодарен Америке за то, что получил от неё, и особенно за доброту одного жителя Хэдлибурга.","Тест, который я провёл, звучал так: «Вы далеко от того, чтобы быть плохим человеком; идите и исправляйтесь».","Письмо Бургесс усиливает подозрения и приводит к психическому истощению Эдварда.","Богатство может изменить личность и отношения, как показано в истории Ласки.","«Нет такой вещи, как боль, болезнь и смерть».","«Science and Health with Key to the Scriptures».","«Я не давал банкет, я не давал банкет, я был литературным человеком, но это всё было погребено живой смертью»","«Семь дней, и мы будем в пути к островам, но мы будем в пути к островам, но мы будем в пути к островам»","«Еврей – это самый благородный из всех народов, его семья крепко связана любовью и уважением к старшим»","«Театр – это не только развлечение, но и способ передать глубокие философские идеи и ценности»"]}],"authorSummary":{"key":"authorSummary","title":"Сводка по автору из Wikidata","body":"1835–1910. Mark Twain. американский писатель, журналист и общественный деятель (1835–1910)"},"hasArtifacts":true,"canReadInApp":true,"readUrl":"https://web.bookra.app/?startapp=r_794551","artifactsUrl":"https://web.bookra.app/?startapp=b_794551","readCtaLabel":"Читать бесплатно","artifactsCtaLabel":"AI-разбор","appReadLinks":{"tg":"https://t.me/bookra_lib_bot/BookRa?startapp=r_794551","vk":"https://vk.com/app54470698#startapp=r_794551","max":"https://max.ru/id7751370047_bot?startapp=r_794551","web":"https://web.bookra.app/?startapp=r_794551"},"appAnalysisLinks":{"tg":"https://t.me/bookra_lib_bot/BookRa?startapp=b_794551","vk":"https://vk.com/app54470698#startapp=b_794551","max":"https://max.ru/id7751370047_bot?startapp=b_794551","web":"https://web.bookra.app/?startapp=b_794551"},"guestReaderUrl":"/books/0acb44IH?page=99#reader-content","authorCtaLabel":"Все книги автора","authorProtectedUrl":"/author/3f119bed-2a81-102a-9ae1-2dfe723fe7c7","readersCount":0,"adultLabel":"12+","yearLabel":null,"datePublished":null,"publisherLabel":null,"isbn":null,"oclc":null,"lccn":null,"partnerUrl":null,"accessNote":"Полный текст книги и AI-разбор откроются на защищенных страницах BookRa после входа."},"reader":{"page":99,"totalPages":100,"hasPrev":true,"hasNext":true,"prevPageUrl":"/books/0acb44IH?page=98#reader-content","nextPageUrl":"/books/0acb44IH?page=100#reader-content","progressLabel":"Страница 99 из 100","sections":[{"id":"id12:0","kind":"heading","text":"TO THE ABOVE OLD PEOPLE"},{"id":"id12:1","kind":"paragraph","text":"Sleep! for the Sun that scores another Day Against the Tale allotted You to stay, Reminding You, is Risen, and now Serves Notice—ah, ignore it while You stay! The chill Wind blew, and those who stood before The Tavern murmured, 'Having drunk his Score, Why tarries He with empty Cup? Behold, The Wine of Youth once poured, is poured no more 'Come, leave the Cup, and on the Winter's Snow Your Summer Garment of Enjoyment throw: Your Tide of Life is ebbing fast, and it, Exhausted once, for You no more shall flow.' While yet the Phantom of false Youth was mine, I heard a Voice from out the Darkness whine, 'O Youth, O whither gone? Return, And bathe my Age in thy reviving Wine.' In this subduing Draught of tender green And kindly Absinth, with its wimpling Sheen Of dusky half-lights, let me drown The haunting Pathos of the Might-Have-Been. For every nickeled Joy, marred and brief, We pay