Alonzo Fitz, and Other Stories

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(телефон) как средство связи и защиты","Чрезмерная благосклонность может обернуться хаосом и трагедией.","Идеалы доброты часто скрывают скрытые мотивы и личные выгоды.","Абсурд и ирония в человеческих поступках служат критикой романтизированного альтруизма.","Показывается, как идеалы благотворительности могут привести к личной изнурённости и разочарованию.","Правильный выбор спасает жизнь и благополучие.","Символика животных как хранителей судьбы.","Роль детей и будущего в обществе.","Непредсказуемость погоды и её влияние на жизнь."]},{"key":"conclusion","title":"Вывод","body":"Книга приводит к выводу, что искренность и честность важнее обмана, а идеалы благотворительности могут обернуться трагедией, если не учитывать скрытые мотивы"},{"key":"audience","title":"Кому полезна","body":["Любители художественной литературы","Интересующиеся психологией и культурными темами","Студенты литературы"]},{"key":"topics","title":"Главные темы","body":["Любовь и честность","Идеалы благотворительности 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Мелтон Харграв — Обещает защитить музыку от кражи, но его изобретение задерживается","Благосклонный врач — Лекарь, который лечит пуделя и становится жертвой цепочки благодарностей.","Снодграсс — Помогает молодому автору, но в итоге становится бременем.","Снагсби — Ищет признания, получает помощь, но в итоге становится знаменитостью.","Молодой герой (William Ferguson) — Спасает мальчика, получает награду, но сталкивается с семейными трагедиями.","Butterworth Stavely — Пытается подорвать власть на острове Питкэрн, становится императором, но его правление заканчивается восстанием.","Хуберт — Добрый и благородный правитель, чья жизнь спасает певчий зверь.","Ночной соловей — Певчий зверь, выбранный королём по пророчеству."]},{"key":"quotes","title":"Цитаты","body":["«Тот часовой механизм снова ошибается. Он почти всегда знает, что время, и когда знает, он лжет о нем»","«Я люблю тебя, и чувствую к тебе. Расскажи мне всё. Доверься мне»","Beware of the books. 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I never allow a servant to—Oh, confound that idiot, he's got the keys. Can't get into the other rooms without the keys.\""},{"id":"id11:18","kind":"paragraph","text":"(I was just wondering at his intrepidity in still keeping up the delusion of the champagne, and trying to imagine how he was going to get out of the difficulty.)"},{"id":"id11:19","kind":"paragraph","text":"Now he stopped calling Sackville and began to call \"Anglesy.\" But Anglesy didn't come. He said, \"This is the second time that that equerry has been absent without leave. To-morrow I'll discharge him.\" Now he began to whoop for \"Thomas,\" but Thomas didn't answer. Then for \"Theodore,\" but no Theodore replied."},{"id":"id11:20","kind":"paragraph","text":"\"Well, I give it up,\" said Rogers. \"The servants never expect me at this hour, and so they're all off on a lark. Might get along without the equerry and the page, but can't have any wine or cigars without the butler, and can't dress without my valet.\""},{"id":"id11:21","kind":"paragraph","text":"I offered to help him dress, but he would not hear of it; and besides, he said he would not feel comfortable unless dressed by a practised hand. However, he finally concluded that he was such old friends with the Earl that it would not make any difference how he was dressed. So we took a cab, he gave the driver some directions, and we started. By and by we stopped before a large house and got out. I never had seen this man with a collar on. He now stepped under a lamp and got a venerable paper collar out of his coat pocket, along with a hoary cravat, and put them on. He ascended the stoop, and entered. Presently he reappeared, descended rapidly, and said:"},{"id":"id11:22","kind":"paragraph","text":"\"Come—quick!\""},{"id":"id11:23","kind":"paragraph","text":"We hurried away, and turned the corner."},{"id":"id11:24","kind":"paragraph","text":"\"Now we're safe,\" he said, and took off his collar and cravat and returned them to his pocket."