some day its Weight in golden Grief Mined from our Hearts. Ah, murmur not— From this one-sided Bargain dream of no Relief! The Joy of Life, that streaming through their Veins Tumultuous swept, falls slack—and wanes The Glory in the Eye—and one by one Life's Pleasures perish and make place for Pains. Whether one hide in some secluded Nook— Whether at Liverpool or Sandy Hook— 'Tis one. Old Age will search him out—and He—He—He—when ready will know where to look. From Cradle unto Grave I keep a House OF Entertainment where may drowse Bacilli and kindred Germs—or feed—or breed Their festering Species in a deep Carouse. Think—in this battered Caravanserai, Whose Portals open stand all Night and Day, How Microbe after Microbe with his Pomp Arrives unasked, and comes to stay. Our ivory Teeth, confessing to the Lust Of masticating, once, now own Disgust Of Clay-Plug'd Cavities—full soon our Snags Are emptied, and our Mouths are filled with Dust. Our Gums forsake the Teeth and tender grow, And fat, like over-riped Figs—we know The Sign—the Riggs' Disease is ours, and we Must list this Sorrow, add another Woe; Our Lungs begin to fail and soon we Cough, And chilly Streaks play up our Backs, and off Our fever'd Foreheads drips an icy Sweat— We scoffered before, but now we may not scoff. Some for the Bunions that afflict us prate Of Plasters unsurpassable, and hate To Cut a corn—ah cut, and let the Plaster go, Nor murmur if the Solace come too late. Some for the Honours of Old Age, and some Long for its Respite from the Hum And Clash of sordid Strife—O Fools, The Past should teach them what's to Come: Lo, for the Honours, cold Neglect instead! For Respite, disputatious Heirs a Bed Of Thorns for them will furnish. Go, Seek not Here for Peace—but Yonder—with the Dead. For whether Zal and Rustam heed this Sign, And even smitten thus, will not repine, Let Zal and Rustam shuffle as they may, The Fine once levied they must Cash the Fine. O Voices of the Long Ago that were so dear! Fall'n Silent, now, for many a Mould'ring Year, O whither are ye flown? Come back, And break my heart, but bless my grieving ear. Some happy Day my Voice will Silent fall, And answer not when some that love it call: Be glad for Me when this you note—and think I've found the Voices lost, beyond the Pall. So let me grateful drain the Magic Bowl That medicines hurt Minds and on the Soul The Healing of its Peace doth lay—if then Death claim me—Welcome be his Dole!"},{"id":"id12:2","kind":"paragraph","text":"SANNA, SWEDEN, September 15th."},{"id":"id12:3","kind":"paragraph","text":"Private.—If you don't know what Riggs's Disease of the Teeth is, the dentist will tell you. I've had it—and it is more than interesting. —M.T."},{"id":"id12:4","kind":"heading","text":"EDITORIAL NOTE"},{"id":"id12:5","kind":"paragraph","text":"Fearing that there might be some mistake, we submitted a proof of this article to the (American) gentlemen named in it, and asked them to correct any errors of detail that might have crept in among the facts. They reply with some asperity that errors cannot creep in among facts where there are no facts for them to creep in among; and that none are discoverable in this article, but only baseless aberrations of a disordered mind. They have no recollection of any such night in Boston, nor elsewhere; and in their opinion there was never any such night. They have met Mr. Twain, but have had the prudence not to intrust any privacies to him—particularly under oath; and they think they now see that this prudence was justified, since he has been untrustworthy enough to even betray privacies which had no existence. Further, they think it a strange thing that Mr. Twain, who was never invited to meddle with anybody's boyhood dreams but his own, has been so gratuitously anxious to see that other people's are placed before the world that he has quite lost his head in his zeal and forgotten to make any mention of his own at all. Provided we insert this explanation, they are willing to let his article pass; otherwise they must require its suppression in the interest of truth."},{"id":"id12:6","kind":"paragraph","text":"P.S.—These replies having left us in some perplexity, and also in some fear lest they distress Mr. Twain if published without his privity, we judged it but fair to submit them to him and give him an opportunity to defend himself. But he does not seem to be troubled, or even aware that he is in a delicate situation. He merely says: 'Do not worry about those former young people. They can write good literature, but when it comes to speaking the truth, they have not had my training.—MARK TWAIN.' The last sentence seems obscure, and liable to an unfortunate construction. It plainly needs refashioning, but we cannot take the responsibility of doing it.—EDITOR."}],"toc":[{"id":"id148:0:1","label":"THE MAN THAT CORRUPTED HADLEYBURG AND OTHER STORIES By Mark Twain","page":1,"pageUrl":"/books/0acb44IH#reader-content"},{"id":"id147:0:1","label":"THE MAN THAT CORRUPTED HADLEYBURG","page":1,"pageUrl":"/books/0acb44IH#reader-content"},{"id":"id146:0:1","label":"I","page":1,"pageUrl":"/books/0acb44IH#reader-content"},{"id":"id145:0:4","label":"II","page":4,"pageUrl":"/books/0acb44IH?page=4#reader-content"},{"id":"id144:0:7","label":"III","page":7,"pageUrl":"/books/0acb44IH?page=7#reader-content"},{"id":"id143:0:13","label":"IV","page":13,"pageUrl":"/books/0acb44IH?page=13#reader-content"},{"id":"id142:0:15","label":"MY FIRST LIE, AND HOW I GOT OUT OF IT","page":15,"pageUrl":"/books/0acb44IH?page=15#reader-content"},{"id":"id141:0:17","label":"THE ESQUIMAUX MAIDEN'S ROMANCE","page":17,"pageUrl":"/books/0acb44IH?page=17#reader-content"},{"id":"id140:0:22","label":"CHRISTIAN SCIENCE AND THE BOOK OF MRS. EDDY","page":22,"pageUrl":"/books/0acb44IH?page=22#reader-content"},{"id":"id139:0:22","label":"I","page":22,"pageUrl":"/books/0acb44IH?page=22#reader-content"},{"id":"id138:0:23","label":"II","page":23,"pageUrl":"/books/0acb44IH?page=23#reader-content"},{"id":"id137:0:25","label":"III","page":25,"pageUrl":"/books/0acb44IH?page=25#reader-content"},{"id":"id136:0:26","label":"IV","page":26,"pageUrl":"/books/0acb44IH?page=26#reader-content"},{"id":"id135:0:27","label":"V","page":27,"pageUrl":"/books/0acb44IH?page=27#reader-content"},{"id":"id134:0:28","label":"VI","page":28,"pageUrl":"/books/0acb44IH?page=28#reader-content"},{"id":"id133:0:30","label":"VII","page":30,"pageUrl":"/books/0acb44IH?page=30#reader-content"},{"id":"id132:0:32","label":"VIII","page":32,"pageUrl":"/books/0acb44IH?page=32#reader-content"},{"id":"id131:0:35","label":"IS HE LIVING OR IS HE DEAD?","page":35,"pageUrl":"/books/0acb44IH?page=35#reader-content"},{"id":"id130:0:37","label":"MY DEBUT AS A LITERARY PERSON","page":37,"pageUrl":"/books/0acb44IH?page=37#reader-content"},{"id":"id129:0:46","label":"AT