},{"id":"id11:25","kind":"paragraph","text":"\"Made a mighty narrow escape,\" said he."},{"id":"id11:26","kind":"paragraph","text":"\"How?\" said I."},{"id":"id11:27","kind":"paragraph","text":"\"B' George, the Countess was there!\""},{"id":"id11:28","kind":"paragraph","text":"\"Well, what of that?—don't she know you?\""},{"id":"id11:29","kind":"paragraph","text":"\"Know me? Absolutely worships me. I just did happen to catch a glimpse of her before she saw me—and out I shot. Haven't seen her for two months—to rush in on her without any warning might have been fatal. She could not have stood it. I didn't know she was in town—thought she was at the castle. Let me lean on you—just a moment—there; now I am better—thank you; thank you ever so much. Lord bless me, what an escape!\""},{"id":"id11:30","kind":"paragraph","text":"So I never got to call on the Earl, after all. But I marked the house for future reference. It proved to be an ordinary family hotel, with about a thousand plebeians roosting in it."},{"id":"id11:31","kind":"paragraph","text":"In most things Rogers was by no means a fool. In some things it was plain enough that he was a fool, but he certainly did not know it. He was in the \"deadest\" earnest in these matters. He died at sea, last summer, as the \"Earl of Ramsgate.\""}],"toc":[{"id":"id118:0:1","label":"ALONZO FITZ AND OTHER STORIES by Mark Twain","page":1,"pageUrl":"/books/29HS7Q85#reader-content"},{"id":"id117:0:1","label":"THE LOVES OF ALONZO FITZ CLARENCE AND ROSANNAH ETHELTON","page":1,"pageUrl":"/books/29HS7Q85#reader-content"},{"id":"id116:0:3","label":"II","page":3,"pageUrl":"/books/29HS7Q85?page=3#reader-content"},{"id":"id115:0:4","label":"III","page":4,"pageUrl":"/books/29HS7Q85?page=4#reader-content"},{"id":"id114:0:5","label":"IV","page":5,"pageUrl":"/books/29HS7Q85?page=5#reader-content"},{"id":"id113:0:6","label":"ON THE DECAY OF THE ART OF LYING","page":6,"pageUrl":"/books/29HS7Q85?page=6#reader-content"},{"id":"id112:0:8","label":"ABOUT MAGNANIMOUS-INCIDENT LITERATURE","page":8,"pageUrl":"/books/29HS7Q85?page=8#reader-content"},{"id":"id112:2:8","label":"THE GRATEFUL POODLE","page":8,"pageUrl":"/books/29HS7Q85?page=8#reader-content"},{"id":"id112:4:8","label":"SEQUEL","page":8,"pageUrl":"/books/29HS7Q85?page=8#reader-content"},{"id":"id112:10:9","label":"THE BENEVOLENT AUTHOR","page":9,"pageUrl":"/books/29HS7Q85?page=9#reader-content"},{"id":"id112:13:9","label":"SEQUEL","page":9,"pageUrl":"/books/29HS7Q85?page=9#reader-content"},{"id":"id112:17:9","label":"THE GRATEFUL HUSBAND","page":9,"pageUrl":"/books/29HS7Q85?page=9#reader-content"},{"id":"id111:0:10","label":"PUNCH, BROTHERS, PUNCH","page":10,"pageUrl":"/books/29HS7Q85?page=10#reader-content"},{"id":"id110:0:12","label":"THE GREAT REVOLUTION IN PITCAIRN","page":12,"pageUrl":"/books/29HS7Q85?page=12#reader-content"},{"id":"id19:0:16","label":"THE CANVASSER'S TALE","page":16,"pageUrl":"/books/29HS7Q85?page=16#reader-content"},{"id":"id18:0:18","label":"AN ENCOUNTER WITH AN INTERVIEWER","page":18,"pageUrl":"/books/29HS7Q85?page=18#reader-content"},{"id":"id17:0:19","label":"PARIS NOTES","page":19,"pageUrl":"/books/29HS7Q85?page=19#reader-content"},{"id":"id16:0:20","label":"LEGEND OF SAGENFELD, IN GERMANY","page":20,"pageUrl":"/books/29HS7Q85?page=20#reader-content"},{"id":"id15:0:21","label":"II","page":21,"pageUrl":"/books/29HS7Q85?page=21#reader-content"},{"id":"id14:0:22","label":"SPEECH ON THE BABIES","page":22,"pageUrl":"/books/29HS7Q85?page=22#reader-content"},{"id":"id13:0:23","label":"SPEECH ON THE WEATHER AT THE NEW ENGLAND SOCIETY'S SEVENTY-FIRST ANNUAL DINNER, NEW YORK CITY","page":23,"pageUrl":"/books/29HS7Q85?page=23#reader-content"},{"id":"id12:0:24","label":"CONCERNING THE AMERICAN LANGUAGE —","page":24,"pageUrl":"/books/29HS7Q85?page=24#reader-content"},{"id":"id11:0:25","label":"ROGERS","page":25,"pageUrl":"/books/29HS7Q85?page=25#reader-content"}]},"similarBooks":[{"idCatalog":787516,"shortId":"038AHbna","title":"Человек-зверь","authorLine":"Эмиль Золя, В. 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