THE APPETITE-CURE","page":46,"pageUrl":"/books/0acb44IH?page=46#reader-content"},{"id":"id128:0:46","label":"I","page":46,"pageUrl":"/books/0acb44IH?page=46#reader-content"},{"id":"id127:0:48","label":"II","page":48,"pageUrl":"/books/0acb44IH?page=48#reader-content"},{"id":"id126:0:49","label":"CONCERNING THE JEWS","page":49,"pageUrl":"/books/0acb44IH?page=49#reader-content"},{"id":"id125:0:55","label":"FROM THE 'LONDON TIMES' OF 1904","page":55,"pageUrl":"/books/0acb44IH?page=55#reader-content"},{"id":"id124:0:55","label":"I Correspondence of the 'London Times' Chicago, April 1, 1904.","page":55,"pageUrl":"/books/0acb44IH?page=55#reader-content"},{"id":"id123:0:58","label":"II Correspondence of the 'London Times' Chicago, April 5, 1904","page":58,"pageUrl":"/books/0acb44IH?page=58#reader-content"},{"id":"id122:0:58","label":"III Correspondence of the 'London Times' Chicago, April 23, 1904","page":58,"pageUrl":"/books/0acb44IH?page=58#reader-content"},{"id":"id121:0:58","label":"ABOUT PLAY-ACTING","page":58,"pageUrl":"/books/0acb44IH?page=58#reader-content"},{"id":"id120:0:58","label":"I","page":58,"pageUrl":"/books/0acb44IH?page=58#reader-content"},{"id":"id119:0:61","label":"II","page":61,"pageUrl":"/books/0acb44IH?page=61#reader-content"},{"id":"id118:0:61","label":"TRAVELLING WITH A REFORMER","page":61,"pageUrl":"/books/0acb44IH?page=61#reader-content"},{"id":"id117:0:66","label":"DIPLOMATIC PAY AND CLOTHES","page":66,"pageUrl":"/books/0acb44IH?page=66#reader-content"},{"id":"id116:0:69","label":"LUCK","page":69,"pageUrl":"/books/0acb44IH?page=69#reader-content"},{"id":"id115:0:70","label":"THE CAPTAIN'S STORY","page":70,"pageUrl":"/books/0acb44IH?page=70#reader-content"},{"id":"id114:0:72","label":"STIRRING TIMES IN AUSTRIA","page":72,"pageUrl":"/books/0acb44IH?page=72#reader-content"},{"id":"id113:0:72","label":"I. THE GOVERNMENT IN THE FRYING-PAN.","page":72,"pageUrl":"/books/0acb44IH?page=72#reader-content"},{"id":"id112:0:74","label":"II. A MEMORABLE SITTING.","page":74,"pageUrl":"/books/0acb44IH?page=74#reader-content"},{"id":"id111:0:77","label":"III.—CURIOUS PARLIAMENTARY ETIQUETTE.","page":77,"pageUrl":"/books/0acb44IH?page=77#reader-content"},{"id":"id110:0:80","label":"IV.—THE HISTORIC CLIMAX","page":80,"pageUrl":"/books/0acb44IH?page=80#reader-content"},{"id":"id19:0:82","label":"PRIVATE HISTORY OF THE 'JUMPING FROG' STORY","page":82,"pageUrl":"/books/0acb44IH?page=82#reader-content"},{"id":"id19:14:83","label":"(Translation.)","page":83,"pageUrl":"/books/0acb44IH?page=83#reader-content"},{"id":"id19:15:83","label":"THE ATHENIAN AND THE FROG.( 1)","page":83,"pageUrl":"/books/0acb44IH?page=83#reader-content"},{"id":"id19:18:83","label":"FROM 'THE CELEBRATED JUMPING FROG OF CALAVERAS COUNTY'","page":83,"pageUrl":"/books/0acb44IH?page=83#reader-content"},{"id":"id19:36:84","label":"(My Retranslation.)","page":84,"pageUrl":"/books/0acb44IH?page=84#reader-content"},{"id":"id19:37:84","label":"THE FROG JUMPING OF THE COUNTY OF CALAVERAS","page":84,"pageUrl":"/books/0acb44IH?page=84#reader-content"},{"id":"id18:0:85","label":"MY MILITARY CAMPAIGN","page":85,"pageUrl":"/books/0acb44IH?page=85#reader-content"},{"id":"id17:0:92","label":"MEISTERSCHAFT","page":92,"pageUrl":"/books/0acb44IH?page=92#reader-content"},{"id":"id16:0:92","label":"ACT I. 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